O Brother, Where Art Thou?

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O Brother, Where Art Thou?
O brother where art thou ver1.jpg
Theatrical release poster
Directed byJoel Coen
Produced byEthan Coen
Written by
  • Ethan Coen
  • Joel Coen
Based onThe Odyssey
by Homer
Music byT Bone Burnett
CinematographyRoger Deakins
Edited by
Distributed byBuena Vista Pictures Distribution[2] (North America)
Universal Pictures[3] (International)
Release date
  • May 2000 (2000-05) (Cannes)[4]
  • October 19, 2000 (2000-10-19) (AFI Film Festival)
  • December 22, 2000 (2000-12-22) (United States)
Running time
107 minutes
Budget$26 million[5]
Box office$72 million[6]

O Brother, Where Art Thou? is a 2000 crime comedy-drama film written, produced, co-edited and directed by Joel and Ethan Coen, and starring George Clooney, John Turturro, and Tim Blake Nelson, with Chris Thomas King, John Goodman, Holly Hunter, and Charles Durning in supporting roles.

The film is set in 1937 rural Mississippi during the Great Depression. Its story is a modern satire loosely based on Homer's epic Greek poem The Odyssey that incorporates social features of the American South.[7] The title of the film is a reference to the Preston Sturges 1941 film Sullivan's Travels, in which the protagonist is a director who wants to film O Brother, Where Art Thou?, a fictitious book about the Great Depression.[8]

Much of the music used in the film is period folk music,[9] including that of Virginia bluegrass singer Ralph Stanley.[10] The movie was one of the first to extensively use digital color correction to give the film an autumnal, sepia-tinted look.[11] The film received positive reviews, and the soundtrack won a Grammy Award for Album of the Year in 2002 using American folk music.[12] The country and folk musicians who were dubbed into the film included John Hartford, Alison Krauss, Dan Tyminski, Emmylou Harris, Gillian Welch, Chris Sharp, Patty Loveless, and others. They joined together to perform the music from the film in a Down from the Mountain concert tour which was filmed for consumer consumption via TV and DVD.[9]


Three convicts, Ulysses Everett McGill, Pete, and Delmar O'Donnell, escape from a chain gang and set out to retrieve a supposed treasure Everett buried before the area is flooded to make a lake. The three get a lift from a blind man driving a handcar on a railway. He tells them, among other prophecies, that they will find a fortune but not the one they seek. The trio make their way to the house of Wash, Pete's cousin. They sleep in the barn, but Wash reports them to Sheriff Cooley, who, along with his men, torches the barn. Wash's son helps them escape.

They pick up Tommy Johnson, a young black man, who claims he sold his soul to the devil in exchange for the ability to play guitar. In need of money, the four stop at a radio broadcast tower where they record a song as The Soggy Bottom Boys. That night, the trio part ways with Tommy after their car is discovered by the police. Unbeknownst to them, the recording becomes a major hit.

The three encounter a trio of women singing and washing clothes in a river. The women drug them into unconsciousness with moonshine; when they wake, Delmar finds Pete's clothes spread on the ground and empty except for a toad. Delmar is convinced the women were Sirens and transformed Pete into the toad. Later, one-eyed Bible salesman Big Dan Teague invites them for a picnic lunch, then mugs them and kills the toad.

On their way to Everett's hometown, Everett and Delmar see Pete working on a chain gang. Upon arriving Everett confronts his wife Penny, who changed her last name and told his daughters he was dead. He gets into a fight with Vernon T. Waldrip, her new "suitor." Later that night, they sneak into Pete's holding cell and free him. As it turns out, the women had turned Pete over to the authorities in order to collect a reward. Under torture, Pete gave away the treasure's location to the police. Everett then confesses that there is no treasure; he made it up in order to persuade Pete and Delmar to escape with him so he could stop Penny from marrying again. Pete is enraged at Everett, because he had two weeks left on his original sentence, and must serve fifty more years for the escape.

The trio stumble upon a rally of the Ku Klux Klan, who are planning to hang Tommy. The trio disguise themselves as Klansmen and attempt to rescue Tommy. However, Big Dan, a Klan member, reveals their identities. Chaos ensues, and the Grand Wizard reveals himself as Homer Stokes, a candidate in the upcoming gubernatorial election. The trio rush Tommy away and cut the supports of a large burning cross, leaving it to fall on Big Dan.

Everett convinces Pete, Delmar and Tommy to help him win his wife back. They sneak into a Stokes campaign gala dinner she is attending, disguised as musicians. The group begins a performance of their radio hit, prompting wild enthusiasm from the crowd. Stokes recognizes them as the group who humiliated his mob. When he demands the group be arrested and reveals his white supremacist views, the crowd runs him out of town on a rail. Pappy O'Daniel, the incumbent candidate, seizes the opportunity, endorses the Soggy Bottom Boys and grants them full pardons. Penny abandons Waldrip, who had been Stokes' campaign manager, and agrees to marry Everett with the condition that he find her original ring.

