Nine (2009 live-action film)
Theatrical release poster
|Directed by||Rob Marshall|
by Arthur Kopit
|Distributed by||The Weinstein Company|
|Box office||$53.9 million|
Nine is a 2009 romantic musical drama film directed and produced by Rob Marshall and written by Michael Tolkin and Anthony Minghella. The film is an adaptation of the 1982 musical of the same name, which in turn is based on Federico Fellini's semi-autobiographical 1963 film 8½. In addition to songs from the stage musical, all written by Maury Yeston, the film has three original songs, also written by Yeston. The ensemble principal cast consists of Daniel Day-Lewis, Marion Cotillard, Penélope Cruz, Judi Dench, Fergie, Kate Hudson, Nicole Kidman, and Sophia Loren. The film premiered in London, opened the 6th annual Dubai International Film Festival on December 9, 2009 and was released in the United States on December 18, 2009, in New York City and Los Angeles, with a wide release on December 25, 2009. Despite mixed reviews and commercial failure, Nine was nominated for four Academy Awards: Best Supporting Actress (Penélope Cruz), Best Art Direction (John Myhre (AD), Gordon Sim (SD)), Best Costume Design (Colleen Atwood) and Best Original Song ("Take It All", music and lyrics by Maury Yeston).
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Guido Contini (Daniel Day-Lewis) is a gifted Italian filmmaker in 1965 at the famous Cinecittà movie studios in Rome. At the age of fifty he has developed writer's block and surrealistically summons all of the women in his life, alive and dead, to help him recapture inspiration. His mind wanders on his unfinished set, as dozens of women dancers and the film’s leading ladies appear: Claudia Jenssen, his star actress; his wife Luisa; his mistress Carla; his costume designer and confidant Lilli; his beloved Mamma; Stephanie, an American fashion journalist from Vogue; and Saraghina, a prostitute from his childhood; ("Overture Delle Donne"). He's charming and colorful, avoids any clear answers when questioned about his new movie, because he doesn't have an idea for one. Escaping the biting probes of reporters, he creates an elaborate fantasy ("Guido's Song"), where he explains that he wishes to have the naiveté of youth yet the wisdom of age. In short, he wants everything, though he knows that's impossible. Escaping to a Spa Hotel on the Italian coast, he receives a phone call from Carla, his mistress ("A Call from the Vatican") seducing him as he listens on the other end. Not knowing Guido's wife will be there, she arrives at the spa, expecting to share his suite, but is upset to find that she’s staying in a shabby pensione by the train station. Meanwhile, Guido meets with Lilli, his costume designer, and begs for inspiration, confessing he has no script. A sequence of musical numbers ensue, seemingly from Guido's imaginative brain...first Lilli urging him to use his film to entertain, inspired by the Folies Bergère, a Parisian music hall that featured showgirls, where she 'learnt her art' ("Folies Bergères"). Then Guido remembers Saraghina, a prostitute who danced for him and his boyhood schoolmates on a beach, teaching them the lust and joy of life's sensual and sexual pleasures ("Be Italian"). Young Guido is caught by his school teachers/priests and punished by his principal. He awakens from his reverie on top of Carla, then in a fit of anxiety he abruptly leaves her to meet his production team for dinner. At dinner, he’s happily surprised to see his wife Luisa. He embraces her and wishes her a happy birthday, promising that when she returns home, the house will be filled with flowers. Luisa sings of the life of compromise she's made, abandoning her acting career to be at at Guido's side in supporting his art ("My Husband Makes Movies"). But she then notices Carla entering the restaurant and storms out immediately. Guido doesn’t understand why and follows her. She ignores him and when he returns to the restaurant and sees Carla, he demands that she