Manhattan, New York City, New York 10002
The museum originally opened in a space in the Graduate Center of the then-named New School for Social Research at 65 Fifth Avenue. The New Museum remained there until 1983, when it rented and moved to the first two and a half floors of the Astor Building at 583 Broadway in the SoHo neighborhood.
In 1999, Marcia Tucker was succeeded as director by Lisa Phillips, previously the curator of contemporary art at the Whitney Museum of American Art. In 2001 the museum rented 7,000 square feet of space on the first floor of the Chelsea Art Museum on West 22nd Street for a year.
Over the past five years, the New Museum has exhibited artists from Argentina, Brazil, Bulgaria, Cameroon, China, Chile, Colombia, Cuba, Germany, Poland, Spain, South Africa, Turkey, and the United Kingdom among many other countries. In 2003, the New Museum formed an affiliation with Rhizome, a leading online platform for global new media art.
In 2005, the museum was among 406 New York City arts and social service institutions to receive part of a $20 million grant from the Carnegie Corporation, which was made possible through a donation by New York City mayor Michael Bloomberg.
The New Museum was established by an independent curator Marcia Tucker in 1977. It is dedicated to introducing new art and new ideas, by artists who have not yet received significant exposure or recognition. Ever since it was founded, the museum has taken on the mission to challenge the stiff institutionalization of an art museum. It continues to bring new ideas into the art world and to connect with the public.
New location (2007 to present)
On December 1, 2007, the New Museum opened the doors to its new $50 million location at 235 Bowery, between Stanton and Rivington Streets. The seven-story 58,700-square-foot facility, designed by the Tokyo-based firm Sejima + Nishizawa/SANAA and the New York-based firm Gensler, has greatly expanded the Museum’s exhibitions and space.
SANAA’s design is chosen because it is in accord with the museum’s mission—the flexibility of the building, its changeable atmosphere corresponds to the ever-changing nature of contemporary art. Its bold decision to put a stack of white boxes in the Bowery neighborhood and its success to achieve a harmonious symbiotic relationship between the two manifest the coexistence of different dynamic energy of contemporary culture.
In April 2008, the museum's new building was named one of the architectural New Seven Wonders of the World by Conde Nast Traveler. The New Museum has been and will continue to be a crucial landmark of the Bowery district. “Bowery embraces idiosyncrasy in an unprejudiced manner and we were determined to make the museum building feel like that”, as one of the directors of the museum puts it. The neighborhood appears to be a fearless confrontation with the convention image of downtown Manhattan—an adventurous spirit that the New Museum always sees itself searching for.
The Bowery location has gallery and events space, plus a Resource Center with books and computers for access to their main web site and digital archive. The New Museum Digital Archive is an online resource that provides accessibility to primary sources from exhibitions, publications, and programs. The archive holds 7,500 written and visual materials for artists and researchers to access. The New Museum Digital Archive's database is searchable through 4,000 artists, curators, and organizations connected to New Museum exhibitions, performances, and publications.
On January 24, 2019, eligible employees at the New Museum voted 38-8 to unionize, with a plan to join NewMuU-UAW Local 2110. Asked for their reasons for unionizing, the New Museum employees said, “As the New Museum Union, we ask, above all, that these ideals be mirrored in the museum’s working conditions, hiring practices, wages, and benefits. We believe that fair compensation and transparency for all workers throughout the museum is essential to ensuring its diversity, reducing turnover, and strengthening the New Museum community: salaries, wages, and benefits at the museum must be sustainable for everyone, regardless of the privileges afforded them by race, class, or gender.”
When she founded the museum, Marcia Tucker decided it should buy and sell works every 10 years so that the collection would always be new. It was an innovative plan that was never carried out. In 2000, the museum accepted its first corporate donation of artworks. The museum now has a modest collection of about 1,000 works in many media. In 2004, it joined forces with the Museum of Contemporary Art, Chicago and the Hammer Museum in Los Angeles in raising $110,000 from two foundations -- $50,000 from the American Center Foundation and $60,000 from the Peter Norton Family Foundation—to help pay for commissioning, buying, and exhibiting the work of emerging young artists.
