|Species||Canis lupus familiaris|
|Died||16 May 1943|
|Resting place||RAF Scampton|
|Owner||Wing Commander Guy Gibson|
Nigger was a male black labrador retriever belonging to Wing Commander Guy Gibson of the Royal Air Force, and the mascot of No. 617 Squadron. Gibson owned the dog when he was previously a member of 106 Squadron. Nigger often accompanied Gibson on training flights and was a great favourite of the members of both 106 and 617 Squadrons. He was noted for his liking of beer, which he drank from his own bowl in the Officers' Mess.
Nigger died on 16 May 1943, the day of the famous "Dam Busters" raid, when he was hit by a car. He was buried at midnight as Gibson was leading the raid. "Nigger" (Morse code: -. .. --. --. . .-. ) was the codeword Gibson used to confirm the breach of the Möhne Dam. Nigger's grave is at Royal Air Force station Scampton, Lincolnshire.
The word nigger was used as a dog's name during the early part of the 20th century. A black explosive sniffer dog named Nigger served with a Royal Engineers mine clearance unit in 1944 during the Normandy Campaign. The dog leading a sledge dog team on the Terra Nova Expedition to the Antarctic (1910-1912) was also named Nigger.
Portrayal on film
Nigger was portrayed in the 1955 British war film The Dam Busters, in which he was mentioned by name frequently. In 1999, British television network ITV broadcast a censored version of the film, with all instances of the name removed. ITV blamed regional broadcaster London Weekend Television, which in turn alleged that a junior staff member had been responsible for the unauthorised cuts. When ITV again showed a censored version in June 2001, it was criticised by Index on Censorship as "unnecessary and ridiculous" and because the edits introduced continuity errors. The code word "nigger" transmitted in Morse Code upon the successful completion of the central mission was not censored. More recently, in 2012, ITV3 had shown the film uncut a few times, but with a warning at the start that it contains racial terms from the period which some people may find offensive. However, in 2013 the film had been shown a few times by Channel 5 uncut and without any warning. On Thursday 17 May 2018 an uncut version was shown on the UK channel Film 4 with a warning explaining the film was historical and that some would find it to be racially offensive.
Film critics have observed that Nigger is used in the film as a symbol of the men's emotional attachment to one another, an attachment that is not directly expressed between the film's characters. Sarah Street notes that the film, while full of emotion, does not articulate it except through secondary devices such as the affection that the characters are shown giving to Nigger. Christine Geraghty, a lecturer in media studies, observed that "Gibson's suppression of feelings is presented as appropriate rather than problematic, and the use of the dog as his most explicit emotional attachment is in keeping with the way in which class and masculinity are brought together in this isolated but self-sufficient figure." James Chapman, lecturer at the Open University, adds to that the observation that the scene where Gibson is shown choking back his grief at the death of Nigger, silent and blinking awkwardly, is an example of the stiff upper lip behaviour characteristic of British war films of the genre.
Richard Todd, who played Gibson in the film, was interviewed on BBC Radio 4's Today programme in 2005 along with Jonathan Falconer, author of a book about the film, about the name of the dog and whether any remake of the film should retain the name. Todd, in a pre-recorded interview, said:
With political correctness which is a new concept of a way of life in this country and I think all over the world it didn't exist when we made the original film so Nigger was Nigger, but nowadays you can't say that sort of thing.
In response to being asked whether the name should be censored in a remake, Falconer said:
No. I think it's a question of historical accuracy here … the film and obviously the events are very much part of the time they were made in and took part in and so I think tinkering with the historical accuracy of the film and of the story is a very dangerous and slippery slope to start down.
In response to being asked whether he thought people would accept this as historical accuracy, Falconer said:
In the same interview, George Baker, who also acted in the film, in response to being asked whether any opinion had been expressed on the name at the time that the film was made, said:
Peter Jackson, producer of the remake that later began, said in 2006 that "It is not our intention to offend people. But really you are in a no-win, damned-if-you-do-and-damned-if-you-don't scenario: If you change it, everyone's going to whinge and whine about political correctness. And if you don't change it, obviously you are offending a lot of people inadvertently. … We haven't made any decisions about what we'll do." Stephen Fry, writer for the remake, was asked to provide several alternative names for the dog, and came up with several suggestions. Executive producer David Frost rejected them all, saying "Guy sometimes used to call his dog Nigsy, so I think that's what we will call it. Stephen has been coming up with other names, but this is the one I want." Jackson's assistant contradicted this a week later, however, saying "To stay true to the story, you can't just change [the name]. We have not made any decisions yet. The script is still being written; and that decision will be made closer to the time."
Recently, one writer, James Holland, has commented that controversy over the dog's name seems to have overshadowed other aspects of the raid. When he told people that he was planning to write a book on the raid, 9 out of 10 replied "What are you going to call the dog?". He found that the three characters connected with the raid that most people had heard of were Guy Gibson, Barnes Wallis and Nigger the dog.
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- Holland 2012, p. 203
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- Ramsden, John (2003). The dam busters. Turner Classic Movies British Film Guides. I.B.Tauris. p. 51. ISBN 978-1-86064-636-2.
- Marks, Kathy (6 May 2009). "Nigsy? Trigger? N-word dilemma bounces on for Dam Busters II". The Independent.
- Street, Sarah (1997). British national cinema. National cinemas. Routledge. p. 71. ISBN 978-0-415-06736-2.
- Chapman, James (2003). Cinemas of the world: film and society from 1895 to the present. Globalities. Reaktion Books. p. 274. ISBN 978-1-86189-162-4.
- Geraghty, Christine (2000). British cinema in the fifties: gender, genre and the 'new look'. Communication and society. Routledge. p. 189. ISBN 978-0-415-17158-8.
- Bressey, Caroline (2008). "It's Only Political Correctness — Race and Racism in British History". In Dwyer, Claire; Bressey, Caroline. New geographies of race and racism. Ashgate Publishing, Ltd. pp. 29&ndash, 30. ISBN 978-0-7546-7085-8.
- Richard Todd (13 December 2005). Today (Interview). BBC Radio 4. Missing or empty
- Jonathan Falconer (13 December 2005). Today (Interview). Interviewed by Carolyn Quinn. BBC Radio 4. Missing or empty
- George Baker (13 December 2005). Today (Interview). Interviewed by Carolyn Quinn. BBC Radio 4. Missing or empty
- Stax (6 September 2006). "Jackson Talks Dam Busters". IGN.
- Katterns, Tanya (5 May 2009). "Takeoff looms for Dambusters". The Dominion Post. Fairfax New Zealand.
- Holland 2012
- Holland, James (2012). Dam busters : the true story of the inventors and airmen who led the devastating raid to smash the German dams in 1943. New York: Atlantic Monthly Press. ISBN 9780802121691. OCLC 861319301.
- Scampton's own gallery
- Discussion of hauntings
- photo gallery including more photos of the grave
- BBC story includes photo of Gibson's crew with Nigger