Smithsonian American Art Museum
|Location||8th & F Streets NW, Washington, D.C.|
|Type||Art museum, Design/Textile Museum, Heritage Museum|
|Visitors||1.2 million (2013)|
|Director||Stephanie Stebich |
|Public transit access||Gallery Place-Chinatown|
The Smithsonian American Art Museum (commonly known as SAAM, and formerly the National Museum of American Art) is a museum in Washington, D.C. Together with its branch museum, the Renwick Gallery, it holds one of the world's largest and most inclusive collections of art, from the colonial period to the present, made in the United States. The museum has more than 7,000 artists represented in the collection, which contains the largest collection of New Deal art; a collection of contemporary craft, American impressionist paintings, and masterpieces from the Gilded Age; photography, modern folk art, works by African American and Latino artists, images of western expansion, and realist art from the first half of the twentieth century. Most exhibitions take place in the museum's main building, the old Patent Office Building (shared with the National Portrait Gallery), while craft-focused exhibitions are shown in the Renwick Gallery.
The museum provides electronic resources to schools and the public through its national education program, including Artful Connections, real-time video conference tours. It maintains seven online research databases with more than 500,000 records, including the Inventories of American Painting and Sculpture that document more than 400,000 artworks in public and private collections worldwide. Since 1951, the museum has maintained a traveling exhibition program; as of 2013, more than 2.5 million visitors have seen the exhibitions.
American Art's main building, the Old Patent Office Building, is a National Historic Landmark and is considered an example of Greek Revival architecture in the United States. It was designed by architects Robert Mills, and Thomas U. Walter. During the 1990s, the Smithsonian Institution worked on restoring the building. The 2000-2006 renovation included restoring the porticos modeled after the Parthenon in Athens, a curving double staircase, colonnades, vaulted galleries, large windows, and skylights as long as a city block. According to the Smithsonian Institution, "Extraordinary effort was made to use new preservation technologies to restore the historic fabric of the building and re-use historic materials." During the renovation, the Lunder Conservation Center, the Luce Foundation Center for American Art, Nan Tucker McEvoy Auditorium, and the Robert and Arlene Kogod Courtyard were added to the building.
Features and programs
The American Art's main building, a National Historic Landmark located in Washington, D.C.'s downtown cultural district, has been renovated with expanded permanent-collection galleries and public spaces. The Luce Foundation Center for American Art is a visible art storage and study center, which allows visitors to browse more than 3,300 works of the collection. The Lunder Conservation Center is "the first art conservation facility to allow the public permanent behind-the-scenes views of the preservation work of museums." In 2008, the American Alliance of Museums awarded reaccreditation to the Smithsonian American Art Museum. As of April 2017, Stephanie Stebich is Director of the museum.
American Art has maintained a traveling exhibition program since 1951. During the 2000s renovation, a "series of exhibitions of more than 1,000 major artworks from American Art's permanent collection traveled to 105 venues across the United States," which were "seen by more than 2.5 million visitors". Since 2006, thirteen exhibitions have toured to more than 30 cities.
American Art provides electronic resources to schools and the public as part of education programs such as Artful Connections. Artful Connections gives real-time video conference tours of American Art. In addition, the museum offers the Summer Institutes: Teaching the Humanities through Art, week-long professional development workshops that introduce educators to methods for incorporating American art and technology into their humanities curricula. American Art has seven online research databases, which has more than 500,000 records of artworks in public and private collections worldwide, including the Inventories of American Painting and Sculpture. Numerous researchers and millions of virtual visitors per year use these databases. Also, American Art and Heritage Preservation work together in a joint project, Save Outdoor Sculpture, "dedicated to the documentation and preservation of outdoor sculpture". The museum produces a peer-reviewed periodical, American Art (started in 1987), for new scholarship. Since 1993, American Art has been had an online presence. It has one of the earliest museum websites when, in 1995, it launched its own website. EyeLevel, the first blog at the Smithsonian Institution, was started in 2005 and, as of 2013, the blog "has approximately 12,000 readers each month."
Part of the Smithsonian Institution, the museum has a broad variety of American art, with more than 7,000 artists represented, that covers all regions and art movements found in the United States. Among the significant artists represented in its collection are Nam June Paik, Jenny Holzer, David Hockney, Georgia O'Keeffe, John Singer Sargent, Albert Pinkham Ryder, Albert Bierstadt, Edmonia Lewis, Thomas Moran, James Gill, Edward Hopper, John William "Uncle Jack" Dey, Karen LaMonte and Winslow Homer. The museum describes itself as being "dedicated to collecting, understanding, and enjoying American art. The museum celebrates the extraordinary creativity of artists whose works reflect the American experience and global connections."