return to the pensione. She departs, heartbroken. Later, unable to pacify Luisa he meets Stephanie in the hotel bar, who describes her love for his movies though clearly from the point of view of an ignorant fashion editor ("Cinema Italiano"). Later in her room, watching her undress, Guido realizes how much he cares for and needs his wife and seems to come to his senses. He returns to her and promises that he’s finished with cheating. Luisa embraces him, but the phone rings and he’s called away to help Carla, who’s overdosed on pills in a suicide attempt. It is becoming impossible for Guido to juggle all the women and contradictions in his life. He stays with Carla until her husband arrives, then returns to the hotel to find that Luisa has left and the crew has returned to Rome to begin filming. Distraught, he has a vision of his mother singing him a lullaby when he was young ("Guarda La Luna"). Later, in Rome, he phones Luisa from the studio to beg her to come to the screen testing that evening. His leading lady, Claudia, arrives in costume. When she senses there is no written script, she leaves, Guido in tow. Guido confesses that there is indeed no script, but he needs Claudia to inspire one. They take a walk. She asks him what he wants the film to be about and his description closely resembles his own ordeal: a man lost and in love with so many women. When they stop to rest, she explains that she loves him but he is unable to love her ("Unusual Way"). Guido returns to review screen tests of new actresses as Luisa arrives. She watches them and is devastated to see a clip of an actress in a scene drawn from a private memory she and Guido shared years ago. It is the last straw for her, to see him exploiting her private life so publicly before the world. In an angry and imaginary public striptease she leaves Guido for good ("Take It All"). Utterly abandoned by all those whom he has selfishly exploited, Guido finally comes to terms with the truth ("I Can’t Make This Movie"), realizing that he’s lost everything and everyone: his wife, his muse, his talent, and has nothing with which to make a movie. He apologizes to the crew, admitting that there never was a movie, and he has the set destroyed before leaving Rome. Two years later, Guido is in a café in Anguillara looking at an advertisement for a play starring Luisa. He waits outside her theatre that night, and watches her leave with a man. He walks with Lilli a few days later and tries to find more information about her. Lilli tells him that she’s not going be to be the middle-man for them, implying that Luisa asks for him as well. She asks if he will ever make a movie again. Guido answers that the only thing he would want to make would be a movie about a man trying to win back his wife. As he speaks, he is suddenly on a film set, making that film, (which is, in fact, the film we the audience have just seen). Surrounded now by his actors and his boyhood nine-year-old self, Guido takes his place in the director’s chair, with the cast of his entire life assembled on the scaffolding behind him, including (as in the film's opening) the living and the dead. We see the arrival of his mother and the imagined nine-year-old Guido running now to sit on the mature Guido’s lap ("Finale") as his fantasy meets his reality. Luisa quietly arrives without being seen and watches in the background, as a chastened Guido who has learned something about the need to grow up, quietly directs a scene with a young actress and actor who are sympathetically playing the younger Guido and Luisa deeply in love . Luisa sees all this... as Guido is slowly raised high on a crane and calls, “Action!”
- Daniel Day-Lewis as Guido Contini – based on Federico Fellini.
- Giuseppe Spitaleri as young Guido Contini
- Marion Cotillard as Luisa Acari Contini – based on Giulietta Masina, Fellini's wife.
- Penélope Cruz as Carla Albanese – based on Anna Giovannini, Fellini's mistress.
- Nicole Kidman as Claudia Jenssen – based on movie star Anita Ekberg.
