Nights in White Satin

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"Nights in White Satin"
The Moody Blues.jpg
French single sleeve
Single by The Moody Blues
from the album Days of Future Passed
B-side "Cities"
Released 10 November 1967 (1967-11-10)
Format 7-inch single
Recorded 8 October 1967
Label Deram
Songwriter(s) Justin Hayward
Producer(s) Tony Clarke
The Moody Blues singles chronology
"Love and Beauty"
"Nights in White Satin"
"Tuesday Afternoon"
"Love and Beauty"
"Nights in White Satin"
"Tuesday Afternoon"
Audio sample

"Nights in White Satin" is a 1967 single by the Moody Blues, written and composed by Justin Hayward and first featured as the segment "The Night" on the album Days of Future Passed. When first released in 1967, the song reached number 19 on the UK Singles Chart and number 103 in the United States in 1967. It was the first significant chart entry by the team since "Go Now" and its recent lineup change, in which Denny Laine had resigned and both Hayward and John Lodge had joined.

Upon its 1972 reissue, the single hit number two – for two weeks – on the Billboard Hot 100 (behind "I Can See Clearly Now" by Johnny Nash) and hit number one on the Cash Box Top 100 in the United States. It earned a gold certification for sales of over a million U.S. copies. It also hit number one in Canada. In the wake of its American success, the song recharted in the U.K. in late 1972 and climbed to number nine. The song was released yet again in 1979, and charted for a third time in the U.K. – peaking at number 14.


Band member Justin Hayward wrote and composed the song at age 19 in Swindon, and titled the song after a girlfriend gave him a gift of satin bedsheets. The song itself was a tale of a yearning love from afar, which leads many aficionados to term it as a tale of unrequited love endured by Hayward. Hayward said of the song, "It was just another song I was writing and I thought it was very powerful. It was a very personal song and every note, every word in it means something to me and I found that a lot of other people have felt that very same way about it."[4]

The London Festival Orchestra provided the orchestral accompaniment for the introduction, the final rendition of the chorus, and the "final lament" section, all of which were in the original album version. The "orchestral" sounds in the main body of the song were actually produced by Mike Pinder's Mellotron keyboard device,[5] which would come to define the "Moody Blues sound".[citation needed]

The song is written in the key of E minor[6] and features the Neapolitan chord (F).[7]

Single releases[edit]

The two single versions of the song were both stripped of the orchestral and "Late Lament" poetry sections of the LP version. The first edited version, with the songwriter's credit shown as "Redwave", was a hasty-sounding 3:06 version of the LP recording with very noticeable chopped parts. However, many versions of the single are listed on the labels at 3:06, but in fact are closer to the later version of 4:26.

Some versions, instead of ending cold as most do, segue briefly into the symphonic second half ("Late Lament") and, in fact, run for 4:33 (but are also listed on the label as 3:06). For the second edited version (with the song's writing credited to Hayward), the early parts of the song were kept intact, ending early at 4:26. Most single versions were backed with a non-LP B-side, "Cities".

Although it only had limited commercial success on its first release, the song has since garnered much critical acclaim, ranking number 36 in BBC Radio 2's "Sold on Song Top 100" list.

"Late Lament"[edit]

The spoken-word poem heard near the six-minute mark of the album version of the song is called "Late Lament". Drummer Graeme Edge wrote the verses, which were recited by keyboardist Mike Pinder. On Days of Future Passed, the poem's last five lines bracket the album and also appear at the end of track 1 ("The Day Begins").

While it has been commonly known as part of "Nights in White Satin" with no separate credit on the original LP, "Late Lament" was given its own listing on the two-LP compilation This Is The Moody Blues in 1974 and again in 1987 (without its parent song) on another compilation, Prelude. Both compilations feature the track in a slightly different form than on Days of Future Passed, giving both spoken and instrumental tracks an echo effect. The orchestral ending is kept intact, but recording engineers have completely edited out the gong (struck by Mike Pinder) that closes the track on the original LP.

From 1992 through the early 2000s, the Moody Blues toured with shows backed by live orchestras. When with orchestral accompaniment, they often took the opportunity to include "Late Lament" in the performance of "Nights in White Satin". On these occasions, Edge recited it himself, since Pinder was not in the band by then.

False claim of authorship[edit]

In the late 1990s, the UK magazine Record Collector printed a claim that "Nights in White Satin" had not been written by Justin Hayward at all, but that in fact the Moody Blues' management had simply bought the song outright in 1966 from an Italian group called the Jelly Roll and taken credit for it. This claim seems to have arisen from the discovery of a 7" single by the Jelly Roll which carries the words "This is the original version of Nights in White Satin" on the label.