Exhibitions and the Triennial
The Museum presents the work of under-recognized artists, and has mounted ambitious surveys of important figures such as Ana Mendieta, William Kentridge, David Wojnarowicz, Paul McCarthy and Andrea Zittel before they received widespread public recognition. In 2003, the New Museum presented the highly regarded exhibition Black President: The Art and Legacy of Fela Anikulapo-Kuti.
Continuing its focus of exhibiting emerging international artists, the museum organized the much discussed and visited exhibition, The Generational: "Younger Than Jesus" curated by Massimiliano Gioni, in 2009 which went on the become the first edition of its now signature exhibition series the "New Museum Triennial". Subsequently, the museum held the second and third editions of its Triennial, respectively; "The Ungovernables" (2012 – curated by Eungie Joo) and the much lauded "Surround Audience" (2015 – curated by Lauren Cornell and Ryan Trecartin).
Promoted twice since joining the New Museum in 2011, Margot Norton has organized exhibitions including one by Turner Prize-winner Laure Prouvost and the museum solo of Judith Bernstein.
The museum has announced a summer show, scheduled to open on 20 July 2016, called "The Keeper". With over 4,000 objects from more than two dozen collectors, it presents object lessons about the process of collecting.
- Raymond Pettibon: A Pen of All Work (??? – 04/09/17)
- Pipilotti Rist: Pixel Forest (10/26/16 – 01/15/17)
- My Barbarian: The Audience is Always Right (09/28/16 – 01/08/17)
- Surround Audience triennial (02/25/15 – 05/24/15)
- niv Acosta: Discotropic (2/25/15 – 05/24/15)
- Night and Day: Chris Ofili (10/29/14 – 02/01/15)
- Christen Clifford: Wolf Woman performance (2014)
- Lili Reynaud-Dewar: LIVE THROUGH THAT?! (10/15/14 – 01/25/15)
- Here and Elsewhere (7/16/14 – 9/28/14)
- Pawel Althamer: The Neighbors (2/12/14 – 4/13/14)
- Laure Prouvost: For Forgetting (2/12/14 – 4/13/14)
- Report on the Construction of a Spaceship Module (1/22/14 – 4/13/14)
- Occupied Territory: A New Museum Trilogy (1/22/14 – 4/13/14)
- Chris Burden: Extreme Measures (10/2/13 – 01/12/14)
- Ghosts in the Machine (7/18/12 – 9/30/12)
- The Ungovernables triennial (2/15/12 – 4/22/12)
- Carsten Höller: Experience (10/26/11 – 01/22/12)
- Ostalgia (7/7/11 – 9/2/11)
- Rivane Neuenschwander: A Day Like Any Other (6/23/10 – 9/19/10)
- Younger than Jesus triennial (4/8/09 – 7/12/09)
- Live Forever: Elizabeth Peyton(10/8/08 – 1/11/09)
- Unmonumental: The Object in the 21st Century (12/1/07 – 3/30/08)
In 2008, art dealer Barbara Gladstone initiated the formation of the Stuart Regen Visionaries Fund at the New Museum, established in honor of her late son and renowned art dealer. The gift was meant to support a new series of public lectures and presentations by cultural visionaries, the Visionaries Series, which debuted in 2009 and features prominent international thinkers in the fields of art, architecture, design and contemporary culture; past speakers have included Alice Waters and Jimmy Wales.
NEW INC, the first museum-led incubator, is a shared workspace and professional development program designed to support creative practitioners working in the areas of art, technology, and design. Conceived by the New Museum in 2013, the incubator is a not-for-profit platform that furthers the Museum’s ongoing commitment to new art and new ideas. Launched in summer 2014, NEW INC provided a collaborative space for an interdisciplinary community of one hundred members to investigate new ideas and develop a sustainable practice. NEW INC full-time members include Erica Gorochow, Anders Sandell, Lisa Park, Kevin Siwoff, Kunal Gupta, Justin Cone, Jonathan Harris, Joe Doucet, Greg Hochmuth, Luisa Pereira, Nitzan Hermon, Tristan Perich, Sougwen Chung, Philip Sierzega, Paul Soulellis, Charlie Whitney, Binta Ayofemi, and Emilie Baltz.
