|Directed by||Tom Gries|
|Written by||David Moessinger|
|Produced by||Walter Seltzer|
|Edited by||Richard K. Brockway|
|Music by||Dominic Frontiere|
|Distributed by||United Artists|
|100 min. (UK)|
105 min. (TCM print)
|Box office||$1 million (US/ Canada rental)|
The film stars Charlton Heston as Ron "Cat" Catlan, aging quarterback for American professional football's New Orleans Saints, and Jessica Walter as his wife. Musician Al Hirt plays himself, as do several real-life members of the 1968 Saints. The football scenes were shot at the Saints' then-home field, Tulane Stadium.
Ron "Cat" Catlan once led the New Orleans Saints to a championship (something the real-life Saints wouldn't accomplish until Super Bowl XLIV in 2010, nearly a half-century after the film was made). After fifteen years in pro football, he tries to compensate for his failing skills with booze and an extramarital affair. ("You're not even worth the price of a ticket anymore", a fan yells at him after Cat refuses her an autograph.)
Friend and former teammate Richie Fowler (Bruce Dern) offers Cat a job with his auto-leasing company, and a management position in the computer industry is also on the table, but Catlan hesitates, insisting he can still lead the squad to future glory. The associate with the computer firm (Bobby Troup) warns him not to put off making a decision: "There are a lot of kids coming out of college, Cat, and they're smart kids. A year from now, I might not be able to offer you a job driving the company truck."
Things are no better at home for Catlan: his long-suffering wife, Julie (Jessica Walter), threatens to leave him after too many booze-fueled outrages and late nights with other women. She begins to drift away into her own life, leading Cat to an abortive affair with Ann (Diana Muldaur).
Cat finally begs Julie to stay, saying everything will be alright after he leads the Saints to another title. In the next game, against the Dallas Cowboys, Catlan succeeds in leading the Saints down the field, even scoring a touchdown himself. In the end, though, he is crushed in a violent sack by a Cowboys player, seemingly ending his football career (and possibly his very life, as Catlan takes what appears to be his last breath). Julie, unable to watch, is seen leaving the stadium.
Despite having All-Pro signal-caller Billy Kilmer as an instructor, Charlton Heston did not make a very convincing pro quarterback. "I marveled at how skinny he was in a Saints uniform", said local DJ Bob Walker, who was an extra in the movie. "It hung on him like a cheap suit three sizes too big. When the cameras weren't rolling we watched him try to throw some passes. His receiver was 10-20 yards away and his alleged passes didn't come close." Joe Wendryhoski, who basically played himself in the film as the Saints center, called Heston "a great guy, very sociable" who unfortunately "didn't have an athletic bone in his body. As a quarterback, he left a lot to be desired."
In the final scene when Catlan is crushed by the Dallas defense (actually portrayed by Saints players Mike Tilleman, Dave Rowe and Fred Whittingham), neither Heston nor the producer felt the hit on him was realistic enough, so Heston asked them to cut loose to really make it look authentic. On the second take, the trio slammed the actor to the ground, breaking three of his ribs.
Number One was a commercial failure, but critical reaction was mixed. The film, and particularly Heston's performance, did earn a rave review from Howard Thompson of The New York Times, who called the "consistently engrossing" film, "...a succinct, stinging and often strong gridiron drama...." Thompson described Heston's performance as "a brooding, scorching and beautifully disciplined tour de force for the actor....If Heston could have been better, we don't know how."
The National Football League permitted the New Orleans Saints' name and jerseys to be used, as opposed to many football films featuring professional teams with fictional names. The timeline seems a bit off, though: a flashback scene shows Catlan's first game as a rookie for the Saints in what would've been the early 1950s. But this could not been possible, as the Saints didn't even exist until they were founded on November 1, 1966, beginning play the following season. Also, a championship in the team's past is alluded to, but likely would not have been a Super Bowl, as the big game had only been played for a few years when the film was shot in 1968.
- Champlin, Charles (July 20, 1969). "Heston's Rx for Ailing Hollywood". Los Angeles Times. p. o24.
- "Big Rental Films of 1969", Variety, 7 January 1970 p 15
- "Charlton Heston will always be 'Number One' in New Orleans | Angus Lind - NOLA.com". Archived from the original on 2010-03-15. Retrieved 2009-09-09.
- A.H. WEILER (July 10, 1966). "Pint-Sized Bonded Stuff on Tap: More About Movies". New York Times. p. 81.