Odysseas Elytis

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Odysseas Elytis
Odysseas Elytis in 1974
Odysseas Elytis in 1974
BornOdysseas Alepoudellis
(1911-11-02)2 November 1911
Heraklion, Republic of Crete
Died18 March 1996(1996-03-18) (aged 84)
Athens, Greece
Alma materUniversity of Athens
(no degree)[1]
Literary movementRomantic modernism, Generation of the '30s[2]
Notable awardsNobel Prize in Literature

Odysseas Elytis (Greek: Οδυσσέας Ελύτης [oðiˈseas eˈlitis], pen name of Odysseas Alepoudellis, Greek: Οδυσσέας Αλεπουδέλλης; 2 November 1911 – 18 March 1996) was a Greek poet, man of letters, essayist and translator, regarded as the definitive exponent of romantic modernism in Greece and the world. He is one of the most praised poets of the second half of the twentieth century,[3] with his Axion Esti "regarded as a monument of contemporary poetry".[4] In 1979, he was awarded the Nobel Prize in Literature.[5]


The family of Elytis (Alepoudelis), 1917

Descendant of the Alepoudelis, whose name going back was Alepos and even further back connected to the revolutionary Lemonis in Lesbos. Panayiotis Alepoudelis together with his younger brother Thrasyboulos, both born in the village Kalamiaris of Panagiouthas of Lesbos established the industries of their soap manufacturing and olive oil production in Heraklion Crete in 1895. In 1897 Panagyiotis married Maria E Vrana 1880-1960 from the village Papados of Geras, Lesbos. From this union and as the last of six siblings Odysseas was born in the early hours of 2 November 1911. He is pictured on the far left wearinga sailor's uniform in the photo of his family.The Alepoudelis later moved to Athens, where his father re-situated the soap factory in Piraeus. In 1918 his older sister and first born Myrsene (1898-1918) died in the Spanish influenza. While on summer holidays from their Athens home as guests on the island of Spetses in the Haramis home in the St Nicolaos neighbourhood his own father also died in the summer of 1925 from pneumonia. Later the poet graduated from high school and successfully passed the difficult entrance exams to law school at University of Athens. Elytis had initial aspirations to become a lawyer but did not sit for his final examinations and did not get his legal qualification. He also had expressed aspirations to become a painter in the manner of the surrealists but his family quickly thwarted this idea.[6]

In 1935 Elytis published his first poem in the journal New Letters (Νέα Γράμματα) at the prompting of such friends as George Seferis. In the same year he also became a lifelong friend of writer and psychoanalyst Andreas Embiricos, who allowed him to have access to his vast library of books. In 1977 two years after the death of his friend Elytis wrote a tribute book to Embiricos from within the commonalities that founded their ideas aptly titled "Reference to Andreas Embiricos" and originally published by Tram publishers Thessaloniki. His entry to the magazine "New Letters" in 1935 was in November which was the 11th issue and with his pseudonym Elytis established therein. With a distinctively earthy and original form in his expression Elytis assisted to inaugurate a new era in Greek poetry and its subsequent reform after the Second World War.[6]

From 1969 to 1972, under the Greek military junta of 1967–1974, Elytis exiled himself to Paris after he was offered money from the junta which he refused by avoiding it and leaving the country.[6] In Paris he lived with the English philologist lyricist and musicologist Marianina Kriezi 1947-2022, who subsequently produced and hosted the legendary children's radio broadcast "Here Lilliput Land". Kriezi was extraordinary having published a book of poems at the age of fourteen. There is speculation that Kriezi and Elytis were secretly married in Paris but with their return to Greece their French marriage bore invalidity and they separated, never divorcing. When Elytis died however he was buried wearing the silver wedding band that had the name "Marianina" engraved inside it. The silver ring is on the cover of "Analogies of Light" within a picture that shows only the author's hands writing inside a book. Ivar Ivask also noted the presence of the photo of Kriezi [a muse inside a silver frame across from the photo of his mother] in the home of Elytis when editing the aforementioned book. On the day he died three photographs of women that he had loved and influenced him were in his small apartment. In his bedroom the black and white photo of his mother was by his left bedside table and the photo of Kriezi taken in Paris on the table facing that. In the living room on the top of a dresser drawer was the photo of the enigmatic yet pretty Anita Mozas who had a yellow carnation and a red rose flower adorning her chignon in a semi profile colour picture.The CHC Radio had sent her to Greece to obtain an interview from Elytis and that is how they met. There is speculation that Anita Mozas [born 1957 Toronto Ontario Canada to Constantine and Paraskevi] had been to Elytis what Dora Maar had been to Picasso.And this would mean that she understood him better than others.They had first met when the CBC[Canadian Broadcasting Corporation] had sent Anita Mozas to interview him in January 1980.