Actually, "Les Jelly Roll" was a French band who did this cover of the Moody Blues song, and had the opportunity to release it in Italy, on Ricordi (an Italian record label), a few months before the original was released there. So as a joke (they appear not to have been a very serious band), they put the famous sentence on the cover.[8][9]


Additional personnel

Chart performance[edit]

Theme park attraction and other uses[edit]

The work was reinterpreted as the focus of Nights in White Satin: The Trip, a dark ride at the Hard Rock Park theme park in Myrtle Beach, South Carolina, U.S.A. The attraction, which included 3D-black light and fiber-optic lighting effects and purpose-made films, was developed by Sally Corporation and Jon Binkowski of Hard Rock Park. Riders entered through a bead curtain, were provided 3D glasses, and upon return were greeted with the question, "How was your Trip?" Visual effects, digital CGI and special effects were designed, produced, and installed by Attraction Design Services; ride vehicles were from ETF.[citation needed]

The attraction operated as "The Trip" for the single 2008 season the park operated as Hard Rock Park, but was rethemed as "Monstars of Rock" with the sale and retitling of the park as Freestyle Music Park; "park officials said the experience will be similar but the presentation will be changed."[25] Freestyle Music Park would cease operations after its only season as such in 2009.

Other uses of the song[edit]

  • This was used as the title song of the now obscure 1987 TV movie Nights in White Satin.
  • This song was featured in Wolfgang Petersen's 1991 film Shattered.
  • This song was featured in the 1992 film Split Second.
  • This song was featured in Robert De Niro's 1993 film A Bronx Tale.
  • This song was featured in Martin Scorsese's 1995 film Casino.
  • This song was played briefly in the King of the Hill episode "The Trouble with Gribbles," which was originally transmitted in 2001.
  • This song was featured in Rob Zombie's 2009 film Halloween II, a sequel to his 2007 remake of the 1978 film Halloween.
  • This song was featured in Bertrand Bonello's 2011 film House of Tolerance.
  • This song was played over the opening credits of Tim Burton's 2012 film Dark Shadows.
  • This song was featured in the 2006 comedy/parody film American Dreamz.
  • This song was featured in The Perks of Being a Wallflower, a novel by Stephen Chbosky, as it appeared on a music playlist compiled by the novel's protagonist, Charlie.
  • This song was featured in The Boat That Rocked.
  • This song was featured in the Heath Kirchart segment in the 2001 Transworld Skateboarding video Sight Unseen.
  • The song was featured in the Wiseguy episode "No One Gets Out of Here Alive," in the climactic scene between Vinnie Terranova and Sonny Steelgrave. This was removed in the DVD release.
  • The song was featured in the TV movie The 70s.
  • This song was featured in Deuce Bigalow: European Gigolo when Deuce got high on space cake.
  • This song was featured in the Fringe episode "In Absentia," appearing in the background as Walter Bishop addresseed his future self on a video tape.
  • This song was featured in the Freaks and Geeks episode "Girlfriends and Boyfriends."
  • This song was featured in Ben Young's 2016 film Hounds of Love.

Sandra version[edit]

"Nights in White Satin"
Nights in White Satin - Sandra.jpg
Single by Sandra
from the album Fading Shades
Released March 1995
Format CD single
12" single
Recorded 1995
Genre Synthpop
Length 3:35
Label Virgin
Songwriter(s) Justin Hayward
Producer(s) Michael Cretu
Sandra singles chronology
"Maria Magdalena '93"
"Nights in White Satin"
"Won't Run Away"
"Maria Magdalena '93"
"Nights in White Satin"
"Won't Run Away"

"Nights in White Satin" is a pop-rock cover version of the selection written and composed by Justin Hayward, which was performed by the German singer Sandra. The song appeared on Sandra's sixth studio album Fading Shades (1995).

It was produced by Michael Cretu and received mixed reception from music critics. The song was released as the lead single in the spring of 1995 (see 1995 in music), although it failed to match the success of Sandra's previous singles. The song peaked at #1 in Israel (spending two weeks at the top), #17 in Finland, and #34 in New Zealand (Sandra's only charting hit there). In Germany it only peaked at #86, becoming her least successful lead single in that country to date. In the United Kingdom, it failed to enter the chart.

