Mutoid Waste Company
|Website||Mutoid Waste Company|
The Mutoid Waste Company are a performance arts group founded in London, England by Joe Rush and Robin Cooke in collaboration with Alan P Scott and Joshua Bowler. It started in the early 1980s, emerging from Frestonia's 'Car Breaker Gallery'. They are probably best known for their recycled art installations at Glastonbury Festival and refer to themselves as the Mutoids.
Influenced by the movie Mad Max and the popular Judge Dredd comics, they specialised in organising illegal free parties in London throughout the 1980s, driven at first by eclectic assortments of fringe music such as psychedelic rock and dub reggae, but then embracing the burgeoning acid house music movement by the late 1980s.
Described as "part street theatre, part art show and part traveling circus" in the 1986 LWT documentary South of Watford., the group became famous for building giant welded sculptures from waste materials and for customising broken down cars, as well as making large scale murals in the disused buildings where they held their parties.
In 1989, after a number of police raids on their warehouse in King's Cross, they left the country and travelled to Berlin, Germany where they became notorious for building giant sculptures out of old machinery and car parts, one of which was 'Käferman', a giant human figure with a Volkswagen Beetle for its chest, offering a Bird Of Peace sculpture that overlooked the Berlin Wall towards East Berlin and the regime of East Germany. They had a collection of scrap military vehicles, including a Russian MiG 21 fighter aircraft which 'followed' them around wherever they went, and a painted tank known as "the Pink Panzer".
Lady Emma Herbert, daughter of Henry Herbert, 17th Earl of Pembroke, met the Mutoids at about this time. They taught her acrobatic skills and she toured Europe with them, which was the beginning of her career as a circus trapeze artist.
In 1992, the Mutoids travelled to Santarcangelo di Romagna, Italy where they set up a scrap village called Mutonia and continued working, displaying and performing at squats and libertarian celebrations in the Emilia-Romagna region. A community still exists.
In recent years, the Mutoids have appeared at a number of British festivals and arts events, with displays of their distinctive vehicle sculptures, and they were a key part of the closing ceremony for the 2012 Summer Paralympics.
- Tom Vague. "PORTOBELLO FILM FESTIVAL 2006 Counter Culture Portobello Psychogeographical History". Portobello Film Festival.
- "Passport to Frestonia: Photo documentation of the 'free state' of Frestonia". Dangerousminds.net. January 13, 2011.
- "The Mutoid Waste Company". bfi.org.uk. British Film Institute. 1986.
- Young, Ian (7 Feb 2013). It's Not About Me!. Anoma Press. ISBN 9781908746955.
- Jack Grimston and Julia Llewellyn Smith, Focus: Orf to the circus, The Sunday Times, December 14, 2003
- "MUTONIA (pt.1) – Interview to Debs Wrekon - Proton Art". Proton Art. 6 November 2020.
- "The Mutoid community in North Italy". Pocketcultures.com. 19 September 2013.
- "Mutate Britain - www.mutatebritain.com". Mutatebritain.com.
- "Mutate Britain, One Foot in the Grove celebrates British street art". Culture24.co.uk. 4 December 2009.
- Gibson, Owen (September 8, 2012). "Paralympics closing ceremony will be 'festival of flame' and Coldplay". The Guardian. Retrieved September 8, 2012.
The ceremony will also feature a battalion of 'eccentric travellers' storming the stage along with futuristic Mad Max-style vehicles from performance art group the Mutoid Waste Company.
- Stuart Jeffries (24 June 2021). "'They thought we were terrorists': meet Joe Rush, the master of mutoid art and king of Glastonbury". The Guardian.