Theatrical release poster
|Directed by||Jared Hess|
by Jared Hess
|Music by||John Swihart|
|Edited by||Jeremy Coon|
|Box office||$46.1 million|
Napoleon Dynamite is a 2004 American comedy film produced by Jeremy Coon, Chris Wyatt, Sean Covel and Jory Weitz, written by Jared and Jerusha Hess and directed by Jared Hess. The film stars Jon Heder in the role of the title character, for which he was paid $1,000. After the film's runaway success, Heder re-negotiated his compensation and received a cut of the profits. The film was Jared Hess' first full-length feature and is partially adapted from his earlier short film, Peluca. Napoleon Dynamite was acquired at the Sundance Film Festival by Fox Searchlight Pictures and Paramount Pictures, in association with MTV Films. It was filmed in and near Franklin County, Idaho in the summer of 2003. It debuted at the Sundance Film Festival in January 2004. The film's total worldwide gross revenue was $46,118,097. The film has since developed a cult following.
- 1 Plot
- 2 Cast
- 3 Production
- 4 Release
- 5 Reception
- 6 Soundtrack
- 7 Animated series
- 8 See also
- 9 References
- 10 External links
Napoleon Dynamite is a socially awkward 16-year-old boy from Preston, Idaho, who lives with his grandmother, Carlinda Dynamite, and his older brother, Kipling Ronald "Kip" Dynamite. Kip, 32, is unemployed and boasts of spending hours on Internet chat rooms with his girlfriends and aspiring to be a cage fighter. Napoleon daydreams his way through school, doodling ligers and fantasy creatures and reluctantly deals with the various bullies who torment him, particularly the obnoxious sports jock, Don. Napoleon likes to make up stories about himself and his outlandish "skills" while having a sullen and aloof personality.
Napoleon's grandmother breaks her coccyx in a quad-bike accident and asks their Uncle Rico to look after the boys while she recovers. Rico, a middle-aged and flirtatious steak-loving former athlete who lives in a campervan, treats Napoleon like a child. He uses the visiting opportunity to team up with Kip in a get-rich-quick scheme to sell items door-to-door. Kip wants money to visit his Internet girlfriend LaFawnduh, while Rico believes riches will help him get over his failed dreams of NFL stardom and his recent breakup with his girlfriend.
Napoleon becomes friends with two students at his school: Deb, a shy girl who runs various small businesses to raise money for college, and Pedro, a bold yet calm transfer student from Juarez, Mexico. Preparations begin for the high school dance. Pedro asks Summer Wheatley, a popular and snobby girl, to be his dance partner, but is rebuffed. He then asks Deb, who gladly accepts. Pedro encourages an upset Napoleon to find a date for himself, and he picks an attractive and popular classmate, Trisha, from the school yearbook. As a gift, he draws an unintentionally bad picture of her and delivers it to Trisha's mother, who is one of Rico's customers. Rico tells embarrassing stories about Napoleon to evoke sympathy from Trisha's mother, who buys his wares and forces Trisha to reluctantly accept Napoleon's invitation. Trisha appears at the dance with Napoleon but soon abandons him, causing Deb to dance with Napoleon out of pity.
Inspired by an election poster at the dance, Pedro decides to run for class president, pitting him against Summer. The two candidates' factions put up flyers and hand out trinkets to students to attract voters. To increase their respect by demonstrating "skills", Napoleon and Pedro enter a Future Farmers of America competition, grading milk and cow udders. They do well and win medals, but this does little for their popularity. Incidentally, Napoleon visits a thrift store and buys an instructional dance VHS called D-Qwon's Dance Grooves, becoming a skillful dancer.
Rico's ongoing sales scheme causes friction with Napoleon as he continues to spread embarrassing rumors about him to prospective customers. Rico tries to sell Deb a breast-enhancement product, claiming it was Napoleon's suggestion, which causes her to break off their friendship. His scheme ends after his sales pitch to the wife of the town's martial arts instructor, Rex, goes awry: Rex assaults Rico after unexpectedly arriving during his demonstration of the breast-enhancement product.
Summer gives a speech before the student body on election day, and then presents a dance skit to "Larger than Life" by the Backstreet Boys with a school club. A despondent Pedro gives an unimpressive speech after discovering he is also required to perform a skit. To save Pedro's campaign, Napoleon gives the sound engineer LaFawnduh's mixtape and spontaneously performs an elaborate dance routine to "Canned Heat" by Jamiroquai. Napoleon's routine receives a standing ovation from students, stunning Summer and her boyfriend Don.
