Myst IV: Revelation
|Myst IV: Revelation|
Myst IV: Revelation is the fourth installment in the Myst computer game series, developed and published by Ubisoft. Revelation was the first game in the series released exclusively on a DVD-ROM format; a multiple CD-ROM version was not produced as it would have taken twelve compact discs to fit all the data. Like Myst III: Exile, Revelation combines pre-rendered graphics with digital video, but also features real-time 3D effects for added realism.
The plot of Revelation ties up loose ends from the original Myst. The player is summoned by Atrus, a man who creates links to other worlds known as Ages by writing special linking books. Almost twenty years earlier, Atrus' two sons nearly destroyed all of his linking books and were imprisoned; Atrus now wishes to see if his sons' imprisonment has reformed them. The player ends up traveling to each brother's prison, in an effort to recover Atrus' daughter Yeesha from the brothers' plot.
Development of Revelation lasted more than three years; Ubisoft had as many as eighty employees working on the game. Musician Peter Gabriel lent his voice and a song to the game's audio; the original score was written by Exile 's composer Jack Wall. Overall, reception to the game was positive; reviewers lauded the impressive visuals, sound, and puzzles. Publications such as Computer Gaming World took issue with the control scheme of the game. Revelation is the last game in the Myst series to use both prerendered backgrounds and full-motion video; the final game in the series, End of Ages, is rendered in real-time throughout.
Myst IV: Revelation is an adventure game in which the player experiences gameplay from the eyes of an unnamed protagonist referred to as the Stranger. Players explore interactive worlds known as Ages by using the mouse or keyboard, solving puzzles and uncovering the game's narrative. Players cannot move freely across each Age; instead, as in the previous games in the Myst series, they travel by clicking set locations called "nodes", where players can rotate their view in any direction. Revelation also features a "Zip" mode, which allows a method of rapidly crossing explored areas by skipping intermediate nodes; areas that can be instantly traveled to are stored as thumbnail representations for rapid movement across Ages.
The mouse cursor helps to provide visual cues for player actions and movement. The cursor appears as a hand that changes depending on what the player is hovering the cursor over. For example, to move in a direction, the cursor changes to point in the intended direction. If players can view an item in greater detail, the cursor changes to a hand holding a magnifying glass. By clicking and dragging the cursor, the player performs actions such as pushing, pulling, and tapping items.
Revelation features several gameplay enhancements that aid puzzle solving and plot progression. Early in the game, players receive a camera, which can be used to take screenshots or pictures of clues. Players can use an on-screen journal to jot down notes instead of having to write down clues as with previous Myst games. Much of the game's story is revealed via flashbacks triggered by an amulet that has the power to relay memories attached to objects. Zip mode, the amulet, the camera, and the journal are available via a menu on the bottom of the game screen.
Atrus calls the Stranger to his home in Tomahna to request his friend's assistance. Atrus is the writer of special books, which serve as links to worlds known as Ages. Twenty years earlier, his two sons, Sirrus and Achenar, destroyed his library on Myst and trapped their parents in order to plunder the wealth of Atrus' Ages. The Stranger's intervention saved Atrus, who had imprisoned his sons via traps intended for thieves. Atrus' wife Catherine hopes that, after twenty years, they have finally repented for their crimes. Atrus is not as sure his sons have reformed, and so wishes the Stranger to act as an impartial judge. After being knocked unconscious by an explosion, the Stranger realizes that Yeesha, Atrus' daughter, has disappeared.
The Stranger sets out to find Yeesha, travelling to the prison Ages of Spire and Haven. On Spire, Sirrus has used his scientific knowledge to craft explosives, allowing him to breach the chamber that contained the linking book back to Tomahna, and has escaped; journeying to Haven reveals that Sirrus has also freed Achenar. The Stranger journeys to the Age of Serenia and encounters Achenar, holding a "Life Stone"; Achenar tells the Stranger that Sirrus is mad and has captured Yeesha, reveals that he kept a journal from twenty years earlier hidden on the island, and warns the Stranger not to let Atrus come after them. Achenar's journal reveals that he and Sirrus planned to trap their mother Catherine on Riven and use a "Memory Chamber", a gigantic flower-like structure used to preserve the memories of the dead, to take control of Atrus' body and steal his knowledge of the Art of Writing. The Life Stone that Achenar stole is used to power the Memory Chambers, leaving the current one in danger of collapse. Shortly afterwards, the Stranger finds Sirrus in an underwater harvester used for collecting memory globes for storing those memories; he blows up the harvester and flees to an older Memory Chamber, decrepit and abandoned. After encountering the Stranger there, Sirrus tells the Stranger that Achenar is the guilty one, and asks the Stranger to find Atrus and bring him to Serenia to set things right.
