Norman Dello Joio

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Norman Dello Joio

Norman Dello Joio (January 24, 1913 – July 24, 2008) was an American composer whose output spanned over half a century, and who won a Pulitzer Prize in 1957.


Dello Joio was born Nicodemo DeGioio in New York City to Italian immigrants. He began his musical career as organist and choir director at the Star of the Sea Church on City Island in New York at age 14. His father, Casimiro, was an organist, pianist, part-time composer, and vocal coach and coached many opera stars from the Metropolitan Opera.[1] He taught Norman piano starting at the age of four. In his teens, Norman began studying organ with his godfather, Pietro Yon, who was the organist at Saint Patrick's Cathedral. In 1939, he received a scholarship to the Juilliard School, where he studied composition with Bernard Wagenaar.

While he was a student, he worked as organist at St. Anne's Church, but he soon decided that he didn't want to make his living as an organist. In 1941, he began studying with Paul Hindemith, who encouraged him to follow his own lyrical bent, rather than sacrificing it to the atonal systems then popular.[2]

He received numerous awards and much recognition. He was a prolific composer in a variety of genres, but is perhaps best known for his choral music. Perhaps Dello Joio's most famous work in the wind ensemble medium is his Fantasies on a Theme by Haydn, which was composed for the Michigan State University Wind Ensemble and has since been performed thousands of times across the world. Dello Joio also wrote several pieces for high school and professional string orchestra, including the difficult piece Choreography: Three Dances for String Orchestra. In 1948 he became associated with the dancer Martha Graham, for whom he wrote several works, including Diversion of Angels and Seraphic Dialogue, a recomposition for chamber orchestra of his Symphony: The Triumph of Saint Joan.

He won the 1957 Pulitzer Prize for Music for his Meditations on Ecclesiastes; first performed at the Juilliard School on April 20, 1956. His Variations, Chaconne and Finale won the New York Critics Circle Award in 1948.[2] It is a full-orchestra expansion of the theme and variations in the first movement of his Piano Sonata No. 3.

In 1965, Dello Joio received the Emmy Award for the "most outstanding music written for television in the 1964–1965 Season" for his score to the 1964 NBC television special The Louvre.[2] The composer created a five-movement suite for wind band entitled Scenes from The Louvre. The suite was commissioned by Baldwin-Wallace College for their symphonic band, and was premiered on March 13, 1966 with the composer conducting.[3]

He taught at Sarah Lawrence College from 1944 to 1950, and at the Mannes College of Music. He also served as professor and dean at Boston University's College of Fine Arts. In 1978, he retired and moved to Long Island. He donated his personal archive of manuscripts and papers to the Music Division of The New York Public Library for the Performing Arts.

Despite infirmities, Dello Joio remained active as a composer until his final years, continuing to produce chamber, choral, and even orchestral music. He died in his sleep on July 24, 2008 at the age of 95 at his home in East Hampton, New York.[4][5]

His music[edit]

Dello Joio's early works already reveal certain characteristics of his style. He likes to use traditional chants as a cantus firmus with richly contrapuntal settings. It is amusing, but not at all incongruous, to find Gregorian melodies and jazzy rhythms rubbing shoulders, for they are blended in a creatively spontaneous texture.[citation needed]

One of the most notable uses of his music is his score for choreographer Martha Graham's Diversion of Angels.[citation needed]

Catalogue of works[edit]

[6] [7][failed verification] [8]

1937 (Began studies at Juilliard in the fall)[9]

  • Ballad of Thomas Jefferson for voice (words by Louis Lerman; publ. Weaner-Levant 1943)[10]
  • Quartet for four bassoons (unpublished, now lost)[11]
  • Sonata [#1] for Violin and Piano (unpublished, now lost)[12]
  • Sonata for Cello and Piano (unpublished, "Sonatina" manuscript in New York Public Library)[13]
  • Trio for piano, violin and cello (unpublished, now lost) Winner of the Elizabeth Sprague Coolidge Award[14]