IDEAS CITY explores the future of cities around the globe with the belief that art and culture are essential to the vitality of today’s metropolis, making it a better place to live, work, and play. Founded by the New Museum in 2011, IDEAS CITY is a major collaborative initiative between hundreds of arts, education, and community organizations that consists of two distinct components: The biennial IDEAS CITY Festival in New York City, and IDEAS CITY Global Conferences in key urban centers around the world.
In 2002, the New Museum sold its previous home in SoHo for $18 million. It subsequently bought the new Bowery site for $5 million. In order to cover the building and endowment, it raised an estimated $64 million.
Board of Trustees
Since taking office, director Lisa Phillips expanded board membership to 42 from 18. As of 2015, it includes collectors Maja Hoffmann, Dakis Joannou, Eugenio López Alonso, and Leonid Mikhelson, among others.
- Lorente, J. Pedro (2011). The Museums of Contemporary Art: Notion and Development. Ashgate Publishing, Ltd. p. 7. ISBN 978-1-4094-0586-3.
- Brenson, Michael (8 January 1983). "New Museum Given Home In Soho". New York Times. Retrieved 13 January 2018.
- Vogel, Carol (17 December 1998). "A Top Curator Is Leaving The Whitney For SoHo Post". New York Times. Retrieved 13 January 2018.
- Randy Kennedy (July 25, 2004), The New Museum's New Non-Museum New York Times.
- Roberts, Sam (2005-07-06). "City Groups Get Bloomberg Gift of $20 Million". The New York Times. Retrieved 2010-05-20.
- "Carnegie Corporation of New York Announces Twenty Million Dollars in New York City Grants". Carnegie Corporation of New York. 2005-07-05. Archived from the original on 2012-09-14. Retrieved 2012-05-17.
- Valdez, Sarah (2010). New Museum of Contemporary Art: Art Spaces. London: Scala.
- Vogel, Carol (July 27, 2007). "New Museum of Contemporary Art - Art". The New York Times. Retrieved January 5, 2019.
- Vogel, Carol (March 28, 2007). "On the Bowery, a New Home for New Art". The New York Times. Retrieved January 5, 2019.
- Grima, Joseph, and Karen Wong, eds. Shift: SANAA and the New Museum. N.p.: Lars Muller, n.d. Print.
- "New Seven Wonders of the World". Conde Nast Traveler. April 2008. Retrieved 2012-05-17.
- "Home - New Museum Digital Archive". New Museum Digital Archive. Archived from the original on 18 December 2010. Retrieved 4 January 2018.
- Moynihan, Colin (2019-01-24). "Workers at New Museum in Manhattan Vote to Unionize". The New York Times. ISSN 0362-4331. Retrieved 2019-02-10.
- "New Museum Staffers Move to Unionize". www.artforum.com. Retrieved 2019-02-10.
- Carol Vogel (March 23, 2004), Museums Join To Buy Works Of New Artists New York Times.
- "Surrounded by the Future: The New Museum Triennial Tackles Tech, Politics, and Gender". Observer.com. 4 March 2015. Retrieved 4 January 2018.
- "The Ungovernables". Newmuseum.org. Retrieved 4 January 2018.
- Cotter, Holland (26 February 2015). "Review: New Museum Triennial Casts a Wary Eye on the Future". Nytimes.com. Retrieved 4 January 2018.
- "25 Women Curators On the Rise". News.artnet.com. Retrieved 2015-09-12.
- Hamilton, William L. (2016-07-14). "Object Lessons: The New Museum Explores Why We Keep Things". The New York Times. Retrieved 2016-07-14.
- "Premiere of DISCOTROPIC by niv Acosta". Newmuseum.org. Retrieved 2017-06-15.
- Board of Trustees, New Museum, New York.
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