The Smithsonian American Art Museum first opened to the public in its current location in 1968 when the Smithsonian renovated the Old Patent Office Building in order to display its collection of fine art. Previously, the collection, which was begun in 1829, was on display in a Smithsonian building on the National Mall. The Smithsonian American Art Museum has had many names over the years—Smithsonian Art Collection, National Gallery of Art, National Collection of Fine Arts, and National Museum of American Art. The museum adopted its current name in October 2000.
The Smithsonian completed another renovation of the building in July 1, 2006. Washington D.C.-based Hartman-Cox Architects oversaw the project, which restored many of the building’s exceptional architectural features, such as the porticos, a curving double staircase, colonnades, vaulted galleries, large windows, and skylights as long as a city block. The renovation was funded by the Donald W. Reynolds Foundation, the Luce Family and other noteworthy patrons of the arts donated about US$117 million. The renovation lasted six and a half years and cost approximately US$283 million. On November 18, 2007, the central courtyard opened with a new, curved glass canopy designed by British architect Lord Norman Foster of the architectural firm Foster + Partners.
The Smithsonian American Art Museum shares its historic building with the National Portrait Gallery, another Smithsonian museum. Although the two museums' names have not changed, they are collectively known as the Donald W. Reynolds Center for American Art and Portraiture.
The museum has two innovative public spaces, the Luce Foundation Center for American Art and the Lunder Conservation Center.
The Luce Foundation Center for American Art
The Luce Foundation Center, which opened in July 2000, is the first visible art storage and study center in Washington, D.C. and the fourth center to bear the Luce Family name. It presents more than 3,300 objects in 64 secure glass cases, which quadruples the number of artworks from the permanent collection on public view. The purpose of open storage is to allow patrons to view various niche art that is usually not part of a main exhibition or gala special. It has 20,400 square feet on the third and fourth floors of American Art Museum. The Luce Foundation Center features paintings densely hung on screens, sculptures, crafts and folk art objects arranged on shelves, and miniatures and medals in drawers that open. Large-scale sculptures are installed on the first floor. The Center has John Gellatly’s European collection of decorative arts. Interactive computer kiosks provide the public with information about every object on display, including a discussion of each artwork, artist biographies, audio interviews, video clips and still images.
- 1921 Peace silver dollar by Anthony de Francisci
- Henry C. Turner Medal for Notable Achievement in the Concrete Industry
- George C. Marshall Medal (1946) by Anthony de Francisci
- Betrothal Medal (1939) by John Gregory
- Jeanne d'Arc medal (1915) by Paul Manship
- U.S. Navy Distinguished Service medal (1919) by Paul Manship
- Portrait of Murray (1925 - 1930) by Anthony de Francisci
- A.D.T. Burglary and F/ire Protection Medal by Joseph E. Reiner
- United Parcel Service 50th Anniversary Medal by Anthony de Francisci
- William Lawrence Saunders Achievement in Mining medal (1926) by Anthony de Francisci
- United States Stell corporation medal (1926) by Anthony de Francisci
Lunder Conservation Center
The Lunder Conservation Center, which opened in July 2000, is the first art conservation facility that allows the public permanent behind-the-scenes views of preservation work. Conservation staff are visible to the public through floor-to-ceiling glass walls that allow visitors to see firsthand all the techniques which conservators use to examine, treat, and preserve artworks. The Lunder Center has five conservation laboratories and studios equipped to treat paintings, prints, drawings, photographs, sculptures, folk art objects, contemporary crafts, decorative arts, and frames. The Center uses various specialized and esoteric tools, such as hygrothermographs, to maintain optimal temperature and humidity to preserve works of art. Staff from both the Smithsonian American Art Museum and the National Portrait Gallery work in the Lunder Center.
Also under the auspices of the Smithsonian American Art Museum, the Renwick Gallery is a smaller, historic building on Pennsylvania Avenue across the street from the White House. The building originally housed the collection of the Corcoran Gallery of Art. In addition to displaying a large collection of American contemporary craft, several hundred paintings from the museum’s permanent collection — hung salon style: one-atop-another and side-by-side — are featured in special installations in the Grand Salon.
The museum has put on hundreds of exhibitions since its founding; what follows is a brief list of selected, recent examples:
- Ralph Fasanella: Lest We Forget (2014)
- Modern American Realism: The Sara Roby Foundation Collection (2014)
- Pop Art Prints (2014)
- Our America: The Latino Presence in American Art (2013)
- Landscapes In Passing: Photographs by Steve Fitch, Robbert Flick, and Elaine Mayes (2013)
- A Democracy of Images: Photographs from the Smithsonian American Art Museum (2013)
- Nam June Paik: Global Visionary (2012)
- The Civil War and American Art (2012)
- 40 under 40: Craft Futures (2012)
- African American Art: Harlem Renaissance, Civil Rights Era, and Beyond (2012)
- The Art of Video Games (2012)
- Annie Leibovitz: Pilgrimage (2011)
- Multiplicity (2011)
- The Great American Hall of Wonders (2011)
- Something of Splendor: Decorative Arts from the White House (2011)
- Alexis Rockman - A Fable for Tomorrow (2010)
- The West As America (1991)
In popular culture
In 2008, the American Art Museum hosted an alternate reality game, called Ghosts of a Chance, which was created by City Mystery. The game allowed patrons "a new way of engaging with the collection" in the Luce Foundation Center. The game ran for six weeks and attracted more than 6,000 participants.
