Nationwide Festival of Light
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Its leading lights included the clean-up TV campaigner Mary Whitehouse, the journalist and author Malcolm Muggeridge and a number of leading clergymen. The British pop star Cliff Richard was a leading supporter. The movement was opposed to what they saw as the growing trends in the mass media for the explicit depiction of sexual and violent themes. Its culmination was a pair of mass rallies in Trafalgar Square and Hyde Park, London in September 1971.
It encouraged a number of other campaigns on similar themes, including the continuing Festival of Light movement in Australia, although it did not persist as a high-profile campaign in the UK, and the subsequent growth in the availability of sexually explicit and violent material would suggest that it had little effect on the media or on consumers.
In November 1970 a young couple, Peter and Janet Hill, returned to England after four years as evangelical Christian missionaries in India. They were surprised to find a much more permissive society than the one they left.
Hill imagined tens of thousands of young people marching on London to take a stand for Christian moral principles. The idea took root when he heard of 10,000 men engaged in a March of Witness through Blackburn calling for Christian moral standards to be restored to the nation.
Soon Hill was in contact with a wide network of people sharing his concern and offering their encouragement. Among these were Malcolm Muggeridge, Mary Whitehouse, Lord Longford, Bishop Trevor Huddleston and Cliff Richard. Grassroots support came from Anglicans, Baptists, Plymouth Brethren and Pentecostal church denominations.
A working committee was established by Hill with Colonel Orde Dobbie (a Social Services administrator), Eddie Stride (a former shop steward and trade unionist, later the Rector of Christ Church, Spitalfields), Gordon Landreth (general secretary of the Evangelical Alliance), Nigel Goodwin (a professional Christian actor) and Steve Stevens (a missionary aviator). Additional input was received from a larger Council of Reference which included well-known politicians, lawyers, doctors, trades unionists, bishops, ministers, and other public figures such as Dora Bryan and David Kossoff from the acting profession. The name "Nationwide Festival of Light" was suggested by Malcolm Muggeridge, and Prince Charles sent "every good wish for the success of the Festival".
The movement had two expressed aims: to protest against "sexploitation" in the media and the arts, and to offer the teaching of Christ as the key to recovering moral stability in the nation. Some supporters naturally emphasized the first, and others the second. Plans were made for major public events, including the lighting of beacons on hilltops throughout the United Kingdom, and culminating in a massed march to a public rally in Trafalgar Square and an open-air concert of Christian music in Hyde Park.
The administrative task of enlisting the support of Christian churches and denominations throughout the UK was a colossal one, as indeed was the necessity for public relations with the press and the general public. The committee and many local volunteers were occupied with this throughout the first half of 1971. Then on 9 September, an initial rally was held in Westminster Central Hall, where the exploitation of sex and violence in the entertainment industry was denounced; the Gay Liberation Front (GLF) invaded this meeting in drag, releasing mice, sounding horns, and turning off all the lights.
Around the country more than seventy regional rallies followed. In Bristol the cathedral was filled to capacity, largely in reaction to the opening of a "sex supermarket" in the city. A nationwide day of prayer was observed on 19 September. Then on the night of 23 September bonfires and torches were lit on hilltops throughout Britain. In Sheffield a calor gas flare was lit by Cliff Richard. Local authorities were generally co-operative, and individual opposition muted. There were probably about 300 such beacons, and approximately 100,000 people taking part in these local events.
Then on 25 September came the Trafalgar Square rally. By 2.30 pm a huge crowd of people had assembled (the police estimate was 400,000), that completely filled the Square and clogged all of the side roads leading to it. Many people had travelled by coach from distant parts of the UK. A platform and amplification equipment had been set up, and more than a dozen speakers took the microphone, among them Malcolm Muggeridge, Bill Davidson of the Salvation Army, and Mary Whitehouse.
A number of statements and proclamations were read out and received with applause by the crowd, calling passionately for a halt to the commercial exploitation of sex and violence. They warned that the positive values of love and respect for the individual and the family were under serious threat, and that once these were overthrown a safe and stable society could not long survive. They challenged the nation to recover the pure idealism of Christ, the Light of world, who taught that real love always wants what is best for others and defends the weak against exploitation by the corrupt. The speakers were of mixed ages, from many different walks of life. Some of the crowd heckled, but most cheered enthusiastically. Two thirds of those present were aged under twenty-five.
