|Directed by||Jared Hess|
|Cinematography||Xavier Pérez Grobet|
|Edited by||Billy Weber|
|Music by||Danny Elfman[a]|
|Distributed by||Paramount Pictures|
|Countries||United States |
|Box office||$99.3 million|
Nacho Libre is a 2006 sports comedy-drama film directed by Jared Hess and written by Jared and Jerusha Hess and Mike White. It stars Jack Black as Ignacio, a Catholic friar and lucha libre fan who secretly moonlights as a luchador to earn money for the orphanage where he works by day as a cook, knowing his fellow monks would look down upon his career and expel him if they discover it. He finds his ascetic, celibate lifestyle challenged even further when he falls in love with a nun who has just arrived to live in the monastery. The film is loosely based on the story of Fray Tormenta ("Friar Storm", a.k.a. Rev. Sergio Gutiérrez Benítez), a real-life Mexican Catholic priest who had a 23-year career as a masked luchador and competed in order to support the orphanage he directed. The film was produced by Black, White, David Klawans and Julia Pistor.
The film was released on June 16, 2006, by Paramount Pictures. It received mixed reviews from critics and grossed $99.3 million at the worldwide box office against its $35 million production budget. Despite the initial mixed reaction from critics, it has since earned a cult following.
Ignacio's parents, a Scandinavian Lutheran missionary and a Mexican deacon, both died while he was still a baby. Now a cook for the Oaxaca monastery orphanage where he was raised, Ignacio dreams of becoming a luchador, but wrestling is strictly forbidden by the monastery as it is considered a sin of vanity. Though Ignacio cares deeply for the orphans, he is unable to provide decent meals for them due to a lack of funds. He also struggles with his feelings for Sister Encarnación, a nun who has just arrived to teach at the orphanage. One night, while collecting a bag of tortilla chips for the orphans, Ignacio gets mugged for the chips by a street thief named Steven. Having had enough, Ignacio decides to disregard the monastery's rules and become a luchador to make money. He convinces Steven to join him by promising to share the prize money if they win, and the two join a local competition as tag partners.
Ignacio fights with the moniker "Nacho" to keep his identity secret, while Steven adopts the name "Esqueleto". They lose their first match but still get paid nicely, as wrestlers are entitled to a portion of the total revenue. They continue to wrestle every week, with Ignacio using the money to acquire better food for the orphans but becoming frustrated that the duo can never achieve victory in the ring. Ignacio tries everything he can think of, including a folk remedy to acquire the powers of an eagle, but success still eludes the two. He then seeks advice from champion luchador Ramses, who arrogantly rebuffs his attempts at conversation.
Undeterred, the duo infiltrate a party Ramses’s manager holds for the best wrestlers. Steven climbs over a wall to get inside, where he discovers that in order to be considered a professional, one must be the last luchador standing in the ring at an upcoming free-for-all match. Ignacio gets in by disguising himself as a band member playing for the party, but does not know their material and improvises; Ramses finds Ignacio’s performance annoying and ousts him. Attending the party causes Ignacio to fall behind on his responsibilities to the orphans, for which he angrily blames Steven, who retaliates by declaring he hates all orphans; they acrimoniously end their partnership.
Ignacio's secret is revealed to the entire monastery when his robe catches fire during mass, exposing his wrestling costume and forcing him to admit that he is a luchador. He declares that he intends to fight at a battle royale for the right to take on Ramses for a cash prize, which he will use to buy a bus for the orphans. During the match, wrestler Silencio ultimately emerges the victor after defeating Ignacio, who comes in second place. Ignacio is banished from the monastery, so he goes to live in the 'wilderness', which is not actually very far from the nearby village.
The next morning, Steven comes to tell him that Silencio has been injured and cannot fight, and that as the second-place finisher, Ignacio now has the right to fight Ramses; Ignacio and Steven agree to team up again. That night, Ignacio sends a message to Encarnación, explaining his plan and confessing his love to her.
Ignacio overcomes difficulty and manages to do well in the match, winning the crowd’s support, but Ramses cheats and nearly wins until Ignacio sees Encarnación enter the arena with the orphans. Inspired by their support, Nacho rallies himself and defeats Ramses with a diving technique.
Ignacio becomes a professional wrestler and eventually manages to buy a bus for the orphans with his prize money; he then takes the orphans, Steven, and Sister Encarnación on a field trip to Monte Albán.
