Musical Instrument Museum (Brussels)

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Musical Instruments Museum
Musée des instruments de musique / Muziekinstrumentenmuseum
Musical Instrument Museum exterior.JPG
Exterior of the museum building.
Musical Instrument Museum (Brussels) is located in Brussels
Musical Instrument Museum (Brussels)
Location within Brussels
Established 1877
Location Montagne de la Cour/Hofberg 2,
B-1000 Brussels, Belgium
Coordinates 50°50′34″N 4°21′32″E / 50.842836°N 4.358831°E / 50.842836; 4.358831
Type Musical museum
Nearest car park No

The Musical Instruments Museum (MIM) is a music museum in central Brussels, Belgium. It is part of the Royal Museums for Art and History and internationally renowned for its collection of over 8,000 instruments.


Originally attached to the Royal Conservatory of Brussels with the purpose of demonstrating early instruments to students, the MIM collection was created in 1877 with a collection of a hundred Indian instruments given to Belgian King Leopold II by Rajah Sourindro Mohun Tagore in 1876 and the collection of the celebrated Belgian musicologist François-Joseph Fétis, purchased by the Belgian government in 1872 and put on deposit in the Conservatory, where Fétis was the first director.[citation needed]

Its first curator, Victor-Charles Mahillon, greatly expanded the already impressive collection so that, by the time of his death in 1924, the MIM consisted of some 3,666 articles, among which 3,177 were original musical instruments. He was noted of his astute judgments in obtaining these large augmentations by calling on philanthropists, mixing with erudite amateurs who sometimes became generous donors, and through friendly relations with Belgian diplomats in foreign posts, who sometimes brought back instruments from beyond Europe.[citation needed]

Antique instrument on display at the museum

The monumental five-volume catalogue of the collection Mahillon commissioned between 1880 and 1922 also included four versions of his essay on the methodical classification of both ancient and modern instruments, which was to serve as the basis for the organological Hornbostel-Sachs classification systems still used today. Beginning in 1877, Mahillon also created a restoration workshop in the MIM where he employed and trained a worker, Franz de Vestibule, to restore damaged articles and make copies of unique instruments in other public collections.[citation needed]

Mahillon's successor at the Conservatory, François-Auguste Gevaert, organized several successful concerts of professors and students playing early instruments in the 1880s.[citation needed]

After the First World War, donors and philanthropists became rarer, with only about a thousand instruments entering the collections between 1924 and 1968, and Belgium's famed instrument builders began becoming scarcer. Until 1957, the curators taking their turn at the head of the MIM, with Ernest Closson (1924–1936), his son Herman (1936–1945), and René Lyr (1945–1957) limiting themselves through the two world wars to preserving the already collected instruments, in not always satisfactory conditions. Ernest is notable for editing several articles on Belgian makers for the National Biography and devoting a long monograph to La facture des instruments de musique en Belgique, which appeared at the 1935 Universal Exhibition held in Brussels.[citation needed]

With the arrival of the esteemed Latinist Roger Bragard, curator between 1957 and 1968, larger budgets became available from the Ministry of Culture as exhibits were renovated, new personnel were hired, concerts were again organized, and new rare pieces were collected. His efforts were continued by his successors René de Maeyer (1968–1989), Nicolas Meeùs (1989–1995), and Malou Haine (1995–2009).[citation needed]

Antique instruments (serpents) on display


The museum's collection represents Belgian musical history (including Brussels' importance in the making of recorders in the 18th and 19th centuries and as the home of instrument inventor Adolphe Sax in the 19th century), European musical traditions, and non-European instruments. Mechanical instruments are shown in the basement, traditional instruments on the ground floor, the development of the modern orchestral instruments on the first floor, and keyboard and stringed instruments on the second floor.[citation needed]

Visitors are given infrared headphones in order to listen to almost 200 musical extracts of the instruments on display.[citation needed]

Information is provided in French and Dutch, though not in English.[citation needed]

Among the notable pieces of the collection are the famous Rottenburgh Alto recorder, instruments invented by Adolphe Sax, a unique set of giant Chinese stone chimes, and the only existing copy of the luthéal, an instrument used by Ravel.[citation needed]


Since 2000, the museum has been located in the former Old England department store, built in 1899 by Paul Saintenoy out of girded steel and glass in the art nouveau style as well as an 18th-century neo-classic building designed by Barnabé Guimard. Located at Rue Montagne de la Cour/Hofberg 2 on the Mont des Arts/Kunstberg, the museum is next to Place Royale/Koningsplein and in front of the Magritte Museum.[1]


  1. ^ "Gulliver". The Economist. Archived from the original on 25 January 2002. Retrieved 12 September 2017. 

External links[edit]

Coordinates: 50°50′34″N 4°21′32″E / 50.84289°N 4.358844°E / 50.84289; 4.358844