William Norman McLaren
11 April 1914
|Died||27 January 1987 (aged 72)|
|Nationality||Scottish / Canadian|
|Alma mater||Glasgow School of Art|
|Occupation||Animator, director, producer|
|Known for||Founding of the animation department of the National Film Board of Canada|
Pas de deux
|Partner(s)||Guy Glover (1937–1983)|
|Awards||Academy Award for Best Documentary Short Subject|
William Norman McLaren, animator, director and producer known for his work for the National Film Board of Canada (NFB). He was a pioneer in a number of areas of animation and filmmaking, including hand-drawn animation, drawn-on-film animation, visual music, abstract film, pixilation and graphical sound.(11 April 1914 – 27 January 1987) was a Scottish Canadian
His awards included an Academy Award for Best Documentary Short Subject in 1952 for Neighbours, a Silver Bear for best short documentary at the 1956 Berlin International Film Festival for Rythmetic and a 1969 BAFTA Award for Best Animated Film for Pas de deux.
Norman McLaren was born in Stirling, Scotland, on 11 April 1914. He had two older siblings, one brother, Jack and a sister, Sheena. At the age of 21, he travelled to Russia for a vacation which confirmed his communist beliefs; his father had paid for the trip in hopes of curing McLaren of the communist belief he valued.
When McLaren was 22, he left Stirling and studied set design at the Glasgow School of Art. McLaren joined the Kinecraft Society at the Glasgow School of Art while he was studying there, it was within the society that he began to experiment with different styles and techniques of filmmaking. It was also at the Glasgow School of Art that McLaren met Helen Biggar, they produced films together outside the School and sought to have their productions released nationally.
His early experiments with film and animation included actually scratching and painting the film stock itself, as he did not have ready access to a camera. His earliest extant film, Seven Till Five (1933), a "day in the life of an art school" was influenced by Eisenstein and displays a strongly formalist attitude.
McLaren's next film, Camera Makes Whoopee (1935), was a more elaborate take on the themes explored in Seven Till Five, inspired by his acquisition of a Ciné-Kodak camera, which enabled him to execute a number of 'trick' shots. McLaren used pixilation effects, superimpositions and animation not only to display the staging of an art school ball, but also to tap into the aesthetic sensations supposedly produced by this event.
GPO Film Unit
Grierson, who was at that time head of the UK General Post Office film unit, saw another of his movies at an amateur film festival and took interest. He hired McLaren for the GPO after his studies, following a stint as cameraman on Defence of Madrid, Ivor Montagu's documentary on the Spanish Civil War. McLaren worked at the GPO from 1936 to 1939, making four films including: Book Bargain (1937), Mony a Pickle and Love on the Wing (1938), and News for the Navy (1938).
Solomon Guggenheim Foundation
McLaren then moved to New York City in 1939, just as World War II was about to begin in Europe. With a grant from the Solomon Guggenheim Foundation, he worked in New York until 1941, making four drawn-on-film animated works: Boogie-Doodle (1940), along with Dots, Loops and Stars and Stripes.
At the invitation of Grierson, he moved to Canada in 1941 to work for the National Film Board, to open an animation studio and to train Canadian animators. Upon McLaren's arrival in Canada, Grierson asked him to direct a promotional film reminding Canadians to mail their Christmas cards early, Mail Early (1941). He then worked on animated shorts as well as maps for Allied propaganda documentary films, followed by his War Bonds campaign films: V for Victory (1941), 5 for 4 (1942), Hen Hop (1942) and Dollar Dance (1943).
As of 1942, McLaren could no longer keep up with the demands for animation at the fast-growing NFB, and he was asked by Grierson to recruit art students and create a small animation team—a task made more difficult because many young students had gone off to fight in the war. McLaren found recruits for his fledgling animation unit at the École des beaux-arts de Montréal and the Ontario College of Art, including René Jodoin, George Dunning, Jim McKay, Grant Munro and his future collaborator, Evelyn Lambart. McLaren trained these emerging animators, who would all work on cartoons, animated cards and propaganda documentaries before going on to make their own films. Studio A, the NFB's first animation studio, formally came into existence as of January 1943, with McLaren as its head.
During his work for the NFB, McLaren created his most famous film, Neighbours (1952), which has won various awards around the world, including the Canadian Film Award and the Academy Award. Besides the brilliant combination of visuals and sound, the film has a very strong social message against violence and war. In his early period in Canada, McLaren spent considerable time developing the animation department of the board.
In addition to film, McLaren worked with UNESCO in the 1950s and 1960s on programs to teach film and animation techniques in China and India. His five part "Animated Motion" shorts, produced in the late 1970s, are an excellent example of instruction on the basics of film animation.
