Noises Off (film)

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Noises Off
Theatrical release poster by Al Hirschfeld
Directed by Peter Bogdanovich
Produced by Frank Marshall
Screenplay by Marty Kaplan
Based on Noises Off
by Michael Frayn
Music by Roy Budd
Cinematography Tim Suhrstedt
Edited by Lisa Day
Distributed by Buena Vista Pictures
Release date
  • March 20, 1992 (1992-03-20)
Running time
103 minutes
Country United States
Language English
Budget $12 million
Box office $2 million

Noises Off is a 1992 American comedy film directed by Peter Bogdanovich[1], with a screenplay by Marty Kaplan based on the 1982 play of the same name by Michael Frayn.[2] Its ensemble cast includes Michael Caine, Carol Burnett, Christopher Reeve, John Ritter, Marilu Henner, Nicollette Sheridan, Julie Hagerty and Mark Linn-Baker,[1] as well as featuring the last performance of Denholm Elliott, who died the same year.


The film follows the rehearsal and performance of a dreadful farce called Nothing On, a hit British show that is preparing for its American debut in Des Moines, Iowa, with a second-rate, Broadway-bound theatrical troupe under the direction of Lloyd Fellowes (Caine). Among the cast members are fading star Dotty Otley (Burnett), scatter-brained Garry Lejeune (Ritter), insecure matinee heartthrob Frederick Dallas (Reeves), myopic leading lady Brooke Ashton (Sheridan), bubbly Belinda Blair (Henner), and alcoholic character actor Selsdon Mowbray (Elliott). Frantically working behind the scenes are Tim Allgood (Linn-Baker) and Poppy Taylor (Hagerty).

The film opens with the final dress rehearsal before opening night, with an unfinished set and the cast still forgetting lines, missing cues, and mishandling props. Fellowes is reduced to cajoling, yelling at, and pleading with them to get things right. Complicating matters are the personal problems and backstage relationships of the cast and crew, which are simmering under the surface during rehearsal but erupt into the open as the play works its way across the country en route to New York.

After the rehearsal, the film goes on to show two performances of the play, one a matinee in Florida in which the feuding cast are barely able to finish the first act, and another in Cleveland, which quickly degenerates into complete chaos and anarchy as none of the cast are able or willing to perform professionally. However, against all odds, they manage to sort out their personal differences and pull together for the Broadway debut, and the show becomes a massive hit.


Critical reception[edit]

The film received mixed reviews from critics. In his review in the New York Times, Vincent Canby noted, "There are a number of hefty laughs scattered throughout . . . this woozy film adaptation" and added, "Noises Off is a practically perfect stage piece, constructed with such delicacy that any opportunistic adjustment can destroy it, which is what happens here . . . It may not even be Mr. Bogdanovich's fault. He hasn't opened up the play in any foolish way. There are even times when the camera successfully catches the tempo of the lunatic action without being overwhelmed by it. Yet too often the action and the dialogue are so fuzzily understood that the laughs are lost. The film's problem is more basic: the attempt to Americanize a fine English farce about provincial seediness. It can't be done."[3]

Rita Kempley of The Washington Post observed, "The performers all seem to be relishing this sendup, but we're always aware that it is a vehicle better suited to the stage."[4]

In The New Yorker, Michael Sragow said, "Most of the time, Bogdanovich sticks to Frayn's gleefully proscenium-bound play without making it work for the movies. The result is roughly equivalent to the pan and scan TV version of a wide-screen spectacle. Bogdanovich has cast actors you want to see . . . in a production that grows increasingly impossible to watch."[5]

In his review of the video release, Lawrence O'Toole of Entertainment Weekly said, "Nothing is as murderous on a farce as film. Its mechanics can work beautifully from the distance of the stage . . . but the closeness of the home screen points up every flaw in Peter Bogdanovich's futile adaptation: anorectic visuals, bloated acting, broad timing, and often dull direction. The cast members . . . are all game, but it's exhausting watching actors try so hard."[6]

Time Out London says the film "undoubtedly has its moments, but will still disappoint those who laughed themselves silly at the original."[7]

Channel 4 notes, "Frayn's frenetic farce was always going to be a difficult act to pull off on the big screen, but Bogdanovich and an enthusiastic cast do their damnedest to sustain the mayhem and the momentum. Those who remember the original theatrical hit are bound to be disappointed by the lack of immediacy and the occasional sense of artifice, but this is perfectly serviceable."[8]

Siskel & Ebert gave the film two thumbs down.[9]

Noises Off holds a 61% rating on Rotten Tomatoes.

See also[edit]


  1. ^ a b "Noises Off". Turner Classic Movies. Atlanta: Turner Broadcasting System (Time Warner). Retrieved October 6, 2016. 
  2. ^ Frayn, Michael. Noises Off. New York City: Samuel French, Inc. ISBN 978-0573619694. 
  3. ^ Canby, Vincent (March 20, 1992). "New York Times review". The New York Times. Archived from the original on May 19, 2011. 
  4. ^ Kempley, Rita (March 20, 1992). "Washington Post review". The Washington Post. Retrieved May 20, 2010. 
  5. ^ The New Yorker review
  6. ^ Entertainment Weekly review
  7. ^ Time Out London review Archived 2011-06-07 at the Wayback Machine.
  8. ^ Channel 4 review
  9. ^ Siskel & Ebert. "Review: Noises Off". At the Movies. Disney. Retrieved 2009-06-15. [dead link]

External links[edit]