The film concludes with Pedro becoming the class president, Kip and LaFawnduh leaving on a bus for Michigan, Rico reuniting with his estranged girlfriend, Grandma returning from the hospital, and Napoleon and Deb reconciling and playing tetherball.
In a post-credits scene, Kip and LaFawnduh are married in an outdoor ceremony in Preston. Napoleon, absent for the vows, arrives riding a horse, claiming that it is a "wild honeymoon stallion" that he has tamed himself. Kip flicks LaFawnduh's garter as a keepsake towards Napoleon, Pedro, and Rico (who catches it) before he and LaFawnduh ride off across the fields.
- Jon Heder as Napoleon Dynamite
- Efren Ramirez as Pedro Sánchez
- Tina Majorino as Deborah "Deb" Bradshaw
- Aaron Ruell as Kipling "Kip" Dynamite
- Jon Gries as Rico Dynamite
- Haylie Duff as Summer Wheatley
- Emily Kennard as Trisha Jenner
- Shondrella Avery as LaFawnduh Lucas
- Sandy Martin as Grandma Carlinda Dynamite
- Diedrich Bader as Rex
- Trevor Snarr as Don
- Ellen Dubin as Aunt Ilene
Jon Heder and Jared Hess were both students at the film program at Brigham Young University in 2002 and decided to collaborate on a class project. The duo produced a 9-minute short film shot on black-and-white 16mm film entitled Peluca, about a nerdy high school student named Seth, for a class assignment.
We went up to Preston and shot the short film over two days in black and white. We knew that we wanted to do a feature—we'd already started writing a script for what would become Napoleon at that point—but we wanted to do a short film on the character to bring him to life. It was for a class assignment, and we were still trying to figure out the best way to end it.
Peluca was shown at the 2003 Slamdance Film Festival and was well received. Jeremy Coon, who was the brother of a good friend of Hess's in film school, convinced Hess to drop out of school and adapt it into a feature-length film, and helped him find investors for the project.
Hess sent the short film along with the script to a variety of different casting directors; many of whom thought the film idea was "too weird or they just didn't like the character. They were like, 'The script's funny, but I think you need to recast this guy with somebody else,'" Hess explained.
Hess describes the film as being "so autobiographical." "I grew up in a family of six boys in Preston, Idaho and the character of Napoleon was a hybrid of all the most nerdy and awkward parts of me and my brothers growing up. Jerusha really was like Deb growing up. Her mom made her a dress when she was going to a middle school dance and she said, 'I hadn't really developed yet, so my mom overcompensated and made some very large, fluffy shoulders." Some guy dancing with her patted the sleeves and actually said, 'I like your sleeves…they’re real big,"' Hess said in an interview with Rolling Stone.
Hess shot the film on location in Preston, in Southeastern Idaho, located near the Utah border, in July of 2003. Operating on a tight budget of $400,000, Hess cast many of his friends from school, including Heder and Aaron Ruell, and he relied on the generosity of Preston locals who provided housing and food to crew members. Among the established actors in the cast was comedy veteran Diedrich Bader, who filmed his scenes as virile martial art instructor Rex in one day. He recalled in 2011 that Napoleon Dynamite “still to this day [is] one of the two top scripts I’ve ever read," alongside Office Space (1999), and also one of his most-recognized roles.
"It was very, very hot," Hess recalled in a Rolling Stone interview. "But it was so much fun being in this rural farm town making a movie. We shot it in 23 days, so we were moving very, very fast; I just didn’t have a lot of film to be able to do a lot of takes. It was a bunch of friends getting together to make a movie. It was like, 'Are people going to get this? Is it working?'"
The film is set during the 2004–2005 school year, as shown on Napoleon's student ID card in the title sequence. However, the film contains several anachronisms indicating that it would be more appropriately set in the 1980s or 1990s. For example, Deb wears a side ponytail and Napoleon wears Moon Boots, both popular fashion trends of the 1980s. One scene is set at a school dance that plays only 1980s music such as Alphaville's "Forever Young," whereas an earlier scene features students performing a sign language rendition of "The Rose" (1980) sung by Bette Midler. Much of the technology in the film is also archaic; Napoleon uses a VCR and Walkman cassette player, Kip connects to the Internet via a pay-per-minute dial-up connection and Uncle Rico drives a 1975 Dodge Tradesman. The song Napoleon Dynamite dances to at the end of the film—"Canned Heat" by Jamiroquai—came out in 1999.