McLaren is remembered for his experiments with image and sound as he developed a number of groundbreaking techniques for combining and synchronizing animation with music.
The National Film Board honoured McLaren by naming its Montreal head office building the Norman McLaren Building. The Montreal borough of Saint-Laurent, which is home to the NFB, has also honoured McLaren by naming a borough district after him.
In 2006, he was the subject of a short animated documentary McLaren's Negatives. Also in 2006, the Film Board marked the 65th anniversary of NFB animation with an international retrospective of McLaren's restored classics and a new DVD box set of his complete works.
In June 2013, the NFB released an iTunes app entitled "McLaren's Workshop," allowing users to create their own films using animation techniques utilized by McLaren and providing access to over fifty of his films.
Birth centenary events
The 100th anniversary of the birth of McLaren was marked by a project entitled "McLaren Wall-to-Wall" in Montreal's Quartier des Spectacles entertainment district, with short films inspired by McLaren works Neighbours, Begone Dull Care, Synchromy and Spheres projected onto local landmarks.
McLaren's centenary was also celebrated in Scotland with the McLaren 2014 Programme of screenings, exhibitions, events and animation workshops. The Programme was conceived of and directed by animator Iain Gardner who also serves as the Animation Programmer for the Edinburgh International Film Festival. The programme was a key focus within the 68th Edinburgh International Film Festival in June, and ran through to the end of the XX Commonwealth Games in Glasgow in August. The McLaren 2014 Programme was managed by the Centre for the Moving Image, working in partnership with the National Film Board of Canada, and over 20 partners in Scotland and the UK. In April 2014 his only surviving nephew Douglas Biggar (younger son of Sheena) unveiled a blue heritage plaque on his childhood home marking the centenary of his birth.
Lifetime achievement awards
In 1968, he was made an Officer of the Order of Canada and promoted to Companion in 1973. In 1977, he received an honorary doctorate from Concordia University. In 1982, he was the first anglophone to receive the Prix Albert-Tessier, given to persons for an outstanding career in Québec cinema.
In 2009, McLaren's works were added to UNESCO's Memory of the World Programme, listing the most significant documentary heritage collections in the world, joining such works as the Gutenberg Bible and The Wizard of Oz.
Awards and nominations for McLaren's films
- Academy Awards (USA)
- 1953 Academy Award for Best Documentary Short Subject for Neighbours – Won
- 1953 Academy Award for Best Short Subject, One-reel for Neighbours – Nominated
- 1958 Academy Award for Best Short Subject, Live Action Subjects for A Chairy Tale – Nominated
- 1964 Academy Award for Best Animated Short Film for Christmas Cracker – Nominated
- 1968 Academy Award for Best Short Subject, Live Action Subjects for Duo, the U.S. release title for Pas de deux – Nominated
- Annie Awards (USA)
- (1975) Annie Award: Winsor McCay Award—Won
- BAFTA Awards (UK)
- Berlin International Film Festival
- (1951) Silver Medal (Culture Films and Documentaries) award for Begone Dull Care – Won
- (1956) Silver Bear (Short Film) Award for Rythmetic – Won
- Canadian Film Awards (Canada)
- (1949) Special Award for Dots – Won
- (1950) Special Award for Begone Dull Care – Won
- (1952) Special Award for Around is Around – Won
- (1952) Special Award for Now is the Time – Won
- (1952) Special Award for After the Storm – Won
- (1953) Special Award for A Phantasy – Won
- (1953) Special Award for Neighbours – Won
- (1958) Arts and Experimental for A Chairy Tale (shared with Claude Jutra) – Won
- (1962) Arts and Experimental for Lines Horizontal – Won
- (1965) Arts and Experimental for Canon (shared with Grant Munro) – Won
- (1968) Special Award for Pas de deux – Won
- Columbus International Film and Video Festival (USA)
- (1984) Narcissus – Honorable Mention
- Dance on Camera Festival (USA)
- (1984) Gold Star Award for Narcissus – Won
- Festival international de cinéma de court métrage (France)
- (1985) Narcissus – Special Mention
- Festival international du film romantique
- (1985) Madame de Stael Prize (First Prize) for Narcissus – Won
- Genie Awards (Canada)
- (1984) Special Achievement Genie – Won
- Golden Sheaf Awards / Short Film and Video Festival (Canada)
- (1984) Golden Sheaf Award – Best Experimental Film for Narcissus – Won
- International Film Festival (India)
- (1984) Golden Peacock for the Best Short Film of the Festival for Narcissus – Won
- Itinerant – American Film and Video Festival (USA)
- (1984) Visual Essays for Narcissus – Honorable Mention
- Rosenthal, Alan. The new documentary in action: a casebook in film making. University of California Press, 1972. 267-8. Print.
