Morgan Fisher

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Morgan Fisher
Background information
Birth nameStephen Morgan Fisher
Born (1950-01-01) 1 January 1950 (age 73)
Middlesex Hospital, London, England
Years active1960s–present

Stephen Morgan Fisher (born 1 January 1950) is an English keyboard player and composer, and is most known as a member of Mott the Hoople in the early 1970s. However, his career has covered a wide range of musical activities, and he is still active in the music industry. In recent years he has expanded into photography.

Early life[edit]

Fisher was born on 1 January 1950 in Middlesex Hospital, London. His parents were school teachers and until 1952 lived in Robert Adam Street, London W1, then until 1958 in a council flat in Bridgeman Street, London NW8, then until 1973 in Holly Park, Finchley, London N3.



From 1966 to 1970, he played the organ with the soul/pop band The Soul Survivors, who in 1967 renamed themselves Love Affair. They had a number one hit single in 1968 with "Everlasting Love", while Fisher was taking a break from the band to complete his final year at Hendon County Grammar school. Between 1972 and 1973 he formed the progressive rock band called Morgan, with singer Tim Staffell (the lead singer of the band Smile, who later became Queen).[1]

From 1973 to 1976, after a brief liaison with Third Ear Band, he joined British rock band Mott the Hoople.[2] Meanwhile, Fisher contributed keyboards to John Fiddler's Medicine Head, and when Mott folded, Fisher invited Fiddler to join the remaining members of Mott in what would become British Lions.[2] From 1977 to 1979 the Lions recorded two albums, and three singles: Kim Fowley's "International Heroes", Garland Jeffries' "Wild in the Streets", and Fiddler's own "One More Chance to Run".

Fisher at bottom middle with Mott the Hoople in a 1974 trade ad

In 1978 in his home studio in Notting Hill, Fisher started an intense two-year burst of activity with four iconoclastic solo projects, all released on the new indie label Cherry Red Records. 1979's Hybrid Kids – A Collection of Classic Mutants featured art-punk arrangements of hit songs, posing as a dozen indie bands, who were in fact, all Fisher, playing keys, bass, guitar and singing. A sequel, a Christmas album called Claws, came out in 1980. Fisher's first foray into ambient music came out the same year, the sublime Slow Music in which he looped and processed a performance by sax supremo Lol Coxhill. Also in 1980, Fisher conceived and produced the unique Miniatures – a sequence of fifty-one tiny masterpieces album (51 one-minute tracks by Robert Fripp, Gavin Bryars, Michael Nyman, The Pretenders, XTC, Penguin Cafe Orchestra, Robert Wyatt, Ivor Cutler, The Damned, etc.)[2] A sequel was released in 2000. Miniatures 2020 – a 40th anniversary tribute album produced by other artists – was released in 2021.

In addition he played with Queen on their 1982 tour of Europe, the first time they added an extra musician to their live shows. Freddie Mercury can be seen humorously introducing him to the audience before the band's performance of "Crazy Little Thing Called Love", on the band's Queen on Fire – Live at the Bowl album.

Fisher shared a flat with Mott the Hoople guitarist Mick Ralphs in Rusthall Avenue in Chiswick in 1973, then in 1976 moved to Canada Road, Acton, London and in 1978 to Linden Gardens in Notting Hill. Burnt out after his two-year burst of solo recordings, he then took a small break travelling around the world, which led to moving to Japan in 1984. There, he started to make ambient and improvised music, as well as becoming a successful TV commercial music composer, including songs written or arranged for Cat Power, Karin Krog, José Feliciano, Zap Mama and Swing Out Sister. Japanese artists he has worked with include Yoko Ono, Dip in the Pool, The Boom, Heat Wave, Shoukichi Kina, and Haruomi Hosono from Yellow Magic Orchestra.[3] He also scored the Japanese anime/live-action hybrid film Twilight of the Cockroaches (1987) and the documentary A Zen Life: D.T. Suzuki (2006).[4]

Starting in November 2003, Morgan performed 100 monthly solo improvisation concerts at the cutting-edge arts/music club Superdeluxe, in Roppongi, Tokyo. He called this concert series "Morgan's Organ", and has started to release live recordings of the series as downloads.[5] The series ended in March 2013 and has been continued as "Morgan's Organ at Home" at his personal studio in Tokyo since June 2013. There he also began to host a series of "Morgan Salon" events inspired by the salon events in Paris in the 1920s, featuring creative individuals from other disciplines such as photography, poetry, Japanese traditional music, and sake-making.

In 2005, he collaborated with German musician Hans-Joachim Roedelius (of Cluster and Harmonia) on the ambient album Neverless (on the Klanggalerie label).


