|Design and construction|
|Other designers||Enrico Zucalli, Giovanni Antonio Viscardi, Joseph Effner|
The Nymphenburg Palace (German: Schloss Nymphenburg), i. e., "Castle of the Nymph (or Nymphs)", is a Baroque palace in Munich, Bavaria, southern Germany. The palace is the main summer residence of the former rulers of Bavaria of the House of Wittelsbach.
The palace was commissioned by the prince-electoral couple Ferdinand Maria and Henriette Adelaide of Savoy to the designs of the Italian architect Agostino Barelli in 1664 after the birth of their son Maximilian II Emanuel. The central pavilion was completed in 1675. As a building material it utilised limestone from Kelheim. The castle was gradually expanded and transformed over the years.
Starting in 1701, Max Emanuel, the heir to Bavaria, a sovereign electorate of the Holy Roman Empire, undertook a systematic extension of the palace. Two pavilions were added each in the south and north of Barelli's palace by Enrico Zucalli and Giovanni Antonio Viscardi and connected with the centre pavilion by two gallery wings. In 1716 Joseph Effner redesigned the facade of the centre pavilion in French Baroque style with pilasters. Later, the south section of the palace was further extended to form the court stables. For the sake of balance, the orangery was added to the north. Finally, a grand circle (the Schlossrondell) with Baroque mansions (the so-called Kavaliershäuschen – cavalier's lodges) was erected under Max Emanuel's son Holy Roman Emperor Charles VII Albert.
In 1795 the Elector Charles Theodore ordered the widening of the galleries on the park side. In 1826 under King Ludwig I of Bavaria his architect Leo von Klenze removed the gables of the main pavilion with the Electoral coat of arms and created an attic decoration directly under the roof instead.
With the Treaty of Nymphenburg signed in July 1741, Charles Albert allied with France and Spain against Austria. Two of the latter's children were born here: Maria Antonia (future Electress of Saxony) in 1724 and Maria Anna Josepha (future Margravine of Baden-Baden) in 1734. Charles Albert lived during his time in Munich as Holy Roman Emperor in Nymphenburg Palace and died there in 1745.
For a long time the palace was the favourite summer residence of the rulers of Bavaria. King Max I Joseph died there in 1825 and his great-grandson King Ludwig II was born there in 1845. In 1863 the only meeting between Ludwig and Otto von Bismarck was held in Nymphenburg, although they remained connected in a lifelong friendship.
Today Nymphenburg is open to the public but also continues to be a home and chancery for the head of the house of Wittelsbach, currently Franz, Duke of Bavaria. To Jacobites, who trace the line of legitimate British monarchy down through the legal heirs of James II of England, the head of the house of Wittelsbach is the legitimate heir of the Stuart claims to the thrones of England, Scotland, France, and Ireland; this claim is not being actively pursued.
The palace, together with its park, is now one of the most famous sights of Munich. The baroque facades comprise an overall width of about 700 metres. Some rooms still show their original baroque decoration while others were later redesigned in rococo or neoclassical style.
The Steinerner Saal (Stone Hall) in the central pavilion, with ceiling frescoes by Johann Baptist Zimmermann and F. Zimmermann and decorations by François de Cuvilliés, is an impressive sight. Acting as a grand hall, it occupies over three floors of the central pavilion of the palace. The central ceiling fresco is Helios in his chariot, accompanied by other gods.
North of the Stone Hall, there is the wood-panelled antechamber, the audience chamber decorated with Brussels tapestries and the former bedroom with the so-called Little Beauty Gallery with the ladies of Versailles, all rooms were remodelled under Maximilian II Emanuel in the style of the Régence but retain their original Baroque ceilings. Here are on display portraits of the elector and his wife Theresa Kunegunda Sobieska. The bedroom closes the park side, next to it is the Drechsel Cabinet (turnery cabinet) of Maximilian III Joseph, designed by François de Cuvilliés. Three rooms further to the north were created under Charles Theodore with the widening of the gallery wing. In the first room there are now more portraits of ladies from the Great Gallery of Beauties of Max Emanuel, the second one is decorated with a pile rug with the coats of arms of Bavaria and the Palatinate (known as "coat of arms room"), while the third room contains portraits of Charles Theodore and both his consorts Elisabeth Auguste and Maria Leopoldine.
