Mythological anecdotes of Ganesha

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Basohli miniature, circa 1730.

There are many anecdotes of Ganesha. Ganesha's elephant head makes him easy to identify.[1] He is worshipped as the lord of beginnings and as the lord of removing obstacles,[2] the patron of arts and sciences, and the god of intellect and wisdom.[3] In his survey of Ganesha's rise to prominence in Sanskrit literature, Ludo Rocher notes that:

Above all, one cannot help being struck by the fact that the numerous stories surrounding Gaṇeśa concentrate on an unexpectedly limited number of incidents. These incidents are mainly three: his birth and parenthood, his elephant head, and his single tusk. Other incidents are touched on in the texts, but to a far lesser extent.[4]

History about the birth of Ganesha are found in the later Puranas, composed from about 600 CE onwards. References to Ganesha in the earlier Puranas, such as the Vayu and Brahmanda Purnasa are considered to be later interpolations made during the 7th to 10th centuries.[5]

Birth and childhood[edit]

Parvati playing with baby Ganesha

While Ganesha is popularly considered to be the son of Shiva and Parvati, the Puranic myths relate several different versions of his birth.[6][7] These include versions in which he is created by Shiva,[8] by Parvati,[9] by Shiva and Parvati,[10] or in a mysterious manner that is later discovered by Shiva and Parvati.[11]

The family includes his brother Skanda, kartikeya.[12] Regional differences dictate the order of their births. In North India, Skanda is generally said to be the elder brother while in the South, Ganesha is considered the first born.[13] Prior to the emergence of Ganesha, Skanda had a long and glorious history as an important martial deity from about 500 BCE to about 600 CE, when his worship declined significantly in North India. The period of this decline is concurrent with the rise of Ganesha. Several stories relate episodes of sibling rivalry between Ganesha and Skanda[14] and may reflect historical tensions between the respective sects.[15]

Once there was a competition between Ganesha and his brother as to see who could circumambulate the three worlds faster and hence win the fruit of knowledge. Skanda went off on a journey to cover the three worlds while Ganesha simply circumambulated his parents. When asked why he did so, he answered that his parents Shiva and Parvati constituted the three worlds and was thus given the fruit of knowledge.

Elephant head[edit]

Ganesh Elephant Head

Hindu mythology presents many stories, which explain how Ganesha obtained his elephant or gaja head. Often, the origin of this particular attribute is to be found in the same anecdotes which tell about his birth. The stories also reveal the origins of the enormous popularity of his cult. Devotees sometimes interpret his elephant head as indicating intelligence, discriminative power, fidelity, or other attributes thought to be had by elephants. The large elephant ears are said to denote wisdom and the ability to listen to people who seek help.

Decapitation by Shiva[edit]

A common four-armed form of Ganesha. Miniature of Nurpur school (circa 1810). Museum of Chandigarh.[16]

Ganesha was born from saint to protect parvati The most well-known story is probably the one taken from the Shiva Purana. The goddess Parvati had started preparing for a bath. As she didn’t want to be disturbed during her bath and since Nandi was not at Kailash to keep guard of the door, Parvati took the turmeric paste (for bathing) from her body and made a form of a boy and breathed life into him. This boy was instructed by Parvati to guard the door and to not let anyone in until she finished her bath.

After Shiva had come out of his meditation, he wanted to go and see Parvati but found himself being stopped by this strange boy. Shiva tried to reason with the boy saying that he was Parvati's husband but the boy did not listen and was determined to not let Shiva enter until his mother Parvati finished her bath. The boy's behavior surprised Shiva. Sensing that this was no ordinary boy, the usually peaceful Shiva decided he would have to fight the boy and in his divine fury severed the boy's head with his Trishul thereby killing him instantly.

When Parvati learned of this, she was so enraged and insulted that she decided to destroy the entire Creation. At her call, she summoned all of her ferocious multi-armed forms, the Yoginis arose from her body and threatened to destroy all. Lord Brahma, being the Creator, naturally had his issues with this, and pleaded that she reconsider her drastic plan. She said she would, but only if two conditions were met: one, that the boy be brought back to life, and two, that he be forever worshipped before all the other gods.

