Ngũgĩ wa Thiong'o

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Ngũgĩ wa Thiong'o
Ngũgĩ wa Thiong'o (signing autographs in London).jpg
Ngũgĩ wa Thiong'o signs copies of his book Wizard of the Crow, at the Congress Centre in central London. Wizard was his first book in 20 years, following 22 years of exile due to his political work.
Born James Ngugi
(1938-01-05) 5 January 1938 (age 80)
Kamiriithu, Kenya Colony
Occupation Writer
Language English, Kikuyu
Alma mater Makerere University
Spouse Njeeri
Website
ngugiwathiongo.com

Ngũgĩ wa Thiong'o (Gikuyu pronunciation: [ᵑɡoɣe wá ðiɔŋɔ]; born 5 January 1938)[1] is a Kenyan writer, formerly working in English and now working in Gikuyu. His work includes novels, plays, short stories, and essays, ranging from literary and social criticism to children's literature. He is the founder and editor of the Gikuyu-language journal Mũtĩiri.

In 1977, Ngũgĩ embarked upon a novel form of theatre in his native Kenya that sought to liberate the theatrical process from what he held to be "the general bourgeois education system", by encouraging spontaneity and audience participation in the performances.[2] His project sought to "demystify" the theatrical process, and to avoid the "process of alienation [that] produces a gallery of active stars and an undifferentiated mass of grateful admirers" which, according to Ngũgĩ, encourages passivity in "ordinary people".[2] Although Ngaahika Ndeenda was a commercial success, it was shut down by the authoritarian Kenyan regime six weeks after its opening.[2]

Ngũgĩ was subsequently imprisoned for over a year. Adopted as an Amnesty International prisoner of conscience, the artist was released from prison, and fled Kenya. In the United States, he taught at Yale University for some years, and has since also taught at New York University, with a dual professorship in Comparative Literature and Performance Studies, and at the University of California, Irvine. Ngũgĩ has frequently been regarded as a likely candidate for the Nobel Prize in Literature.[3][4][5] His son is the author Mũkoma wa Ngũgĩ.[6]

Biography[edit]

Early years and education[edit]

Ngũgĩ was born in Kamiriithu, near Limuru in Kiambu district, Kenya, of Kikuyu descent, and baptised James Ngugi. His family was caught up in the Mau Mau War; his half-brother Mwangi was actively involved in the Kenya Land and Freedom Army, and his mother was tortured at Kamiriithu homeguard post.[7] He went to The Alliance High School, and went on to study at Makerere University College in Kampala, Uganda. As a student he attended the African Writers Conference held at Makerere in June 1962,[8][9][10][11] and his play The Black Hermit premiered as part of the event.[12] At the conference Ngũgĩ asked Chinua Achebe to read the manuscripts of his novels The River Between and Weep Not, Child, which would subsequently be published in Heinemann's African Writers Series, launched in London that year, with Achebe as its first advisory editor.[13] Ngũgĩ received his B.A. in English from Makerere University College in 1963.

First publications and studies in England[edit]

His debut novel, Weep Not, Child, was published in May 1964, becoming the first novel in English to be published by a writer from East Africa.[14][13]

Later that year, having won a scholarship to the University of Leeds to study for an MA, Ngũgĩ travelled to England, where he was when his second novel, The River Between, came out in 1965.[13] The River Between, which has as its background the Mau Mau rebellion, and described an unhappy romance between Christians and non-Christians, is currently on Kenya's national secondary school syllabus.[15][16][17] He left Leeds without completing his thesis on Caribbean literature,[18] for which his studies had focused on George Lamming, about whom Ngũgĩ said in his 1972 collection of essays Homecoming: "He evoked for me, an unforgettable picture of a peasant revolt in a white-dominated world. And suddenly I knew that a novel could be made to speak to me, could, with a compelling urgency, touch cords deep down in me. His world was not as strange to me as that of Fielding, Defoe, Smollett, Jane Austen, George Eliot, Dickens, D. H. Lawrence."[13]

Change of name and imprisonment[edit]

Ngũgĩ's 1967 novel A Grain of Wheat marked his embrace of Fanonist Marxism. He subsequently renounced English, Christianity, and the name James Ngugi as colonialist; he changed his name to Ngũgĩ wa Thiong'o, and began to write in his native Gikuyu and Swahili.

In 1976 he helped set up The Kamiriithu Community Education and Cultural Centre which, among other things, organised African Theatre in the area. The uncensored political message of his 1977 play Ngaahika Ndeenda (I Will Marry When I Want) provoked the then Kenyan Vice-President Daniel arap Moi to order his arrest. While detained in the Kamiti Maximum Security Prison, Ngũgĩ wrote the first modern novel in Gikuyu, Caitaani mũtharaba-Inĩ (Devil on the Cross), on prison-issued toilet paper.

After his release in December 1978,[19] he was not reinstated to his job as professor at Nairobi University, and his family was harassed. Due to his writing about the injustices of the dictatorial government at the time, Ngugi and his family were forced to live in exile. Only after Arap Moi was voted out of office, 22 years later, was it safe for them to return.

