Niel Gow

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Portrait of Niel Gow, 1787, by Sir Henry Raeburn.

Niel Gow (1727–1807) was the most famous Scottish fiddler of the eighteenth century.

Biography[edit]

Gow was born in Strathbraan, Perthshire, in 1727, as the son of John Gow and Catherine McEwan. The family moved to Inver in Perthshire when Niel was an infant. He started playing the fiddle when very young and at age 13 received his first formal lessons from one John Cameron. In spite of being something of a musical prodigy, he originally trained as a weaver, but eventually gave up that trade to become a full-time musician. He was widely considered the best fiddle player in Perthshire, an area which was renowned for its musicians—the story goes that at age 18 he entered a competition that was being judged by John McCraw, a blind musician, who awarded him the first prize and then went on to claim that he "would ken his bow hand among a hunder[d] players" (detect Niel's style among a hundred players). This attracted the attention of the Duke of Atholl,[1] who became Niel's patron, and also ensured Niel's employment for balls and dance parties put on by the local nobility. In time he became renowned as a fiddler.

Niel Gow was married twice. His first wife was Margaret Wiseman, and they had five sons and three daughters. His sons William, Andrew (1760), Nathaniel (1763),[2] and John (1764) all followed their father as fiddlers and composers of fiddle music; two of the daughters were Margaret (1759) and Grizel (1761). The youngest son, Daniel (1765), died in infancy; William died in 1791 at age 40, and Andrew died in 1794 at 34. Of Niel's sons, Nathaniel is by far the most well-known and another fine composer of Scottish music, with nearly two hundred tunes to his credit. As a widower, Niel married Margaret Urquhart from Perth in 1768, and they went on to share a happy marriage until she died in 1805, which prompted his composition of one of his most famous tunes: "Niel Gow's Lament for the Death of his Second Wife". Niel died at Inver on 1 March 1807, aged 80.

According to John Glen (1895), Niel Gow composed, or is credited with composing eighty-seven dance tunes, "some of which are excellent." These tunes form the backstay of Scottish country dance music even today. However, it must be said that he was not above claiming good material from other composers as his own; Glen claims that at least a quarter of the eighty-seven tunes are either derived from older tunes or are copies of tunes published earlier elsewhere, often under a different title. The Biographical Dictionary of Eminent Scotsmen indicates that Gow's air of Locherroch Side was the basis for Robert Burns' ballad, "Oh! stay, sweet warbling Woodlark, stay."[3] This "borrowing" was a common practice at the time and it did not seem to hurt his reputation; Henry Raeburn was commissioned to paint him several times.

Many of Niel Gow's compositions are still played today at ceilidhs and country dances. He himself spelled his name Niel, although others sometimes spell it Neil or even Neal. The National Records of Scotland attest that Gow himself used the name 'Neil'.[4] To add to the confusion he had a musical grandson (by Nathaniel) who did spell his name "Neil".

The annual Niel Gow Fiddle Festival takes place in Dunkeld and Birnam, Perthshire, Scotland. It was established in 2004 to celebrate the life and music of Gow.[5] It is envisaged that through time the festival and other activities will gather enough funds to erect a fitting memorial to him in Dunkeld and Birnam. The 2020 festival was planned to take place from the 20 to 22 March. It is hoped that the memorial to Niel Gow, sculpted by David Annand will be erected during 2020.

Compositions[edit]

  • Admiral Nelson
  • Niel Gow's Lament For the Death of His Second Wife [6][7]
  • Dunkeld Bridge
  • Farewell to Whisky
  • The Stool of Repentance
  • The Duchess of Athole’s Skipper
  • The Athole Volunteers March
  • Miss Stewart of Grantully
  • Highland Whisky
  • Niel Gow’s Lamentation for James Moray, Esq., of Abercarney
  • The Stool of Repentance
  • Major Graham of Inchbrakie
  • Lady Ann Hope’s Favourite

Recordings[edit]

  • Quadriga Consort CD "By Yon Bonnie Banks" ORF Early Music Edition, Vienna 2007
  • Scotland's Pete Clark: In the Footsteps of Niel Gow[8]
  • Even Now, The Music of Niel Gow by Pete Clark, Smiddymade, 1998
  • Niel Gow’s Fiddle by Pete Clark & Muriel Johnstone, Inver 229, 2017

See also[edit]

Notes[edit]

  1. ^ "Archived copy" (PDF). Archived from the original (PDF) on 21 July 2011. Retrieved 25 May 2011.CS1 maint: archived copy as title (link)
  2. ^ "Scottish Fiddle". Fiddlingaround.co.uk. Retrieved 5 July 2020.
  3. ^ "Gow, Niel". Biographical Dictionary of Eminent Scotsmen Volume 2. Glasgow: Blackie & Sons, 1875. p153. Accessed on 2013/08/20.
  4. ^ "National Records of Scotland". National Records of Scotland. 31 May 2013. Retrieved 5 July 2020.
  5. ^ "Niel Gow (Neil Gow) - Annual Scottish fiddle festival". Niel-gow.co.uk. Retrieved 5 July 2020.
  6. ^ "Niel Gow". Archived from the original on 20 March 2016. Retrieved 16 June 2014.
  7. ^ "WebCite query result". Webcitation.org. Archived from the original on 25 October 2009. Retrieved 5 July 2020.
  8. ^ Simmons, Michael. "Scotland's Pete Clark: In the Footsteps of Niel Gow". Fiddler Magazine, 1 June 1999.

References[edit]

  • The Glen Collection of Scottish Dance Music, republished by the Highland Music Trust, 2001 (ISBN 0-9541478-1-2).
  • Clark, Pete. Even Now: The Music of Niel Gow. Smiddymade Recordings, Perthshire, Scotland, 1999 (SMD615). CD album with extensive album notes. Fifteen tunes by Niel Gow played by Pete Clark on Niel Gow's own fiddle and recorded in the ballroom of Blair Castle, a frequent eighteenth-century Niel Gow venue. (The Raeburn portrait above, posted by the author of this article, is part of the Blair Castle Collection.)
  • The Fiddle Music of Scotland by James Hunter. Edited by Alastair Hardie and William Hardie published by The Hardie Press, 1988. (ISBN 978 0 946868 04 9)
  • Scottish Fiddle Music in the Eighteenth Century; A Music Collection and Historical Study By David Johnson publishes by Mercat Press, 1984. (ISBN 1-84183-083-6)

External links[edit]