Shiva, having cooled down by this time, agreed to Parvati’s conditions. He sent his Shiva-dutas out with orders to bring back the head of the first creature that is lying dead with its head facing North. The Shiva-dutas soon returned with the head of a strong and powerful elephant Gajasura which Lord Brahma placed onto boy's body. Breathing new life into him, he was declared as Gajanana and gave him the status of being foremost among the gods, and leader of all the ganas (classes of beings), Ganapati.

Shiva and Gajasura[edit]

Once, there existed an Asura (demon) with all the characteristics of an elephant, called Gajasura, who was undergoing a penitence (tapas). Shiva, satisfied by this austerity, decided to grant him, as a reward, whatever gift he desired. The demon wished that he could emanate fire continually from his own body so that no one could ever dare to approach him. The Lord granted him his request. Gajasura continued his penitence and Shiva, who appeared in front of him from time to time, asked him once again what he desired. The demon responded: "I desire that You inhabit my stomach." Shiva agreed.

Parvati sought him everywhere without results. As a last recourse, she went to her brother Vishnu, asking him to find her husband. He, who knows everything, reassured her: "Don't worry, dear sister, your husband is Bhola Shankara and promptly grants to his devotees whatever they ask of him, without regard for the consequences; for this reason, I think he has gotten himself into some trouble. I will find out what has happened."

Then Vishnu, the omniscient director of the cosmic game, staged a small comedy. He transformed Nandi (the bull of Shiva) into a dancing bull and conducted him in front of Gajasura, assuming, at the same time, the appearance of a flutist. The enchanting performance of the bull sent the demon into ecstasies, and he asked the flutist to tell him what he desired. The musical Vishnu responded: "Can you give me that which I ask?" Gajasura replied: "Who do you take me for? I can immediately give you whatever you ask." The flutist then said: "If that's so, liberate Shiva from your stomach." Gajasura understood then that this must have been no other than Vishnu himself, the only one who could have known that secret and he threw himself at his feet. Having agreed to liberate Shiva, Gajasura asks him for two last gifts: "I have been blessed by you with many gifts; my last requests are that everyone should remember me adoring my head and you should wear my skin."

Gaze of Shani[edit]

A lesser known story from the Brahma Vaivarta Purana narrates a different version of Ganesha's birth. On the insistence of Shiva, Parvati fasted for a year (punyaka vrata) to propitiate Vishnu so that he would grant her a son. Vishnu, after the completion of the sacrifice, announced that he would incarnate himself as her son in every kalpa (eon). Accordingly, Ganesha was born to Parvati as a charming infant. This event was celebrated with great enthusiasm and all the gods were invited to take a look at the baby. However Shani (Saturn), the son of Surya, hesitated to look at the baby since Shani was cursed with the gaze of destruction. However Parvati insisted that he look at the baby, which Shani did, and immediately the infant's head fell off. Seeing Shiva and Parvati grief-stricken, Vishnu mounted on Garuda, his divine eagle, and rushed to the banks of the Pushpa-Bhadra river, from where he brought back the head of a young elephant. The head of the elephant was joined with the headless body of Parvati's son, thus reviving him. The infant was named Ganesha and all the Gods blessed Ganesha and wished Him power and prosperity.[17]

Other versions[edit]

Another tale of Ganesha's birth relates to an incident in which Shiva slew Aditya(Lord sun), the son of a sage. Shiva restored life to the dead boy, but this could not pacify the outraged sage Kashyapa, who was one of the seven great Rishis. Kashyap cursed Shiva and declared that Shiva's son would lose his head. When this happened, the head of Indra's elephant was used to replace it.

