Music of Genoa
|Music of Italy|
|Media and performance|
|Music media||Music media in Italy|
|Nationalistic and patriotic songs|
|National anthem||"Il Canto degli Italiani"|
(For music outside of the city and province of Genoa in the Liguria region of Italy, see Music of Liguria.)
The music of Genoa includes a number of important musical venues. Genoa, a major port, is the capital of the region of Liguria and in the 19th century aspired to recognition as a cultural center more in keeping with its role as a major city in the history of the Risorgimento, the political, social, and military movement that eventually led to the unification of the modern nation state of Italy.
The Teatro Carlo Felice was built in 1828 and named for the monarch of the then kingdom of Sardinia (which included the present regions of Sardinia, Piedmont and Liguria). The theater was the center of music and social life in the 1800s. On various occasions in the history of the theatre, presentations have been conducted by Mascagni, Richard Strauss, Hindemith and Stravinsky.
On the occasion of the Christopher Columbus celebration in 1992, new musical life was given to the area around the old port, including the restoration of the house of Niccolò Paganini. Additionally, the city is the site of the Teatro Gustavo Modena, the only theatre to have survived the bombings of World War II relatively intact. The city is the site of the Niccolò Paganini music conservatory. In the town of Santa Margherita Ligure, the ancient Abbey of Cervara is often the site of chamber music concerts.
The city has also produced a well-known form of folk music in trallalero, a polyphonic vocal music, performed by five men, the tenor, baritone, alto, chitarra and bass. Trallalero thrived in Genoa in the early 20th century, especially the 1920s, when there were many clubs like Tugini's in the city.
- Surian, Alessio. "Tenores and Tarantellas". 2000. In Broughton, Simon and Ellingham, Mark with McConnachie, James and Duane, Orla (Ed.), World Music, Vol. 1: Africa, Europe and the Middle East, pp. 189 – 201
|This music-related article is a stub. You can help Wikipedia by expanding it.|