Nina E. Allender
|Nina Evans Allender|
Nina E. Allender, about 1915
December 25, 1873
|Died||April 2, 1957
Plainfield, New Jersey
|Known for||Political cartoonist|
|Spouse(s)||Charles H. Allender (1893–1905, divorce)|
Nina Evans Allender (December 25, 1873 – April 2, 1957) was an American artist, cartoonist, and women's rights activist. She studied art in the United States and Europe with William Merritt Chase and Robert Henri. Allender worked as an organizer, speaker, and campaigner for women's suffrage and was the "official cartoonist" for the National Woman's Party's publications, creating what became known as the "Allender Girl."
Nina Evans Allender was born on Christmas Day, December 25, 1873 in Auburn, Kansas.[a] Her father, David Evans was from Oneida County, New York and moved to Kansas, where he served as a teacher before becoming superintendent of schools. Her mother, Eva Moore, was a teacher at a prairie school. The Evanses lived in Washington, D.C. by September 1881 when Eva Evans was working at the Department of the Interior as a clerk in the Land Office. She worked there until August 1902, and she was one of the first women to be employed by the federal government. David Evans worked at the United States Department of the Navy as a clerk and was a poet and short story writer. He died on December 13, 1906 and was buried at Arlington National Cemetery.
In 1893, at the age of 19 Nina Evans married Charles H. Allender. Some years later Charles Allender reportedly took a sum of money from the bank where he worked and ran off with another woman. Abandoned by her husband, Nina sued Charles for divorce in January 1905, alleging infidelity. Their divorce was granted that year.
Middle and later years
About 1906 her portrait was painted with fellow artist Charles Sheeler by Morton Livingston Schamberg. It was formerly in the collection of the Corcoran Gallery of Art in Washington, D.C., but when that museum closed it was transferred to the National Gallery of Art. Following her years abroad studying art, Allender worked at the Treasury Department and the Government Land Office in Washington, D.C. She lived in Washington, D.C. in 1916 and maintained an art studio in New York City by 1917.
In 1942, Allender moved to Chicago, Illinois where she remained for over a decade. In 1955 she moved to Plainfield, New Jersey, where a niece, Mrs. Frank Detweiler (Joan) resided. She died at her niece's Plainfield house on April 2, 1957.
Art and suffrage
Education and style
Allender enrolled in classes at the Corcoran Museum of Art and then studied under Robert Henri and William Merritt Chase at the Pennsylvania Academy of the Fine Arts from the spring of 1903 through 1907. She spent the summer of 1903 on a summer painting tour directed by Chase. Allender joined Robert Henri's summer painting tour of Italy in 1905. Allender considered William Merritt Chase and Robert Henri as her mentors. During one European study trip she became good friends with modernist painters Charles Sheeler and Morton Schamberg. In London, she was a student of Frank Brangwyn. Allender's works in a Washington Society of Artists exhibit in 1909 were described as "some excellent little snow pictures".
At the age of 38, Nina Allender became actively involved in the National American Woman Suffrage Association (NAWSA). In 1912, Ohio held a referendum on woman suffrage, and Allender traveled there and enjoyed canvassing door to door and demonstrating with other suffragettes. Allender had volunteered to assist NAWSA's Congressional Committee in planning their March 3, 1912 suffrage pageant in Washington. Allender was appointed chair of the committee on "outdoor meetings" as well as on "posters, post cards and colors." Within the year she became president of the District of Columbia Woman Suffrage Association and was a featured speaker at numerous local gatherings. In spring 1913, she was president of the Stanton Suffrage Club, which held "Suffrage as Relating to Business Women". Allender shared the speaker's platform with future congresswoman Jeannette Rankin, one of about 14 women representing multiple states to meet with President Woodrow Wilson in a suffrage deputation.
In 1913, Eva and Nina were recruited into the Congressional Union of NAWSA, later the National Woman's Party by Alice Paul when she was in Washington D.C. to lead the Congressional Committee of NAWSA. Inez Haynes Irwin stated that both Eva and Nina had readily agreed to make monthly financial donations and volunteer their time for the organization.
In April 1914, Allender relocated temporarily to Wilmington, Delaware to head the Delaware Congressional Union for Equal Suffrage and to coordinate a parade on May 2. A year later she was on the advisory council of the national Congressional Union for Woman's Suffrage and became chairman of the newly organized local branch of the Congressional Union. In a press release on suffrage, Allender was identified as one of six "crack street orators" of the suffrage campaign. On December 9, 1915, she was slated to preside over a meeting of the state chairs and officers.
