Davis claimed that On the Corner was an attempt at reconnecting with the young African American audience which had largely forsaken jazz for such groove-based idioms as soul, funk and rock. Much to his chagrin, the album's commercial success was as limited as that of other albums since Bitches Brew, topping the Billboard jazz chart and only peaking at #156 in the more heterogeneous Billboard 200.
Buckmaster and Davis also recorded the song "Ife" in a session during the same period. The song failed to make On The Corner but instead appeared on Big Fun in 1974; it is possible that it wasn't included on the previous because of time constraints.
^"Miles Davis first heard Stockhausen's music in 1972, and its impact can be felt in Davis's 1972 recording On the Corner, in which cross-cultural elements are mixed with found elements." Barry Bergstein "Miles Davis and Karlheinz Stockhausen: A Reciprocal Relationship." The Musical Quarterly 76, no. 4. (Winter): p. 503.
^In Davis' autobiography he states that "I had always written in a circular way and through Stockhausen I could see that I didn't want to ever play again from eight bars to eight bars, because I never end songs: they just keep going on. Through Stockhausen I understood music as a process of elimination and addition" (Miles, New York: Simon & Schuster, 1989, p. 329)
^"In June of 1980, Miles Davis was joined by the German composer Karlheinz Stockhausen in the studios of Columbia Records; the recording of this collaboration is still unissued." Barry Bergstein "Miles Davis and Karlheinz Stockhausen: A Reciprocal Relationship" The Musical Quarterly Vol. 76, No. 4 (Winter, 1992), p. 502