O. P. Nayyar
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|O. P. Nayyar|
|Native name||ओंकार प्रसाद नैय्यर|
16 January 1926|
Lahore, British Punjab, British India
|Died||28 January 2007
Mumbai, Maharashtra, India
|Occupation||Music director, composer|
Omkar Prasad Nayyar (16 January 1926 – 28 January 2007) was an Indian cinematic music director and composer. He shared the 1958 Filmfare Award for Best Music Director (for Naya Daur) with C. Ramchandra.
Early life and career
Nayyar was born in Lahore, British India (present Pakistan). According to author Niilesh A. Raje, Nayyar briefly commuted to music classes by bicycle before doing so on horseback; this influenced his signature galloping style.
He composed the background score for Kaneez (1949), and 1952's Aasmaan (produced by Dalsukh M. Pancholi), was his first film as music director. Nayyar then composed music for Chham Chhama Chham (1952) and Baaz (1953). Film producer, director and actor Guru Dutt enlisted him to compose and conduct music for Aar Paar (1954), Mr. & Mrs. '55 (1955) and C.I.D. (1956). Nayyar's early work was primarily performed by Shamshad Begum, Geeta Dutt and Mohammed Rafi, with Asha Bhosle introduced in C.I.D.
In 1957 Filmalaya introduced Nasir Hussain, who wanted a composer to provide romantic scores for newcomers Shammi Kapoor and Ameeta. Nayyar's scores were featured in the Hussain films Tumsa Nahin Dekha (1957) and Phir Wohi Dil Laya Hoon (1964). During the decade, state-controlled All India Radio banned most of Nayyar's songs because the broadcaster considered them too "trendy".
Nayyar worked extensively with singers Geeta Dutt, Asha Bhosle and Mohammed Rafi but not with leading Bollywood female singer Lata Mangeshkar. However, Mangeshkar's song Ek To Balam Teri Yaad Satayein (from the 1958 film Aji Bas Shukriya) was used in the 1973 Hindi film Taxi Driver, for which Nayyar was music director.
According to music and film expert Rajesh Subramanian, "Aap Ke Haseen Rukh" (from Baharen Phir Bhi Aayengi) was planned with full orchestration but many of the musicians were late for the recording. Nayyar, a strict disciplinarian, sacked the latecomers and began composing afresh with the musicians who had arrived on time.
After a disagreement with Mohammed Rafi, Nayyar began working with singer Mahendra Kapoor. Kapoor performed Nayyar's songs "Badal Jaaye Agar Maali" and "Chaman Hotaa Nahi Khaali" in Bahaaren Phir Bhi Aayengi. Based on a Bengali language work by Rabindranath Tagore, Nayyar composed "Chal Akelaa, Chal Akelaa" (sung by Mukesh in 1976's Fakira).
Nayyar co-produced songs with Shamshad Begum (including "Kajra Mohabbatwala"), and after Madhubala's 1969 death Vyjayanthimala, Mala Sinha, Padmini, Asha Parekh and Sharmila Tagore lip-synced several Nayyar-Bhosle songs. Nayyar and Bhosle parted ways in 1974, and he then worked with Dilraj Kaur, Alka Yagnik, Krishna Kale, Vani Jayaram and Kavita Krishanmurthy.
Majrooh Sultanpuri and Sahir Ludhianvi wrote the lyrics for some of Nayyar's earlier songs, including "Naya Daur". Nayyar also worked with developing lyricists such as Jan Nisar Akhtar, Qamar Jalalabadi, S. H. Bihari and Ahmed Wasi.
He began the tradition of assigning full, three-minute songs to comedians. Om Prakash sang Nayyar's "Churi Bane Kanta Bane" in Jaali Note, and Johnny Walker sang "Aye Dil Hai Mushkil Jeena Yahaan" in CID, "Jaane Kahan Mera Jigar Gaya Jee" in Mr. & Mrs. 55, "Main Bambaika Baaboo, Naam Meraa Anjaanaa" in Naya Daur and "Bajewala" in Basant.
In addition to songs for Asha Bhosle and Geeta Dutt's, Thandi Thandi Hawaa, Nayyar wrote "Yeh Desh Hai Veer Jawaanonkaa" (featuring Dilip Kumar and Ajit) for Naya Daur (1957). The song earned him the 1958 Filmfare Best Music Director Award. The last Nayyar song performed by Bhosle was "Chain Se Humko Kabhi". Intended for Pran Jaye Par Vachan Na Jaye (1973), disappeared in the film's final cut but won Bhosle the 1975 Filmfare Award for Best Female Playback Singer.
Nayyar was more active during the 1960s than he was in the following decade, and did not compose music for younger actors such as Rajesh Khanna and Amitabh Bachchan. His films included Dilip Kumar, Raj Kapoor, Dev Anand, Guru Dutt, Dharmendra, Shammi Kapoor, Joy Mukherjee, Biswajit, Feroz Khan,Bharat Bhushan, Asha Parekh, Mumtaz, Sharmila Tagore, Madhubala, Rajshree, Rekha, Ameeta and Shyama. In addition to Hindi films, Nayyar composed for Neerajanam in Telugu. He made a brief comeback during the 1990s with Mangni and Nishchay in 1992 and Zid in 1994.