Exile[edit]

While in exile, Ngugi worked with the London-based Committee for the Release of Political Prisoners in Kenya (1982–98).[19] In 1984 he was Visiting Professor at Bayreuth University, and the following year was Writer-in-Residence for the Borough of Islington in London.[19] He also studied film at Dramatiska Institutet in Stockholm, Sweden (1986).[19]

His later works include Detained, his prison diary (1981), Decolonising the Mind: The Politics of Language in African Literature (1986), an essay arguing for African writers' expression in their native languages rather than European languages, in order to renounce lingering colonial ties and to build an authentic African literature, and Matigari (1987), one of his most famous works, a satire based on a Gikuyu folktale.

Ngũgĩ was Visiting Professor of English and Comparative Literature at Yale University between 1989 and 1992.[19] In 1992, he became a professor of Comparative Literature and Performance Studies at New York University, where he held the Erich Maria Remarque Chair. He is currently a Distinguished Professor of English and Comparative Literature as well as the Director of the International Center for Writing and Translation at the University of California, Irvine.

2008–present[edit]

On 8 August 2004, Ngũgĩ returned to Kenya as part of a month-long tour of East Africa. On 11 August, robbers broke into his high-security apartment: they assaulted Ngũgĩ, sexually assaulted his wife and stole various items of value.[20] Since then, Ngũgĩ has returned to America, and in the summer 2006 the American publishing firm Random House published his first new novel in nearly two decades, Wizard of the Crow, translated to English from Gikuyu by the author.

On 10 November 2006, while in San Francisco at Hotel Vitale at the Embarcadero, Ngũgĩ was harassed and ordered to leave the hotel by an employee. The event led to a public outcry and angered both African-Americans and members of the African diaspora living in America,[21] prompting an apology by the hotel.[22]

His most recent books are Something Torn and New: An African Renaissance, a collection of essays published in 2009 making the argument for the crucial role of African languages in "the resurrection of African memory", about which Publishers Weekly said: "Ngugi’s language is fresh; the questions he raises are profound, the argument he makes is clear: 'To starve or kill a language is to starve and kill a people’s memory bank.'"[23] This was followed by two well received autobiographical works: Dreams in a Time of War: a Childhood Memoir (2010)[24][25][26][27][28] and In the House of the Interpreter: A Memoir (2012), which was described as "brilliant and essential" by the Los Angeles Times,[29] among other positive reviews.[30][31][32]

Awards and honours[edit]

Honorary degrees[edit]

Works[edit]

Novels[edit]

Short story collections[edit]

  • A Meeting in the Dark (1974)
  • Secret Lives, and Other Stories, (1976, 1992) ISBN 0-435-90975-4

Plays[edit]

Essays[edit]

Memoirs[edit]

Other nonfiction[edit]

  • Education for a National Culture (1981)
  • Barrel of a Pen: Resistance to Repression in Neo-Colonial Kenya (1983)
  • Mother, Sing For Me (1986)
  • Writing against Neo-Colonialism (1986)
  • Something Torn and New: An African Renaissance (2009) ISBN 978-0-465-00946-6[43]

Children's[edit]

  • Njamba Nene and the Flying Bus (Njamba Nene na Mbaathi i Mathagu, 1986)
  • Njamba Nene and the Cruel Chief (Njamba Nene na Chibu King'ang'i, 1988)
  • Njamba Nene's Pistol (Bathitoora ya Njamba Nene, 1990) ISBN 0-86543-081-0

See also[edit]

References[edit]

