Natural History Museum, London
This is an old revision of this page, as edited by ChuispastonBot at 21:34, 6 March 2012 (r2.7.1) (Robot: Adding hu:Londoni Természettudományi Múzeum). The present address (URL) is a permanent link to this revision, which may differ significantly from the .
|Location||Exhibition Road, South Kensington, London, England|
|Director||Dr Michael Dixon|
|Public transit access||South Kensington|
The Natural History Museum is one of three large museums on Exhibition Road, South Kensington, London, England (the others are the Science Museum, and the Victoria and Albert Museum). Its main frontage is on Cromwell Road. The museum is an exempt charity, and a non-departmental public body sponsored by the Department for Culture, Media and Sport.
The museum is home to life and earth science specimens comprising some 70 million items within five main collections: Botany, Entomology, Mineralogy, Palaeontology and Zoology. The museum is a world-renowned centre of research, specialising in taxonomy, identification and conservation. Given the age of the institution, many of the collections have great historical as well as scientific value, such as specimens collected by Darwin. The Natural History Museum Library contains extensive books, journals, manuscripts, and artwork collections linked to the work and research of the scientific departments. Access to the library is by appointment only.
The museum is particularly famous for its exhibition of dinosaur skeletons, and ornate architecture — sometimes dubbed a cathedral of nature — both exemplified by the large Diplodocus cast which dominates the vaulted central hall.
Originating from collections within the British Museum, the landmark Alfred Waterhouse building was built and opened by 1881, and later incorporated the Geological Museum. The Darwin Centre is a more recent addition, partly designed as a modern facility for storing the valuable collections.
Like other publicly funded national museums in the United Kingdom, the Natural History Museum does not levy an admission charge.
- 1 History and architecture
- 2 Major specimens and exhibits
- 3 Education and public engagement
- 4 Location and access
- 5 Times and dates
- 6 Natural History Museum at Tring
- 7 Gallery
- 8 In fiction
- 9 See also
- 10 References
- 11 Bibliography
- 12 External links
History and architecture
The foundation of the collection was that of the Ulster doctor Sir Hans Sloane (1660–1753), who allowed his significant collections to be purchased by the British Government at a price well below their market value at the time. This purchase was funded by a lottery. Sloane's collection, which included dried plants, and animal and human skeletons, was initially housed in Montague House in Bloomsbury in 1756, which was the home of the British Museum.
Most of the Sloane collection had disappeared by the early decades of the nineteenth century. Sir George Shaw (Keeper of Zoology 1806-13) sold many specimens to the Royal College of Surgeons. His successor William Elford Leach made periodical bonfires in the grounds of the museum. In 1833 the Annual Report states that, of the 5,500 insects listed in the Sloane catalogue, none remained. The inability of the natural history departments to conserve its specimens became notorious: the Treasury refused to entrust it with specimens collected at the government's expense. Appointments of staff were bedevilled by gentlemanly favoritism; in 1862 a nephew of the mistress of a Trustee was appointed Entomological Assistant despite not knowing the difference between a butterfly and a moth.
J.E. Gray (Keeper of Zoology 1840-74) complained of the incidence of mental illness amongst staff: George Shaw threatened to put his foot on any shell not in the 12th edition of Linnaeus' Systema Naturae; another had removed all the labels and registration numbers from entomological cases arranged by a rival. The huge collection of conchologist Hugh Cuming was acquired by the museum, and Gray's own wife had carried the open trays across the courtyard in a gale: all the labels blew away. That collection is said never to have recovered.
The Principal Librarian at the time was Antonio Panizzi; his contempt for the natural history departments and for science in general was total. The general public was not encouraged to visit the Museum's natural history exhibits. In 1835 to a Select Committee of Parliament, Sir Henry Ellis said this policy was fully approved by the Principal Librarian and his senior colleagues.
Many of these faults were corrected by Richard Owen, appointed Superintendent of the natural history departments of the British Museum in 1856. His changes led Bill Bryson to write that "by making the Natural History Museum an institution for everyone, Owen transformed our expectations of what museums are for".
Owen saw that the natural history departments needed more space, and that implied a separate building as the British Museum site was limited. Land in South Kensington was purchased, and in 1864 a competition was held to design the new museum. The winning entry was submitted by civil engineer Captain Francis Fowke who died shortly afterwards. The scheme was taken over by Alfred Waterhouse who substantially revised the agreed plans, and designed the façades in his own idiosyncratic Romanesque style which was inspired by his frequent visits to the Continent. The original plans included wings on either side of the main building, but these plans were soon abandoned for budgetary reasons. The space these would have occupied are now taken by the Earth Galleries and Darwin Centre.