Finding that the old Memory Chamber door has been locked by Sirrus with a special color-code combination, the Stranger goes to the active Memory Chamber to seek aid from the Serenian Protectors, who believe that the answers can be found in their "mirror realm", known simply as Dream. Obtaining a "spirit guide", the Stranger enters Dream and interacts with their guide, who tells them to interact with the Ancestors, the spirits of all Serenians who have died and had their memories preserved, to bring them into harmony. After bringing the Ancestors into harmony, the Stranger discovers the combination to Sirrus' color-code lock. Returning to the "waking world" and entering the old Memory Chamber, the Stranger finds Yeesha strapped into a chair, and she begs to be released from it with a silver lever. At that moment, Achenar arrives with a crossbow and the Life Stone, and warns that Sirrus used the Memory Chamber to remove Yeesha's memories and transfer his own into her body; Achenar points to an amber lever, which will reverse the mind-transfer.
At this point, as in the other games, the ending varies. Delaying too long will result in Yeesha (who is in fact Sirrus) taking Achenar's crossbow and shooting first him, then the Stranger.  The silver lever will release Yeesha (again, possessed by Sirrus), who drops a large stone on Achenar and the Stranger, and then shoots the Stranger dead. In the good ending, the Stranger pulls the amber lever, reversing the mind-transfer process. But because of the age of the Memory Chamber, it becomes unstable; Achenar tells the Stranger to return to Dream and set Yeesha's memories right, while he uses the Life Stone to stabilize the chamber by inserting it into the chamber's shrine, poisoning him with its contained toxic spores. In Dream, the Stranger finds a monstrous creature, representing Sirrus' Dream-form, anchored to Yeesha's essence and preventing her from returning to her body; with no spirit guide, Sirrus is forced to cling to Yeesha to avoid being lost forever. He maintains his anchors by jumbling up Yeesha's memories. The Stranger restores Yeesha's memories and frees her from Sirrus' grasp; Sirrus' Dream-form is destroyed by the shifting waves of Dream, killing him. The Stranger awakens to find Achenar, fatally poisoned, confirming that the transfer was successful; he dies shortly afterward. The Stranger then returns to Tomahna to meet with Atrus, who says that Catherine has taken Yeesha to Tay (the "rebel Age" used to evacuate Catherine's people in Riven), and remarks that while his sons are gone, his daughter is safe.
When Mattel Interactive still owned the rights to the Myst series, development of Myst IV was contracted out to DreamForge Intertainment, developers of the game Sanitarium; Dreamforge was hired before Presto Studios to develop Myst III: Exile. Dreamforge's Myst used real-time graphics, and was two years into development and twenty percent complete when Ubisoft, who had by this point acquired the rights to the series, cancelled the project and decided to restart development from scratch internally.
According to Geneviève Lord, Revelation 's producer, concluding the story of the two brothers had originally been intended as the plot for Myst III, but due to a limited amount of time to develop the game, as well as to not interfere with Dreamforge's Myst game, whose plot details were still forming, the plot was dropped and then redeveloped when Ubisoft began work on Myst IV. Cyan, Myst and Riven 's developer, set down "a certain number of rules" that Ubisoft had to follow, according to Lord, but otherwise the team was free to develop new ideas, keeping in the spirit of Myst lore.
Ubisoft's development of Revelation took over three years and more than eighty employees. Early on, the development team made the decision to use pre-rendered graphics for the game, to match the style of previous Myst games. This proved to be a challenge, as the studio had never developed a pre-rendered game before, and had to hire over fifty new employees who had experience in the field. Full production was started on the game before artistic direction and engine development tools were fully established, and the resulting lack of focus and communication meant that a bad working relationship existed between the game designers, programmers, and modelers for most of the production.
As an improvement over the prerendered technology present in Myst, Riven, and Exile, Revelation uses its "ALIVE" engine to animate nearly everything in the game. The water animations, for example, are fully rendered for each location. The trees sway in the breeze, and the sky has moving clouds. Wildlife includes creatures that walk through the environment and occasionally interact with the player. The game also features a number of effects applied in real time, such as lens flares, dynamic lighting, and an optional focal blur. In a trend started by the original Myst, the game uses live actors to play the game's roles in live-action video sequences. There are more than 70 minutes of video, and the game allows players to look around and interact with the video while it is playing.
Jack Wall composed, conducted, and produced the music for Revelation; the game was his second game score, following the music for Myst III: Exile. Wall was initially a sound engineer and producer, and stated composing "was kind of like a next step for me, rather than something I decided to do early on". The success and recognition of Exile 's score landed Wall the job of writing Revelation 's music with a budget of $100,000—twice the amount he had worked with for Exile.