South of the Stone Hall are inversely to the northern rooms of the main building, the hall with the portrait of Charles Albert, the audience room with the portrait of the founding couple Ferdinand Maria and his consort Henriette Adelaide and the Former Bedroom with portraits of Max Emanuel and his consort Theresa Kunegunda. Here too, the original Baroque ceilings have survived. The walls of the so-called lacquer cabinet that adjoins the bedroom are almost completely covered with Chinese panels showing scenes from a Chinese novel. The stucco was done by Franz Xaver Feuchtmayer the Younger. Behind the south gallery are the Writing Cabinet and Antechamber of Elector Charles Theodore, which were created with the widening of the gallery wings.
In both the North and South Galleries next to the Central Pavilion are vedutes of Bavarian castles. These galleries connect the central pavilion with the southern and northern pavilions.
Southern pavilions and wings
The former small dining room of the Inner Southern Pavilion houses the famous attraction Gallery of Beauties of King Ludwig I of Bavaria. On behalf of the king the court painter Joseph Karl Stieler has portrayed 36 "beautiful" women from all social classes of Munich, the best known of these are the shoemaker's daughter Helene Sedlmayr and Ludwig's longstanding infamous mistress, Lola Montez. Nearby, the Queen's bedroom one can see where, on 25 August 1845, King Ludwig II of Bavaria was born. Its mahogany furniture was made in 1815 in Munich, unlike the mahogany furniture for Queen Caroline’s audience room which was made in Paris, as was the furniture in the Queen's Study. The Outer Southern Pavilion is generally inaccessible.
In the former royal stables in the South Wing is the Carriage Museum (Marstallmuseum), with one of the greatest coach collections in Europe. They also played a part in historical events - the Paris Coronation Coach for example was used for the coronation of Emperor Charles VII in 1742. Among the main attractions of the museum are the magnificent carriages and sleighs of King Ludwig II.
The first floor of the former court stables houses a collection of Nymphenburg porcelain, the factory which, also located in the palace complex, was founded by Maximilian III Joseph. Its handcrafted products are of legendary kind and quality, nowadays said to be comparable only to Augarten and Sèvres.
The Nymphenburg Porcelain Manufactory itself is located in one of the houses of the northern roundabouts and can be visited only by written appointment. In the adjoining Outer South Wing of the castle is a restaurant with beer garden.
Northern pavilions and wings
The Inner Northern Pavilion is generally inaccessible, the Outer Northern Pavilion houses the chapel, whose ceiling painting deals with the life of St. Mary Magdalene. It was already begun in 1702 by Antonio Viscardi from the design by Enrico Zuccalli.
Since 1990 the Museum of Man and Nature has been housed in the North Wing. The Hubertus Hall upstairs served for concerts. Today the Hubertus Hall, the Orangery Hall, and the Johannis Hall in the North Wing as well as the Iron House in the park can be booked for parties, concerts, conferences and other functions. From 1835 the Mary Ward Elementary School was in the adjoining Outer North Wing of the castle. Founded by Mary Ward, it paved the way for a better education for girls. Mary Ward came after travelling from Rome to Munich in 1627 and was sponsored by Elector Maximilian I. King Ludwig I finally invited the girls' school to the Nymphenburg Palace in 1835.
The 200-hectare (490-acre) park, once an Italian garden (1671), which was enlarged and rearranged in French style by Dominique Girard, a pupil of Le Notre, was finally redone in the English manner during the early 19th century by Friedrich Ludwig von Sckell, on behalf of prince-elector Charles Theodore. Von Sckell was also the creator of the English Garden in Munich. He preserved the main elements of the Baroque garden (such as the "Grand Parterre"). The park is bisected by the long western canal along the principal axis which leads from the palace to the marble cascade (decorated with stone figures of Greek and Roman gods) in the west.
The garden parterre is still a visible feature of the French garden. As part of the transformation of the entire castle grounds by Sckell it was simplified, but retained its original size. The "Grand Cascade" was built by Joseph Effner in 1717. He was referring to a concept of François Roëttiers. The water falls in the middle of a two-part water staircase, the first stage being half round to the west, the second, deeper, is formed to the east. The cascade consists of symmetry which continues through the centre channel. The right side of the cataract was covered with pink marble in 1770. Originally a supporting architecture was to be provided, which was never executed. Instead, from 1775 to 1785, sculptures were added. Many were the work of Dominik Auliczek and Roman Anton Boos, who later added twelve decorative marble vases with mythological themes.