- Judi Dench as Liliane La Fleur, a costume designer
- Kate Hudson as Stephanie Necrophorus, a Vogue fashion journalist
- Sophia Loren as Mamma Contini – Guido's mother
- Fergie as Saraghina, a prostitute
- Ricky Tognazzi as Dante, Guido's producer
- Giuseppe Cederna as Fausto
- Elio Germano as Pierpaolo
- Valerio Mastandrea as De Rossi
- Martina Stella as Donatella
- Roberto Citran as Dr. Rondi
- Andy Pessoa as Italian boy
- Max Procaccini as The Business Man
- John Terry as Marvin
- Vincent Riotta as Luigi
On April 12, 2007, Variety announced Rob Marshall would direct a feature film adaptation of Nine for The Weinstein Company. Marshall had previously directed Chicago for the Weinsteins while they were still at Miramax. The film was co-produced by Marshall's own production company, Lucamar Productions. In 2008, a short "teaser" for the film was featured in an episode of the Food Network show, Barefoot Contessa, with the host, Ina Garten, making breakfast and lunch for her friends, producers John DeLuca and Rob Marshall, as they edited their new film, at the end being a "preview" of their film for the host to see in appreciation. In December 2009, the film contracted the soap operas One Life to Live and General Hospital for advertising purposes. The former featured two of the characters watching one of the film's trailers on the Internet on a YouTube-esque website, and there were subtle setting alterations performed for the latter, including movie posters on the walls of various public places.
On April 4, 2008, it was reported that Nicole Kidman had replaced Catherine Zeta-Jones in the role of Claudia Jenssen, who turned down the role when director Marshall refused to expand the role for the film. The film was Kidman's first big-screen musical since Moulin Rouge! After Catherine Zeta-Jones's departure, Anne Hathaway was auditioned for the role, but was turned down. On May 14, 2008, Variety reported Daniel Day-Lewis was in talks to star in the film as Guido Contini, the film's lead character, after Javier Bardem dropped out due to exhaustion. Later, it was reported Day-Lewis sent producers a video of him singing and shocked them with his voice. On May 19, 2008, People reported the actor had landed the role. Antonio Banderas, who had starred in the Broadway revival, said he was "disappointed" at not being cast, but that he thought the trailer to the film looked great and only wished the "best" for everyone involved. Variety also reported that Penélope Cruz auditioned for the role of Claudia, but was cast as Carla, and that Marion Cotillard auditioned for Lili, but was cast as Luisa, and that Kate Hudson had also been cast in a role created specifically for her which had not been featured in the Broadway show. On July 18, 2008, People reported Fergie had been cast as Saraghina. Katie Holmes auditioned for the role of Carla Albanese and Demi Moore auditioned for the role of Luisa Contini, but both failed to win those roles. Barbra Streisand was considered for the role of Lilli, but the role went to Judi Dench.
Day-Lewis studied Italian for his role and frequently spoke the language in and out of character. According to music supervisor Matt Sullivan, "One day during shooting at London's Shepperton Studios, "Rob and I got called into Daniel's dressing room, which was designed as a 1960s film director's office," says Sullivan. 'He's smoking a cigarette, in full outfit and in character, and he's telling us how he would like to see this number that he's performing. And he's talking to us as Guido Contini. It was a really surreal experience.' " Rehearsals for the film began in August 2008, the songs were then subsequently recorded in late September and filming commenced in October at Shepperton Studios, London. The film had been set to shoot in Toronto, though once Day-Lewis signed on, the production then moved to London. Further filming took place in Italy (in the villages of Anzio and Sutri), and at Cinecittà Film Studios. Nine's schedule required Kidman to begin rehearsals just four weeks after giving birth to her daughter. The teaser trailer for the film was released on May 14, 2009.
|Nine Original Motion Picture Soundtrack|
|Soundtrack album by Various Artists|
|Released||December 22, 2009|
|1.||"Overture Delle Donne"||Female Ensemble||4:07|
|2.||"Guido's Song"||Daniel Day-Lewis (Guido Contini)||3:41|
|3.||"A Call from the Vatican"||Penélope Cruz (Carla Albanese)||3:40|
|4.||"Folies Bergères"||Judi Dench (Lilli La Fleur)||4:42|
|5.||"Be Italian"||Fergie (Saraghina)||4:12|
|6.||"My Husband Makes Movies"||Marion Cotillard (Luisa Contini)||4:48|
|7.||"Cinema Italiano"||Kate Hudson (Stephanie)||3:13|
|8.||"Guarda La Luna"||Sophia Loren (Mamma Contini)||3:10|
|9.||"Unusual Way"||Nicole Kidman (Claudia Jenssen)||3:26|
|10.||"Take It All"||Marion Cotillard (Luisa Contini)||3:03|
|11.||"I Can't Make This Movie"||Daniel Day-Lewis (Guido Contini)||2:11|
|13.||"Quando Quando Quando" (*)||Fergie feat. will.i.am||3:15|
|14.||"Io Bacio... Tu Baci" (*)||The Noisettes||3:24|
|15.||"Cinema Italiano" (the Ron Fair remix) (*)||Kate Hudson||3:25|
|16.||"Unusual Way" (*)||Griffith Frank||3:42|
(*) Songs not featured in the film, bonus tracks.