Work began in 1873 and was completed in 1880. The new museum opened in 1881, although the move from the old museum was not fully completed until 1883.
Both the interiors and exteriors of the Waterhouse building make extensive use of terracotta tiles to resist the sooty climate of Victorian London, manufactured by the Tamworth-based company of Gibbs and Canning Limited. The tiles and bricks feature many relief sculptures of flora and fauna, with living and extinct species featured within the west and east wings respectively. This explicit separation was at the request of Owen, and has been seen as a statement of his contemporary rebuttal of Darwin's attempt to link present species with past through the theory of natural selection .
The central axis of the museum is aligned with the tower of Imperial College London (formerly the Imperial Institute) and the Royal Albert Hall and Albert Memorial further north. These all form part of the complex known colloquially as Albertopolis.
Separation from the British Museum
Even after the opening, the NHM legally remained a department of the British Museum with the formal name British Museum (Natural History), usually abbreviated in the scientific literature as B.M.(N.H.) or BMNH. A petition to the Chancellor of the Exchequer was made in 1866, signed by the heads of the Royal, Linnean and Zoological Societies as well as naturalists including Darwin, Wallace and Huxley, asking that the museum gain independence from the board of the British Museum, and heated discussions on the matter continued for nearly one hundred years. Finally, with the British Museum Act 1963, the British Museum (Natural History) became an independent museum with its own Board of Trustees, although – despite a proposed amendment to the act in the House of Lords – the former name remained. Only with the Museums and Galleries Act 1992 did the Museum's formal title finally change to the Natural History Museum.
In 1986, the museum absorbed the adjacent Geological Museum of the British Geological Survey, which had long competed for the limited space available in the area. The Geological Museum became world-famous for exhibitions including an active volcano model and an earthquake machine (designed by James Gardiner), and housed the world's first computer-enhanced exhibition (Treasures of the Earth). The museum's galleries were completely rebuilt and relaunched in 1996 as The Earth Galleries, with the other exhibitions in the Waterhouse building retitled The Life Galleries. The Natural History Museum's own Mineralogy displays remain largely unchanged as an example of the 19th-century display techniques of the Waterhouse building.
The central atrium design by Neal Potter overcame visitors' reluctance to visit the upper galleries by "pulling" them through a model of the Earth made up of random plates on an escalator. The new design covered the walls in recycled slate and sandblasted the major stars and planets onto the wall. The Museums 'star' geological exhibits are displayed within the walls. Six iconic figures are the backdrop to discussing how previous generations have viewed Earth.
The Darwin Centre
The newly-developed Darwin Centre (named after Charles Darwin) is designed as a new home for the museum's collection of tens of millions of preserved specimens, as well as new work spaces for the museum's scientific staff, and new educational visitor experiences. Built in two distinct phases, with two new buildings adjacent to the main Waterhouse building, it is the most significant new development project in the museum's history.
Phase one of the Darwin Centre houses the Zoological department's 'spirit collections' — organisms preserved in alcohol. Phase Two was unveiled in September 2008 and opened to the general public in September 2009. It was designed by Danish architecture practice C. F. Møller Architects in the shape of a giant, eight-story cocoon and houses the entomology and botanical collections — the 'dry collections'.
The Attenborough Studio
As part of the museum's remit to communicate science education and conservation work, a new multimedia studio will form an important part of Darwin Centre Phase 2. In collaboration with the BBC's Natural History Unit (holder of the largest archive of natural history footage) the Attenborough Studio – named after the venerable broadcaster and presenter Sir David Attenborough – provides a multimedia environment for educational events. The studio plans to continue the daily lectures and demonstrations.
