North Bennet Street School
|North Bennet Street Industrial School|
Motto in English
|An Education in Craftsmanship|
North Bennet Street School (NBSS) is a private vocational school in Boston, Massachusetts. NBSS offers nine full-time programs, including bookbinding, cabinet and furniture making, carpentry, jewelry making and repair, locksmithing and security technology, basic piano technology, advanced piano technology, preservation carpentry, and violin making and repair, as well as a range of short courses and continuing education opportunities. Housed for more than 130 years at 39 North Bennet Street, near the Old North Church in Boston's North End, the School completed renovations on the former Police Station One and former City of Boston Printing Plant in September 2013. The subsequent move to the fully renovated 65,000 sq. ft. facility at 150 North Street brought all of their programs under one roof.
Founded in 1879 as the North End Industrial Home by volunteers from the Associated Charities as a settlement house serving the needs of recent immigrants, North Bennet Street Industrial School was officially incorporated in 1885. The vocational and preparatory programs underwent changes throughout the nineteenth and twentieth century and the school assumed its present name and mission in 1981.
The Immigrant Experience
The North End Industrial Home was originally established at 39 North Bennet Street in 1879 by fifty volunteers from an organization known as the Associated Charities as a settlement house serving the needs of recent immigrants in Boston's North End. In the late nineteenth century, the North End was among the most densely populated areas in the United States. The low-rent tenements near the docks had been drawing immigrants for generations. Driven by a philanthropic philosophy of "elevation by contact", the Associated Charities volunteers sought to improve the circumstances of the poor through visitation and by way of example. The volunteers taught sewing and laundry classes to those they called the "worthy poor": widows, single women, and women supporting their husbands. Class participants received instruction and wages for piece work.
Pauline Agassiz Shaw joined the ranks of the volunteers in 1880. She founded a kindergarten and nursery school in the building and donated the money needed to lease the building for five years. The North End Industrial Home grew as a school for children and their mothers, as well as a training ground for prospective teachers. Recreation rooms, a lending library, and social clubs for working adults were also housed in the building.
North Bennet Street Industrial School (NBSIS) was founded in 1881 and formally incorporated in 1885, following the purchase of the building at 39 North Bennet Street. Founded to help immigrants transition to American life, NBSIS pioneered a holistic approach to community service a century before the term became popular. NBSIS offered job skill training classes to men and unmarried women, mothers were offered courses in home economics, and various social clubs and summer trips to the country were incorporated into the program. The school's 1885 charter defined NBSIS as "an institution for training in industrial occupations persons of all ages, and for other educational and charitable work, and for furnishing opportunities for instruction and amusement to them, including libraries, reading rooms and whatever else may contribute to their physical and moral well being".
By 1891, manual training was a required part of public school education. NBSIS administered woodworking classes for boys and cooking classes for girls until 1913, when the public school system assumed responsibility for pre-vocational training. Public schools continued to rent equipment and space at North Bennet Street until 1937. Printing, taught by Louis Hull, was offered as one of the first courses offered to pre-vocational students.
In 1889, Mrs. Shaw brought Carl Fullen and Lars Eriksson, along with other sloyd teachers, to NBSIS. Originating in Sweden, the sloyd method of instruction involved using craft projects to facilitate education, aiming to "arouse a desire and pleasure in work; to accustom students to independence; to instill virtues of exactness, order and accuracy: and to train the attention". Students were given progressively more difficult projects that built on each other and they were expected to work on them as independently as possible. Gustaf Larsson became head of the sloyd program in 1891 and published a quarterly periodical on the principles of instruction. The school instituted training for teachers in the sloyd methodology, and Larsson estimated that over three hundred teachers had graduated from the sloyd training class by 1903. The sloyd project-based mode of teaching is still the basis of craft curriculums at North Bennet Street School.
The Boston Public Library established a branch at North Bennet Street Industrial School in 1899, with Edith Guerrier serving as librarian. Guerrier started evening discussion groups that, with the help of Edith Brown, developed into the Saturday Evening Girls Club.
Alvin E. Dodd was hired as the first professional administrator of the school in 1907. Dodd divided the school into several departments: plastic and graphic arts, mechanical arts, household arts, library, gymnasium, clubs, social service house, and buildings and administration. Each department was assigned a head and board members oversaw departments through committees. Certificates were awarded to individuals who completed prevocational and evening classes. A formal partnership developed between the North Bennet Street Industrial School and the Boston Trade School for the education of young women. By 1911, 28 salaried teachers and over fifty volunteers participated in teaching eleven hundred enrolled students.
In 1915, Dodd left the school to join the National Society for the Promotion of Industrial Education as its business manager, leaving George C. Greener, the former ceramics instructor, as the new director of the school. Drawing inspiration from John Ruskin and William Morris, two leaders of the Arts and Crafts Movement, Greener introduced weaving and courses in making light fixtures to the school. Greener provided the school with a new motto: "Hand and mind lead to life". The school's finances were precarious, and the copies of early American lighting fixtures produced by the students were sold to fund school programs. Similarly, the homespun, vegetable-dyed cloth produced by the weaving program was marketed through the Industrial Arts shop on Charles Street at the foot of Beacon Hill to provide income to both students and the school. The homespun cloth department lasted until 1932.
During this time, NBSIS, in cooperation with the City of Boston, developed a power machine operating class that paid wages to girls as they studied, combining academic work in the morning and vocational work in the afternoon. Local businesses, such as Filene's and Jordan Marsh, marketed aprons, curtains, shirts, lingerie and hospital garb produced by students in the program. The course was terminated in the 1950s.