The fountains in front of the palace and in the garden parterre continue to be operated by the water powered Pumping Stations built between 1803 and 1808.
The Northern Cabinet Garden is small garden that borders directly the garden side of the north wing of the main palace. It is also called Kaisergarten, because it is in the immediate vicinity of the rooms where Charles Albert lived during his time in Munich as Emperor Charles VII. It has its counterpart in the Southern Cabinet Garden where François de Cuvilliés built an octagonal bird house in 1757.
Two lakes are situated on both sides of the canal. The "Dörfchen" was created under Maximilian III Joseph as Petit hameau. The "Salettl" (1799), a cottage with its little garden nearby close to the former menagerie served as attraction for the children of Maximilian IV Joseph.
The canals of Nymphenburg are part of the northern Munich channel system, a system of waterways that connected also to the complex of Schleissheim Palace. The endpoint of the eastern canal leading from the city to the palace forms the Cour d'honneur, the centre was designed by Effner as a water parterre with a fountain, cascade and branching canals on both sides. The driveway ("Auffahrtsallee") from the city on both sides of the eastern canal is framed by a semicircle of smaller baroque buildings ("Kavalierhäuser") at the Cour d'honneur. The eastern endpoint of the canal is the Hubertusbrunnen (1903, a fountain building by Adolf von Hildebrand).
Within the park, a number of pavilions were built:
- The Pagodenburg (1716–1719) – an octagonal, two story pavilion with Delft tile decoration downstairs and Chinoiserie upstairs. It was built by Joseph Effner as "maison de plaisance" and tea house.
- The Badenburg (1719–1721) – a Baroque pavilion also by Joseph Effner. It served for the private bathing and contains several rooms including a grand banqueting hall with a festive ornament decor by Charles Dubut and a very large tiled bath with a pool. Some rooms are decorated with various Chinese wallpapers. It was the first major building in Europe for centuries that was exclusively for the purpose of enjoying a comfortable bathroom.
- The Magdalenenklause – a faux ruin for retreat and meditation, erected between 1725 and 1728. The building with its prayer room is considered as an early representative of the hermitage and the ruins of architecture in Germany; it was to serve Max Emanuel as a place of contemplation - a memento mori, whose completion the elector however did not longer witness.
- The Amalienburg – a Rococo hunting lodge constructed in 1734–1739 by François de Cuvilliés for Charles Albert and his wife, Maria Amalia, including a hall of mirrors and a kennel room for the hunting dogs. The building with its decoration is a definite masterpiece at the climax of European rococo.
- The Apollotemple – a neoclassical monopteros temple by Leo von Klenze, erected in 1862–1865
The architecture of the garden pavilions was influential for other architecture in Germany. So the Wittelsbach Falkenlust Palace was built in the style of the Amalienburg while the Pagodenburg served as prototype for the building of the same name in Rastatt.
The main building alone has more than 300,000 visitors per year. Nymphenburg Palace is running dead even with the Munich Residence and lies ahead of Schleissheim Palace, but clearly behind the castles of King Ludwig II, especially Neuschwanstein.
- Schlossmuseum (Royal apartments: Central pavilion, North and South Galleries, Inner Southern Pavilion, Garden pavilions)
- Marstallmuseum (Carriage Museum: South wing)
- Porzellanmuseum München (Nymphenburg porcelain museum: South wing)
- Museum of Man and Nature (North wing)
- Erwin von Kreibig-Museum (South Schlossrondell)
Schloss Nymphenburg is accessible by Munich public transport's tram number 17. This line passes through the city centre, including Stachus and the main train station.
The palace and its park were some of the main filming locations of Alain Resnais's 1961 movie Last Year at Marienbad. Also Ludwig, a 1972 film directed by Italian director Luchino Visconti about the life and death of King Ludwig II, was partly filmed in Nymphenburg. The Dressage Facility for the equestrian events of the 1972 Summer Olympics was created in the Nymphenburg park.
The palace serves also as headquarters of the Bavarian Administration of State-Owned Palaces, Gardens and Lakes.
Magdalenenklause, royal hermitage, after Carl August Lebschée
Juno by Dominik Auliczek
Pluto Dominik Auliczek
Jupiter Dominik Auliczek
Proserpina Dominik Auliczek
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- 1972 Summer Olympics official report. Volume 2. Part 2. pp. 206-7.
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