Naomi Childers

From Wikipedia, the free encyclopedia
Jump to: navigation, search
Naomi Childers
Naomi Childers from Stars of the Photoplay.jpg
Born (1892-11-15)November 15, 1892
Pottstown, Pennsylvania, United States
Died May 9, 1964(1964-05-09) (aged 71)
Hollywood, California, United States
Resting place
Valhalla Memorial Park Cemetery
Occupation Actress
Spouse(s) Luther A. Reed

Naomi Childers (November 15, 1892 – May 9, 1964) was an American silent film actress whose career lasted until the mid-20th century.

English ancestry, child actress[edit]

She was born of English parentage in Pottstown, Pennsylvania. Later in life she took pride in being descended from a long line of British ancestors. Her childhood was spent in St. Louis, Missouri where she was educated in the Maryville convent. Childers began acting at the age of three, reciting at a notable function. She played a Chopin number at an adult recital at the age of eight. When she was ten Childers performed the title roles, in both Red Riding Hood and Alice in Wonderland, at the Odeon Theater in St. Louis. In 1912 she played in The Great Name and Madame X. The theatrical presentations featured Henry Kolker and Dorothy Donnelly. On Broadway Childers appeared in Ready Money.

Hollywood films[edit]

Childers was in movies beginning in 1913. She appeared in The Turn of the Road (1915) and The Writing on the Wall (1916). She was associated with the Vitagraph company for four years. Her most popular role was in Womanhood, the Glory of the Nation. In this film she performed a most modern characterization of Joan of Arc. In 1917 she began working with the Commonwealth Company. Childers possessed a preference for comedy, yet she was in constant demand to play more serious roles. Her character work in motion pictures was a strong asset. In the 1919 Sam Goldwyn film Lord and Lady Algy, Childers was cast in the leading feminine role. She depicted the wife of the young Lord Algy, played by Tom Moore. As a titled Englishwoman she revealed a cold exterior, but retained a warm nature.

Still from the 1915 Vitagraph production Anselo Lee, with, from left to right, Donald Hall, Naomi Childers, and Antonio Moreno.

Physical beauty[edit]

Childers had golden hair and deep blue eyes. Her loveliness was highly regarded. Once she was voted the most beautiful woman in Japan. Her physical resemblance to Sarah Bernhardt was commented upon in news items. Artists all over America called her the girl with the Grecian face. She was employed as a model numerous times.

Marriages[edit]

In 1919 Childers became engaged to Harold Darling Shattuck, the head of a large candy making company. Their wedding was scheduled for June, but was postponed until fall, because Childers was in Texas for an event. The actress referred to her fiancee as her Chocolate Soldier.

In December 1929 she was given a divorce from Luther A. Reed, Hollywood scenario writer and motion picture director, on grounds of desertion. The superior court of Los Angeles, California awarded Childers custody of an eight-year-old son and granted $250 a month alimony. Childers alleged Reed deserted her following nine years of married life.

Poverty and death[edit]

When Louis B. Mayer discovered Childers had come into hard times in later years, he granted her a lifetime contract from MGM. She continued to play numerous, often uncredited, roles into the early 1950s. Childers died in Hollywood, California in 1964, age 71. She is buried at Valhalla Memorial Park Cemetery.

Partial filmography[edit]

References[edit]

  • Fresno, California Bee, "Naomi Childers Reed Divorces Scenario Writer", Friday, December 13, 1929,
  • La Crosse, Wisconsin Tribune, "News Notes from Movieland", Wednesday, May 3, 1918, Page 3.
  • Madison, Wisconsin Capitol Times, "News Notes from Movieland", Thursday Afternoon, December 20, 1917, Page 4.
  • Newark, Ohio Daily Advocate, "Amusements", Wednesday, December 17, 1919, Page 8.
  • Sandusky, Ohio Star-Journal, "News Notes from Movieland", Monday, November 27, 1916, Page 9.
  • Charles Foster, Stardust and Shadows, 2000, Toronto: Dundurn Press, p. 208.

External links[edit]