The music video, directed by Angel Hart, showed only close ups of Sandra's face as she was pregnant at the time. She even had to sit during the recording sessions of the album. (Note that the Fading Shades album cover was taken from the music video.)[26]


Chart (1995) Peak
Australian Singles Chart[27] 163
German Singles Chart[28] 86
Israel Singles Chart 1
New Zealand Singles Chart[29] 34

Other cover versions[edit]


  1. ^ Buskin, Richard (July 2009). "The Moody Blues 'Nights In White Satin'". Sound on Sound. Retrieved 15 December 2016. 
  2. ^ Murthl, R.S. (28 December 1994). "Pearl Jam's Vital Return". New Straits Times. Retrieved 15 December 2016. 
  3. ^ a b Bosso, Joe. "Classic tracks: Justin Hayward talks Nights In White Satin". Retrieved 2016-08-07. 
  4. ^ "The Daily Cut: The Moody Blues "Nights in White Satin"". 98.5 WNCX. CBS. Retrieved 25 March 2017. 
  5. ^ "Justin Hayward talks Nights In White Satin" October 22, 2014,
  6. ^ Stephenson, Ken (2002). What to Listen for in Rock: A Stylistic Analysis, p. 39. ISBN 978-0-300-09239-4.
  7. ^ Stephenson (2002), p. 89.
  8. ^ Mercier, Jacques (Sep 2004). "Sayings by Jacques Mercier, member of Les Jelly Roll" [interview from Club Des Années 60 magazine (look at very bottom of page)]. Golf Drouot website (in French). Retrieved 2012-05-15. 
  9. ^ "Single sleeve image" (JPG). Retrieved 2015-09-07. 
  10. ^ " – The Moody Blues – Nights in White Satin" (in German). Ö3 Austria Top 40. Retrieved August 18, 2015.
  11. ^ " – The Moody Blues – Nights in White Satin" (in Dutch). Ultratop 50. Retrieved August 18, 2015.
  12. ^ "Top RPM Singles: Issue 4208." RPM. Library and Archives Canada. Retrieved August 18, 2015.
  13. ^ " – The Moody Blues – Nights in White Satin" (in French). Les classement single. Retrieved August 18, 2015.
  14. ^ " – The Moody Blues Single-Chartverfolgung" (in German). Media Control Charts. PhonoNet GmbH. Retrieved August 18, 2015.
  15. ^ " – The Moody Blues – Nights in White Satin" (in Dutch). Single Top 100. Retrieved August 18, 2015.
  16. ^ " – The Moody Blues – Nights in White Satin". Swiss Singles Chart. Retrieved August 18, 2015.
  17. ^ "Moody Blues: Artist Chart History". Official Charts Company. Retrieved August 18, 2015.
  18. ^ a b "Archived copy". Archived from the original on June 2, 2016. Retrieved May 4, 2016. 
  19. ^ "Image : RPM Weekly – Library and Archives Canada". Retrieved 2016-08-07. 
  20. ^ Whitburn, Joel (1993). Top Adult Contemporary: 1961–1993. Record Research. p. 167. 
  21. ^ "CASH BOX Top 100 Singles: Week ending November 4, 1972". Cashbox. Retrieved August 18, 2015. 
  22. ^ "Archived copy". Archived from the original on September 16, 2011. Retrieved July 12, 2013. 
  23. ^ "Top 100 Hits of 1972/Top 100 Songs of 1972". Retrieved 2016-08-07. 
  24. ^ "Archived copy". Archived from the original on October 22, 2014. Retrieved May 21, 2015. 
  25. ^ Cherney, Mike (May 13, 2009). "Freestyle Music Park Fills Out Offerings". The Sun News. Retrieved 2009-05-13. [dead link]
  26. ^ "". Retrieved 2014-04-14. 
  27. ^ "Response from ARIA re: chart inquiry, received 19 September 2017". Retrieved 2017-09-19. 
  28. ^ "Sandra – Nights in White Satin (single)" (in German). GfK Entertainment. Retrieved 2017-09-19. 
  29. ^ " > Sandra in New Zealand Charts". Hung Medien. Retrieved 2017-09-19. 
  30. ^ "Tim Weisberg – Tim Weisberg". 2015-07-21. Retrieved 2015-09-07. 
  31. ^ "Tim Weisberg – Nights in White Satin". YouTube. 2010-05-19. Retrieved 2015-09-07. 
  32. ^ "Skyline Firedance overview". 
  33. ^ "News". Collide. 2009-10-12. Retrieved 2014-04-14. 

External links[edit]

Preceded by
"My Ding-a-Ling" by Chuck Berry
RPM number one single (Canada)
(The Moody Blues version)

November 11, 1972 for one week
Succeeded by
"Garden Party" by Ricky Nelson
Preceded by
"My Ding-a-Ling" by Chuck Berry
Cash Box Top 100 singles
(The Moody Blues version)

November 4, 1972 for one week
Succeeded by
"Burning Love"
by Elvis Presley
Preceded by
"Riquita" by Georgette Plana
French number one single
(The Moody Blues version)

2 March 1968, for three weeks
Succeeded by
"Il est cinq heures, Paris s'éveille" by Jacques Dutronc