|Cover artist||David Frankland|
|Series||Mortal Engines Quartet|
|Genre||Youth Fiction 12 and up. Young Adult/Teen Science fiction|
|Media type||Print (hardback and paperback)|
|Followed by||Predator's Gold|
Mortal Engines is the first of four novels in Philip Reeve's quartet of the same name. The book focuses on a futuristic, steampunk version of London, now a giant machine striving to survive on a world running out of resources. The book has won a Nestlé Smarties Book Prize and was shortlisted for the 2002 Whitbread Award.
The book is set in a post-apocalyptic world, ravaged by a "Sixty Minute War", which caused massive geological upheaval. To escape the earthquakes, volcanoes, and other instabilities, a Nomad leader called Nikola Quercus installed huge engines and wheels on London, making it the first Traction Cities. The technology rapidly spread and many cities tractionized to avoid being "eaten" and this system became known as "Municipal Darwinism". Although the planet has since become stable, Municipal Darwinism has spread to most of the world except for Asia and parts of Africa, much technological and scientific knowledge was lost during the war, and scientific progress has almost completely halted, "Old Tech" is highly prized and recovered by scavengers and archeologists. Europe, some of Asia, North Africa, Antarctica and the Arctic are dominated by Traction Cities, North America was so ravaged by the war that it's referred to as "the dead continent", and the rest of the world is the stronghold of the Anti-Traction League, which seeks to keep cities from moving and thus stop the intense consumption of the planet's remaining resources.
London is the principal Traction City in the novel, which has returned to a Victorian-era society. London's society is divided into four major and a number of minor Guilds. The Engineers are responsible for maintaining the machines necessary for the survival of London, many of which are found by the Guild of Historians. The Historians are in charge of collecting and preserving highly prized, often dangerous, ancient artifacts. The Navigators are responsible for steering and plotting the course of London. The Merchants are in charge of running London's economy. London is officially ruled by an elected Mayor. The Lord Mayor is Magnus Crome, who is also the head of the Guild of Engineers. Like most Traction Cities, London is built on a series of tiers. This encourages the system of social classes, with the wealthier nobles at the top of the city and the lower classes further down, closer to the noise and pollution of the city's massive engines. Atop the whole of London sits St Paul's Cathedral: the only building known to have survived the Sixty Minute War.
Explanation of the novel's title
The title is a quotation from Act III, Scene iii of William Shakespeare's play Othello ("Othello: And O you mortal engines whose rude throats / Th'immortal Jove's dread clamors counterfeit..." - Line 352). It refers to the fact that the society of Municipal Darwinism is not sustainable living and that the cities' engines are indeed mortal.
Tom, an apprentice in the Guild of Historians on board London saves Head Historian Thaddeus Valentine from an attempt on his life by the mysterious Hester Shaw, only to find himself thrown from the city and stranded with Hester in the Out Country. As they struggle to follow the tracks of the city, the sinister plans of London's leaders begin to unfold and their quest becomes a race against time to save not only London, but the world.
Philip Reeve has stated that his plans to write a science fiction novel were laid in the late 1980s.
The original drafts were intended to be an adult novel, but after several rejections Scholastic said they might be interested in Mortal Engines as a children's story. In the refactoring the story was simplified, removing several characters and much content Reeve thought would not be interesting to children (city politics).
The Mortal Engines world was originally written as an alternate universe in the early 1900s, but Reeve says this turned out to require just too much explaining as how and where history could have diverged.
- Miska, Brad (22 December 2009). "Peter Jackson Sets Sights on Post-Apocalyptic Terror". Bloody Disgusting.
- "The Mortal Engines Quartet…". Philip-Reeve.com.
- SFFS Guest Talk - Philip Reeve. youtube.com (Nottingham University: Science Fiction & Fantasy Society).
- Chapman, Katie (22 December 2009). "Peter Jackson to adapt sci-fi series". The Dominion Post. Retrieved 26 October 2011.
- Official Website
- The Alien Online review
- Greenman Review
- SF Site review
- Reading Matters review
- Book Club review