Major specimens and exhibits
One of the most famous and certainly most prominent of the exhibits — affectionately known as Dippy — is a 105-foot (32 m) long replica Diplodocus carnegii skeleton, situated within the central hall. The cast was given as a gift by the Scottish American industrialist Andrew Carnegie, after a discussion with King Edward VII, then a keen trustee of the British Museum. Carnegie arranged for the cast to be created at his own considerable expense of £2,000, copying the original held at the Carnegie Museum. The pieces were sent to London in 36 crates, and on 12 May 1905, the exhibit was unveiled, to great public and media interest (the real fossil had yet to be mounted, as the Carnegie Museum of Natural History in Pittsburgh, Pennsylvania, was still being constructed to house it). As word of "Dippy" spread, Mr Carnegie paid to have additional copies made for display in most of the major European capitals and in Latin and South America, making Dippy the most-seen dinosaur skeleton in the world. The dinosaur quickly became an iconic representation of the museum, and has featured in many cartoons and other media, including the 1975 Disney comedy One of Our Dinosaurs Is Missing.
Another iconic display is the parallel skeleton and model of a blue whale. The display of the skeleton, weighing 10 tons and some 25 m long, was only made possible in 1934 with the building of the New Whale Hall (now the Large Mammals Hall), though it had been in storage for 42 years since its stranding on sandbanks at Wexford Bay. Discussion of the idea of a life-size model also began around this time, and work was undertaken within the Whale Hall itself. Since taking a cast of such a large animal was deemed prohibitively expensive, scale models were used to meticulously piece the structure together. During construction, workmen left a trapdoor within the whale's stomach, which they would use for surreptitious cigarette breaks. Before the door was closed and sealed forever, some coins and a telephone directory were placed inside — this soon growing to an urban myth that a time capsule was left inside. The work was completed — entirely within the hall and in full view of the public — in 1938. At the time it was the largest such model in the world, at 28.3 m in length, though the construction details were later borrowed by several American museums, who scaled the plans further.
The Darwin Centre is host to Archie, an 8 metre long giant squid taken alive in a fishing net near the Falkland Islands in 2004. The squid is not on general display, but stored in the large tank room in the basement of the Phase 1 building. On arrival at the museum, the specimen was immediately frozen while preparations commenced for its permanent storage. Since few complete and reasonably fresh examples of the species exist, ‘wet storage’ was chosen, leaving the squid undissected. A 9.45 m acrylic tank was constructed (by the same team that provide tanks to Damian Hirst), and the body preserved using a mixture of formalin and saline solution.
The museum holds the remains and bones of the River Thames Whale that lost its way on 20 January 2006 and swam into the Thames. Although primarily used for research purposes, and held at the museum's storage site at Wandsworth, the skeleton has been put on temporary public display.
Dinocochlea, one of the longer-standing mysteries of paleontology (originally thought to be a giant gastropod shell, then a coprolite and now a concretion of a worm's tunnel), has been part of the collection since its discover in 1921.
- Red Zone
This is the zone that can be entered from Exhibition Road, on the East side of the building. It is a gallery themed around the changing history of the Earth.
The Earth Lab is a gallery that centres around geology, and contains specimens of fossils, minerals and rocks. The "Lab Area" is only open to reserved groups and allows an interactive approach to the gallery, allowing the use of microscopes. It is currently the only gallery in the red-zone without step free access. Earth's Treasury shows specimens of rocks, minerals and gemstones behind glass in a dimly lit gallery. Lasting Impressions is a small gallery containing speciments of rocks, plants and minerals, of which most can be touched.
- Earth Lab
- Earth's Treasury
- Lasting Impressions
- Restless Surface
- Earth Today and Tomorrow
- From the Beginning
- The Power Within
- Visions of Earth
- Green zone
- Creepy Crawlies
- Fossil Marine Reptiles
- Giant Sequoia and Central Hall
- The Vault
- Our Place in Evolution
- Plant Power
- Blue zone
- Fishes, Amphibians and Reptiles
- Human Biology
- Marine Invertebrates
- Mammals (Blue Whale)
- Nature Live
- Orange zone
- Wildlife Garden
- Darwin Centre
Education and public engagement
The museum runs a series of educational and public engagement programmes. These include for example a highly praised "How Science Works" hands on workshop for school students demonstrating the use of microfossils in geological research. The museum also played a major role in securing designation of the Jurassic Coast of Devon and Dorset as a UNESCO World Heritage site and has subsequently been a lead partner in the Lyme Regis Fossil Festivals.
In 2005, the museum launched a project to develop notable gallery characters to patrol display cases, including 'facsimiles' of luminaries such as Carl Linnaeus, Mary Anning, Dorothea Bate and William Smith. They tell stories and anecdotes of their lives and discoveries and aim to surprise visitors.
