Music for the Royal Fireworks
The Music for the Royal Fireworks (HWV 351) is a suite for wind instruments composed by George Frideric Handel in 1749 under contract of George II of Great Britain for the fireworks in London's Green Park on 27 April 1749. It was to celebrate the end of the War of the Austrian Succession and the signing of the Treaty of Aix-la-Chapelle (Aachen) in 1748.
Rehearsal and final production
During the preparations Handel and the Duke of Montagu, the Master General of the Ordnance and the officer responsible for the Royal Fireworks, had an argument about adding violins. The duke made clear to Handel that King George had a preference for only martial instruments and drums, and hoped there would be "no fiddles". Handel omitted the string instruments against his will. Also against Handel's will, there was a full rehearsal of the music in Vauxhall Gardens and not in Green Park. On 21 April 1749 an audience, claimed to be over twelve thousand people, each paying two shillings and six pence (half a crown) rushed to get there, causing a three-hour traffic jam of carriages on London Bridge, the only vehicular route to the area south of the river.
Six days later, on 27 April, the performing musicians were in a specially constructed building that had been designed by Servandoni, a theatre designer, who used four Italians to assist him. Andrea Casali and Andrea Soldi designed the decorations. The fireworks themselves were devised and controlled by Gaetano Ruggieri and Giuseppe Sarti, both from Bologna. Charles Frederick was the controller, captain Thomas Desaguliers was the chief fire master. The display was not as successful as the music itself: the weather was rainy causing many misfires and in the middle of the show the right pavilion caught fire. Also, a woman's clothes were set on alight by a stray rocket and other fireworks burned two soldiers and blinded a third. Yet another soldier had blown his hand off during an earlier rehearsal for the 101 cannons which were used during the event.
Music and instrumentation
The work is in five movements:
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It was scored for a large wind band ensemble consisting of 24 oboes, 12 bassoons and a contrabassoon, nine natural trumpets, nine natural horns, three pairs of kettledrums, and side drums which were given only the direction to play ad libitum; no side drum parts were written by Handel. Handel was specific about the numbers of instruments to each written part. In the overture there are assigned three players to each of the three trumpet parts; the 24 oboes are divided 12, 8 and 4; and the 12 bassoons are divided 8 and 4. The side drums were instructed when to play in La Réjouissance and the second Menuet, but very likely also played in the Ouverture.
Handel re-scored the suite for full orchestra for a performance on 27 May in the Foundling Hospital. Handel noted in the score that the violins were to play the oboe parts, the cellos and double basses the bassoon part, and the violas either a lower wind or bass part. The instruments from the original band instrumentation play all the movements in the revised orchestral edition except the Bourrée and the first Menuet, which are played by the oboes, bassoons, and strings alone.
There are many recordings. Handel's Water Music, although it was composed more than thirty years earlier, is often paired with the Music for the Royal Fireworks as both were written for outdoor performance. Together, these works constitute Handel's most famous music for what we would now consider the orchestra. Older recordings tend to use arrangements of Handel's score for the modern orchestra, for example, the arrangements by Hamilton Harty and Leopold Stokowski. More recent recordings tend to use more historically informed performance methods appropriate for baroque music and often use authentic instruments.
- Hunter, David. The Lives of George Frideric Handel. Boydell & Brewer. p. 85. ISBN 978-1783270613.
- Jacob Simon (1985) Handel, a celebration of his life and times, 1685–1759, p. 212. National Portrait Gallery (Great Britain).
- "The Ruggieri family represents one of the longest surviving dynasties in the pyrotechnical trade; they later fired the celebrations for the French Revolution and were still around to supervise the display in New York Harbour when the Statue of Liberty was rededicated in 1986." Christopher Hogwood (2005) Handel: water music and music for the royal fireworks Cambridge University Press, Cambridge, p. 80 ISBN 978-0-521-83636-4
- Great Britain. Board of Ordnance A description of the machine for the fireworks, with all its ornaments, and a detail of the manner in which they are to be exhibited in St. James's Park, Thursday, 27 April 1749, on account of the general peace, signed at Aix La Chapelle, 7 October 1748. Published by order of His Majesty's Board of Ordnance. London: printed by W. Bowyer, sold by R. Dodsley, and M. Cooper. 1749.
- Bomgardner, David L. (2000). The Story of the Roman Amphitheatre. Abingdon, Oxon.: Routledge. p. 225. ISBN 113470738X.
- Fraser, Antonia [et al.] (2005). Gunpowder Plots: A Celebration of 400 Years of Bonfire Night. London: Penguin Books. ISBN 978-0-14-190933-2.
- Holdsworth, Rachel (March 2013). "Fire And 18th Century Traffic Jams: Handel And The Royal Fireworks". londonist.com. The Londonist Ltd. Retrieved 3 December 2017.
- Preface notes and score Fr. Chrysander, Water-Music, Firework-Music, Concertos and Double Concertos for Full Orchestra by George Frederic Handel, reprinted 1965, Gregg Press Inc., New Jersey, U.S.A.
- Vickers, David (June 2003). "Le Concert Spirituel (on period instruments)". Music for the Royal Fireworks. gfhandel.org. Archived from the original on 21 April 2014. Retrieved 20 April 2014.
- Biggs, E. Power (1944). Handel-Biggs: Firework Music (Suite from the Music for the Royal Fireworks) for Organ Solo (with Pipe Organ Registrations) (Media notes). New York: The B. F. Wood Music Co. Inc.
- on YouTube