In 1916, Allender was an official delegate at the Chicago convention of the newly launched National Woman's Party. That fall, she was sent by the National Woman's Party to lobby in Wyoming for the federal amendment. When the National Woman's Party began picketing the White House to pressure President Wilson, Allender joined the picket line and served as a delegate to a large suffrage parade. The National Woman's Party sent valentines, designed by Allender, on February 14, 1917 to President Wilson and legislators as a softer appeal in the campaign to attain women's right to vote.
National Woman's Party cartoonist
Integral to the women's rights and suffrage campaigns were its newspapers.[b] The Congressional Union under Alice Paul founded its own periodical, The Suffragist, in 1913. Allender was the key artist for the publication which featured political cartoons. The writers were Alice Paul and Rheta Childe Dorr, the founding editor, who came to Washington at the urging of Paul and Lucy Burns, another suffrage leader. Allender, having been coaxed by Paul, found she had a talent for drawing cartoons and became The Suffragist's "official cartoonist". Her first political cartoon, which portrayed the campaign and women's need for the ballot, was published in the June 6, 1914 issue on heavy 10" x 13" paper. The entire front page was subsequently occupied by a cartoon by Nina Allender. A 1918 review of her work conceded that her early period "dealt with old suffrage texts, still trying to prove that woman's place was no longer in the home."
Early 20th-century American cartoons had enjoyed the Gibson Girl from Charles Dana Gibson and the Brinkley Girl from Nell Brinkley. Allender was credited with producing 287 political cartoons regarding suffrage. Her depiction of the "Allender girl," captured the image of a young, capable American woman, embodying "the new spirit that came into the suffrage movement when Alice Paul and Lucy Burns came to the National Capital in 1913."
She gave to the American public in cartoons that have been widely copied and commented on, a new type of suffragist--the young and zealous women of a new generation determined to wait no longer for a just right. It was Mrs. Allender's cartoons more than any other one thing that in the newspapers of this country began to change the cartoonist's idea of the suffragist.— "The Suffragist' as a Publicity Medium". The Suffragist
Public image of a women's rights advocates changed through Allender's representation of the stylish, attractive, and dedicated young woman, like the educated, modern, and freer New Woman. Other subjects in her cartoons were Congressmen, Uncle Sam, and symbols for the woman suffrage amendment were used in the publication to promote the efforts of the National Women's Party and communicate women's rights movement events.
Allender designed the "Jailed for Freedom" pin, which was bestowed on women who were jailed beginning July 1917 for their campaigning and picketing activities. It was named Amelia Himes Walker's "Jailed for Freedom" pin in acknowledge the two-month period when the woman's rights activist was imprisoned in the Occoquan Workhouse and the incarceration and abuse that had been suffered by other suffragettes.
The cover of September 1, 1920 issue of The Suffragist had Allender's Victory to symbolize the attainment of the right to vote. The publication was produced weekly until 1921, was then succeeded in 1923 by Equal Rights, for which Allender also created political cartoons. She continued to work for equal rights after women won the right to vote, including sitting on the NWP's council. She retired due to poor health in 1946.
Nina Allender was a member of the following art organizations.
- Arts Club of Washington, D.C., a founding member
- Art Students League of Washington and was its corresponding secretary early in the century.
- Beaux Arts Club
- Society of Washington Artists
- Washington Watercolor Club
Works by Nina Allender have been exhibited at the following:
- Arts Club of Washington
- Cosmos Club of Washington
- National Academy of Design
- Pennsylvania Academy of the Fine Arts
- The Society of Washington Artists
- Library of Congress.
- Sewall-Belmont House and Museum
Following the culmination of the suffrage crusade, Nina Allender remained active in the National Woman's Party in its work for gender equality, and remained on its council for another two decades. Her original drawings were initially housed in the Library of Congress, until reclaimed by the Sewall-Belmont House and Museum (now the Belmont-Paul Women's Equality National Monument), which was the headquarters for the National Woman's Party. Some were reprinted in collections.
To commemorate the 75th anniversary of the Nineteenth Amendment in 1995, the National Museum of Women in the Arts hosted an exhibition, "Artful Advocacy: Cartoons of the Woman Suffrage Movement." Featured artists were Allender, Lou Rogers, and Blanche Ames.
- Her year of birth is reported to be 1872 or 1873. A passport for Nina Evans Allender (artist, born in Auburn, Kansas and living in Washington, D.C.) states that she was born on December 25, 1873.
