Nelly van Doesburg

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Nelly van Doesburg
Portrait of Nelly van Doesburg 002.jpg
BornJuly 27, 1899
The Hague
DiedOctober 1, 1975
Meudon
NationalityNetherlands

Nelly van Doesburg or Cupera, Pétro van Doesburg, Nelly van Moorsel (July 27, 1899 – October 1, 1975) was a Dutch avant-garde (dada) musician, dancer and artist. As a painter, she used the Pseudonym Cupera.

Biography[edit]

Doesburg was born Nelly van Moorsel on July 27, 1899 in The Hague.

In 1920 she met Theo Van Doesburg through her brother, who had a subscription to the magazine De Stijl, published by Van Doesburg. During the opening of the La Section d'Or exhibition in The Hague on 11 July 1920, she would immediately fell in love with him. Her Catholic parents did not appreciate the association with Van Doesburg, who was not only Protestant, but also married. She ran away from home around the turn of the year from 1920-1921 and was received in Leiden by J.J.P. Oud and Van Doesburg's wife Lena Milius[1]. During her relationship with Van Doesburg she was introduced to the world of modern art. Van Doesburg took her on a lecture tour through Europe in March 1921, during which they also visited Piet Mondriaan in Paris.

From April 1921 she lived with Van Doesburg in Weimar. In December she spent a few weeks in Vienna to reflect on her future. Here she met the Hungarian artist Lajos Kassák, publisher of the magazine Ma. Aktivista Folyóirat (Present Activists Magazine). After this a correspondence between Kassák and Theo van Doesburg arose[2].

On September 24, 1922 she visited with Theo, Cor van Eesteren and others, the Städtische Kunstverein by Walter Dexel in Jena[3]. The following day she played compositions by Vittorio Rieti during a dada evening at Hotel Fürstenhof in Weimar, in which Jean Arp and Tristan Tzara also participated[4].

In January-February 1923 she participated with her future husband and the artists Kurt Schwitters and Vilmos Huszár, under her stage name Pétro, on the Dutch Dada tour. During these evenings she played music by Satie and Rieti. After this tour, she played compositions by Arthur Honegger, Daniël Ruyneman, Francis Poulenc, Josef Hauer and Egon Wellesz during a 'Modern Soirée' on 12 March at the Lily Green dance school in The Hague[5]. The Taste of Style Art by the composer Jacob van Domselaer also featured in her repertoire. In addition, under the pseudonym Cupera she made a number of paintings, in which influences from De Stijl can be recognized. In Paris she enjoyed some fame as a dancer as Sonia Pétrowska.

From 2 October 1929 to 5 January 1930 she organized the ESAC (Expositions Sélectes d'Art Contemporain) of 'contemporary young Parisian painting' at the Stedelijk Museum in Amsterdam and Pulchri Studio in The Hague[6]. Van Doesburg also participated in this exhibition under her pseudonym P. Cupera.

After Theo van Doesburg's death, widow Nelly van Doesburg committed herself to keeping the memory of her husband alive. She wanted to help the one-sided image, that he was primarily a follower instead of an innovator of modern art, out of the world. To this end, she organized a series of exhibitions of his work[7]. She also provided a good shelter for a large part of his paintings by selling them to the best collections of modern art in the world. Many paintings by Van Doesburg ended up in the United States, for example in the Museum of Modern Art and the Guggenheim collections, because Van Doesburg was friends with Peggy Guggenheim, who acted as her agent in America. In the fifties she also made some reproductions in silkscreen of her husband's works. Van Doesburg's remaining collection, consisting mainly of archive material, studies, photographs and drawings, left Nelly van Doesburg to her cousin Wies van Moorsel, who donated it to the Dutch Nation in 1981. The collection is managed by the Netherlands Institute for Cultural Heritage and the Netherlands Institute for Art History.

She also remained active in the artists' circuit. She had a short relationship with the German architect Ludwig Mies van der Rohe. She was also, as an important witness of the entire Stijl movement, a good source for, among others, the book Holland Dada by K. Schippers. At the end of her life she returned to her roots and she became Catholic again.

Nelly van Doesburg died at the age of 76 from the consequences of breast cancer in the man-made studio in Meudon, France.

References[edit]

  1. ^ Maria), Ottevanger, Alied (Alida (cop. 2007). De Stijl in Tilburg : over de vriendschap tussen Theo van Doesburg en Antony Kok. Amsterdam: Stokerkade, cultuurhistorische uitgeverij. ISBN 9079156019. OCLC 191933837. Check date values in: |date= (help)
  2. ^ Maria), Ottevanger, Alied (Alida (cop. 2007). De Stijl in Tilburg : over de vriendschap tussen Theo van Doesburg en Antony Kok. Amsterdam: Stokerkade, cultuurhistorische uitgeverij. p. 68. ISBN 9079156019. OCLC 191933837. Check date values in: |date= (help)
  3. ^ Manfred., Bock, (2001). Bouwkunst, stijl, stedebouw : van Eesteren en de avant-garde. Rossem, Vincent van., Somer, Kees. Rotterdam: NAi. p. 83. ISBN 9072469623. OCLC 901736960.
  4. ^ 1883-1931., Doesburg, Theo van, (2000). Theo van Doesburg : oeuvre catalogue. Hoek, Els., Centraal Museum (Utrecht, Netherlands), Rijksmuseum Kröller-Müller. Utrecht: Centraal Museum. ISBN 9073285739. OCLC 47521108.
  5. ^ "Lier-zang, |toegezongen aan het geselschap, onder de zinspreuk: De zucht voor't vorstlijk huis, voor kerk en vaderland, is hier het schibboleth, de stalen liefdeband. op den 8 maart, anno 1790". Dutch Pamphlets Online. Retrieved 2018-07-04.
  6. ^ "Archives". rkd.nl (in Dutch). Retrieved 2018-07-04.
  7. ^ van Moorsel, Sofia J. (2018-01-15). "Sofia J. van Moorsel". New Phytologist. 217 (3): 993–994. doi:10.1111/nph.14986. ISSN 0028-646X.

External links[edit]