  1. ^ "Ngũgĩ wa Thiong'o: A Profile of a Literary and Social Activist". ngugiwathiongo.com. Archived from the original on 29 March 2009. Retrieved 20 March 2009. 
  2. ^ a b c Ngũgĩ wa Thiong'o, Decolonising the mind: the politics of language in African literature, 1994, pp. 57–59.
  3. ^ Evan Mwangi, "Despite the Criticism, Ngugi is 'Still Best Writer'". AllAfrica, 8 November 2010.
  4. ^ Page, Benedicte, "Kenyan author sweeps in as late favourite in Nobel prize for literature", The Guardian, 5 October 2010.
  5. ^ Provost, Claire, "Ngugi wa Thiong'o: a major storyteller with a resonant development message", The Guardian, 6 October 2010.
  6. ^ Mukoma Wa Ngugi website.
  7. ^ Nicholls, Brendon. Ngũgĩ wa Thiong'o, gender, and the ethics of postcolonial reading, 2010, p. 89.
  8. ^ "The First Makerere African Writers Conference 1962", Makerere University.
  9. ^ Kahora, Billy, "Penpoints, Gunpoints, and Dreams: A history of creative writing instruction in East Africa", Chimurenga Chronic, 18 April 2017.
  10. ^ Frederick Philander, "Namibian Literature at the Cross Roads", New Era, 18 April 2008.
  11. ^ Robert Gates, "African Writers, Readers, Historians Gather In London", PM News, 27 October 2017.
  12. ^ John Roger Kurtz, Urban Obsessions, Urban Fears: The Postcolonial Kenyan Novel, Africa World Press, 1998, pp. 15–16.
  13. ^ a b c d James Currey, "Ngũgĩ, Leeds and the Establishment of African Literature", in Leeds African Studies Bulletin 74 (December 2012), pp. 48–62.
  14. ^ Hans M. Zell, Carol Bundy, Virginia Coulon, A New Reader's Guide to African Literature, Heinemann Educational Books, 1983, p. 188.
  15. ^ Wachira, Muchemi (2 April 2008). "Kenya: Publishers Losing Millions to Pirates". The Daily Nation. Retrieved 5 December 2009. 
  16. ^ Ngunjiri, Joseph (25 November 2007). "Kenya: Ngugi Book Causes Rift Between Publishers". The Daily Nation. Retrieved 14 January 2010. 
  17. ^ "Ngugi Wa Thiong'o Man of Letters". Leeds: Magazine for alumni of the University of Leeds UK. No. 12, Winter 2012/13. Leeds: University of Leeds. 15 February 2013. pp. 22–23. Retrieved 22 November 2016. 
  18. ^ "Author Biography", in A Study Guide for Ngugi wa Thiong'o's "Petals of Blood", Gale, 2000.
  19. ^ a b c d e "About", Ngũgĩ wa Thiong’o website.
  20. ^ Jaggi, Maya (26 January 2006). "The Outsider: an interview with Ngũgĩ wa Thiong'o". London: The Guardian. Retrieved 20 May 2010. 
  21. ^ "The Incident at Hotel Vitale, San Francisco, California, Friday, November 10, 2006". Africa Resource. 10 November 2006. 
  22. ^ "The Hotel Responds to the Racist Treatment of Professor Ngũgĩ wa Thiong'o". Africa Resource. 10 November 2006. 
  23. ^ "Something Torn and New: An African Renaissance" (review), Publishers Weekly, 26 January 2009.
  24. ^ Busby, Margaret, "Dreams in a Time of War, By Ngugi wa Thiong'o" (review), The Independent, 26 March 2010.
  25. ^ Jaggi, Maya, "Dreams in a Time of War by Ngugi wa Thiong'o" (review), The Guardian, 3 July 2010.
  26. ^ Payne, Tom, "Dreams in a Time of War: a Childhood Memoir by Ngugi wa Thiong’o: review", The Telegraph, 27 April 2010.
  27. ^ Arana, Marie, "Marie Arana reviews 'Dreams in a Time of War' by Ngugi wa Thiong'o", Washington Post, 10 March 2010.
  28. ^ Dreams in a Time of War at The Complete Review.
  29. ^ Tobar, Hector, "Ngugi wa Thiong'o soars 'In the House of the Interpreter'", Los Angeles Times, 16 November 2012.
  30. ^ Busby, Margaret, "In the House of the Interpreter: A Memoir, By Ngugi wa Thiong'o" (review), The Independent, 1 December 2012.
  31. ^ "In the House of the Interpreter" review, Kirkus Reviews, 29 August 2012.
  32. ^ Mushava, Stanely, "A portrait of the dissident as a young man", The Herald (Zimbabwe), 10 August 2015.
  33. ^ Rollyson, Carl Edmund; Magill, Frank Northen (June 2003). Critical Survey of Drama: Jane Martin – Lennox Robinson. Salem Press. p. 2466. ISBN 978-1-58765-107-6. Retrieved 25 November 2011. 
  34. ^ "Some of the Prize Winners". Nonino Distillatori S.p.A. Archived from the original on 6 May 2014. Retrieved 6 May 2014. 
  35. ^ a b "Ehrendoktorwürde der Universität Bayreuth für Professor Ngũgĩ wa Thiong'o (German)". University of Bayreuth. Archived from the original on 6 May 2014. Retrieved 6 May 2014. 
  36. ^ "Ngugi Wa Thiong’o" Archived 23 October 2016 at the Wayback Machine. Booker Prize Foundation. Accessed 22 October 2016
  37. ^ Flood, Alison, "James Kelman is UK's hope for Man Booker international prize", The Guardian, 18 March 2009. Accessed 22 October 2016.
  38. ^ John Williams (14 January 2012). "National Book Critics Circle Names 2012 Award Finalists". The New York Times. Retrieved 15 January 2013. 
  39. ^ "The Nicolas Guillén Philosophical Literature Prize". Caribbean Philosophical Association. Retrieved 6 May 2014. 
  40. ^ "Ngugi Wa Thiongo wins 6th Pak Kyong-ni Literature Award". donga.com. September 21, 2016. Retrieved September 24, 2016. 
  41. ^ "43rd graduation" (PDF). University of Dar es Salaam. November 2013. Retrieved 21 November 2013. 
  42. ^ "Yale awards honorary degrees to eight individuals for their achievements". Yale News. 18 May 2017. Retrieved 22 May 2017. 
  43. ^ Mwangi, Evan, "Queries over Ngugi's appeal to save African languages, culture", Daily Nation, Lifestyle Magazine, 13 June 2009.

External links[edit]