The war[edit]

In 1937 he served his military requirements. As an army cadet, he joined the National Military School in Corfu. He assisted Frederica of Hanover off the train and on to Greek soil personally when she arrived from Germany to marry hereditary Prince Paul. During the war he was appointed Second Lieutenant, placed initially at the 1st Army Corps Headquarters, then transferred to the 24th Regiment, on the first-line of the battlefields. Elytis was sporadically publishing poetry and essays after his initial foray into the literary world.[6]

He was a member of the Association of Greek Art Critics, AICA-Hellas, International Association of Art Critics.[7]

Programme director for ERT[edit]

He was twice Programme Director of the Greek National Radio Foundation (1945–46 and 1953–54), Member of the Greek National Theatre's Administrative Council, President of the Administrative Council of the Greek Radio and Television as well as Member of the Consultative Committee of the Greek National Tourists' Organisation on the Athens Festival. In 1960 he was awarded the First State Poetry Prize, in 1965 the Order of the Phoenix and in 1975 he was awarded the Doctor Honoris Causa in the Faculty of Philosophy at Thessaloniki University and received the Honorary Citizenship of the Town of Mytilene.


In 1948–1952 and 1969–1972 he lived in Paris. There, he audited philology and literature seminars at the Sorbonne and was well received by the pioneers of the world's avant-garde (Reverdy, Breton, Tzara, Ungaretti, Matisse, Picasso, Francoise Gilot, Chagall, Giacometti) as Tériade's most respected friend. Teriade was simultaneously in Paris publishing works with all the renowned artists and philosophers (Kostas Axelos, Jean-Paul Sartre, Francoise Gilot, René Daumal) of the time. Elytis and Teriade had formed a strong friendship that solidified in 1939 with the publication of Elytis first book of poetry entitled "Orientations". Both Elytis and Teriade hailed from Lesbos and had a mutual love of the Greek painter Theophilos. Starting from Paris he travelled and subsequently visited Switzerland, England, Italy and Spain. In 1948 he was the representative of Greece at the International Meetings of Geneva, in 1949 at the Founding Congress of the International Art Critics Union in Paris and in 1962 at the Incontro Romano della Cultura in Rome.[6]

In 1961, upon an invitation of the State Department, he traveled through the USA; and — upon similar invitations — through the Soviet Union. Elytis did not like Yevgeny Yevtushenko when they were introduced but liked Voznesensky and his poetry in 1963. He visited Bulgaria in 1965.[6]


Odysseas Elytis had been completing plans to travel overseas to see Anita Mozas in Toronto when he died of a heart failure in Athens on 18 March 1996, at the age of 84. In the last eight years of his life he lived with a companion, poetess Ioulita Iliopoulou [nee Sofia Iliopoulou, daughter of Dimitrios and Demetra July 1, 1965] who was 53 years his junior. Iliopoulou inherited his immovable property in real estate which consisted of four apartments and the trustee power of copyrights to his work. Elytis was survived in his bloodline by his niece Myrsene[from his oldest brother Theodoros born 1900{ and his next in line older brother Evangelos. This brother[born 1909=2002} also received a writ of condolence from the mayor of Athens on behalf of the nation at the funeral at the First Cemetery of Athens


"Greek the language they gave me; poor the house on Homer's shores."