Wall reused, reorchestrated and expanded themes composed by previous Myst composer Robyn Miller; for example, Wall reused Atrus' Theme from Riven and the brothers' leitmotifs from the original game. Wall credited the Myst universe and story with allowing him to write music "Western ears are somewhat less accustomed to"; Revelation 's score was inspired by Eastern European music that Wall enjoyed in the 1990s.
In addition to Jack Wall's score, the game features a song by Peter Gabriel entitled "Curtains", originally a B-side from Gabriel's single "Don't Give Up". Gabriel also performed a voiceover for the game.
|Myst IV: Revelation - The Soundtrack tracklist|
|14.||"Sirrus Defends / Sirrus' Rage"||2:31|
|20.||"Hall of Spirits"||2:32|
|22.||"The Revelation / The Sacrifice"||2:24|
|Myst IV: Revelation|
Overall, Revelation was received positively by critics; the game garnered 82% and 81% averages on aggregate sites Metacritic and Game Rankings, respectively; the Xbox version of the game received less favorable scores than the PC version.
As with previous Myst games, the visuals and interactivity of Revelation were singled out as the strongest features. Reviewers praised the use of subtle animations to bring the scenery to life; GameSpot's Greg Kasavin stated that the additions "truly helps make each scene in the game seem like more than just a panoramic picture, and instead it feels like a real place". Jack Wall's score and the sound design were consistently praised. The addition of the in-game camera and notes system was also positively received. PC Zone proclaimed that although it would have been easy for the developers to lose heart after the disappointing Uru: Ages Beyond Myst, Ubisoft had instead produced "one of the most polished games" the reviewer, Paul Presley, had ever come across.
Certain reviewers criticized aspects of the gameplay that had not been fixed or altered from previous Myst titles. Computer Gaming World, for example, complained about having to hunt for the small hotspots that allowed actions to occur. A reviewer for The Houston Chronicle judged the method of traveling from node to node as tiresome to navigate. Another complaint was that the slow cursor animations made searching for actions occasionally tedious. Many publications noted the rather steep computer requirements; in addition to requiring a DVD-ROM drive, the game took up more than 7 gigabytes when fully installed. Charles Herold of The New York Times, the only mainstream critic with a negative view of Revelation's music, dismissed the score as "tediously literal."
Revelation would be the last Myst game that used prerendered graphics or full motion video. Cyan Worlds, the original developer of both Myst and Riven, used real-time rendered graphics for the next installment in the series, Myst V: End of Ages. Myst V was announced as the final game in the series.
- Miller, Jennifer; Sluganski, Randy (2004). "Myst IV Revelation Q&A - Genevieve Lord, producer". Just Adventure. Archived from the original on 2008-03-29. Retrieved 2008-05-09.
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- Ubisoft Montreal (2004). Myst IV: Revelation - User's Manual. "In-Game Interface" (Mac/PC version ed.). Ubisoft. pp. 8–10.
- Gehringer, Stephen (January 2005). "Myst IV: Revelation; So good, they could have called it 'Myst IV: Redemption'". Computer Gaming World (247): 90.
- Ubisoft Montreal (2004). Myst IV: Revelation - User's Manual. "Controls" (Mac/PC version ed.). Ubisoft. pp. 7–8.
- Hoffman, Tony (2005-02-08). "Myst IV: Revelation; In the newest installment of the Myst series, Atrus asks you to check on his exiled evil sons to determine whether they've reformed". PC Magazine 24 (2): 146.
- Atrus: Hello, my friend! I see you made it in one piece, so... Yeesha's driving wasn't too erratic, I hope. Well... you're probably wondering why I asked you here. The truth is, I need your help. As you know, my sons, Sirrus and Achenar, were trapped twenty years ago after they destroyed many of the Ages I'd written. At the time, Catherine and I decided to leave them imprisoned, because we hoped it might reform them. Now Catherine believes our sons should be released. But I need an objective opinion. I must find out if either Sirrus or Achenar deserve to be freed, and... you're the only one we can trust. -Ubisoft. "Myst IV: Revelation". Ubisoft. Level/area: Tomahna.
- Achenar: Wait! Please! Listen to me. Okay, okay, it doesn't look good, I admit it, but it's not what you think! I'm just taking it for a little while. Borrowing it, so to speak. It's the plan. Sirrus is mad! He's got Yeesha! I just want to stop him. He's a nutcase! He's here... don't let Father come here, or you'll screw up everything! Find my journal, the one from twenty years ago. Sirrus doesn't even know that I kept one. I hid it in a stone pillar in the forest, near where two rivers are crossing. It'll explain everything. Sirrus... is mad. He's gonna kill Father! I've gotta stop him! Ubisoft. "Myst IV: Revelation". Ubisoft. Level/area: Serenia.