- The Woman's Journal was founded in 1870 for the American Woman Suffrage Association. When in 1890 the organization merged with the Anthony-Stanton National Woman Suffrage Association, the Woman's Journal became the news and propaganda outlet for the National American Woman Suffrage Association.
- "Mrs. Allender, Artist, Dies". Plainfield Courier-News. April 3, 1957.
Mrs. Nina E. Allender, 85, of 1200 W. Seventh St., one of the fighters for women's suffrage and equal rights, died yesterday at home. ...
- "Allender, Nina E.". American Art Annual. MacMillan Company. 1916. p. 315.
- "Obituaries: Nina E. Allender". The Washington Post. Washington D.C. April 6, 1957.
- Mary Chapman; Angela Mills (2011). "The President's Valentine: Nina E. Allender (1872-1957)". Treacherous Texts: U.S. Suffrage Literature, 1846-1946. Rutgers University Press. pp. 241–242. ISBN 978-0-8135-4959-0.
- "Nina Evans Allender, Passport date June 16, 1903, Number 74314", NARA Series: Passport Applications, 1795-1905; Roll #: 628; Volume #: Roll 628 - 11 Jun 1903-16 Jun 1903, Washington D.C.: National Archives and Records Administration (NARA)
- Alice Sheppard (January 1994). Cartooning for Suffrage. Albuquerque: University of New Mexico Press. p. 102.
- Bell, Elizabeth S. (Ed.) (1985). Words That Must Somehow Be Said; Selected Essays of Kay Boyle 1927-1984. San Francisco: North Point Press. p. 10.
- "D. J. Evans, Esq". Topeka Daily Commonwealth. February 26, 1871.
- United States. Department of the Interior (1909). Register of the Department of the Interior: Containing Appointees of the President and of the Secretary of the Interior, 1877-1909. U.S. Government Printing Office. p. 55.
- "In and About: David J. Evans". Washington Post. Washington, D.C. December 16, 1906. p. 11, column 2.
- "A Memorial Poet". Evening Star. March 4, 1893.
- Evans, David James (October 7, 1902). "Washington's Greeting to Her Gallant Guests". Evening Star.
- Evans, David (August 21, 1904). "Contentment". Washington Post.
- Evans, David James (July 23, 1905). "How He Threw Her Overboard". The Washington Post.
- "Nina Allender (1872-1957)". Women We Celebrate. Sewall-Belmont. Retrieved April 20, 2015.
- "Social and Personal Chat". The Washington Post. September 10, 1893 – via Proquest.
- "Wife Sues for Absolute Divorce". Washington Post. Washington, D.C. January 22, 1905. p. 2, column 1.
- "Legal Notices". The Washington Law Reporter. 33 (14): 125. March 1905. Bibcode:1916SciAm.114..367.. doi:10.1038/scientificamerican04011916-367.
- "The Legal Record: Record of October 12, 1905". The Washington Post. October 13, 1905.
- "Charles Sheeler and Nina Allender, (painting)". Smithsonian Institution. Retrieved April 21, 2015.
- "Propagandist: Nina Allender (1872-1957)". Women of Protest: Photographs from the Records of the National Woman's Party. Library of Congress. Retrieved April 20, 2015.
- "The Women Who are 'Guarding' the White House Portals: Artist Aids in Fight". The Washington Post. Washington, D.C. February 4, 1917. p. Magazine Section, 1.
- "Mrs. Nina Evans Allender". New York Times. April 3, 1957.
- "Walter Pach diary, 1903 June 24 through Sept. 14". Research Collections. Archives of American Art. Retrieved June 18, 2013.
- Doss, Erika (2005). "Complicating Modernism: Issues of Liberation and Constraint among the Women Art Students of Robert Henri". In Marian Wardle. American Women Modernists: The Legacy of Robert Henri, 1910-1945. Piscataway, NJ: Rutgers University Press. ISBN 0813536847.
- "Nina E. Allender". Equal Rights. 1: 43. 1923.
- Florence Levy, ed. (1918). American Art Annual. 14. Washington, DC: American Federation of Arts. p. 415.
- Mechlan, Leila (March 19, 1909). "From Local Studios". Evening Star.
- "Suffrage Parade Plans". Evening Star. December 28, 1912.
- "Famed Women in Line". The Washington Post. January 4, 1913.
- "Mrs. Allender is Interesting". Wheeling Register. March 30, 1914.
- "Suffrage League Meets". Evening Star. April 18, 1913. Retrieved June 11, 2013.
