|16 September 1996|
|Media type||Print (hardback & paperback)|
|ISBN||0-7472-6668-9 ISBN 0-7553-2280-0 (Revised edition)|
Neverwhere is the companion novelisation written by English author Neil Gaiman of the television serial Neverwhere, by Gaiman and Lenny Henry. The plot and characters are exactly the same as in the series, with the exception that the novel form allowed Gaiman to expand and elaborate on certain elements of the story and restore changes made in the televised version from his original plans. Most notable is the appearance of the Floating Market at Harrods (in the novel) rather than under Battersea power station (the TV series). This is because the management of Harrods changed their minds about proposed filming. The novel was originally released by BBC Books in 1996, three episodes into the television series run. It was accompanied by a spoken word CD and cassette release, also by the BBC.
The novel enjoyed great success, whereas its television roots did not receive as much international exposure as the novel. In addition to being translated into various languages, it was also re-published as an "Author's Preferred Text" version, (a combination of the international and original English version, with additional scenes re-inserted by Gaiman) alongside American Gods in 2006. The original BBC Books version had a cover by longtime Gaiman collaborator Dave McKean, taken from the bird's head rings, flaming fist and London Underground styled graphics created by McKean for the series, as well as a brief section by Gaiman on the making of the series.
Neverwhere is the story of Richard Mayhew and his trials and tribulations in London. At the start of the story, he is a young businessman, recently moved from Scotland and with a normal life ahead. This breaks, however, when he stops to help a mysterious young girl who appears before him, bleeding and weakened, as he walks with his fiancée to dinner to meet her influential boss.
The morning after Richard rescued the girl, named Door, from the streets, she is greatly recovered, and sends him to find the Marquis de Carabas, a man who will be able to help Door escape two infamous and seemingly inhuman assassins, the Messrs Croup and Vandemar. Richard brings the Marquis back to his apartment to meet Door, only to see both of them vanish immediately. Soon after, Richard begins to realise the consequences of his actions. He appears to have become invisible; he loses his job, where no one seems to recognise him, and his apartment is rented out to other people. His fiancée no longer recognizes him.
Determined to set things right, Richard tries to enter the world of London Below in search of Door. He finds a tramp from Below, who is the only person able to see him, and recites the name of the Floating Market as the only place known to him in underworld. The tramp brings Richard to the realm of the Rat-Speakers, who worship and perform tasks for rats. They attempt to assault and rob Richard, but follow orders from the master rat and let him free. He then travels across the mysterious Night's Bridge, whose darkness kills Richard's Rat-Speaker guide, Anaesthesia. Eventually he arrives to the Floating Market, where he meets again with Door, who is holding an audition for bodyguards. Going to the Market, a giant bazaar where people barter for all manner of junk and magical items, Richard realises that London Below is not such a bad place.
The legendary bodyguard and fighter "Hunter" joins their party, and the group, consisting of Door, the Marquis and Hunter, with Richard tagging along, sets out for the Earl's Court. Door and the Marquis have previously travelled to Door's home and discovered a diary entry made by Door's father, which advises her to seek aid from the angel Islington. When the four reach the Earl's Court, on a mysterious underground train which follows its own bizarre schedule, the Marquis is forced to leave. This is due to an old grudge between himself and the Earl. The rest discover that they need to travel through the relic Angelus to reach Islington, and that the Angelus resides in the British Museum.
Door and Richard travel to the Museum, while Hunter, due to a curse which prevents her from entering London Above, remains in the abandoned British Museum underground station. After some searching they find the Angelus, which Door "opens" using her family's Talent, and travel through it to the underground home of the angel. Islington explains that his position as protector of London Below is a punishment for the submersion of Atlantis, which was also under his care, and tells Door that he will help her learn the identity of those who killed her family, for a price. She and her company must retrieve a unique key from the Black Friars and bring it to the angel.
The two return to the Museum and go below to reunite with Hunter. In the meantime, the Marquis seeks out Croup and Vandemar, exchanging a priceless Tang dynasty figurine for information regarding who ordered the murder of Door's family. The true price for this information, however, is his life; Croup and Vandemar capture, torture, and kill him, breaking the one-hour "head start" agreement that was part of their deal with the Marquis.