The film was originally made without opening titles; audiences at test screenings were confused about when the film was set. Eight months after the film was completed, the title sequence was filmed in the cinematographer's basement. Aaron Ruell, who played Kip, suggested the idea of the title sequence. The sequence shows a pair of hands placing and removing several objects on a table. Objects like plates of food had the credits written in condiments, while other objects like a Lemonheads box or a tube of ChapStick had the credits printed on them. Hess explains:
We actually had Jon Heder placing all the objects in and out [of frame], and then showed it to Searchlight who really liked it and thought it was great, but some lady over there was like "There are some hangnails or something — the hands look kinda gross! It's really bothering me, can we re-shoot some of those? We'll send you guys a hand model." We were like "WHAT?!". This, of course, was my first interaction with a studio at all, so they flew out a hand model a couple weeks later, who had great hands but was five or six shades darker than Jon Heder. So we reshot, but they're now intermixed, so if you look there are like three different dudes' hands (our producers are in there too). It all worked out great, though, and was a lot of fun.
The Hesses wrote the climactic dance scene because they knew Heder liked to dance. "Jared's wife was like, "Jon, I hear you’re pretty good dancer. I've seen you boogie; it’s pretty sweet," recalled Heder. "And I was like, 'Well, I like to dabble.' I liked to mess around sometimes in front of friends and dance. But I did take pride in it. I won’t be modest. I wasn’t great but I did like to mess around...Cut to two years later: after we had shot the short, they were like, 'Okay we’re going to have you dancing in the movie as the climax. This is going to make or break the film.'"
When it came to shooting the dance scene for the final film, the producers scheduled to film it towards the end of the film. When they finally got to the scene, they were running out of money and film. They only had one roll of film (approximately 10.5 minutes) left to shoot.
"It was a lot of pressure," Heder observed. "I was like, 'Oh, crap!' This isn't just a silly little scene. This is the moment where everything comes, and he’s making the sacrifice for his friend. That’s the whole theme of the movie. Everything leads up to this. Napoleon’s been this loser. This has to be the moment where he lands a victory. He gets up there, and it's quiet: no reaction from the audience."
The dance was spontaneously improvised by Heder with help from Tina Majorino and additional moves taken from Saturday Night Fever, Michael Jackson and Soul Train. "They were like, 'No, Jon, just figure it out.' So I just winged it. I danced three times and they took the best pieces from each of those."
"When you’re shooting in independent film, you don’t know what you're going to get the rights to," Heder explained. "We thought Jamiroquai might be expensive. So we danced to three different songs. To that song and another Jamiroquai song, "Little L." We danced to Michael Jackson, something off of Off the Wall. Just those three. And then we got the rights to Jamiroquai. And I think that was half our budget."
Origin of the name "Napoleon Dynamite"
Upon the film's release, it was noted that the name "Napoleon Dynamite" had originally been used by musician Elvis Costello, most visibly on his 1986 album Blood & Chocolate, although he had used the pseudonym on a single B-side as early as 1982. Filmmaker Jared Hess states that he was not aware of Costello's use of the name until two days before the end of shooting, when he was informed by a teenage extra. He later said, "Had I known that name was used by anybody else prior to shooting the whole film, it definitely would have been changed ... I listen to hip-hop, dude. It's a pretty embarrassing coincidence." Hess claims that "Napoleon Dynamite" was the name of a man he met around 2000 on the streets of Cicero, Illinois, while doing missionary work for the Church of Jesus Christ of Latter-day Saints (LDS Church).
Costello believes that Hess got the name from him, whether directly or indirectly. Costello said, "The guy just denies completely that I made the name up ... but I invented it. Maybe somebody told him the name and he truly feels that he came to it by chance. But it's two words that you're never going to hear together."
Lawsuit against Fox Searchlight Pictures
On August 30, 2011, Napoleon Pictures filed a lawsuit against Fox Searchlight for $10 million for underreporting royalties and taking improper revenue deductions. In its term sheet, Fox agreed to pay 31.66% of net profits on home video. The lawsuit says that a 2008 audit revealed that Fox was only paying net royalties on home videos at a 9.66% rate, and there were underreported royalties and improper deductions.
Napoleon Pictures also alleges that Fox has breached the agreement in multiple other respects, including underreporting pay television license fees, failing to report electronic sell-through revenue, charging residuals on home video sales, as well as overcharging residuals on home video sales, deducting a number of costs and charges Fox has no right to deduct and/or for which there is no supporting documentation.
In May 2012, Fox went to trial after failing to win a summary judgment on the case. The trial began on June 19, 2012. On November 28, 2012, a 74-page decision sided with Fox on 9 of the 11 issues. Napoleon Pictures was awarded $150,000 based on Fox accounting irregularities.
Napoleon Dynamite premiered at the Sundance Film Festival on January 17, 2004 and was theatrically released on June 11, 2004 in the United States by Fox Searchlight Pictures, Paramount Pictures and MTV Films.