In retirement Nayyar stayed in touch with only a few people, including Gajendra Singh and Ahmed Wasi; Singh included him as a judge for his television show, Sa Re Ga Ma Pa. Wasi interviewed Nayyar twice on Vividh Bharati and presented a series of six one-hour episodes, Mujhe Yaad Sab Hai Zaraa Zaraa, about his life.
He had two brothers: P. P. (a physician) and G. P. (a dentist in Secunderabad). Nayyar's wife, Saroj Mohini Nayyar, wrote the lyrics to "Preetam Aan Milo" (sung by Geeta Dutt in Mr. & Mrs. '55. Estranged from his family, he requested that they be barred from his funeral. Nayyar had moved out of his Mumbai home, staying with a friend in Virar and then with a friend in Thane. He died on 28 January 2007, survived by his wife, three daughters and a son. Nayyar's death was followed by tributes from many Bollywood figures, including Lata Mangeshkar, Sharmila Tagore, Mumtaz, Mahesh Bhatt, Khayyam, Shakti Samanta, Sonu Nigam, Ravindra Jain, Anu Malik, B R Chopra and Shammi Kapoor. A commemorative stamp was issued by India Post on 3 May 2013.
- Kaneez (1949)
- Aasman (1952)
- Chham Chham Chham (1952)
- Baaz (1953)
- Aar Paar (1954)
- Mangu (1954)
- Mehbooba (1954)
- Baap Re Baap (1955)
- Miss Coca Cola (1955)
- Mr. & Mrs. '55 (1955)
- Musafir Khana (1955)
- Sab Se Bada Rupaiyaa (1955)
- Bhagam Bhaag (1956)
- Choo Mantar (1956)
- C.I.D. (1956)
- Dhake Ki Malmal (1956)
- Hum Sab Chor Hain (1956)
- Mr. Lambu (1956)
- Naya Andaaz (1956)
- Shrimati - 420 (1956)
- Bade Sarkar (1957)
- Duniya Rang Rangeeli (1957)
- Johnny Walker (1957)
- Mai Baap (1957)
- Naya Daur (1957)
- Tumsa Nahin Dekha (1957)
- Ustad (1957)
- Qaidi (1957)
- 12 O'Clock (1958)
- Farishta (1958)
- Howrah Bridge (1958)
- Kabhi Andhera Kabhi Ujala (1958)
- Mr. Quartoon M.A. (1958)
- Mujrim (1958)
- Phagun (1958)
- Ragini (1958)
- Sone ki Chidiya (1958)
- Do Ustad (1959)
- Basant (1960)
- Jaali Note (1960)
- Kalpana (1960)
- Mitti Mein Sona (1960)
- Hong Kong (1962)
- Ek Musafir Ek Hasina (1962)
- Phir Wohi Dil Laya Hoon (1963)
- Kashmir Ki Kali (1964)
- Mere Sanam (1965)
- Akalmand (1966)
- Baharen Phir Bhi Aayegi (1966)
- Do Dilon Ki Daastan (1966)
- Love and Murder (1966)
- Mohabbat Zindagi Hai (1966)
- Sawan Ki Ghata (1966)
- Yeh Raat Phir na Aayegi (1966)
- C.I.D. 909 (1967)
- Nasihat (1967)
- Dil Aur Mohabbat (1968)
- Humsaya (1968)
- Kahin Din Kahin Raat (1968)
- Kismat (1968)
- Shrimanji (1968)
- Sambandh (1969)
- The Killers (1969)
- Aisa Bhi Hota Hai (1971)
- Ek Bar Muskura Do (1972)
- Pran Jaye Par Vachan Na Jaye (1973)
- Taxi Driver (1973)
- Khoon Ka Badla Khoon (1978)
- Bin Maa Ke Bachche (1979)
- Heera Moti (1979)
- Neerajanam (1988) (Telugu Film)
- Salaam Bombay! (1988)
- Mangni (1992)
- Nishchay (1992)
- Zid (1994)
- Muqadaar Ki Baat (1995)
- The Best Of O. P. Nayyar Vol. 1 to Vol. 6
- Parichay - Introduction To India's Musical Geniuses (O. P. Nayyar)|Parichay - Introduction To India's Musical Geniuses
- OP Nayyar-Penaz Masani - Dekho Mohabbat Ka Dastoor
- OP Nayyar-Penaz Masani - Jaane Do (1990)
- OP Nayyar-Ashok Khosla - Naye Kapde Badlkar
- OP Nayyar-Ashok Khosla - Ajnabi Shehar Mein
- OP Nayyar-Runa Laila - Allah Ne Is Dil Ne
- OP Nayyar-Runa Laila - Kehdo Is Raat Se
- OP Nayyar-Runa Laila - Wadiyan Wadiyan
- Golden Collection - O. P. Nayyar (compilation)
- O. P. Nayyar, Asha Bhosle - Sunheri Yaadein
- O.P.Nayyar’s immortal relationship with Mohammad Rafi | Rafians tribute to a true Maestro – Mohd Rafi
- "O.P. Nayyar", Hindilyrix, archived from the original on 6 June 2013, retrieved 29 January 2016
- "The stubborn note of O P Nayyar", Rediff.com, 4 February 2003, archived from the original on 18 May 2012, retrieved 29 January 2016