  • Colloquy for violin and piano (unpublished, manuscript in New York Public Library)[12]
  • Sonata [#2] for violin and piano (unpublished, now lost)[12]


  • Chicago for mixed chorus a cappella (text by Carl Sandburg; unpublished, manuscript is in New York Public Library)[15]
  • Concertino for flute and strings (unpublished, manuscript in New York Public Library and at Juilliard library)[16]
  • "Gone" for voice and piano (unpublished, manuscript in New York Public Library, poem by Carl Sandburg)[17]
  • "Joy" for voice and piano (unpublished, manuscript in New York Public Library, poem by Carl Sandburg)[18]
  • "Mill Doors" for voice and piano (text by Carl Sandburg; publ. Carl Fischer, 1948)[19] [included in Three Songs 1948]
  • Quartet for flute, oboe, clarinet and bassoon (unpublished, now lost)[20]


  • Ballad for string orchestra (unpublished, manuscript?)[21]
  • Concertino in Stilo Classico, for piano and orchestra (unpublished, manuscript?)[22]
  • Sinfonietta for orchestra (G. Schirmer or unpublished? Manuscript in New York Public Library)[23] [Used in a four-hand reduction for ballet "Prairie"]
  • Suite for piano (publ. G. Schirmer 1945)[24]
  • Trio for clarinet, French horn and bassoon (unpublished, now lost)[25]

1941 (finished studies at Juilliard; attended Tanglewood, studying with Paul Hindemith)[26]

  • Concerto for Two Pianos and orchestra (unpublished, manuscript in New York Public Libirary)[27]
  • The Duke of Sacramento, ballet for two pianos (unpublished; manuscript in the New York Public Library)[28]
  • Prairie, ballet for two pianos (unpublished, manuscript?) [reduction of Sinfonietta from orchestra][29]
  • Spoon River, incidental music for piano (unpublished, manuscript?)[30]
  • Vigil Strange for mixed chorus and piano (four hands) (text by Walt Whitman; publ. Weaner-Levant 1943)[31]

1942 (completed independent study with Paul Hindemith)

  • Fantasia on a Gregorian Theme for violin and piano (publ. Carl Fischer 1949)[32]
  • Magnificat for orchestra[33] (publ. Carl Fischer 1944) Town Hall Composition Award, 1943


  • Greentree Thoroughbred, documentary film score (music and film are missing and presumed lost)[34]
  • The Mystic Trumpeter, for mixed SSAATTBB chorus, soprano, and French horn[35] (text by Walt Whitman; publ. G. Schirmer 1945)
  • Prelude to a Young Dancer, for piano (publ. G. Schirmer 1946)[36]
  • Prelude: To a Young Musician for piano (publ. G. Schirmer 1945)[37]
  • Sextet for three recorders (or Woodwind Trio) and string trio (publ. Hargail Music Press 1944)[38]
  • Sonata No. 1 for piano (publ. Hargail Music Press 1947)[39]
  • Sonata No. 2 for piano (publ. G. Schirmer 1948)[40]
  • To a Lone Sentry, for orchestra (publ. G. Schirmer 1945)[41]


  • Concert Music for orchestra (publ. Carl Fischer 1949)[42]
  • Concertino for harmonica and orchestra (unpublished, manuscript score and parts in New York Public Library)[43]
  • Duo Concertante for two pianos (unpublished, manuscript in New York Public Library)[44]
  • Duo Concertato for cello and piano[45] (publ. G. Schirmer 1949)
  • Fanfare for Victor and the Oklahoma Symphony for orchestral brass [manuscript in the New York Public Library][46]
  • Trio for flute, cello, and piano (publ. Carl Fischer 1948)[47]


  • Concerto for harp and orchestra (publ. Carl Fischer 1946)[48]
  • On Stage, ballet score for orchestra (publ. G. Schirmer)[49]
  • Suite from "On Stage" for two pianos, or orchestra,[50]
  • Symphony for Voices and Orchestra (text "Western Star" by Stephen Vincent Benét) [withdrawn 1952, reworked into Song of Affirmation][51]


