Once in a Lifetime (Talking Heads song)
|"Once in a Lifetime"|
Cover art of UK 7" vinyl single
|Single by Talking Heads|
|from the album Remain in Light|
|Released||February 2, 1981|
|Format||7", 12", CD|
|Genre||New wave, post-punk, funk|
|Writer(s)||David Byrne, Brian Eno, Chris Frantz, Jerry Harrison, Tina Weymouth|
|Talking Heads singles chronology|
"Once in a Lifetime" is a 1981 song by new wave band Talking Heads, released as the first single from their fourth studio album Remain in Light. The song was written by David Byrne, Brian Eno, Chris Frantz, Jerry Harrison, and Tina Weymouth, and produced by Eno. It was named one of the 100 most important American musical works of the 20th century by National Public Radio and is also included in The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll.
Background and production
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The creation of the sound
Brian Eno introduced Fela Kuti's multiple rhythm music style to the band, and during production Eno used a different rhythm count for some members of the group than others, starting on the "3" instead of the "1." It gave the song what Eno called "a funny balance within it. It has really two centers of gravity: their '1' and my '1.'" This rhythm imbalance was exaggerated in the studio, and is present throughout the song. Jerry Harrison developed the synthesizer line and added the Hammond organ climax, taken from the Velvet Underground's "What Goes On".
As the song essentially consisted of a repetitive two-bar groove (with the pattern reversed between the verse and chorus) Eno decided to approach the production by allowing each of the band members to record overdubs of different rhythmic and musical ideas independently of each other, with each member being kept blind to what the others had recorded on tape. In the final mix, Eno faded between these independent ideas at different parts of the song. This is very much in keeping with his production technique of Oblique Strategies.
At first, Eno sang nonsense verb sound blocks, which Byrne then converted into lyrics in the "call-and-response" style of American radio evangelists on the theme of moving through life with little awareness or questioning. On the way he spoke them Byrne has said: "Most of the words in 'Once in a Lifetime' come from evangelists I recorded off the radio while taking notes and picking up phrases I thought were interesting directions. Maybe I'm fascinated with the middle class because it seems so different from my life, so distant from what I do. I can't imagine living like that." Some of these evangelist recordings also made their way onto the 1981 album My Life in the Bush of Ghosts, by Byrne and Eno.
This speaking style was also the basis for his approach of starting several consecutive lines with the same phrases "And you may find yourself...", and with the chorus singing in part "letting the days go by, let the water hold me down," the song presents a existential mood to it. According to AllMusic critic Steve Huey, one of the main themes of the lyrics is "the drudgery of living life according to social expectations, and pursuing commonly accepted trophies (a large automobile, beautiful house, beautiful wife)." Although the singer has these trophies, he begins to question whether they are real and how he got them. This leads him to question further the reality of his life itself, providing the existential element.
Eno wasn't particularly fond of the song, and it was almost dropped from the album before he came up with the vocal melody for the chorus, which "saved" it.
Release and reception
At the time of its original release, the song gained modest chart success, peaking at #14 on the UK Singles Chart and at #31 in the Dutch singles chart. While the song failed to chart on the U.S. Billboard Hot 100 chart, various American 80s format radio stations have come to programming it in their playlists over the years. It was also an early MTV staple and was one of the most heavily played videos upon MTV's debut in August 1981.
The music video features a bespectacled David Byrne in a tight-fitting suit and bowtie, appearing out of breath but still dancing around, much like a marionette against a video representation of blue/green waving field, possibly a liquid. Speaking the lyrics he makes sudden jerking movements and flings his arms, taps his head and gets onto his hands and knees to make patting gestures near the floor. Later, against a blank white background, smaller video images of himself appear, behind him, dancing in perfect synchrony; in the foreground, he gets progressively out of sync with the rhythm of the song, as the background occasionally flashes with segments old films with tribal dancing and ritualistic arm and body gestures, similar to his own.
At the end a serene Byrne appears, dressed in white , but also chanting. The closing shot sees the original Byrne, small against the entire video colourfield, appearing to be waving for help, but then fading into the water.
Many of Byrne's mannerisms, such as the physical spasms, unfocused eye movements, and sharp intakes of breath, were inspired by his choreographer Toni Basil, after showing him footage of epilepsy sufferers and also viewing footage of various tribal religious rituals from around the world, incorporating some of their movements as well, in keeping with the "unconscious religious lyrics."
Stop Making Sense
Talking Heads' performance of Once in a Lifetime in their 1984 concert film Stop Making Sense is notable for its almost 4-minute long, unbroken chiaroscuro shot of Byrne performing the song. This version was remixed to remove the live audience and was released as a single, peaking at #91 on the U.S. Billboard Hot 100.
"We used to have so much fun playing this song live," Chris Frantz remarks in the liner notes of Once in a Lifetime: The Best of Talking Heads. "It was a soaring feeling, and the audience was right there with us."
In popular culture
|This section does not cite any sources. (February 2016)|
||This section appears to contain trivial, minor, or unrelated references to popular culture. (February 2016)|
- The live version plays over the opening and closing titles of the 1985 comedy film Down and Out in Beverly Hills
- Kermit the Frog performed the song on a 1996 episode of Muppets Tonight
- The original version is featured in the films Rock Star, Hot Tub Time Machine and Reagan, and in trailers for the films The Family Man, W. and Wreck-It Ralph.
- David Byrne – lead vocals, guitar
- Jerry Harrison – synthesizers, organ
- Tina Weymouth – bass
- Chris Frantz – drums
|Australian Singles Chart||23|
|Canadian Singles Chart||28|
|Dutch Singles Chart||24|
|Irish Singles Chart||16|
|UK Singles Chart||14|
|US Billboard Hot 100||103|
|Dutch Singles Chart||22|
|New Zealand Singles Chart||15|
|US Billboard Hot 100||91|
- NPR 100
- "Once in a Lifetime" National Public Radio broadcast, March 27, 2000 The 100 most important American musical works of the 20th century
- Huey, S. "Once in a Lifetime". Allmusic. Retrieved 2014-03-30.
- Gittens, I. (2004). Talking Heads: Once in a Lifetime : the Stories Behind Every Song. Hal Leonard. pp. 68–71. ISBN 9780634080333.
- "Chart Stats – Talking Heads". Chart Stats. Archived from the original on July 24, 2012. Retrieved August 13, 2011.
- "Discografie Talking Heads". Dutchcharts.nl (in Dutch). Retrieved August 13, 2011.
- "Once in a Lifetime by Talking Heads Songfacts". The Top 13. Retrieved August 13, 2011.
- "The Top 13 Videos from MTV's First Day". The Top 13. Retrieved August 13, 2011.
- "The Hot 100: Week of May 3, 1986". Billboard.com. Retrieved April 28, 2015.
- "Discography Talking Heads". Australian-charts.com. Retrieved August 13, 2011.
- "Talking Heads Top Singles positions". RPM. Retrieved August 13, 2011.
- "Talking Heads > Charts & Awards > Billboard Singles". Allmusic. Retrieved August 13, 2011.
- "Discography Talking Heads". Charts.org.nz. Retrieved August 14, 2011.
- "Once in a Lifetime" music video on MTV.com (Windows Media Video format)
- NPR 100 reviews the song's genesis and legacy on March 27, 2000
- NPR interviews David Byrne on the occasion of the Once in Lifetime box set release on November 18, 2003
- Lyrics of this song at MetroLyrics