- Schaffer, Bill (2005). "The Riddle of the Chicken: The Work of Norman McLaren". Senses of Cinema (35). Retrieved 16 March 2011.
- Clark, Ken (Summer 1987). "Tribute to Norman McLaren". Animator (19): 2. Retrieved 20 March 2011.
- Kozlov, Vladimir (28 May 2009). "Movie of the week – Norman McLaren retrospective". Moscow News.
- Dobson, Nichola (25 January 2018). Norman McLaren : between the frames. New York. ISBN 978-1-5013-2879-4. OCLC 1015372165.
- Liz Faber, Helen Walters (2003). Animation Unlimited: Innovative Short Films Since 1940. Laurence King Publishing. p. 1929. ISBN 1-85669-346-5.
- St-Pierre, Marc (December 2011). "70 Years of Animation, Part 2 – Norman McLaren". NFB Blog. National Film Board of Canada. Retrieved 6 December 2011.
- Dobson, Nichola. Norman McLaren: Between the Frames. New York: Bloomsbury Academic. p. 87. doi:10.5040/9781501328800-008. ISBN 978-1-5013-2881-7.
- Ortega, Marcos (16 July 2006). "Norman McLaren: The Master's Edition". Experimental Cinema. Retrieved 1 April 2011.
- Beckerman, Howard (February 2004). Animation: The Whole Story. Allworth Press. pp. 51–52. ISBN 978-1-58115-301-9.
- Amidi, Amid (7 June 2013). "NFB's Free McLaren's Workshop iPad App is a Must-Download". Cartoon Brew. Retrieved 28 June 2013.
- Demara, Bruce (15 February 2017). "National Ballet and Robert Lepage team on work honouring Norman McLaren". Toronto Star. Retrieved 23 February 2017.
- Milligan, Mercedes (5 December 2013). "NFB Invites Artists to Celebrate McLaren's 100th". Animation. Retrieved 18 December 2013.
- McGill, Hannah (27 March 2014). "McLaren 2014 festival shines a light on underappreciated experimental filmmaker Norman McLaren". The List. Retrieved 28 March 2014.
- "Honorary Degree Citation – Norman McLaren* | Concordia University Archives". archives.concordia.ca. Retrieved 7 April 2016.
- "Animafest Zagreb 1986".
- Boswell, Randy (31 July 2009). "Montreal filmmaker honoured by UN". Montreal Gazette. Canwest. Retrieved 4 August 2009.[dead link]
- "NFB – Collection – Pas de deux".
- "1st Berlin International Film Festival: Prize Winners". berlinale.de.
- "6th Berlin International Film Festival: Prize Winners". berlinale.de. Retrieved 26 December 2009.
- McWilliams, Donald (1990). Creative Process: Norman McLaren.
- Glassman, Marc (17 August 2009). "Norman McLaren: Animation genius created poetry". Playback. Brunico Communications. Retrieved 29 January 2014.
- Dominique Chateau, "Norman McLaren : pensée-cinéma et cinéplastique", Nouvelles Vues, issue 17, winter-spring 2016 : https://web.archive.org/web/20160809181327/http://www.nouvellesvues.ulaval.ca/no-17-hiver-2016-cinema-et-philosophie-par-s-santini-et-p-a-fradet/articles/norman-mclaren-pensee-cinema-et-cineplastique-par-dominique-chateau/
- Raphaël Bassan, "Norman McLaren : le silence de Prométhée", in Les Cahiers de Paris expérimental, no 17 (in French) (2004)*
- Olivier Cotte (2007) Secrets of Oscar-winning animation: Behind the scenes of 13 classic short animations. (Making of Neighbours) Focal Press. ISBN 978-0-240-52070-4
- Alfio Bastiancich, "Norman McLaren: Précurseur des Nouvelles Images", Dreamland èditeur, Paris (1997) (in French) ISBN 2-910027-07-4
- Rogers, Holly and Jeremy Barham: The Music and Sound of Experimental Film, New York: Oxford University Press, 2017.
- Norman McLaren at IMDb
- NFB YouTube official channel
- Films of Norman McLaren at the National Film Board of Canada website
- Norman McLaren: Hands-on Animation and Creative Process: Norman McLaren at the National Film Board of Canada website
- Canadian Film Encyclopedia
- Order of Canada Citation
- Norman McLaren on screenonline
- McLaren's Workshop (iTunes preview page)
- Norman McLaren Archive at the University of Stirling Archive