One False Move

From Wikipedia, the free encyclopedia
Jump to: navigation, search
One False Move
One false move.JPG
Theatrical release poster
Directed by Carl Franklin
Produced by Jesse Beaton
Ben Myron
Written by Billy Bob Thornton
Tom Epperson
Music by Peter Haycock
Derek Holt
Terry Plumeri
Cinematography James L. Carter
Edited by Carole Kravetz
Distributed by I.R.S. Releasing
Release dates
  • May 8, 1992 (1992-05-08)
Running time
105 minutes
Country United States
Language English
Box office $1,543,112

One False Move is a 1992 American thriller film co-written by Billy Bob Thornton. The film stars Thornton alongside Bill Paxton and Cynda Williams and was directed by Carl Franklin. The low-budget B-movie was to be released straight to home video when it was finished, but became popular through word of mouth, convincing the distributor to give the film a theatrical release. Film critic Gene Siskel voted this film as his favorite of 1992.


The film opens with three criminals - Ray (Billy Bob Thornton), an immoral and slightly neurotic thief, Fantasia (Cynda Williams), Ray's less violent girlfriend and Pluto (Michael Beach), an intelligent yet psychopathic killer. After Fantasia sets up several friends, Ray and Pluto commit six brutal murders over the course of one night in Los Angeles, with the intention of finding a cache of money and cocaine. The trio leaves town for Houston to sell the cocaine to a friend of Pluto's.

The LAPD start investigating the case, with two detectives, Dud Cole (Jim Metzler) and John McFeely (Earl Billings) taking the helm. After getting a few good leads, they discover that the three are possibly headed for Star City, Arkansas. The LAPD contacts the Star City police chief, Dale "Hurricane" Dixon (Bill Paxton). Dixon is not what they expect. Dixon often talks too much, listens too little, and takes things for granted. Dixon is excited about the case, as it gives him an opportunity to do "some real police work". Dixon is well known throughout the small county, saying hello to everyone - except one five-year-old black child whom he occasionally sees. Whenever he sees this particular child, Dixon becomes quiet and uncomfortable.

The detectives travel to Star City and meet up with Dixon. Dixon attempts to ingratiate himself with the LAPD detectives, whom he reveres.

Meanwhile, Ray, Fantasia, and Pluto are headed to Houston. They are pulled over by a state trooper. The trooper, acting on a hunch, orders Pluto and Ray out of the car at gunpoint. However, Fantasia sneaks up behind the trooper and shoots him in the head.

Word of the trooper's murder gets to the detectives in Star City, and the trio look over surveillance photos of Ray and Fantasia in a convenience store before the murder. Dixon informs the cops that Fantasia's real name is Lila Walker. Lila grew up in Star City, Dixon says, and was a troubled youth who left for Hollywood with dreams of an acting career.

The detectives sense there is more to the story. The detectives stop by Lila's relatives' house. There they see the young boy that makes Dixon so uncomfortable. The boy is revealed to be Lila's young son. The detectives get the feeling that Lila is coming home to see him.

Ray, Lila and Pluto arrive in Houston to sell the drugs as planned. Lila takes a bus ahead from Houston to Star City while Pluto and Ray stay behind to work the coke deal. The Houston coke deal goes terribly sour for Ray and Pluto, who then have to kill three more people and flee the city. The two drive from Houston to Star City to meet up with Lila and plan their next move.

Lila arrives in town and hides out at a rural house; she gets to see her son before she must flee. When Lila's time with her son is up, Dixon confronts her, and it is revealed that the boy is Dixon and Lila's son, conceived during an affair he and Lila had years before. After much tense conversation, they make a deal. Lila will lure Ray and Pluto to ensure their capture. In exchange, Dixon will help Lila escape town.

Pluto and Ray arrive at the house and are immediately confronted by an armed Dixon. Pluto stabs Dixon in the stomach and Dixon shoots Pluto at point blank range. Ray draws his gun and runs outside while shooting at Dixon. The two fire at each other outside, but Lila stops Dixon from killing Ray only to have Ray errantly shoot her in the head. Dixon is shot in the chest, but steadies himself and shoots Ray to death. Pluto walks outside and falls dead in the grass. Dixon calls for help with his police radio and the LAPD detectives (and Lila's son) arrive, amazed at the work he has done. Dixon and Lila's son walks over and talks to Dixon, and he asks the boy about himself.


Critical reaction[edit]

One False Move has a score of 98% "Fresh" on Rotten Tomatoes based on 45 reviews. Hal Hinson, writing for the Washington Post July 18, 1992, praised the film: ""One False Move" is a thriller with a hair-trigger sense of tension. Directed by newcomer Carl Franklin, its power comes from the stripped-down simplicity of its style and the unblinking savagery of its violence." Film critic Roger Ebert praised the film's director in his review: "It is a powerful directing job. He starts with an extraordinary screenplay and then finds the right tones and moods for every scene, realizing it's not the plot we care about, it’s the people." The film was nominated for the Grand Prix of the Belgian Syndicate of Cinema Critics.

External links[edit]