  • A Fable for mixed chorus and piano (publ. Carl Fischer 1947)
  • A Jubilant Song for mixed (or women's [52] or men's[53] chorus) and piano (now also orchestra or band),[54] (publ. G. Schirmer) (Later incorporated into "As of A Dream")
  • New Born for voice (publ. Carl Fischer 1948) [included in Three Songs 1948]
  • Nocturne in F-sharp for piano (publ. Carl Fischer 1940—first performance 1949)
  • Nocturne in E for piano (publ. Carl Fischer 1950)
  • "There Is a Lady Sweet and Kind" for voice and piano (publ. Carl Fischer 1948) [included in Three Songs 1948]
  • Tre Ricercare [aka Ricercari] for piano and orchestra (publ. Carl Fischer)


  • The Assassination, for voice and piano (publ. Carl Fischer 1949)
  • Lament, for voice and piano (publ. Carl Fischer 1949)
  • Madrigal, for mixed chorus and piano (Publ. Carl Fischer)
  • Sonata No. 3 for piano (publ. Carl Fischer 1948)
  • Variations, Chaconne and Finale for orchestra [aka Symphonic Dances] (publ. Carl Fischer 1950) [Now also band version][55] Winner of New York Music Critics Circle Award


  • Serenade for orchestra [concert version of "Diversion of Angels"] (publ. Carl Fischer 1953)
  • Six Love Songs for voice and piano (publ. Carl Fischer 1954)
  • Variations and Capriccio for violin and piano (publ. Carl Fischer 1949)


  • Concertante for clarinet and orchestra (publ. Carl Fischer 1955)
  • Diversion of Angels ballet score for small orchestra


  • The Triumph of Joan, opera in 3 Acts [school version – withdrawn]
  • The Bluebird for mixed chorus and piano (publ. Carl Fischer 1952)
  • A Psalm of David for mixed chorus, strings, brass, and percussion, [also version with woodwinds instead of chorus; and version for chorus and band],[56] (publ. Carl Fischer 1951)


  • Epigraph for orchestra (publ. Carl Fischer 1953)
  • The Triumph of Saint Joan Symphony for orchestra (publ. 1952) [musical material taken from withdrawn 1950 opera][used for Martha Graham ballet Seraphic Dialogues in 1955]


  • Aria and Toccata for two pianos (publ. Carl Fischer 1955)
  • New York Profiles for orchestra [partially transcribed for band much later as City Profiles][57] (Publ. Carl Fischer)
  • Song of the Open Road for mixed chorus, trumpet, and piano (publ. Carl Fischer 1953)


  • The Ruby, opera in one act (from William Gibson short story; publ. Ricordi rental 1955)
  • Song of Affirmation for mixed chorus, soprano, narrator, and orchestra [reworked version of Symphony for Voices and Orchestra][51]
  • The Tall Kentuckian, incidental music for soloists, chorus, and orchestra (publ. Carl Fischer)
  • Somebody's Coming for mixed chorus and piano [from The Tall Kentuckian]
  • Sweet Sunny for mixed chorus and piano (publ. 1954)[from The Tall Kentuckian]


  • Adieu, Mignonne, When You Are Gone for women's chorus and piano (publ. Carl Fischer 1955)
  • The Lamentation of Saul for baritone, flute, oboe, clarinet, viola, and piano [also version for full orchestra] (publ. Carl Fischer 1970)[58]


  • The Listeners for voice and piano (publ. Carl Fischer 1960)
  • The Trial at Rouen, opera in two acts (publ. Ricordi) [premiered on NBC television in 1956]


  • Air Power, television score[59] for orchestra; symphonic suite for orchestra (Publ. C. Fischer)
  • Hush Thee, Princeling (Lullaby for the Christ Child), Church Hymn for Unison chorus and organ, or SATB chorus and opt. organ (Publ. in American Hymns Old and New, Columbia University Press, 1980)
  • Meditations on Ecclesiastes for string orchestra [ballet title: There is a Time] (Publ. Carl Fischer) Pulitzer Prize, 1957.