Fisher has maintained a lifelong interest in photography and in recent years has been holding an increasing number of solo exhibitions of his work in Japan and abroad. He has evolved a technique of abstract photography which he calls Light Art, influenced by the photograms of Man Ray and László Moholy-Nagy, by pendulum-created harmonographs, and in particular by the abstract cinema of Len Lye, Norman McLaren and Oskar Fischinger.[6] Unlike most so-called "light painting," where images are created by "drawing" with flashlights, etc., in front of a camera with an open shutter, Fisher's light artworks are in the main created by moving the camera in front of various natural and man-made light sources (fireworks, sunlight on water, city illuminations, etc.). Many of his light artworks may be seen at his morganfisherart website. Victor Magazine, a prestigious large-format hardback magazine produced by Hasselblad, included a 20-page feature on Morgan's light art in their 3rd issue, alongside a feature on David Lynch. His light art was featured in the booklet of his March 2009 album release Non Mon, a collection of his most well-known TV commercial compositions (Japan, DefSTAR/Sony Records).[7] Fisher's solo exhibitions include:

  • 1980 Institute of Contemporary Art, London
  • 1987 NTT (Nippon Telephone) Gallery, Tokyo
  • 1988 Roppongi Wave, Tokyo
  • 1989 Striped House Gallery, Tokyo
  • 2003 Uplink Gallery, Tokyo
  • 2007 Superdeluxe, Tokyo
  • 2007 Cool Train Gallery, Tokyo
  • 2009 Superdeluxe, Tokyo
  • 2010 Gallery Bauhaus, Tokyo
  • 2010 Blue-T Gallery, Tokyo
  • 2010 Gallery Cosmos, Tokyo
  • 2011 Winfield Gallery, Carmel CA
  • 2011 Fire King Cafe, Tokyo
  • 2011 Gallery Box, Yokohama
  • 2012 Foreign Correspondents' Club, Tokyo
  • 2013 Hard Rock Hotel, Las Vegas
  • 2013 Hasselblad Gallery
  • 2014 Kid Ailack Art Hall, Tokyo
  • 2015 Fire King Cafe, Tokyo
  • 2019 Plate Tokyo

Personal life[edit]

In the late 70s/early 80s, Fisher took a three-year "sabbatical", spending time in India, Belgium, and the US, studying meditation, vegetarianism and macrobiotics. This led to his 1984 move to Japan, where he still lives.


Solo / duo[edit]

  • 1973 Centuri Maya Nexus
  • 1979 Hybrid Kids 1
  • 1980 Hybrid Kids – Claws: The Christmas Album
  • 1980 Lol Coxhill/Morgan Fisher – Slow Music
  • 1983 Seasons
  • 1983 Morgan Fisher/John White – Play Loud / Play Quiet
  • 1984 Ivories
  • 1984 Look at Life
  • 1985 Inside Satie
  • 1985 Water Music
  • 1987 Flow Overflow
  • 1987 Life Under the Floor: Soundtrack to "Twilight of the Cockroaches"
  • 1988 Peace in the Heart of the City
  • 1989 Outer Beauty, Inner Mystery
  • 1990 Echoes of Lennon
  • 1992 Re-Lax
  • 1992 Re-Fresh
  • 1992 Re-Charge
  • 1994 Rebalance
  • 1995 Refresh (new version)
  • 1996 Relax (new version)
  • 1996 Recharge (new version)
  • 1998 Flower Music
  • 1999 Peace in the Heart of the City (new version)
  • 1999 Remix (remixed selections from Re series)
  • 2005 Roedelius & Morgan Fisher – Neverless
  • 2009 Non Mon
  • 2011 The Great White Obi
  • 2014 Heartmuse


  • 1980 Miniatures: A Sequence of Fifty-One Tiny Masterpieces
  • 1998 Echoes of a City Life (selections from Life Under the Floor, Peace in the Heart of the City and Echoes of Lennon)
  • 2000 Miniatures 2: A Sequence of Sixty Tiny Masterpieces

with Love Affair[edit]

with Morgan[edit]

  • 1972 Nova Solis
  • 1973 The Sleeper Wakes (a.k.a. Brown Out, unreleased until 1976)

with Mott the Hoople[edit]

with Mott[edit]

with British Lions[edit]

with Tiswas[edit]

  • 1980 Tiswas Presents the Four Bucketeers

with the Witch Trials[edit]

  • 1981 The Witch Trials [EP]

with Portmanteau[edit]

  • 2013 Portmanteau (with Tatsuji Kimura & Toshiyuki Yasuda)

with Tom Guerra[edit]

  • 2014 All of the Above
  • 2016 Trampling Out the Vintage
  • 2018 American Garden
  • 2020 Sudden Signs of Grace


  1. ^ Ankeny, Jason (1 January 1950). "Morgan Fisher". AllMusic. Retrieved 3 January 2012.
  2. ^ a b c Colin Larkin, ed. (1992). The Guinness Who’s Who of Indie and New Wave Music (First ed.). Guinness Publishing. p. 112. ISBN 0-85112-579-4.
  3. ^ "Online". Retrieved 3 January 2012.
  4. ^ "Morgan Fisher". IMDb. Retrieved 25 March 2013.
  5. ^ "Online". Retrieved 3 January 2012.
  6. ^ "Morgan Fisher Interview". 5 August 2010. Archived from the original on 1 January 2011.
  7. ^ "Online". Retrieved 3 January 2012.

External links[edit]