Formerly called Darwin Centre Live, the Nature Live programme of free events gives visitors an opportunity to meet and talk with the scientists who work behind the scenes at the museum. Live events take place every day at 14.30 GMT, with subjects from evolution and climate change, to biodiversity and space. Visitors can ask questions, see specimens that are not normally on public display, and participate in video link-ups to laboratory spaces and field work sites around the world. The events are also webcast live on the museum's website, and online viewers can participate by emailing in questions or comments. Previous events are archived online.
Location and access
|London Buses||Kensington Museums||360|
|Victoria & Albert Museum||14, 74, 414, C1|
|London Underground||South Kensington|
The closest London Underground station is South Kensington — there is a tunnel from the station that emerges close to the entrances of all three museums. Admission is free, though there are donation boxes in the foyer.
Times and dates
The Natural History Museum is a National Museum and has offered free entry since 2001. However, there is an entry charge for some temporary exhibitions. The Museum is open every day (except 24–26 December) from 10:00am. Last entry is at 5:30pm and the Museum closes at 5:50pm.
Natural History Museum at Tring
The NHM also has a sister museum, located at Tring, Hertfordshire. Built by local eccentric Lionel Walter Rothschild, the NHM took ownership in 1938. In 2007, the museum announced the name would be changed to the Natural History Museum at Tring, though the older name, the Walter Rothschild Zoological Museum is still in widespread use.
Hanging skeletons enliven the ceiling on the balcony area of the Central Hall.
- Last Minute Trip to London - Natural History Museum.JPG
Right Wing, June 2009
The Museum is a prominent setting in Charlie Fletcher's children's book about unLondon Stoneheart. George Chapman, the hero, sneaks outside when punished on a school trip; he breaks off a small dragon's stone head from a relief and is chased by a pterodactyl which comes to life from a statue on the roof.
The museum also features in the Anthony Horowitz Power of Five book, Ravens Gate.
The Museum plays an important role in the London-based Disney live-action feature One of Our Dinosaurs Is Missing; the eponymous skeleton is stolen from the museum, and a group of intrepid nannies hide inside the mouth of what is supposed to be the Blue Whale model (in fact a specially-created prop - the nannies peer out from behind the whale's teeth, but a real Blue Whale is a baleen whale and has no teeth). Additionally, the film is set in the 1920s, before the Blue Whale model was built.
- "Visits made in 2009 to visitor attractions in membership with ALVA". Association of Leading Visitor Attractions. Retrieved 21 May 2010.
- "Museum governance". The Natural History Museum. Retrieved 14 March 2010.
- Edwards E. 1870. Lives of the founders of the British Museum. London.
- Gunther, Albert 1975. A century of zoology at the British Museum. London.
- Gunther, Albert 1981. The founders of science at the British Museum, 1753-1900. Halesworth, London.
- Barber, L. 1980. The heyday of natural history 1820-1870. Cape, London: Chapter 'Omnium gatherum'
- Bryson (2003), p. 81.
- "Interior of the NHM". Royal Institute of British Architects. Retrieved 14 December 2010.
- "Museum 'cocoon' prepares to open". BBC. 2 September 2008. Retrieved 20 January 2009.
- "Mystery Insect Bugs Experts". Sky news. 15 July 2008.
- Review by Miles Russell of Discovering Dorothea: the Life of the Pioneering Fossil-Hunter Dorothea Bate by Karolyn Shindler at ucl.ac.uk (accessed 23 November 2007)
- "Museum of Life". The Natural History Museum. 2010. Retrieved 5 January 2011.
- Museum entrances, Natural History Museum.
This article needs additional citations for verification. (November 2007) (Learn how and when to remove this template message)
- Dr Martin Lister: A bibliography by Geoffrey Keynes. St Paul's Bibliographies (UK). ISBN 0-906795-04-4. (Includes illustrations by Lister's wife and daughter).
- The Travelling Naturalists (1985) by Clare Lloyd. (Study of 18th Century Natural History — includes Charles Waterton, John Hanning Speke, Henry Seebohm and Mary Kingsley). Contains colour and black and white reproductions. Croom Helm (UK). ISBN 0-7099-1658-2.
|Wikimedia Commons has media related to British Natural History Museum.|
- Official website of the Natural History Museum
- Architectural history and description from the Survey of London
- Architecture and history of the NHM from the Royal Institute of British Architects
- Maps of grid reference
- Nature News article on proposed cuts, June 2010