  • Ballad of the Seven Lively Arts [formerly "Big City" from Air Power], for Piano and Orchestra (publ Carl Fischer)[60] Written specifically for TV anthology series ("Seven Lively Arts"), an episode of which was titled "Profile of a Composer" and was all about him.[61]
  • Here is New York, television score for episode of "Seven Lively Arts"[61] (unpublished? Suite? Carl Fischer) [used some themes from New York Profiles]


  • O Sing unto the Lord (Psalm 98) for male TTBB chorus and organ (commissioned by Yale Univ.; publ. Carl Fischer 1959)
  • To Saint Cecilia for mixed chorus and brass (text by John Dryden; publ. Carl Fischer)
  • The Triumph of Saint Joan, opera in two acts (publ. Deshon) [revised Trial at Rouen with 3 additional sections; this final version unavailable?] Winner of New York Music Critics Circle Award 1960


  • Un Sonetto di Petrarca for voice (publ. E.B. Marks 1964)


  • America and Americans, television score (unpublished)
  • A Christmas Carol for voice and piano (or for SATB and Piano, 1967)[62] (Publ. E.B. Marks)
  • Anthony and Cleopatra, incidental music for small orchestra (Carl Fischer)
  • Kamikaze (score for TV documentary)[63]
  • Prayers of Cardinal Newman for mixed chorus and organ (text from Roman Latin, translated by Cardinal Newman; publ. Carl Fischer 1962)
  • Vanity Fair, television score[64] (for a novel by William Thackeray; unpublished, manuscript in New York Public Library)[65]


  • Blood Moon, opera in three acts (unpublished)
  • Fantasy and Variations for piano and orchestra (publ. Carl Fischer 1963)
  • The Holy Infant's Lullaby for voice (also for mixed or women's chorus) and piano (or orchestra),[66] (publ. 1962 [from The Saintmaker's Christmas Eve]
  • The Saintmaker's Christmas Eve, television score (publ. Ricordi rental)
  • The Smashing of the Reich (score for TV documentary)[67]


  • Bright Star (Light of the World) for voice and piano (or 2-part or mixed chorus and piano) (publ. 1968) [from Blood Moon, incorporated into Christmas Music, 1968]
  • Christmas Music for mixed chorus and orchestra (also for chorus and piano, or piano four hands alone) (Publ. E.B. Marks 1968) [arrangements of original and traditional carols]
  • Family Album for piano four hands (Publ. E.B. Marks)
  • Three Songs of Adieu for voice and piano (texts by Arthur Symons, John Addington Symonds; publ. E.B. Marks)
  • Time of Decision, television score (unpublished, manuscript in New York Public Library)[68]


  • Colloquies for violin and piano (publ. E.B. Marks 1964)
  • Espionage (TV series, episode 3)[69]
  • Night Song, for piano (publ. 1965)
  • Song's End for female chorus and piano (text by John Payne; publ. E.B. Marks 1964)
  • Variants on a Medieval Tune for band (publ. E.B. Marks)


  • From Every Horizon, film score (unpublished film score for World's Fair film);[70] version for band, 1965 (Publ. E.B. Marks)
  • The Louvre, television score[71] (publ. E.B. Marks?) Winner of Emmy Award
  • Suite for the Young for piano (publ. E.B. Marks)
  • Three Songs of Chopin for orchestra (also for two or four voice chorus with piano or orchestra; also for voice and piano) (publ. E.B. Marks)


  • Laudation for organ (Publ. E.B. Marks)
  • Mass of the Bread of Life (unpublished; undated manuscript in New York Public Library; "To the memory of Pope John XXII" who died in 1963)[72]
  • Night Song, for piano (Publ. E.B. Marks in "American Composers of Today")
  • Questions and Answers, duet for children (voice and piano) (unpublished; manuscript in New York Public Library)[73]
  • Scenes from "The Louvre" for band (publ. E.B. Marks 1966)