- Jack Black as Ignacio/Nacho, a Oaxaca monastery cook who dreams of becoming a luchador
- Troy Gentile as Young Ignacio
- Ana de la Reguera as Sister Encarnación, a nun at the monastery
- Héctor Jiménez as Steven/Esqueleto, Ignacio's tag partner
- Silver King as Ramses, the luchador champion and Ignacio's idol
- Carla Jimenez as Cándida, a portly women who tries to court Steven at the luchador's party
- Richard Montoya as Guillermo
- Enrique Muñoz as Señor Ramon, Ramses' manager
- Moisés Arias as Juan Pablo
- Donald Chambers as Silencio, one of the wrestlers who defeats Nacho but is disqualified when Esqueleto runs over him, injuring his foot
- Darius Rose as Chancho
- Peter Stormare as Emperor, the local magic-man who claims that eating eagle eggs will give Ignachio the eagle's power
- Diego Eduardo Gomez as Chuy
- Human Tornado as El Snowflake, one of the luchadors who faces Nacho
- Mascarita Dorada as one of Los Duendes
Director Jared Hess originally wanted musical artist Beck to be behind the soundtrack for the film. Beck, being a fan of Hess, accepted. However, Paramount Pictures did not think Beck's style fit the movie, so composer Danny Elfman was brought in to replace him. Elfman then wrote a full score and recorded it in May 2006. However, only about 2/3 of Elfman's score ended up in the movie (with one of the songs, Ramses Suite, appearing in the released soundtrack). Due to how much of Elfman's music filled the film, Elfman's representatives asked that Elfman be the only person credited for the film's score. Hess caught wind of this and would not allow the studio to remove Beck from the credits. When finding that he would not have the only music credit, Elfman told Paramount to remove his name from the film. An agreement was eventually reached where both Beck and Elfman were credited for their respective parts of the score. However, Elfman appears with sole credit in the official billing block on promotional material.
The track listing for the official soundtrack to Nacho Libre. The soundtrack was released October 24, 2006
- Hombre Religioso (Religious Man) - Mister Loco
- "A Nice Pile-Drive to the Face" (dialogue) - Jack Black
- Move, Move, Move - Alan Hawkshaw and Alan Parker
- Papas - Mister Loco
- Piel Canela (Singing at the Party) - Jack Black with Ismael Garcia Ruiz y Su Trio
- Ramses Suite - Danny Elfman
- "All the Orphans in the World" (dialogue) - Jack Black and Héctor Jiménez
- There is No Place in This World for Me - Beck
- "I'm Serious" (dialogue) - Jack Black
- 10,000 Pesos - Beck
- Irene - Caetano Veloso
- Pump a Jam (Ramses) - Cholotronic
- Black is Black - Eddie Santiago
- Half Forgotten Daydreams - John Cameron
- Encarnación - Jack Black
- Tender Beasts of the Spangled Night - Beck
- Saint Behind the Glass - Los Lobos
- "Beneath the Clothes We Find the Man..." (dialogue) - Jack Black
- Forbidden Nectar - Jack Black and Mucho Macho Acapulco
Some songs that were not included on the soundtrack, but were in the movie, are "Mucha Muchacha" by Esquivel, "Bubblegum" by Mister Loco, "Holy Man" by Beck and "Bat Macumba" by Os Mutantes.
Release and reception
The release date was originally set for May 2006, but was changed by Paramount to avoid competition from 20th Century Fox's X-Men: The Last Stand and one of Paramount's other films, Mission: Impossible III. It was then placed between the releases of Disney/Pixar's Cars (June 9) and Warner Bros. and Legendary Pictures' Superman Returns (June 28). It was released on DVD and Blu-ray on October 24, 2006. It was distributed in Switzerland, Spain, and the Netherlands by Universal Pictures.
The film received mixed reviews from critics. On Rotten Tomatoes, the film has an approving rating of 40%, with an average rating of 5.1/10. The website's critical consensus states: "At times hilarious, but other times offensive, director Jared Hess is unable to recapture the collective charisma of his Napoleon Dynamite characters, and instead, relies on a one-joke concept that runs out of steam. Sure to entertain the adolescents, however". Metacritic gave film a score of 52 based on 36 reviews, indicating "mixed or average reviews". Audiences polled by CinemaScore gave the film an average grade of "B+" on an A+ to F scale.
According to Roger Ebert, "it takes some doing to make a Jack Black comedy that doesn't work, but Nacho Libre does it". Michael Medved gave the film two and a half stars (out of four) calling it "amusing, but resistable [sic]", but adding that "director Jared Hess [employs] the same off-beat humor that made his Napoleon Dynamite a cult hit".
In November 2006, Jack Black, when asked, expressed his interest in a sequel: "I sure hope so, I love working with Jared. I think it's a good bet that we'll collaborate on something again. Mike had an idea that it would be Nacho goes to Japan, we'll see though." However, Jared Hess (who directed the original movie) revealed in October 2009 that Paramount had never approached him about doing a sequel to Nacho Libre, though he said he would "love to work with Black again".
- Beck was the initial composer, before being replaced by Elfman under orders from Paramount Pictures. Although most of the score used in the final film is from Elfman, director Jared Hess wanted Beck to receive credit for his tracks, which Elfman did not want. Ultimately, both are credited for their individual tracks in the end credits, but Elfman has sole credit in the official billing block used in promo material, despite only one of his songs appearing in the released soundtrack.
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