Still another tale states that on one occasion, Parvati's used bath-water was thrown into the Ganges, and this water was drunk by the elephant-headed Goddess Malini, who gave birth to a baby with four arms and five elephant heads. The river goddess Ganga claimed him as her son, but Shiva declared him to be Parvati's son, reduced his five heads to one and enthroned him as the controller of obstacles (Vignesha).[18]

Broken tusk[edit]

Vyasa narrating the Mahabharata to Ganesha, his scribe, Angkor Wat

There are various anecdotes which explain how Ganesha broke off one of his tusks. Devotees sometimes say that his single tusk indicates his ability to overcome all forms of dualism. In India, an elephant with one tusk is sometimes called a "Ganesh".

Ganesha the scribe[edit]

In the first part of the epic poem Mahabharata, it is written that the sage Vyasa (Vyāsa) asked Ganesha to transcribe the poem as he dictated it to him. Ganesha agreed, but only on the condition that Vyasa recite the poem uninterrupted, without pausing. The sage, in his turn, posed the condition that Ganesha would not only have to write, but would have to understand everything that he heard before writing it down. In this way, Vyasa might recuperate a bit from his continuous talking by simply reciting a difficult verse which Ganesha could not understand. The dictation began, but in the rush of writing Ganesha's feather pen broke. He broke off a tusk and used it as a pen so that the transcription could proceed without interruption, permitting him to keep his word.

This is the single passage in which Ganesha appears in that epic. The story is not accepted as part of the original text by the editors of the critical edition of the Mahabharata,[19] where the twenty-line story is relegated to a footnote to an appendix.[20] Ganesha's association with mental agility and learning is probably one reason he is shown as scribe for Vyasa's dictation of the Mahabharata in this interpolation to the text.[21] Brown dates the story as 8th century CE, and Moriz Winternitz concludes that it was known as early as c. 900 CE but he maintains that it had not yet been added to the Mahabharata some 150 years later. Winternitz also drew attention to the fact that a distinctive feature of Southern manuscripts of the Mahabharata is their omission of this Ganesha legend.[22]

Ganesha and Parashurama[edit]

One day, Parashurama, an avatar of Vishnu, went to pay a visit to Shiva, but along the way he was blocked by Ganesha. Parashurama hurled himself at Ganesha with his axe and Ganesha (knowing that this axe was given to him by Shiva) allowed himself, out of respect for his father, to be struck and lost his tusk as a result.[23]

  1. ^ Martin-Dubost, p. 2.
  2. ^ These ideas are so common that Courtright uses them in the title of his book, Gaṇeśa: Lord of Obstacles, Lord of Beginnings.
  3. ^ Heras, p. 58.
  4. ^ Brown, p. 73.
  5. ^ Krishan, p. 103.
  6. ^ For a summary of Puranic variants of birth stories, see Nagar, pp. 7-14.
  7. ^ Martin-Dubost, pp. 41-82.
  8. ^ Linga Purana.
  9. ^ Shiva Purana IV. 17.47-57 and Matsya Purana 154.547.
  10. ^ Varāha Purana 23.18-59.
  11. ^ Brahmavaivarta Purana, Ganesha Khanda, 10.8-37.
  12. ^ For a summary of variant names for Skanda, see Thapan, p. 300 and Brown, p. 355.
  13. ^ Khokar and Saraswati, p.4.
  14. ^ Brown, pp. 4, 79.
  15. ^ Gupta, p. 38.
  16. ^ Martin-Dubost, p. 64.
  17. ^ Barratt, Barnaby (Dec 2009). "Ganesha's lessons for psychoanalysis: Notes on fathers and sons, sexuality and death". Psychoanalysis, Society and Culture. 4 (14): 317–336.
  18. ^ For the name Vighnesha, see Courtright pp. 156, 213.
  19. ^ Brown, pp. 71-72.
  20. ^ Mahābhārata, Vol. 1, Part 2. Critical edition, p. 884.
  21. ^ Brown, p. 4.
  22. ^ Winternitz, Moris. "Gaṇeśsa in the Mahābhārata". Journal of the Royal Asiatic Society of Great Britain and Ireland (1898:382).
    Brown, p. 80.
  23. ^ "Ganesha". Retrieved 2006-09-28.