  • Antiphonal Fantasy on a Theme of Vincenzo Albrici,[74] for organ, brass, and strings (Publ. E.B. Marks)
  • Five Images for piano four hands [version for orchestra, 1967] (Publ. E.B. Marks)
  • Man of [from?] Independence, for orchestra (orig. publ. E.B. Marks, later publ. Hal Leonard, now out of print)[75] [originally included in Adventures for Orchestra, a program album: including works of 20 composers (compiled and arranged by Philip Gordon, published by Marks Music/Belwin Mills).[76]]
  • Songs of Walt Whitman for mixed chorus and orchestra or piano (publ. E.B. Marks)


  • Air for Strings, for string orchestra (publ. E.B. Marks)
  • America and Americans (TV Score; NBC documentary based on writings of John Steinbeck; aired 12/3/67)
  • Proud Music of the Storm, for mixed chorus, brass, and organ (text by Walt Whitman, publ. E.B. Marks) [Commissioned for opening of new building at Cincinnati-College Conservatory of Music]


  • Fantasies on a Theme by Haydn, for band (Publ. E.B. Marks)
  • Heloise and Abelard [aka Time of Snow], ballet for Orchestra and baritone voice (publ. E.B. Marks)[77]
  • Years of the Modern, for mixed chorus, brass, and percussion (text by Walt Whitman; publ. E.B. Marks)


  • Bagatelles for harp (Publ. E.B. Marks)
  • Capriccio on the Interval of a Second for piano [Commissioned for Van Cliburn International Piano Competition](Publ. E.B. Marks)
  • Homage to Haydn for orchestra [orchestral re-working of band Fantasies on a Theme by Haydn] (Publ. E.B. Marks)
  • Mass [#1] for mixed chorus, brass, and organ (St. Mary's College commission) (Publ. E.B. Marks, 1970)
  • Note Left on a Doorstep for voice and piano (text by Lily Peter, publ. E.B. Marks)
  • Songs of Abelard, for baritone solo and band (publ. E.B. Marks) [excerpt from Heloise and Abelard transcribed for band]


  • Evocations, for mixed chorus and orchestra or piano (publ. E.B. Marks)
  • Variation on Happy Birthday, for Eugene Ormandy (113th Anniversary concert) [one of 20 composers to contribute a variation in honor of Ormandy; manuscript in Univ. of Penn. Van Pelt Library][78]


  • All Is Still, monodrama for tenor solo and chamber ensemble (unpublished) [based on letter from Leopold Mozart to his son]
  • Lyric Pieces for the Young for piano (E.B. Marks)


  • Choreography, Three Dances for string orchestra (Publ. E.B. Marks)
  • Come to Me My Love for mixed chorus and piano (or orchestra),[79] (publ. E.B. Marks 1973)
  • Concertante for Wind Instruments for band (publ. E.B. Marks 1973)
  • The Developing Flutist, suite for flute and piano (Publ. E.B. Marks)
  • Of Crows and Clusters for mixed chorus and piano (text by Vachel Lindsay; publ. E.B. Marks)
  • Psalm of Peace for mixed chorus, trumpet, French horn, and organ (publ. E.B. Marks)


  • Leisure for mixed chorus and piano (publ. AMP 1975)
  • Lyric Fantasies for viola and string orchestra (or string quintet) (publ. AMP 1975) [reworked as Concertante for chamber orchestra?]
  • The Poet's Song for mixed chorus and piano (text by Alfred Lord Tennyson; publ. AMP 1974)


  • Stage Parodies for piano-four hands (publ. AMP 1975)
  • Three Essays for clarinet and piano [2nd mvt. is same middle movement as Developing Flutist] (Publ. E.B. Marks)
  • Thezmophoriazousae, incidental music for soloists, chorus and orchestra (unpublished)


