Nathaniel A. Owings
|Nathaniel A. Owings|
February 5, 1903|
|Died||June 13, 1984
Santa Fe, New Mexico
|Awards||1983 AIA Gold Medal|
|Practice||Skidmore, Owings and Merrill|
Nathaniel Alexander Owings (February 5, 1903 – June 13, 1984) was an American architect, a founding partner of Skidmore, Owings and Merrill, which became one of the largest architectural firms in the United States and the world. Owings viewed skyscrapers as his firm's specialty. His reputation rested on his ability to be what he called "the catalyst," the person in his firm who ironed out differences among clients, contractors and planning commissions.
Owings was born in 1903 in Indianapolis, Indiana. His sister, Eloise, would become the wife of his business partner, Louis Skidmore. In 1920, he traveled through Europe. The experience inspired him to begin to study architecture at the University of Illinois, but had to quit the school prematurely because of illness. He continued his education at Cornell University, earning a degree in 1927.
Owings first job as an architect was with the New York firm of York and Sawyer. As a young architect, Owings was impressed with Raymond Hood, who designed the RCA Building in Rockefeller Center. More than 50 years later, Owings described his first glimpse of the 70-story skyscraper as a breathtaking "knife edge, presenting its narrow dimension to Fifth Avenue."
Hood's recommendation led to a job Owings worked as an architect on the Century of Progress Exposition in Chicago (1929 – 34). He had been hired by his brother-in-law, Louis Skidmore, the chief architect for the exposition. Together they designed the layout and buildings for the entire site. They were told to build pavilions for more than 500 exhibits at minimum cost using lightweight, mass-produced materials; and they devised solutions, using the simplest materials—pavilions built out of beaverboard.
After the exposition was over, the two men worked independently before forming a Chicago-based partnership in 1936 with a small office at 104 South Michigan Avenue. Some smaller projects remain from this period. An architecturally significant residence in Northfield, Illinois still looks and feels contemporary because of its open, inviting interiors and large windows. The partnership developed projects for corporate clients they had met during the Chicago exposition.
The firm opened a second office at 5 East 57th Street in New York in 1937; and young Gordon Bunshaft was hired by Skidmore. This satellite office focused initially on designing and developing a new office building for the American Radiator Company.
Skidmore, Owings and Merrill (SOM)
The two architects won the contract to design the 1939-40 New York World's Fair; and in 1939 engineer John O. Merrill joined the firm as partner. The name was changed to Skidmore, Owings & Merrill and the firm's operations were decentralized. Owings's initial responsibilities centered on the Chicago office. Skidmore worked in New York. Owings and Skidmore had learned the hard way that they just couldn't get along together. The partners' dysfunctional relationship could have doomed the firm, but SOM flourished, despite, or maybe because of, simmering distrust.
There were good business reasons for a practice with a foot in both New York and Chicago; and the firm found plenty of work in both cities. At the same time, it was seen as easier for the meticulous Skidmore to bear the aggressive and explosive Owings from a distance. John Merrill, a mild-mannered engineer, figured little in the volatile politics of SOM.
The firm would build a number of large projects, including government-funded work at military installations and air bases. During the war years, the partnership was hired to build a secret town for 75,000 residents in Oak Ridge, Tennessee where the atomic bomb was being developed.
Skidmore and Owings moved easily in the world of the business establishment. Owings became especially adept in encouraging corporate CEOs to award commissions to SOM. The partners didn't develop reputations as clever designers, but rather, they became known for their 'rainmaking' skills and organizational acumen. They relied on others to do the creative work. SOM developed its reputation for reliability in large developments, and became one of the largest and most talked-about skyscraper builders in the 1950s. Owings described the SOM he helped to build as "the King Kong" of architectural firms.
The firm helped to popularize the International style during the postwar period. SOM's best-known early work is Lever House (1952), which was designed by Gordon Bunshaft and reflects the influence of Mies Van der Rohe. Bunshaft's many strengths as a designer were enhanced with Owings as his SOM super-salesman; but personal antipathies between these partners produced a complicated relationship.
In 1954, SOM was awarded another major government-appointed project—creating a campus for the United States Air Force Academy near Colorado Springs, Colorado. SOM's concepts were not without detractors in Congress, in the Air Force leadership and elsewhere. As a senior SOM partner, Owings principal role in the project was to mediate differences between members of a Senate appropriations subcommittee and Air Force officers, some of whom had misgivings about what they thought were the firm's unacceptably modern designs.
Frank Lloyd Wright offered faint praise for a SOM project designed by Owings when he identified the J.C. Penny Building on the Circle in Indianapolis was "the one interesting building" in the city.
In the early years of the Kennedy administration, the plan to redesign Pennsylvania Avenue was the most significant redevelopment project in the country. Owings was a leading figure in the team which developed the preliminary design during more than a year of closely guarded, top-level work. He was chairman of the Temporary Commission on Pennsylvania Avenue (1964 – 1973), and he was named to the Permanent Commission as well. He advocated returning portions of the National Mall to pedestrian use and restricting further developmental growth in that region.
Owings and Daniel Patrick Moynihan, then urban affairs adviser in President Richard Nixon's administration, were ultimately credited with the success of the master plan for the Washington Mall and for the redesign of Pennsylvania Avenue as the capital's grand ceremonial boulevard. Owings' indidrect influence continued after this planning phase was completed. His SOM protégé was David Childs, who was later appointed by President Gerald Ford as chairman of the National Capital Planning Commission.