The next morning, the group sets out to retrieve the ring, which is at a cabin in the valley which Everett had earlier claimed was the location of his treasure. The police, having learned of the place from Pete, arrest the group, and Cooley orders them hanged despite their pardons. Just as Everett prays to God, the valley is flooded and they are saved. Tommy finds the ring in a desk that floats by, and they return to town. However, when Everett presents the ring to Penny, it turns out not to be hers. She insists that he find the right one, even though she cannot remember exactly where she left it and the family home is now at the bottom of the new lake.


Gillian Welch, who contributed to the soundtrack, appears as a record store customer asking for a copy of the Soggy Bottom Boys' record.


The idea of O Brother, Where Art Thou? arose spontaneously. Work on the script began in December 1997, long before the start of production, and was at least half-written by May 1998. Despite the fact that Ethan Coen described the Odyssey as "one of my favorite storyline schemes", neither of the brothers had read the epic, and they were only familiar with its content through adaptations and numerous references to the Odyssey in popular culture.[18] According to the brothers, Nelson (who has a degree in classics from Brown University)[19][20] was the only person on the set who had read the Odyssey.[21]

The title of the film is a reference to the 1941 Preston Sturges film Sullivan's Travels, in which the protagonist (a director) wants to direct a film about the Great Depression called O Brother, Where Art Thou?[8] that will be a "commentary on modern conditions, stark realism, and the problems that confront the average man". Lacking any experience in this area, the director sets out on a journey to experience the human suffering of the average man but is sabotaged by his anxious studio. The film has some similarity in tone to Sturges's film, including scenes with prison gangs and a black church choir. The prisoners at the picture show scene is also a direct homage to a nearly identical scene in Sturges's film.[22]

Joel Coen revealed in a 2000 interview that he traveled to Phoenix to offer the lead role to Clooney. Clooney agreed to do the role immediately, without reading the script. He stated that he liked even the Coens' least successful films.[23] Clooney did not immediately understand his character and sent the script to his uncle Jack, who lived in Kentucky, asking him to read the entire script into a tape recorder.[24] Unknown to Clooney, in his recording, Jack, a devout Baptist, omitted all instances of the words "damn" and "hell" from the Coens' script, which only became known to Clooney after the directors pointed this out to him during shooting.[24]

This was the fourth film of the brothers in which John Turturro has starred. Other actors in O Brother, Where Art Thou? who had worked previously with the Coens include John Goodman (three films), Holly Hunter (two), Charles Durning (two) and Michael Badalucco (one).

The Coens used digital color correction to give the film a sepia-tinted look.[11] Joel stated this was because the actual set was "greener than Ireland".[24] Cinematographer Roger Deakins stated, "Ethan and Joel favored a dry, dusty Delta look with golden sunsets. They wanted it to look like an old hand-tinted picture, with the intensity of colors dictated by the scene and natural skin tones that were all shades of the rainbow."[25] Initially the crew tried to perform the color correction using a physical process, however after several tries with various chemical processes proved unsatisfactory, it became necessary to perform the process digitally.[24]

This was the fifth film collaboration between the Coen Brothers and Deakins, and it was slated to be shot in Mississippi at a time of year when the foliage, grass, trees, and bushes would be a lush green.[25] It was filmed near locations in Canton, Mississippi, and Florence, South Carolina, in the summer of 1999.[26] After shooting tests, including film bipack and bleach bypass techniques, Deakins suggested digital mastering be used.[25] Deakins spent 11 weeks fine-tuning the look, mainly targeting the greens, making them a burnt yellow and desaturating the overall image in the digital files.[11] This made it the first feature film to be entirely color corrected by digital means, narrowly beating Nick Park's Chicken Run.[11]

O Brother, Where Art Thou? was the first time a digital intermediate was used on the entirety of a first-run Hollywood film that otherwise had very few visual effects. The work was done in Los Angeles by Cinesite using a Spirit DataCine for scanning at 2K resolution, a Pandora MegaDef to adjust the color, and a Kodak Lightning II recorder to put out to film.[27]

A major theme of the film is the connection between old-time music and political campaigning in the Southern U.S. It makes reference to the traditions, institutions, and campaign practices of bossism and political reform that defined Southern politics in the first half of the 20th century.

The Ku Klux Klan, at the time a political force of white populism, is depicted burning crosses and engaging in ceremonial dance. The character Menelaus "Pappy" O'Daniel, the governor of Mississippi and host of the radio show The Flour Hour, is similar in name and demeanor to W. Lee "Pappy" O'Daniel,[28] one-time Governor of Texas and later U.S. Senator from that state.[29] W. Lee O'Daniel was in the flour business, and used a backing band called the Light Crust Doughboys on his radio show.[30] In one campaign, W. Lee O'Daniel carried a broom, an oft-used campaign device in the reform era, promising to sweep away patronage and corruption.[31] His theme song had the hook, "Please pass the biscuits, Pappy", emphasizing his connection with flour.[30]

While the film borrows from historical politics, differences are obvious between the characters in the film and historical political figures. The O'Daniel of the movie used "You Are My Sunshine" as his theme song (which was originally recorded by singer and Governor of Louisiana James Houston "Jimmie" Davis[32]), and Homer Stokes, as the challenger to the incumbent O'Daniel, portrays himself as the "reform candidate", using a broom as a prop.