  • Diversions, a set of five pieces for piano (Publ. E.B. Marks)
  • Five Lyric Pieces for the Young Organist [organ transcription of Diversions] (Publ. E.B. Marks)
  • Mass [#2] in Honor of the Blessed Virgin Mary for cantor, congregation, mixed choir, and organ (optional brass) (Publ. AMP)
  • Mass [#3] in Honor of the Eucharist for cantor, congregation, mixed choir, brass, organ, and strings (publ. AMP 1976)[80]
  • Notes from Tom Paine for mixed chorus and piano (JC Penny Bicentennial commission; publ. AMP)[81] 1975
  • Satiric Dances for a Comedy by Aristophanes for band (Commissioned for bicentennial of Battles of Lexington & Concord, April 19, 1775, the start of Revolutionary War; publ. AMP)


  • Colonial Ballads for band (publ. AMP 1979)
  • Colonial Variants for orchestra (publ. AMP 1978)
  • Songs of Remembrance for baritone voice and orchestra (publ. AMP 1979)
  • Southern Echoes for orchestra (publ. AMP)


  • Lyric Dances [Martha Graham title: Exaltation of Larks] for Chamber Orchestra (or piano)[82]


  • Arietta for string orchestra (E.B. Marks)
  • Caccia for band, 1978 [transcription of mvt 3 of Diversions] (Publ. E.B. Marks)
  • Concertante for chamber orchestra [re-working of Lyric Fantasies, for chamber orchestra, without the solo. This version referenced only in Thomas Bumgardner's biography of the composer.[83] Not listed on any other lists of his works or manuscripts]


  • As of a Dream for Narrator, Soloists, Optional Dancers, Mixed Chorus, and Orchestra (publ. AMP 1983) [includes Jubilant Song]
  • The Dancing Sergeant for Band [transcription from Five Images]
  • Hymns Without Words for Mixed Chorus and Orchestra (publ. AMP 1981)
  • The Psalmist's Meditation for Mixed Chorus and Piano (publ. AMP 1981)
  • Salute to Scarlatti for Piano or Harpsichord (publ. AMP 1980)
  • Sonata for Trumpet and Piano (publ. AMP 1980)


  • Concert Variants for Piano (publ. Schirmer, 1983)[84] [transcription of Ballabili]


  • Ballabili for Orchestra (publ. by Merion/Presser, 1983)
  • Dreamers, for SATB and Piano (publ. E.B. Marks, 2001)[85]


  • Love Songs at Parting for Mixed Chorus and Piano (publ. Schirmer, 1984)[86]
  • Reflections On An Original Christmas Tune, for Woodwind Quintet (publ. Schirmer, 1985)[87]


  • Aria and Roulade, for Concert Band (publ. Schirmer) [88] [reworked for strings as Easthampton Sketches][89]


  • Easthampton Sketches, for String Orchestra (publ. Schirmer, 1984)[90] [String version of Aria and Roulade]
  • I Dreamed of a City Invincible for Chorus, baritone and soprano solos, and Piano/Organ (publ. Schirmer, 1985)[91]
  • Song at Springtide, for Piano Four Hands (publ. Schirmer, 1984)[92]


  • The Vigil, for Chorus, Brass, and Percussion (publ. Carl Fischer)


  • Introduction and Fantasies On a Chorale Tune, for Piano (publ. Schirmer)[93]
  • Variants on a Bach Chorale [Herr Gott, dich loben alle wir], for orchestra[94] (publ. Theodore Presser, 1990) [re-working of Introduction and Fantasies on a Chorale Tune]


  • Nativity for Soloists, Chorus, and Orchestra (publ. Schirmer)[95]
  • Short Intervallic Etudes (for Well-Tempered Pianists) (publ. Schirmer)[96]
  • Sing a Song Universal, for SATB chorus and piano (publ. Schirmer)[97]
  • Taxes, for Voice and Piano (from The Nativity) (publ. Schirmer)[98]


  • A Proclamation "Let Us Sing a New Song", for SATB Chorus and Band (or Piano) (publ. Presser)[99]