-"To Axion Esti" (1959)

Elytis' poetry has marked, through an active presence of over forty years, a broad spectrum of subject matter and stylistic touch with an emphasis on the expression of that which is rarefied and passionate. He borrowed certain elements from Ancient Greece and Byzantium but devoted himself exclusively to today's Hellenism, of which he attempted—in a certain way based on psychical and sentimental aspects—to reconstruct a modernist mythology for the institutions. His main endeavour was to rid people's conscience from unjustifiable remorses and to complement natural elements through ethical powers, to achieve the highest possible transparency in expression and finally, to succeed in approaching the mystery of light, the metaphysics of the sun of which he was a "worshiper" -idolater by his own definition. A parallel manner concerning technique resulted in introducing the inner architecture, which is evident in a great many poems of his; mainly in the phenomenal landmark work It Is Truly Meet (Το Άξιον Εστί). This work due to its setting to music by Mikis Theodorakis as an oratorio, is a revered anthem whose verse is sung by all Greeks for all injustice, resistance and for its sheer beauty and musicality of form. Elytis' theoretical and philosophical ideas have been expressed in a series of essays under the title The Open Papers (Ανοιχτά Χαρτιά). Besides creating poetry he applied himself to translating poetry and theatre as well as a series of collage pictures. Translations of his poetry have been published as autonomous books, in anthologies or in periodicals in eleven languages.



  • Orientations (Προσανατολισμοί, 1939)
  • Sun The First Together With Variations on A Sunbeam (Ηλιος ο πρώτος, παραλλαγές πάνω σε μιαν αχτίδα, 1943)
  • An Heroic And Funeral Chant For The Lieutenant Lost In Albania (Άσμα ηρωικό και πένθιμο για τον χαμένο ανθυπολοχαγό της Αλβανίας, 1962)
  • To Axion Esti—It Is Worthy (Το Άξιον Εστί, 1959)
  • Six Plus One Remorses For The Sky (Έξη και μια τύψεις για τον ουρανό, 1960)
  • The Light Tree And The Fourteenth Beauty (Το φωτόδεντρο και η δέκατη τέταρτη ομορφιά, 1972)
  • The Sovereign Sun (Ο ήλιος ο ηλιάτορας, 1971)
  • The Trills of Love (Τα Ρω του Έρωτα, 1973)
  • Villa Natacha {published in Thessaloniki by Tram and dedicated to E Terade 1973]
  • The Monogram (Το Μονόγραμμα, 1972)
  • Step-Poems (Τα Ετεροθαλή, 1974)
  • Signalbook (Σηματολόγιον, 1977)
  • Maria Nefeli (Μαρία Νεφέλη, 1978)
  • Three Poems under a Flag of Convenience (Τρία ποιήματα με σημαία ευκαιρίας 1982)
  • Diary of an Invisible April (Ημερολόγιο ενός αθέατου Απριλίου, 1984)* Krinagoras (Κριναγόρας, 1987)
  • The Little Mariner (Ο Μικρός Ναυτίλος, 1988)
  • The Elegies of Oxopetra (Τα Ελεγεία της Οξώπετρας, 1991)
  • West of Sadness (Δυτικά της λύπης, 1995)
  • Eros, Eros, Eros: Selected and Last Poems (Copper Canyon Press, 1998) (translated by Olga Broumas)

Prose, essays[edit]

  • The True Face and Lyrical Bravery of Andreas Kalvos (Η Αληθινή φυσιογνωμία και η λυρική τόλμη του Ανδρέα Κάλβου, 1942)
  • 2x7 e (collection of small essays) (2χ7 ε (συλλογή μικρών δοκιμίων))
  • (Offering) My Cards To Sight (Ανοιχτά χαρτιά (συλλογή κειμένων), 1973)
  • The Painter Theophilos (Ο ζωγράφος Θεόφιλος, 1973)
  • The Magic Of Papadiamantis (Η μαγεία του Παπαδιαμάντη, 1975)
  • Report to Andreas Empeirikos (Αναφορά στον Ανδρέα Εμπειρίκο, 1977)
  • Things Public and Private (Τα Δημόσια και τα Ιδιωτικά, 1990)
  • Private Way (Ιδιωτική Οδός, 1990)
  • Carte Blanche («Εν λευκώ» (συλλογή κειμένων), 1992)
  • The Garden with the Illusions (Ο κήπος με τις αυταπάτες, 1995)
  • Open Papers: Selected Essays (Copper Canyon Press, 1995) (translated by Olga Broumas and T. Begley)

Art books[edit]

  • The Room with the Pictures (Το δωμάτιο με τις εικόνες, 1986) – collages by Odysseas Elytis, text by Evgenios Aranitsis


  • Second Writing (Δεύτερη γραφή, 1976)
  • Sappho (Σαπφώ)
  • The Apocalypse (by John) (Η αποκάλυψη, 1985)

Translations of Elytis' work[edit]