Critical response and box office
Rotten Tomatoes, a review aggregator, reports that 71% of 170 surveyed critics gave the film a positive review; the average rating is 6.3/10. The site's consensus reads: "A charming, quirky, and often funny comedy." Rolling Stone magazine complimented the film, saying, "Hess and his terrific cast — Heder is geek perfection — make their own kind of deadpan hilarity. You'll laugh till it hurts. Sweet." The Christian Science Monitor called the film "a refreshing new take on the overused teen-comedy genre" and said that the film "may not make you laugh out loud — it's too sly and subtle for that — but it will have you smiling every minute, and often grinning widely at its weirded-out charm."
Michael Atkinson of The Village Voice praised the film as "an epic, magisterially observed pastiche on all-American geekhood, flooring the competition with a petulant shove." In a mixed review, The New York Times praised Heder's performance and the "film's most interesting quality, which is its stubborn, confident, altogether weird individuality", while criticizing the film's resolution that comes "too easily." Film critic Roger Ebert gave the film one-and-a-half stars, writing that he felt that "the movie makes no attempt to make [Napoleon] likable" and that it contained "a kind of studied stupidity that sometimes passes as humor". At the time, Entertainment Weekly gave the film a C-. Entertainment Weekly later ranked Napoleon #88 on its 2010 list of The 100 Greatest Characters of the Last 20 Years, saying, "A high school misfit found a sweet spot, tapping into our inner dork." The film was on several year-end lists. Rolling Stone placed it at number 22 of the 25 Top DVDs of 2004.
The term "The Napoleon Dynamite Problem" has been used to describe the phenomenon where "quirky" films such as Napoleon Dynamite, Lost in Translation and I Heart Huckabees prove difficult for researchers to create algorithms that are able to predict whether or not a particular viewer will like the film based on their ratings of previously viewed films. Despite a very limited initial release, Napoleon Dynamite was a commercial success. It was filmed on an estimated budget of a mere $400,000, and less than a year after its release, it had grossed $44,940,956. It also spawned a slew of merchandise, from refrigerator magnets to T-shirts to Halloween costumes.
- Best Feature Film at the U.S. Comedy Arts Festival the same year. The film's budget was only $400,000. When the film rights were sold to a major distributor, Fox Searchlight Pictures, Fox supplied additional funds for the post-credits scene.
- In 2005, the film — itself an MTV Films production — won three MTV Movie Awards, for Breakthrough Male Performance, Best Musical Performance, and Best Movie. The film is #14 on Bravo's "100 Funniest Movies".
- It won the 2005 Golden Trailer Awards for Best Comedy.
- It won the 2005 Golden Satellite Award for Best Original Score (John Swihart).
- Four awards at the Teen Choice Awards. Choice Movie: Female Breakout Star for Haylie Duff, Choice Movie: Dance Scene, Choice Movie: Hissy Fit for Jon Heder, and Choice Movie: Comedy.
- The 2004 Film Discovery Jury Award for Best Feature
- April 2005, the Idaho Legislature approved a resolution commending the filmmakers for producing Napoleon Dynamite, specifically enumerating the benefits the movie has brought to Idaho, as well as for showcasing various aspects of Idaho's culture and economy.
In April 2010, Fox announced that an animated series was in development. It was also revealed that the entire original cast would return to reprise their roles. The series debuted on Sunday, January 15, 2012. Director Jared Hess, his co-screenwriter wife Jerusha, and Mike Scully are the producers of the show, in association with 20th Century Fox Television. On May 14, 2012, it was announced that Fox had canceled the series after 6 episodes. The complete series was released on DVD on November 4, 2014 by Olive Films.
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- "In 'Napoleon Dynamite,' Nerdity Without Shame". Washington Post. June 20, 2004.
- Contact Music article: "Costello Adamant Napoleon Dynamite Was His Idea".
- "'Napoleon Dynamite' Producers Sue Fox Searchlight for $10 Million in Profits". Hollywood Reporter. 2011-01-09. Retrieved 2012-08-11.
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- "'Napoleon Dynamite' Lawsuit: Fox Wins Major Ruling". Hollywoodreporter.com. 2012-12-05. Retrieved 2013-08-08.
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- Michael Atkinson (June 1, 2004). "Deadpan Walking. Welcome to the droll house: American geekhood finds a new icon in a clueless Idaho teen". Village Voice.
- SCOTT, A. O. (June 11, 2004), "FILM REVIEW; A Nerdy Nobody of a Hero Who Proves to Be Napoleonic." New York Times. :15
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