- Caradell: There you are. My sisters say you are a friend, but if that is true, why does everything fall apart when you are here? The Life Stone is missing. Someone diverted the water course and took it out of the Root Chamber. You are a stranger here. You cannot begin to imagine the threat this poses to my people. The Memory Chamber needs that stone to survive. It nourishes her, keeps her strong and healthy, so she can collect our memories after we die. Without it... we may never see our loved ones again. I must alert the village. There are more stones in the southern hills, but it takes time to find them. If you truly are a friend, you will go to the Hall of Spirits and alert my sisters... although, if they're still travelling in Dream, they may already know. -Ubisoft. "Myst IV: Revelation". Ubisoft. Level/area: Serenia.
- Sirrus: It's you. Thank God you've come. Achenar's kidnapped my little sister. He says he'll kill her if I don't help him steal Serenia's treasures. Look, I know you have no reason to trust me. You saw me blow up the harvester, but I only did it to stop Achenar from poisoning the Memory Chamber. His confinement on Haven drove him totally insane. All he cares about now is destroying everything Father created. We have to stop him. Go back to Tomahna, and find my father. Explain everything that's happened here. For some reason, Achenar is terrified of Father. Maybe, if you bring him here, the three of us can somehow manuever my sick brother into a trap. I'll try to get Yeesha away from him while you're gone. Now go! Go, before it's too late! -Ubisoft. "Myst IV: Revelation". Ubisoft. Level/area: Serenia.
- Spirit Guide: The Ancestors are willing to shape Dream for you, but they need your help. By brushing against each one, you can impart some of your own energy to it. This will place each Ancestor in closer harmony with the others. When all are as one, their combined wisdom will reveal the answer you need. Go on, try it. I shall be silent until you succeed. But should you grow too frustrated, signal me by touching your amulet. I will send you back to Serenia immediately... but without the answer you need. -Ubisoft. "Myst IV: Revelation". Ubisoft. Level/area: Dream.
- Yeesha: Achenar used the silver lever. Turn it, and you'll set me free! -Ubisoft. "Myst IV: Revelation". Ubisoft. Level/area: Serenia.
- Achenar: Sirrus used the machine. He forced the Memory Chamber to remove all of her memories! ... Look, we have to set everyone's memories back right again. The amber lever. Turn the amber lever to begin the process. -Ubisoft. "Myst IV: Revelation". Ubisoft. Level/area: Serenia.
- Yeesha/Sirrus: Never could control yourself, could you, dear brother? Unfortunately, he proved to be more intelligent than I anticipated. No matter. I won't insult you by demanding that you let me go now. I'm sure Father will be along soon. Having one more dead body around will only make my performance as Yeesha that much more convincing... at least, until he finishes teaching me the Art. -Ubisoft. "Myst IV: Revelation". Ubisoft. Level/area: Serenia.
- Yeesha/Sirrus: Coming around? I wish I could say the same for my poor, dear brother, but I guess getting crushed twice in one day was just too much for him. Thank you so much for believing in me. I wasn't sure my little Yeesha act would fool anyone, but now I'm sure it will convince Mother and Father... at least long enough for them to teach me everything they know about the Art. -Ubisoft. "Myst IV: Revelation". Ubisoft. Level/area: Serenia.
- Achenar: We did it. The transfer... worked. We saved Yeesha. Don't look so surprised. The Life Stone had to be inserted directly into the shrine. Otherwise, it wouldn't've worked. Only way to do that was to break the glass that contained the gases. 'Course, that made it kinda lethal. Better this way. All the things I did... It's okay. Sirrus is dead. It's over. Everything's gonna be okay, little sis... it's gonna be okay... be okay... -Ubisoft. "Myst IV: Revelation". Ubisoft. Level/area: Serenia.
- Atrus: Ah, my friend... seems I'm always thanking you. Catherine is taking Yeesha to Tay. She's alright, she really is a... strong little girl, but she's gonna need time. She loved Achenar and... and Sirrus, very much. God, this is hard. It's as if a door inside me has closed, despite everything I've done to keep it open. But in a way, maybe that's good. My sons may be gone, but my daughter is safe. And now Catherine and I can give her all the love and attention she'll need to move on with her life... just as we must move on with ours. Endings are just another form of beginning, I guess... and the harder an end is to face, the more hope we bring with us to the next beginning. -Ubisoft. "Myst IV: Revelation". Ubisoft. Level/area: Tomahna.
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