  • Poesie. Procedute dal Canto eroico e funebre per il sottotenente caduto in Albania. Trad. Mario Vitti (Roma. Il Presente. 1952)
  • 21 Poesie. Trad. Vicenzo Rotolo (Palermo. Istituto Siciliano di Studi Bizantini e Neoellenici. 1968)
  • Poèmes. Trad. Robert Levesque (1945)
  • Six plus un remords pourle ciel. Trad. F. B. Mache (Fata Morgana. Montpellier 1977)
  • Körper des Sommers. Übers. Barbara Schlörb (St. Gallen 1960)
  • Sieben nächtliche Siebenzeiler. Übers. Günter Dietz (Darmstadt 1966)
  • To Axion Esti – Gepriesen sei. Übers. Günter Dietz (Hamburg 1969)
  • The Axion Esti. Tr. E. Keeley and G. Savidis (Pittsburgh 1974 – Greek & English)(repr. London: Anvil Press, 1980 – English only)
  • Lofwaardig is. Vert. Guido Demoen (Ghent 1989–1991)
  • The Sovereign Sun: selected poems. Tr. K. Friar (1974; repr. 1990)
  • Selected poems. Ed. E. Keeley and Ph. Sherrard (1981; repr. 1982, 1991)
  • Maria Nephele, tr. A. Anagnostopoulos (1981)
  • Çılgın Nar Ağacı, tr. C. Çapan (Istanbul: Adam Yayınları, 1983)
  • What I love: selected poems, tr. O. Broumas (1986) [Greek & English texts]
  • To Àxion Estí, tr. Rubén J. Montañés (Valencia: Alfons el Magnànim, 1992) [Catalan & Greek edition with notes]
  • The Collected Poems of Odysseus Elytis, Tr. Jeffrey Carson & Nikos Sarris (The Johns Hopkins University Press, 1997, 2004)
  • The Oxopetra Elegies and West of Sorrow , Tr. David Connolly (Harvard University Press - 2014) (Greek & English texts)


  1. ^ Nelly Ismailidou, "The path to being a successful person doesn't always go through college", To Vima, August 29, 2010.
  2. ^ Eleni Kefala (2007). Peripheral (Post) Modernity. Peter Lang. ISBN 0820486396. p. 160.
  3. ^ The Collected Poems of Odysseus Elytis. Baltimore and London: The Johns Hopkins University Press. 1997. pp. xv. ISBN 0-8018-4924-1.
  4. ^ Haviaras, Stratis (1991). "Review of Selected Poems, 1938-1988". Harvard Book Review (19/20): 18. ISSN 1080-6067. JSTOR 27545560.
  5. ^ "The Nobel Prize in Literature 1979". NobelPrize.org. Retrieved 2020-09-22.
  6. ^ a b c d e f Odysseus Elytis – Biographical. nobelprize.org
  7. ^ Association of Greek Art Critics, International Association of Art Critics. "AICA-HELLAS History". Archived from the original on 2008-05-11.


  • From Nobel Lectures, Literature 1968–1980, Editor-in-Charge: Tore Frängsmyr, Editor: Sture Allén, World Scientific Publishing Co., Singapore, 1993.

Further reading[edit]

  • Mario Vitti: Odysseus Elytis. Literature 1935–1971 (Icaros 1977)
  • Tasos Lignadis: Elytis' Axion Esti (1972)
  • Lili Zografos: Elytis – The Sun Drinker (1972); as well as the special issue of the American magazine Books Abroad dedicated to the work of Elytis (Autumn 1975. Norman, Oklahoma, U.S.A.)
  • Odysseas Elytis: Analogies of Light. Ed. I. Ivask (1981)
  • A. Decavalles: Maria Nefeli and the Changeful Sameness of Elytis' Variations on a theme (1982)
  • E. Keeley: Elytis and the Greek Tradition (1983)
  • Ph. Sherrard: 'Odysseus Elytis and the Discovery of Greece', in Journal of Modern Greek Studies, 1(2), 1983
  • K. Malkoff: 'Eliot and Elytis: Poet of Time, Poet of Space', in Comparative Literature, 36(3), 1984
  • A. Decavalles: 'Odysseus Elytis in the 1980s', in World Literature Today, 62(l), 1988
  • I. Loulakaki-Moore: Seferis and Elytis as Translators. (Oxford: Peter Lang, 2010)

External links[edit]