|iTunes Store Only|
|17.||"Be Italian" (club version)||Fergie||2:48|
|Amazon mp3 Store Only|
|17.||"Cinema Italiano" (the Ron Fair remix club version)||Kate Hudson||3:26|
- Guarda La Luna (Look at the Moon), a lullaby sung by Sophia Loren as Mamma. Yeston tailored this song specifically for Loren's voice, though he based the melody on the song Waltz from Nine from the Broadway score.
- Cinema Italiano, a number which Kate Hudson performs as Stephanie. This has "a retro feel" with "elements of '60s pop" that demonstrate how important Italian cinema was in that era and to illustrate the shallowness and vanity of Stephanie.
- Take It All, originally written as a trio for Claudia, Carla, and Luisa, but, just before shooting, rearranged as a solo for Luisa, according to music supervisor Matt Sullivan.
These are songs that appeared in the musical, but were not included in the film or in the soundtrack.
- "Not Since Chaplin", by Company
- "The Germans at the Spa", by Company
- "Not Since Chaplin - Reprise", by Company
- "Movie Themes", by Guido
- "Only with You", by Guido
- "The Script", by Guido
- "Nine", by Mamma
- "Ti Voglio Bene", by Saraghina
- "The Bells of St. Sebastian", by Guido, Little Guido and Company
- "A Man Like You", by Guido and Claudia
- "Unusual Way - Duet", by Guido and Claudia
- "Contini Submits", by Guido
- "The Grand Canal" (Every Girl in Venice/Amor/Only You/Finale), by Guido, Claudia, Lilli, Luisa, Stephanie, Carla, Mamma, Company
- "Simple", by Carla
- "Be on Your Own", by Luisa
- "Not SInce Chaplin - Reprise", by Company
- "Getting Tall", by Little Guido
- "Long Ago - Reprise/Nine - Reprise", by Guido, Little Guido and Luisa
The film received generally mixed reviews, although Day-Lewis, Cotillard, Cruz, and Fergie's performances were praised by critics. Review aggregate Rotten Tomatoes reports that 37% of critics have given the film a positive review based on 194 reviews, with an average score of 5.1/10. The critical consensus is: "It has a game, great-looking cast, led by the always worthwhile Daniel Day-Lewis, but Rob Marshall's Nine is chaotic and curiously distant." On Metacritic, the film has a rating of 49/100, indicating "mixed or average reviews". The film was also a box office bomb, as it grossed just $19 million domestically and just below $54 million worldwide, against an $80 million budget. Despite less than favorable reception, it received four nominations for the 82nd Academy Awards and received other notable awards and nominations. On June 13, 2010, at the Tony Awards, host Sean Hayes slighted the film when introducing Antonio Banderas, who portrayed Guido in the 2003 Broadway revival. Hayes said, "Our next presenter has uncanny instincts. He got a Tony nomination for the Broadway production of Nine and he avoided the film version."
Nine was released on DVD and Blu-ray May 4, 2010. The DVD featured an audio commentary by director Rob Marshall and producer John DeLuca, 8 featurettes, and 3 music videos. The Blu-ray Disc included all the DVD extras including another featurette and a Screen Actors Guild Q&A.
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