As Chairman of the Board of Control for the Urban Design Concept team for the Interstate Highway System in Baltimore, he worked to restrict the development of a large highway through the city. He was a member of the Secretary of Interior's Advisory Board for National Parks, Historic Sites, Buildings and Monuments in Washington, D.C. (1967 – 1970), and later as Chairman of that Board (1970 – 1972). In this same period, he also served as Co-Chairman of the Executive Committee of the Human Resources Council (1970). He was honored for his service on or contribution to the California Advisory Committee on a Master Plan for Scenic Highways, the Monterey coast master plan, the Pennsylvania Avenue Development Corporation, and the President's Council on Pennsylvania.
Owings moved to San Francisco in 1951. Owings first marriage to the former Emily Otis ended in divorce. Through the influence of Owings, in late 1957 his firm sent the architectural photographer Morley Baer to Europe to photograph SOM-built buildings. That resulted in Baer being able to stay on for a year and produce a set of striking photographs of pre-tourist southern Spain, especially of Andalucia.
Owings built a unique A-Frame home at Big Sur, California in 1958 on the site where he proposed to his second wife Margaret Wentworth Owings. The residence, later nicknamed the "Wild Bird House", was a permanent vacation home for them. Time magazine labeled it "the most beautiful house on the most beautiful site" in the United States. With his wife, Nathaniel drafted the Big Sur Land Use Plan, a master plan to protect Big Sur’s scenic coastline. This work became the foundation for Big Sur’s eventual land-use policies; and this was a crucial step in Owings’s move towards his eventual role as environmental activist and spokesman. This project introduced Owings to enviornmental concerns and was the first of many contributions to conservation and preservation campaigns. His memory is commemorated in the Nathaniel Owings Memorial Redwood Grove at Big Sur. After both his and his wife's death, the house was sold in 2000 for $5,650,000.
Owings' close personal ties to the Santa Fe area date back to 1944, when he and his first wife, Emily, came to live in Santa Fe. They built a house in Pojoaque, New Mexico where they raised their family of four children. He and his family continued to maintain their long-standing connection to the area community.
In later years, Owings kept a home near Nambé Pueblo, New Mexico; and in due course, he came to be known as an active preservationist in the Santa Fe region. One noteworthy success was in Las Trampas, New Mexico, where the 1760s San José de Gracia Church was saved from highway demolition by a coalition of villagers and Santa Fe citizens.
In his long career, Owings presided over more than $3-billion in construction projects, including:
- 1962—Air Force Academy Chapel, at Colorado Springs, Colorado 
- 1968—Wells College Library, at Aurora, New York
- 1970—John Hancock Center, at Chicago, Illinois 
- 1971—Weyerhaeuser Headquarters, near Tacoma, Washington
- 1972—Haj Terminal, at Jeddah, Saudi Arabia 
- 1974—First Wisconsin Plaza, at Madison, Wisconsin
- 1976—Sears Tower, at Chicago, Illinois 
- 1982—Enerplex, North Building at Princeton, New Jersey
- 1969—The American Aesthetic (with William Garnett). New York: Harper & Row.
- 1973—The Spaces in Between: An Architect's Journey. New York: Houghton Mifflin.
- 1983—American Institute of Architects Gold Medal.
- 1983—Honorary Doctorate of Fine Arts, University of New Mexico
- 1961 - Elected into the National Academy of Design
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- Blackwell, Elisabeth. "With all due respect," Chicago Home + Garden Magazine. March – April 2007.
- Pridemore, Jay. "A New Order," Chicago Magazine. February 2007.
- Owings, Nathaniel A. NARA Access Record Number 76-5, p. 2.
- Louchheim, Aline B. "Architecture of an for Our Day; Museum of Modern Art Singles Out Work Of One Firm," New York Times. September 24, 1950.
- "Senators Pleased as Air Force Trims Academy Design's Glass," New York Times. July 19, 1955.
- Werkel, Harriet Garcia et al. (2003). The Herron Chronicle, p 1945.
- Hutxtable, Ada Louise. "Plan for Rebuilding Pennsylvania Ave. Is Near Completion; National Capital's 'Grand Axis' Is to Be Restored," New York Times. August 20, 1963.
- Iovine, Julie V. "The New Ground Zero; The Invisible Architect," New York Times. August 31, 2003.
- "Nathaniel Alexander Owings papers, 1911-1983". Manuscript Division. Library of Congress. Retrieved 5 October 2013.
- Saxon, Wolfgang. "Margaret W. Owings, 85, Defender of Wild Creatures," New York Times. January 31, 1999; Online Archive of California: Margaret Wentworth Owings Papers, 1913-1996.
- Counts, Chris (January 6, 2012). "Fire damages famed 'Wild Bird' residence". Carmel Pine Cone. Retrieved 23 August 2016.
- "Corridor Intrinsic Qualities Inventory: Historic Qualities Summary Report" (PDF). Big Sur Coast Highway Management Plan. JRP Historical Consulting Services. 2001. p. 1-4.
- Gold, Herbert. "To (and In) Big sur, the way is Clear." New York Times. January 29, 1984.
- Santa Fe Living Treasures: Emily Otis Owings.
- Bullock, Alice. (1981). Mountain Villages: Historic Sites, p. 10.
- "Old Spain in New Mexico," Sunset Magazine (Melow Park, California). September 1988.
- "To Cherish Rather than Destroy," Time. August 2, 1968.
- American Institute of Architects: Gold Medal Awards.
- University of New Mexico: D.F.A., 1983.
- A. Bush-Brown, Albert and Oswald W. Grube. (1984). Skidmore, Owings and Merrill: Architecture and Urbanism, 1973 – 1983. New York: Van Nostrand Reinhold.
- Kostoff, Spiro and Dana Cuff. (2000). The Architect: Chapters in the History of the Profession. Berkeley: University of California Press. ISBN 978-0-520-22604-3
- Owings, Nathaniel A. Transcript of interview at Owings home in Big Sur California, March 25, 1970. Lyndon Baines Johnson Library, University of Texas, Oral History Project, Access Record Number 76-5.