At the conclusion of the speeches, the crowd began to wind through the streets to Hyde Park, singing popular Christian songs of the day as they went. The Hyde Park rally started at 4pm, where a number of Christian music groups proclaimed the same message. Among the performers were Cliff Richard, Dana and Graham Kendrick. The main speaker in the park was Hollywood street evangelist Arthur Blessitt, who was becoming famous for traveling all over the globe carrying a 12 foot wooden cross. He asserted that it was only by having a personal relationship with Jesus that the desire for immoral entertainment and illicit behaviour would be eliminated. He invited the crowd to kneel in Hyde Park and make a personal acceptance of Jesus Christ as their Lord and Saviour, and the vast majority did so.
In the days that followed, newspaper reports were mixed. Perhaps the warmest support came from Roman Catholic periodicals. Vast quantities of mail continued to pour into the organisers' office, but once they had recovered from the extraordinary and exhausting effort entailed in the public events, there seemed a large measure of uncertainty about the next stage, if any.
Within the movement itself there had always been diverse emphases and agendas. Those involved had frequently asked themselves whether the Festival of Light should have an overtly Christian identity, or alternatively seek a wider constituency embracing all who would oppose "moral pollution". In the event it received support from many who had no initial Christian commitment, and some who were drawn to Christianity through the experience.
There was also uncertainty whether the intention of the organisers was to demand stricter censorship by law, or to seek a voluntary agreement on standards with the professional regulating bodies in the broadcasting and publishing industries, or simply to persuade individuals and families that they would benefit from opting out of a culture they could not control.
The Festival stimulated inter-denominational contact among evangelical Christians, and is considered to be, along with the Billy Graham campaigns, the Keswick Convention, and the university "Christian unions" a significant expression of twentieth-century evangelical co-operation in the UK. Proponents claim that many Christians were persuaded to shun violent and sexually explicit films, magazines and television programmes, and to prefer newspapers lacking salacious content. For a decade or more, evangelicals generally held to this position.
In the nation as a whole, however, the impact of the Festival was much less evident than its supporters had hoped. A much greater range of explicit material became available in the years which followed. Commercial, political and artistic pressures worked against any attempt at a stricter censorship, either by law or by voluntary agreement.
Quotations from some leaders of the movement
Bob Danvers-Walker (TV personality): “This is the age when men with dirty minds and tongues flourish because up till now there has been no militancy against those degenerates who befoul every form of art.”
Frank Deeks (Dagenham shop steward): “We ordinary people have allowed, through apathy, our television sets to become sewers… Our churches (and may God forgive them) have often been compromising, hesitant and plain scared to give a lead.”
Trevor Huddleston (Anglican bishop): “For me the definition of pornography or obscenity is very simple. It is the abuse of what is made in the image and likeness of God for any end whatsoever.”
Salvation Army petition demonstrating “the strength of feeling in a large part of society against the commercialisation of sex in ways which ensure financial gain for the exploiters and the creation of false values in the lives of the exploited.”
Malcolm Muggeridge (journalist): “The purpose of the festival is that… the relatively few people who are responsible for this moral breakdown of our society will know that they are pitted against, not just a few reactionary people, but all the people in this country who still love this Light – the Light of the world.”
John Capon (newspaper editor): “The Nationwide Festival of Light began, as we have seen, with the vision of one man, who was prepared to act decisively on what he had seen.”
After 1971 the NFL committee continued to meet and gradually evolved into the Christian organization Christian Action Research and Education (CARE). The high-profile confrontational style of the original Festival gave way to a more discreet range of initiatives assisting individuals who have suffered the consequences of the perceived moral and social breakdown in British society, and encouraging a measure of political engagement on some issues.
- John Capon And There Was Light: The Story of the Nationwide Festival of Light (London, Lutterworth, 1972); ISBN 0-7188-1936-5
- Amy C. Whipple Speaking for Whom? The 1971 Festival of Light and the Search for the ‘Silent Majority’ Contemporary British History, Volume 24 Issue 3 2010, Pages 319 – 339