Following World War I, Greener introduced a number of vocational classes for veterans, including watch repair, cabinet making, carpentry, printing, and jewelry engraving. Between 1946 and 1947, Greener introduced the trade courses that continue to be the basis for the school: cabinet and furniture making, jewelry making and engraving, carpentry, and piano tuning. Watch repair was also offered at this time.
Greener retired in 1954 and Ernest Jacoby, a Harvard graduate, was hired as the new director. As the demographics of the North End and the needs of the nation shifted NBSIS when from training recent immigrants to training returning World War II veterans and disabled students referred by the Massachusetts Rehabilitation Commission. Jacoby retired in 1976 and Thomas B. Williams served as the school's director through the 1980s.
Recent history: Evolving mission
With middle-income professionals replacing immigrant populations in the North End, and other publicly funded organizations in place to serve the poor, NBSIS became known primarily as a center for training in fine crafts. In the 1980s, North Bennet Street Industrial School began transferring responsibilities for the operation of social service programs to the North End Union, while continuing administrative and financial support. The board voted to drop "Industrial" from the school's name and rewrote the school's articles of organization so that the objective was to "train adults, who have completed a minimum of secondary level education, in trades that require primarily manual skills and individualized work". The program offerings in carpentry, cabinet and furniture making, locksmithing, jewelry making and repair, and piano technology were expanded in the mid-1980s with courses in bookbinding, violin making, and preservation carpentry. These programs were specifically selected because bench skill programs in these fields were either lacking or underrepresented in the United States. Accreditation from the National Association of Trade and Technical Schools (NATTS) was awarded to the North Bennet Street School in 1982, and the United States Department of Education classified the school as a post-secondary institution.
Students from around the world come to North Bennet Street School to immerse themselves on the intensive training of a fine craft or trade. Many more take advantage of the shorter workshop courses also offered at the school.
Bookbinding: In this two-year program, students learn fundamental hand-bookbinding techniques while producing a variety of binding structures in cloth, paper, leather, and vellum. Hands-on book repair and conservation techniques are taught, along with tool use and modification, edition binding techniques, and protective enclosures. The second year is focused primarily on fine leather bindings and more advanced finishing and conservation procedures. Graduates enter the field as bookbinders in custom binderies and university or institutional conservation labs or as self-employed bookbinders and book artists.
Cabinet & Furniture Making: Through bench exercises and building projects, students learn techniques using hand and power tools and gain an understanding of the methods and construction strategies used to create high-quality custom pieces. By drawing from the rich tradition of 18th and early 19th century American furniture, the program aims to inform and enhance any design aspirations by providing a solid foundation in fine furniture making. Graduates enter fields such as cabinet and furniture making, architectural millwork and furniture repair and restoration. This is a two-year program.
Carpentry: In this one-year program, students learn to construct and renovate residential and commercial wood-framed buildings through skilled use of tools and machines and knowledge of construction principles and procedures, including current and emerging industry standards and building practices. The small class size ensures ample one-to-one instruction and supervision from a master carpenter. Students experience the importance of working as a team on building sites and graduate ready to work safely, accurately and efficiently to satisfy clients’ needs.
Preservation Carpentry:Through lectures, demonstrations, projects and site work, students in this two-year program develop a thorough grounding in pre-20th century New England house construction and are exposed to a broad range of construction methods, including stabilizing endangered buildings, preserving and uncovering architectural details and documenting and recreating historic design elements. Students graduate with the skills needed to work with contractors and institutions that specialize in preservation and conservation work, including historic millwork and interior finish carpentry for traditional buildings.
Jewelry Making & Repair: Through a series of hands-on projects, each requiring new skills and building on previous learning, students in this two-year course develop proficiency using a wide range of tools and working with precious metals and stones. Techniques include polishing, soldering, engraving, metal fabrication, laser welding, stone-setting and wax model-making. Graduates have the fundamental knowledge and technical skills of jewelry making and repair needed to enter the workforce as professional makers of fine jewelry.
Locksmithing and Security Technology: This nine-month program combines classroom theory, lectures and demonstrations with hands-on bench work along with security hardware installation and fieldwork experience. Students learn to service, repair and install all types of residential and commercial locking devices, set up master-key systems, install locks, service safes, basic automotive lock services and gain familiarity with electronic and mechanical access control systems. The program includes ample time for practice, providing students the experience required to enter the field as qualified security professionals.
Basic Piano Technology and Advanced Piano Technology: The basic piano technology program covers instruction in all phases of aural piano tuning including the concepts upon which equal temperament is founded. Students tune, regulate, and repair the actions of both upright and grand pianos and learn the skills required to become members of the Piano Technicians Guild as Registered Piano Technicians. The advanced piano technology program focuses on comprehensive piano services including advanced tuning and regulation practice, grand piano repair and rebuilding, and the resolution of service problems that occur in the field. Each program lasts nine months.
Violin Making and Repair: In this three-year program, students build a solid foundation in instrument making and an introduction to the art and science of stringed instrument restoration. Over the course of the three-year program, students build five violins, a viola and a bowed string instrument of the student's choosing. The program teaches the fundamental hand skills required for the construction and finishing as well as the set-up and repair of stringed instruments in accordance with the highest standards of the craft and the needs of expert musicians.
- Henry & Williams, 1985, p. 9
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