  • Metaphrase on Lines from Shakespeare, for Concert Band (publ. Merion/Presser)[100]
  • The Quest, for SATB and Piano (publ. Presser)[101]


  • Fantasies On An Original Theme, for Concert Band (publ. Presser)[102]


  • A Memory, for TTBB Chorus and Piano (publ. Presser)[103]
  • Songs of Memory, for SATB Chorus and Piano (publ. Presser)[104]


  • Reflections On An Ancient Hymn, for Chamber Orchestra (publ. Carl Fischer)[105]


  • Divertimento for chamber orchestra (publ. Presser)[106]


  • A Lyrical Movement, for String Orchestra (publ. Presser)[107]


  • Lyrical Interludes, for String Quartet (publ. Presser)[108]
  • Simple Sketches, for piano (publ. E.B. Marks)


  • Passing Strangers for Choir (publ. E.B. Marks)[109]


  • City Profiles for band [transcription of some movements of New York Profiles]


  1. ^ Bumgardner, Thomas Arthur (1986). Norman Dello Joio. ISBN 978-0-8057-9465-6.
  2. ^ a b c "Dello Joio Biography".
  3. ^ "Music and History".
  4. ^ "New Music News Wire". NewMusicBox. July 25, 2008.
  5. ^ Daniel J. Wakin, Norman Dello Joio, Prolific and Popular Composer, Is Dead at 95 New York Times 27 July 2008
  6. ^ Archived 2008-09-14 at the Wayback Machine, Norman Dello Joio's compositions
  7. ^, Norman Dello Joio's Works
  8. ^ Bumgardner, Thomas Arthur (1986). Norman Dello Joio. ISBN 0-8057-9465-4.
  9. ^ Bumgardner, Thomas Arthur (1986). Norman Dello Joio. ISBN 978-0-8057-9465-6.
  10. ^ Ballad of Thomas Jefferson. September 12, 1943. OCLC 18390590.
  11. ^ Bumgardner, Thomas Arthur (1986). Norman Dello Joio. ISBN 978-0-8057-9465-6.
  12. ^ a b c Bumgardner, Thomas Arthur (1986). Norman Dello Joio. ISBN 978-0-8057-9465-6.
  13. ^ Bumgardner, Thomas Arthur (1986). Norman Dello Joio. ISBN 978-0-8057-9465-6.
  14. ^ Bumgardner, Thomas Arthur (1986). Norman Dello Joio. ISBN 978-0-8057-9465-6.
  15. ^ Chicago: chorus for mixed voices a cappela. September 12, 1939. OCLC 80249448.
  16. ^ Concertino for flute and string orchestra. September 12, 1949. OCLC 986799923.
  17. ^ Gone: song for high voice. September 12, 1937. OCLC 81934023.
  18. ^ Joy: song for baritone. September 12, 1937. OCLC 79249242.
  19. ^
  20. ^ Bumgardner, Thomas Arthur (1986). Norman Dello Joio. ISBN 978-0-8057-9465-6.
  21. ^ Bumgardner, Thomas Arthur (1986). Norman Dello Joio. ISBN 978-0-8057-9465-6.
  22. ^ Bumgardner, Thomas Arthur (1986). Norman Dello Joio. ISBN 978-0-8057-9465-6.
  23. ^ Sinfonietta for full orchestra. September 12, 1940. OCLC 83060189.
  24. ^ "The G. Schirmer Piano Collection – 33 Works by 25 Composers from the 20th and 21st Centuries". Hal Leonard Online.
  25. ^ Bumgardner, Thomas Arthur (1986). Norman Dello Joio. ISBN 978-0-8057-9465-6.
  26. ^ Bumgardner, Thomas Arthur (September 12, 1986). Norman Dello Joio. Twayne Publishers. ISBN 978-0-8057-9465-6 – via Google Books.
  27. ^ A concerto for two pianos and orchestra. September 12, 1941. OCLC 79677939.
  28. ^ The Duke of Sacramento. September 12, 1942. OCLC 84360323.
  29. ^ Bumgardner, Thomas Arthur (1986). Norman Dello Joio. ISBN 978-0-8057-9465-6.
  30. ^ Bumgardner, Thomas Arthur (1986). Norman Dello Joio. ISBN 978-0-8057-9465-6.
