Music for Pleasure (record label)

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Music for Pleasure (or MFP) and Classics for Pleasure (CFP) were record labels that issued budget-priced albums of popular and classical music respectively. Albums were subsequently released under the MFP label in Australia (MFP-A) and South Africa.

MFP was set up in 1965 as a joint venture between EMI, which provided the source material, and the publisher Paul Hamlyn, which handled distribution in so-called non-traditional outlets, such as W.H. Smith, the booksellers. The MFP catalogue consisted of both original material and reissues of existing EMI recordings, including records by "name" artists such as the Beach Boys, Blondie, Pink Floyd, Jimi Hendrix, the Animals and the Beatles.

Original material included studio recordings of successful West End musicals, the first of which were recorded secretly for EMI by the young independent producer David Gooch (later producing Alma Cogan and Vera Lynn) who was given carte blanche to select three productions: these were South Pacific, Carousel and The Sound of Music, the last of which sold 250,000 copies. These albums were also manufactured for the Regal label in Canada. Some years later, they were re-recorded by Norman Newell.

In 1995, the management team led by Roger Woodhouse was re-structured and Music For Pleasure became a sub label of the newly launched EMI Gold headed up by Paul Holland. The label continued to enjoy success with releases from classic artists such as Shirley Bassey, Nat King Cole, Cliff Richard, Dean Martin and even Classic Sing-A-Long Party CDs. In 1999 when Paul Holland left to join Granada, Steve Woof took over the running of the label which continues to be one of the major forces in low price music.

Fame was a sub-label of MFP in the '80s, which reissued albums from Queen, Paul McCartney, Marillion, and other successful EMI artists. The affiliated label Disky from the Netherlands was also licensed to rerelease various EMI and King Biscuit Flower Hour releases in Europe.

The label was revived by EMI as a budget reissue label in the UK. One release was of Frank Sinatra.

Public perception[edit]

Similar in business model to the American Pickwick Records it would often attract attention due to the soundalike records it produced.

Notable releases[edit]

  • The Pink Floyd compilation Relics was reissued on the MFP label as MFP 50397.
  • Adamo compilation The Number One Continental Singer printed in 1967 UK - MFP label as MFP 1332.
  • Kenny Rogers's second solo album was issued on MFP in the late 1980s, after the United Artists/Liberty labels deleted a lot of their albums. This was one of the few albums from that label to remain in print.
  • Roger Whitaker released a record of children's songs titled The Magical World of Roger Whitaker that contained his well known version of "Puff the Magic Dragon".
  • The Beatles compilation double album, Rock 'n' Roll Music, was reissued on the Music for Pleasure label in 1980 as two separate single albums (MFP 50506 and MFP 50507). The live album The Beatles at the Hollywood Bowl was reissued on MFP in 1984.
  • Several solo Beatles albums were issued on MFP: John Lennon's Mind Games and Rock 'n' Roll; George Harrison's Dark Horse and The Best of George Harrison, and Ringo Starr's Ringo and Blast From Your Past.
  • The Beach Boys album Pet Sounds was released on MFP in Australia as The Fabulous Beach Boys (MFP A8090). Smiley Smile was also released as The Beach Boys or Good Vibrations (MFP A8138) the following year.
  • In 1971, MFP issued compilations of the work of producer Mickie Most including The Most of The Animals (MFP 5218) and The Most of Herman's Hermits (MFP 5216). Both of these albums reached the top 20, the Herman's Hermits album becoming their highest charting album in the UK.
  • The 1972 MFP compilation Spirit Of Rock: The Probe Sampler contained licensed recordings from the Probe label, notably including the song Dallas by Steely Dan, which never appeared on an album or compilation. It was only otherwise available as a promo single at the time and years later on the EP Plus Fours. The cover of Spirit Of Rock claims that the song is taken from their first album Can't Buy A Thrill, but it was ultimately not included by the time the album came out later that year. The included version of Dallas is a fake stereo version made from the mono single version, and this mix remains exclusive to the compilation to this day.
  • In parallel with the Top of the Pops albums issued by Pickwick, MFP issued a series of LPs in the early 1970s containing anonymous cover versions of current hits. Called "Hot Hits", the series ran to 20 before folding. They were eligible for listing in the UK LP charts for a few months in 1971, and four charted: Volume 5 registered for a solitary week at number 48, as sales were dwindling; Volume 6 topped the album charts for a week in August, and volumes 7 and 8 peaked at 3 and 2 respectively. Thereafter the albums were disqualified again. MFP also issued a plethora of spin-offs based on the 'hits' theme (e.g. "Smash Hits", "Hit Hits", "Soul Hits" MFP 1280, "Million Seller Hits" etc.) "Hot Hits 6" remains MFP's most successful release on chart, and their only number 1 album. One compilation which was of good quality is called 'Junior Hits.' It contained excellent songs by Jimmy Webb and Rolf Harris, and sold well in 1970.
  • In 1980, MFP released the song “There's No One Quite Like Grandma” by the St Winifred's School Choir; the song went on to become Christmas Number One that year, beating out the Christmas standard “Stop the Cavalry” and songs by the recently deceased John Lennon.
  • It is probable that the last MFP recording ever was organised by Steve Woof and Jackie Fisher of EMI Gold, it was a Steve Deakin-Davies CD called " Geoff Parnell,"Cheesy Easy Listening", The Brit Pop Years". CD MFP 6226, ref 7243 8 52593 2 6. EMI records Ltd (c) 1996
  • A further Geoff Parnell album called "Spy seeker", covering famous easy listening hits by Frank Sinatra, Andy Williams, Burt Bacharach and Geoff Loves orchestra was not released.

Cheesy easy listening had its own retail POS ads at HMV records and was featured in a display at the reception of Abbey Road studios.

See also[edit]

External links[edit]