|Born||Olga Leonardovna Knipper
21 September [O.S. 9 September] 1868
Glazov, Vyatka Governorate, Russian Empire
|Died||22 March 1959 (aged 90)
Moscow, Soviet Union
Olga Leonardovna Knipper-Chekhova (Russian: Ольга Леонардовна Книппер-Чехова; 21 September [O.S. 9 September] 1868 – 22 March 1959) was a Russian Empire and Soviet stage actress. She was married to Anton Chekhov.
Knipper was among the 44 original members of the Moscow Art Theatre when it was formed by Constantin Stanislavski in 1898. She played Arkadina in The Seagull (1898), played Elena in the Moscow premiere of Uncle Vanya (1899), and was the first to play Masha in Three Sisters (1901) and Madame Ranevskaya in The Cherry Orchard (1904). Knipper married Anton Chekhov, the author of these plays, in 1901. Knipper-Chekhova played Ranevskaya again in 1943, when the theatre marked the 300th performance of The Cherry Orchard. The German actress Olga Chekhova was her niece and the Soviet composer Lev Knipper was her nephew.
Olga Leonardovna Knipper was born on the 21 September [O.S. 9 September] 1868 in Glazov to Leonard and Anna Knipper. Though both of her parents were of German origin, her father wasted no time in claiming Russia as their family heritage. Around the time of Olga's birth, her father, Leonard, was in charge of a factory in a small town north-east of European Russia called Glazov. Two years after Olga was born, her family moved to Moscow where they became accustomed to an upper-middle-class lifestyle. Growing up in between her two brothers, Konstantin and Vladimir, Olga was pampered extensively. She attended a private school for girls, was fluent in French, German, and English, and took music and singing lessons after rigorous schooling days. Olga showed considerable promise as a painter and was her own accompanist on the piano when she entertained friends and family at dinner parties. Her father, however, who was anxious to conform to the social conventions of his adopted country, made it very clear at an early age that Olga's aspirations in life should be confined to marrying well and becoming a house-wife. Her mother, Anna Ivanovna, though very talented as a singer and pianist, was also forced to give up any hopes of pursuing a professional career in the arts and felt that Olga had to do the same.
In 1894, Olga's father died unexpectedly, leaving the 25-year-old and her mother troubled by the outstanding debts he left behind from living well beyond their means. Olga and her mother both began giving music and singing lessons to make ends meet. They also dismissed four of their five servants, and moved into a smaller flat. Olga's hopes of becoming a successful stage actress had not yet diminished. Going ahead with her intentions without her mother's approval and giving up her social circle relations was a sacrifice Olga was willing to make: "Whenever in my life I really wanted something, and really believed in the possibility of achieving what I wanted and acted energetically, I always succeeded and never regretted going my own way", she wrote.
She enrolled briefly into the Maly Theatre's drama school, although she dropped out one month later. With the help of her reluctant mother, Olga enrolled at the Philharmonic School, where she was taught by the future co-founder of the Moscow Art Theatre, Vladimir Nemirovich-Danchenko. Nemirovich introduced Knipper and fellow student Vsevolod Meierhold (who would later become one of the most prominent figures of Russian theatre after the Revolution) to Constantin Stanislavski.
Told in strict confidence, Nemirovich confessed to Knipper and Meierhold that he and Stanislavski were planning the creation of a new theatre company. Nemirovich assured the two actors that they would be invited to join this company and to help lead it to greatness. After many weeks, enough capital was finally secured to found the new company. The company gathered in Pushkino, where Stanislavski addressed Knipper and the other members, telling them that he hoped they had all come to dedicate their lives to creating the "first rational, moral, and universally accessible theatre in Russia."
While rehearsing for The Seagull on the 9th of September, Olga's 30th birthday, she met Russia's most eligible literary bachelor and playwright of The Seagull, Anton Chekhov, then 38. Knipper and Chekhov exchanged telegrams and letters for the next few years, while Olga became more familiar with Chekhov's younger sister, Masha. Random letters of teasing and playfulness became letters of love and deep remorse that they lived so far apart from each other. Olga's true colors shone throughout her letters of correspondence. Her ill-moods, volatile tempers, combined with her sporadic high spirits, kept Chekhov on his toes. In the winter of 1900, Chekhov returned from Yalta and headed to Moscow, with a new play that he had written with a 'dear actress' in mind. "What a part I’ve got for you in Three Sisters. Give me ten rubles and you can have it, otherwise I’ll give it to another actress", Chekhov wrote to Olga.
Many similarities existed between Olga Knipper and the character Chekhov wrote for her in Three Sisters, Masha. Knipper was to play the middle of three sisters and one brother. The only married sibling of the foursome and "the most original and talented of the three sisters. To portray a young woman of culture and refinement, who speaks French, German and English, and is a first-class pianist" was no problem for Knipper who already acquired those skills. Knipper received much praise for her portrayal as Masha, much to Chekhov's amusement.
Anton Chekhov and Olga Knipper eventually married on 25 May 1901 at the Church of the Exaltation of the Cross. It was a spur of the moment, small wedding about which hardly anyone knew, including Chekhov's mother and sister, and Olga's mother. Many close friends and family were hurt by the secrecy. Their marriage ended when Chekhov died of tuberculosis in 1904.
- Pitcher, Harvey. Chekhov's Leading Lady: a Portrait of the Actress Olga Knipper. New York and London: Franklin Watts, 1980.