My Beautiful Laundrette
|My Beautiful Laundrette|
|Directed by||Stephen Frears|
|Written by||Hanif Kureishi|
|Produced by||Sarah Radclyffe|
|Edited by||Mick Audsley|
|Music by||Stanley Myers|
(as Ludus Tonalis)
|Distributed by||Mainline Pictures|
The story is set in London during the Thatcher years, as reflected in the complex, and often comical, relationships between members of the Pakistani and English communities. The story focuses on Omar, played by Gordon Warnecke, a young Pakistani man living in London, and his reunion and eventual romance with his old friend, a street punk named Johnny, played by Daniel Day-Lewis. The two become the caretakers and business managers of a launderette originally owned by Omar's uncle Nasser.
Omar Ali is a young man living in South London during the mid-1980s. His father, Hussein, once a famous left-wing journalist in Pakistan, lives in London but dislikes Britain's society and its international politics. His dissatisfaction with the world and a family tragedy have led him to sink into alcoholism, so that Omar has to be his caregiver. By contrast, Omar's paternal uncle Nasser is a successful entrepreneur and an active member of the Pakistani community. Hussein asks Nasser to give Omar a job and, after working for a brief time as a car washer in one of his uncle's garages, he is assigned the task of managing a run-down laundrette.
At Nasser's, Omar meets a few other community members: Tania, Nasser's daughter and possibly a future bride; and Salim, who trafficks drugs and hires him to deliver them from the airport. While driving Salim and his wife home that night, the three of them get attacked by a group of right-wing extremist street punks. Their apparent leader turns out to be Johnny, Omar's childhood friend. Omar tries to reestablish their past friendship, offering Johnny a job and the opportunity to adopt a better life by working to fix up the laundrette with him. Johnny decides to accept and they resume a romantic relationship that (it is implied) had been interrupted after school. Running out of money, Omar and Johnny sell one of Salim's drug deliveries to make cash for the laundrette's substantial renovation.
On the laundrette's opening day, Omar confronts Johnny on his fascist past. Johnny, feeling guilty, tells him that though he cannot make it up to him, he is with him now. Nasser visits the laundrette with his mistress, Rachel. As they dance together in the laundrette, Omar and Johnny make love in the back room, narrowly escaping discovery. At the inauguration, Tania confronts Rachel about having an affair with her father. Rachel accuses Nasser of having invited Tania on purpose to have her insulted, and storms off despite his protests. Later that night, a drunk Omar proposes to Tania, who accepts on the condition that he raise money to get away. Soon after, Salim reveals to Omar that he is on to them, and demands his money back. Omar's father stops by late in the night and appeals to Johnny to persuade Omar to go to college because he is unhappy with his son's role.
Offering Salim a chance to invest in his businesses as a much needed 'clean outlet' for his money, Omar decides to take over two laundrettes owned by a friend of Nasser. Salim drives Johnny and Omar to view one of the properties, and he expresses his dislike of the British non-working punks in Johnny's gang. He attempts to run them over and injures one of them. Meanwhile, Rachel falls ill with a skin rash apparently caused by a ritual curse from Nasser's wife, and decides it is best for all that she and Nasser part ways. The next day Tania drops by the laundrette and tells Johnny she is leaving, asking him to come along. He refuses, implicitly revealing the truth about himself and Omar and she departs wordlessly. After Salim arrives and enters the laundrette, the punks, who had been lying in wait, trash his car. When he runs out, he is ambushed and viciously attacked. Johnny decides to interrupt and defend him, despite their mutual dislike, and the punks turn their attention to him instead. As he refuses to fight back, they beat him savagely until Omar returns and intervenes, protecting Johnny as the punks smash the window of the laundrette and flee the scene.
Nasser visits Hussein, and the two discuss their respective failures, agreeing between them that only Omar's future matters now. Nasser sees Tania at the train platform while she is running away, and he shouts to her but she disappears. Meanwhile, at the laundrette, Omar nurses Johnny, and the two bond. The film ends with a scene of them shirtless and playfully splashing each other with water from a sink.
My Beautiful Laundrette was Frears' third feature film for the cinema. Originally shot in 16mm for Channel 4 on a low budget, it was met with such critical acclaim at the Edinburgh Film Festival that it was distributed to cinemas and eventually became an international success.
The role of Johnny was originally offered to Gary Oldman, who turned it down after telling Frears he had issues with the script and the dialogues. Oldman and Frears worked together two years later on Prick Up Your Ears.
The film marked the first time Oliver Stapleton was in charge of cinematography in one of Frears' projects. He later became one of the director's consistent collaborators.
Reception and accolades
Hanif Kureishi was nominated the Academy Award for Best Original Screenplay. He lost to Woody Allen (Hannah and Her Sisters). Kureishi was also nominated for a BAFTA Film Award. The screenplay received an award from the American National Society of Film Critics.
The original soundtrack, credited to Ludus Tonalis (a name associated with a work by the composer Paul Hindemith), was produced by Stanley Myers and Hans Zimmer. Non-original music included the waltz Les Patineurs by French composer Emile Waldteufel and excerpts from Puccini's Madama Butterfly.
Remake and adaptations
A play of My Beautiful Laundrette, produced by Roger Parsley and Andy Graham from Snap Theatre Company, was played at British theatres in 2002; the play was attended by Hanif Kureishi. The music score, composed by Gaudi and Keita, was released on CD by Sub Signal Records.
In January 2018, it was announced that Pakistani-American actor Kumail Nanjiani would write and star in a serialized television version of My Beautiful Laundrette, based loosely on the original. The executive producers are to be Hanif Kureishi, Stephen Gaghan, and Alec Berg.
A play based on the film, adapted by Kureishi, played at theatres across England in late 2019. It was a co-production among Leicester's Curve Theatre, Coventry's Belgrade Theatre, Cheltnam's Everyman Studio Theatre and Leeds Playhouse. Gordon Warnecke, who played Omar in the original film, played Omar's father in the adaptation. It was directed by Nikolai Foster and featured both back catalog and new music from Pet Shop Boys.
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