- "Museum History". Smithsonian Institution. Retrieved May 11, 2014.
- Calos, Katherine. "Heads will turn". Times-Dispatch.
- "Smithsonian American Art Museum: About". ARTINFO. 2008. Retrieved 2008-07-30.
- "Smithsonian American Art Museum Fact Sheet, February 2014". Smithsonian Institution. Retrieved May 11, 2014.
- Durón, Maximilíano (January 24, 2017). "Smithsonian American Art Museum Names Stephanie Stebich Director". Art News. Retrieved 28 March 2017.
- "Smithsonian American Art Museum Staff Bios". Smithsonian Institution. Retrieved March 28, 2017. Cite error: Invalid
<ref>tag; name "bios" defined multiple times with different content (see the help page).
- Houston, Susan (July 27, 2006). "Capital faces and places". The News and Observer.
- "District of Columbia - Inventory of Historic Sites" (PDF). District of Columbia: Office of Planning. Government of the District of Columbia. September 1, 2004. Retrieved September 22, 2009.
- "Smithsonian puts art in a new light". Gainesville Sun. July 9, 2006.
- "About the American Art Museum and the Renwick Gallery". Smithsonian Institution. Retrieved 15 March 2013.
- Neary, Lynn (13 April 2006). "D.C. Museums Near End of Pricey Facelift". NPR: All Things Considered (Transcript of Radio Show). p. 2.
- "About the American Art Museum and the Renwick Gallery". Smithsonian Institution. Retrieved 15 March 2013.
- "Fact Sheet Smithsonian American Art Museum" (PDF). Smithsonian Institution. Retrieved 15 March 2013.
- McGlone, Peggy; McGlone, Peggy (2017-01-24). "Smithsonian American Art appoints Tacoma Art Museum director". The Washington Post. ISSN 0190-8286. Retrieved 2017-05-03.
- "National Outreach". Smithsonian Institution. Retrieved 15 March 2013.
- "Education Outreach". Smithsonian Institution. Retrieved 15 March 2013.
- "National Outreach". Retrieved 15 March 2013.
- "Smithsonian American Art Museum" (PDF). Smithsonian Institution. March 2012. Retrieved 29 March 2013.
- Bell, Nicholas. "In Conversation: Nicholas Bell on Karen LaMonte". Smithsonian American Art Museum.
- Smithsonian American Art Museum's Strategic Plan, 2012-2016
- O'Rourke, Ronald. "Through a Glass More Clearly". Architecture DC.
- "Gallery Reopens with Unique Education and Conservation Centers". Arts Washington. September–October 2006.
- Harvey, Eleanor (July 2006). "The New Smithsonian American Art Museum". The Magazine Antiques. p. 76.
- Howard, Hilary (July 9, 2006). "Comings and Goings". The New York Times.
- Hettger, Henry T. (September 12, 2006). "De Franccisci featured in Luce Foundation". Numismatic News.
- Sherry, Karen A. (2006). "The Luce Center for American Art". American Art Review. XVIII (1): 112.
- Gopnik, Blake (December 31, 2010). "Museum 'Closets' That Have Plenty In Store for Visitors". Washington Post. p. N3.
- Vogel, Carol (July 2, 2004). "A Fextive touch in Festive colors". New York Times.
- Baptiste, Laura (April 2009). "Luce Foundation Center for American Art Fact Sheet" (PDF). SI. Retrieved 29 March 2013.
- Trescott, Jacqueline. "A Walk-In Closet for All". Washington Post.
- Lipske, Michael (Winter 2004). "Medal collection occupies interesting realm between art and currency".
- Terhune, Lea (August 7, 2006). "Lunder Conversation Center allows visitors to see conservators at work". USInfo at State.gov.
- Macadam, Alison (30 June 2006). "Art Conservators at Work: A Living Exhibit". NPR: All Things Considered (Transcript of Radio Show).
- "Architectural History of the Renwick Gallery"
- Reed, Robert (1980). Old Washington, D.C. in Early Photographs: 1846-1932. Dover Publications. p. 127.
- "Past exhibitions". Smithsonian American Art Museum Exhibitions. Smithsonian Institution. Retrieved 12 May 2014.
- Taylor, Caroline (July 2006). "New features fill Reynolds Center". The Torch.
- Choi, Amy S. (June 30, 2006). "Smithsonian Staff to Don Mizrahi Aprons". Women's Daily Wear. p. 27.
|Wikimedia Commons has media related to Smithsonian American Art Museum.|