Music was originally conceived as a major component of the film, not merely as a background or a support. Producer and musician T Bone Burnett worked with the Coens while the script was still in its working phases and the soundtrack was recorded before filming commenced.[33]

Much of the music used in the film is period-specific folk music,[9] including that of Virginia bluegrass singer Ralph Stanley.[10] The musical selection also includes religious music, including Primitive Baptist and traditional African American gospel, most notably the Fairfield Four, an a cappella quartet with a career extending back to 1921 who appear in the soundtrack and as gravediggers towards the film's end. Selected songs in the film reflect the possible spectrum of musical styles typical of the old culture of the American South: gospel, delta blues, country, swing and bluegrass.[21][34]

The use of dirges and other macabre songs is a theme that often recurs in Appalachian music[35] ("O Death", "Lonesome Valley", "Angel Band", "I Am Weary") in contrast to bright, cheerful songs ("Keep On the Sunny Side", "In the Highways") in other parts of the film.

The voices of the Soggy Bottom Boys were provided by Dan Tyminski (lead vocal on "Man of Constant Sorrow"), Nashville songwriter Harley Allen, and the Nashville Bluegrass Band's Pat Enright.[36] The three won a CMA Award for Single of the Year[36] and a Grammy Award for Best Country Collaboration with Vocals, both for the song "Man of Constant Sorrow".[12] Tim Blake Nelson sang the lead vocal on "In the Jailhouse Now".[8]

"Man of Constant Sorrow" has five variations: two are used in the film, one in the music video, and two in the soundtrack album. Two of the variations feature the verses being sung back-to-back, and the other three variations feature additional music between each verse.[37] Though the song received little significant radio airplay, it reached #35 on the U.S. Billboard Hot Country Singles & Tracks chart in 2002.[33][38] The version of "I'll Fly Away" heard in the film is performed not by Krauss and Welch (as it is on the CD and concert tour), but by the Kossoy Sisters with Erik Darling accompanying on long-neck five-string banjo, recorded in 1956 for the album Bowling Green on Tradition Records.[39]


The film premiered at the AFI Film Festival on October 19, 2000.[2] It grossed $71,868,327 worldwide off its $26 million budget.[6][5]

Critical reception[edit]

Review aggregation website Rotten Tomatoes gives it a score of 77% based on 151 reviews and an average score of 7.12/10. The consensus reads: "Though not as good as Coen brothers' classics such as Blood Simple, the delightfully loopy O Brother, Where Art Thou? is still a lot of fun."[40] The film holds an average score of 69/100 on Metacritic based on 30 reviews.[41]

Roger Ebert gave two and a half out of four stars to the film, saying all the scenes in the film were "wonderful in their different ways, and yet I left the movie uncertain and unsatisfied".[42]


The film was selected into the main competition of the 2000 Cannes Film Festival.[4]

The film also received two Academy Award nominations at the 73rd Academy Awards: Best Adapted Screenplay and Best Cinematography. Cinematographer Roger Deakins was recognized with both Academy Award and ASC Outstanding Achievement Award nominations for his work on the film.[25]

For his portrayal of Ulysses Everett McGill, George Clooney received the Golden Globe Award for Best Actor – Motion Picture Musical or Comedy. The film was also nominated for the Golden Globe Award for Best Motion Picture – Musical or Comedy.

Soggy Bottom Boys[edit]

The Soggy Bottom Boys are the (fictional) musical group that the main characters form to serve as accompaniment for the film. The name is in homage to the Foggy Mountain Boys, a bluegrass band led by Lester Flatt and Earl Scruggs.[43] In the film, the songs credited to the band are lip-synched by the actors, except that Tim Blake Nelson does sing his own vocals on "In the Jailhouse Now".

The band's hit single is Dick Burnett's "Man of Constant Sorrow", a song that had enjoyed much success prior to the movie's release.[44] After the film's release, the fictitious band became so popular that the country and folk musicians who were dubbed into the film got together and performed the music from the film in a Down from the Mountain concert tour, which was filmed for TV and DVD.[9] This included Ralph Stanley, John Hartford, Alison Krauss, Emmylou Harris, Gillian Welch, Chris Sharp, and others.


  1. ^ Roderick Jaynes is the shared pseudonym used by the Coen brothers for their editing.


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  43. ^ Temple Kirby, Jack (November 5, 2009). Mockingbird Song: Ecological Landscapes of the South. UNC Press. p. 314. ISBN 978-0807876602.
  44. ^ "Man of Constant Sorrow (trad./The Stanley Brothers/Bob Dylan)". Man of Constant Sorrow. Retrieved November 2, 2007.

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