  31. ^ Vigil strange: for mixed chorus and piano four hands. September 12, 1943. OCLC 16449338.
  32. ^
  33. ^
  34. ^ Bumgardner, Thomas Arthur (1986). Norman Dello Joio. ISBN 978-0-8057-9465-6.
  35. ^ "Norman Dello Joio – The Mystic Trumpeter (1945) – Music Sales Classical".
  36. ^ "Dello Joio, Norman – Prelude To A Young Dancer – Piano".
  37. ^ "Norman Dello Joio – Prelude to a Young Musician (1945) – Music Sales Classical".
  38. ^ Chamber work for 3 recorders (S.A.T.) or woodwind trio (flute, oboe, clarinet) and string trio. September 12, 1944. OCLC 317800839.
  39. ^
  40. ^
  41. ^ To a lone sentry for solo-piccolo, clarinet, trumpet and brass, percussion, and strings: [19]43. September 12, 1943. OCLC 638215553.
  42. ^
  43. ^ Concertino for harmonica and orchestra. September 12, 1944. OCLC 79931735.
  44. ^ Duo concertante: for two pianos. September 12, 1944. OCLC 78299903.
  45. ^ "Norman Dello Joio – Duo Concertato (1945) – Music Sales Classical".
  46. ^ Fanfare for Victor and the Oklahoma Symphony. September 12, 1944. OCLC 83348044.
  47. ^
  48. ^
  49. ^ "Norman Dello Joio – On Stage: Suite from the Ballet (arr.) (1946) – Music Sales Classical".
  50. ^ "Norman Dello Joio – On Stage: Suite from the Ballet (1946) – Music Sales Classical".
  51. ^ a b "Norman Dello Joio: "Symphony for Voices and Orchestra" (1945)" – via
  52. ^ "Preview A Jubilant Song By N Dello Joio (HL.50302920) – Sheet Music Plus".
  53. ^
  54. ^ "A Jubilant Song" – via
  55. ^
  56. ^
  57. ^
  58. ^
  59. ^
  60. ^
  61. ^ a b
  62. ^ "Catalog « Chorus « Dello Joio Norman « A Christmas Carol «Edward B. Marks Music Company Classical".
  63. ^
  64. ^
  65. ^ Vanity Fair. September 12, 1960. OCLC 79217868.
  66. ^ "Catalog « Orchestra « Traditional « The Holy Infants Lullaby «Edward B. Marks Music Company Classical".
  67. ^
  68. ^ Korea: H.S.T., Time for decision. September 12, 1962. OCLC 79778404.
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  81. ^ "Notes from Tom Paine – Norman Dello Joio – Score – Musica International".
  82. ^ "Lyric Dances (Full Score ) by Norman Dello J | J.W. Pepper Sheet Music".
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  87. ^ "Norman Dello Joio – Reflections on an Original Christmas Tune – Music Sales Classical".
  88. ^ "Norman Dello Joio – Aria and Roulade (for Concert Band) (1983) – Music Sales Classical".
  89. ^ Easthampton sketches: for string orchestra. September 12, 1984. OCLC 82870413.
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  91. ^ "Norman Dello Joio – I Dreamed of a City Invincible (1985) – Music Sales Classical".
  92. ^ "Norman Dello Joio – Song at Springtide (1984) – Music Sales Classical".
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  96. ^ "Norman Dello Joio – Short Intervallic Etudes (for Well-Tempered Pianists) (1987) – Music Sales Classical".
  97. ^ "Norman Dello Joio – Sing a Song Universal (1987) – Music Sales Classical".
  98. ^ "Norman Dello Joio – Taxes – Music Sales Classical".
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  100. ^ "Metaphrase by DELLO JOIO| J.W. Pepper Sheet Music".
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