- "Women to See Wilson" (PDF). The New York Times. December 7, 1913. Retrieved June 12, 2013.
- Mary Walton (August 17, 2010). A Woman's Crusade: Alice Paul and the Battle for the Ballot. St. Martin's Press. p. 61. ISBN 978-0-230-11141-7.
- Irwin, Inez Haynes (1921). the Story of the Woman's Party. New York: Harcourt, Brace and Co. p. 18.
- Irwin, Inez Haynes (1921). the Story of the Woman's Party. New York: Harcourt, Brace and Co. p. 19.
- "Planning for Suffrage Parade". Wilmington. April 6, 1914.
- "Suffrage Tree will be Planted on Arbor Day". Wilmington. April 16, 1914.
- "Suffragists at New York Meeting". Evening Star. March 30, 1915.
- "Suffragists on Excursion". Evening Star. June 23, 1915.
- "Rough and Tumble Campaign Develops Clever Women Speakers; Hecklers Don't Tackle These Suffragists Now". Syracuse Journal. July 2, 1915. Retrieved June 12, 2013.
- "Great Interest in Coming Meet". Evening Star. October 19, 1915.
- "Convention Plans of DC Delegates". Evening Star. May 28, 1916.
- "Detailed Chronology National Woman's Party History" (PDF). American Memory. Library of Congress. Retrieved June 16, 2013.
- "Campaigners to Speak Next Sunday". The Suffragist. 4: 7. November 25, 1916.
- "Pickets to Circle White House Today". Evening Star. March 4, 1917.
- "Woman's Journal (Boston, Mass. : 1870)". Records in the Woman's Rights Collection, 1888-1948: A Finding Aid. Radcliffe Institute for Advanced Study, Harvard University. Retrieved June 14, 2013.
- Irwin, Inez Haynes (1921). the Story of the Woman's Party. New York: Harcourt, Brace and Co. p. 46.
- Dorr, Rheta Childe (1924). A Woman of Fifty. New York: Funk & Wagnalls. p. 288.
- Dorr, Rheta Childe (1924). A Woman of Fifty. New York: Funk & Wagnalls. pp. 281–2.
- "Cartooning for Suffrage". The Suffragist. 6: 8. March 2, 1918.
- "Cartooning for Suffrage". The Suffragist. 6: 9. March 2, 1918.
- "She Changed Suffragists from Grim Old Maids to Pretty Young Girls". The Newark Advocate. February 4, 1921.
- "Women Political Cartoonists". Christian Science Monitor. October 15, 1920.
- "'The Suffragist' as a Publicity Medium". The Suffragist. 6: 9. February 23, 1918.
- Kathleen L. Endres; Therese L. Lueck (January 1, 1996). Women's Periodicals in the United States: Social and Political Issues. Greenwood Publishing Group. p. 369. ISBN 978-0-313-28632-2.
- Laura R. Prieto (2001). At Home in the Studio: The Professionalization of Women Artists in America. Harvard University Press. p. 145. ISBN 978-0-674-00486-3.
- "Amelia Himes Walker's "Jailed for Freedom" Pin". Smithsonian Institution. Retrieved April 21, 2015.
- ""Victory" by Nina Allender, Sept. 1, 1920 - Nina Allender Political Cartoon Collection". Sewall Belmont.
- Wardle, Marian (2005). American Women Modernists: The Legacy of Robert Henri, 1910-1945. Piscataway, NJ: Rutgers University Press. ISBN 0813536847.
- City Directories for Washington DC. William H Boyd. 1903. p. 1064.
- "Society". Evening Star. March 18, 1918.
- Moser, James Henry (February 23, 1902). "Art Topics". The Washington Post – via Proquest.
- "Art Notes". Evening Star. December 1, 1906.
- "Search: Nina Allender". Sewall Belmont.
- "'Whirlwind Drive' Mapped By Women; 'Finish the Job' Is Motto for Party's Move to Achieve Universal Equal Rights". The New York Times. December 7, 1940. Retrieved June 12, 2013.
- Bruere, Martha Bensley & Mary Ritter Beard (1934). Laughing their Way: Women's Humor in America. New York: MacMillan. p. 295.
- Bass, Holly (September 1, 1995). "'Artful Advocacy: Cartoons From the Woman Suffrage Movement'". Washington City Paper. Retrieved 19 Jan 2013.
- Myers, Laura (August 20, 1995). "Cartoonists' Role in Suffrage Debate Focus of Exhibit". The Daily Gazette.
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