Door, Richard, and Hunter proceed onward to the dwelling of the Black Friars. There, they are faced with a series of three ordeals; Hunter wins a test of strength, Door wins a test of intellect, and Richard, alone in history, wins a test of character. He is convinced his adventures Below had all been a hallucination, but a trinket from his now-dead friend Anaesthesia re-orients him. As a result, the three succeed in gaining the key. Richard's ordeal greatly changes him, causing him to lose most of his self-doubts; he is now confident enough to interact with other beings of London Below. The three then travel to the Floating Market, where they are unable to find the Marquis, but where Hammersmith, a blacksmith friend of Door's. is able to secretly forge a copy of the key won by Richard. Richard enlists the mysterious Lamia, one of the vampire-like Velvets, as a guide to lead them to the angel's residence.
They travel on London Below's Down Street, toward Islington. Door, Richard, Lamia, and Hunter make their way down the long path of Down Street. Meanwhile, the Marquis's body is found on a Market and revived by Old Bailey, who uses the box containing the Marquis's life. Weakened, the Marquis sets out himself, following Door and company. On Down Street, it is discovered that Lamia was a dangerous choice for a guide, because the price she demands of Richard for her services is higher than he can pay and yet live, but the Marquis appears in time to save him.
Hunter reveals she long ago was a traitor to Door's cause. She gives Door to Croup and Vandemar, in exchange for the magical spear she needs to hunt and slay the great Beast of London. Croup and Vandemar, with Door captive, travel downward, while Richard, the Marquis, and Hunter travel at a slower pace, all toward the great labyrinth through which they need to pass to reach Islington. In this labyrinth the Beast of London dwells. Hunter and Richard battle it, with Richard being the only survivor. Richard and the Marquis rush ahead, to the final confrontation between the parties, in which Islington's true nature is revealed. Islington is revealed to have ordered Croup and Vandemar to execute Door's family as revenge for Door's father's refusal to assist him. He also reveals he had also manipulated her father's diary in order to lure her to him. Islington wishes to use Door and the key to force open the door to Heaven, where he seeks dominion over all the other angels as revenge for his banishment. After Richard is tortured by Croup and Vandemar, Door agrees to open the door, but she uses the copy of the key Richard won. The key does not open the door to Heaven, but instead to somewhere else, as far away as she could imagine, presumably to Hell. Islington, Croup and Vandemar are all sucked through the gateway before Door closes it. Door then uses the Black Friars' real key to allow Richard to travel back to London Above, where he finds himself restored to his normal life as it was before he first met Door.
After returning home, Richard is happy for a time, but he realises that his experiences have changed him, and that his old life and friends mean little to him now. He realises that he is not satisfied with the regular world, and wants to return to London Below but does not know how to do it. He draws the shape of a door with his knife (a dying gift from Hunter), but nothing happens so he despairs of returning and is feeling that he has ruined his life, but in the end the Marquis appears to provide a way back.
Adaptations and sequels
Gaiman hinted at a novella-length sequel in the commentary section of his short story collection Fragile Things, published in 2009. The story, titled "How The Marquis Got His Coat Back", was at that time said to be "half-written". The story was published in the 2014 anthology Rogues, edited by George R. R. Martin.
Gaiman's website FAQ states that a novel-length sequel to the book is a possibility; it will most likely be titled The Seven Sisters. Aside from an undated statement that "I don't think it's the next book I'll write," there is no indication of when the novel may be completed. In February 2017, whilst promoting his newest book Norse Mythology in London, Gaiman confirmed to applause from the audience that he was three chapters into writing The Seven Sisters.
A nine-issue comic book limited series began in June 2005, written by Mike Carey (of the Vertigo Comics series Lucifer), with art by Glenn Fabry. The comic is an adaptation inspired by the novel, rather than the original TV series, though apart from certain scenes in certain locations, the dialogue and plot of both novel and television series is identical.
In April 2010, the novel was made into a stage play at the Lifeline Theatre in Chicago, adapted by Robert Kauzlaric and directed by Paul S. Holmquist. The play was a commercial and critical success, and a staged reading of the play with the original cast was later included in the One Book, One Chicago celebrations at the Chicago Public Library in 2011.
- Neverwhere at Neilgaiman.com
- Elber-Aviram, H., (2013). "‘The Past Is Below Us’: Urban Fantasy, Urban Archaeology, and the Recovery of Suppressed History". Papers from the Institute of Archaeology. 23(1), p.Art. 7. DOI: http://doi.org/10.5334/pia.426. About Neverwhere in the wider context of the urban fantasy genre