Oratory of San Pellegrino

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Oratory of San Pellegrino
Oratorio di San Pellegrino
Bominaco-OratorioDiSanPellegrino 17.JPG
Frescos
Oratory of San Pellegrino is located in Abruzzo
Oratory of San Pellegrino
Oratory of San Pellegrino
42°14′35″N 13°39′39″E / 42.243047°N 13.660833°E / 42.243047; 13.660833Coordinates: 42°14′35″N 13°39′39″E / 42.243047°N 13.660833°E / 42.243047; 13.660833
LocationBominaco (Caporciano)
CountryItaly
DenominationCatholic
History
StatusOratory
Architecture
Functional statusActive
StyleMedieval
Completed1263
Administration
DioceseArchdiocese of L'Aquila

Oratorio di San Pellegrino (Italian for Oratory of San Pellegrino) is a medieval oratory in the village of Bominaco, in the municipality of Caporciano in the Province of L'Aquila (Abruzzo).[1][2]

History[edit]

The oratory was part of a Benedictine monastery that was established in the Carolingian era. An inscription on the back wall indicates it was constructed in 1263, commissioned by Abbot Teodino. [3] The oratory was believed to have been constructed over the tomb of San Pellegrino of Syria, a saint evidently highly regarded in this area, but little is known about him.

UNESCO declared the oratory a World Heritage Site in 1996.

Architecture[edit]

An eighteenth-century porch marks the front facade, while a bell tower tops the back.[4] The small space (18.7 x 5.6m) comprises a single nave with ogival vaults in 4 bays. (Interior of Oratory) It is lit by three small windows on each side and rosette windows on the front and back facades. The space is divided by a half wall that must have served to separate lay visitors from the monks. The interior walls are entirely covered with frescoes, which date to the late 13th century.

Frescoes[edit]

4 rows of frescoes decorate the walls. At the lowest level are faux hanging curtains. Above, 3 rows of narratives represent scenes from the childhood of Christ, the Passion, the Last Judgment, the lives of St. Pellegrino and other saints, and months of the calendar. It has been suggested that a Charlemagne cycle was also included (now fragmentary).[5] The apex of the vaults is covered with bands of geometric patterns. At least 3 different artists are thought to have produced the paintings, which owe a strong debt to Byzantine-Roman medieval traditions.[6] Scholars have also noted a strong interest in lively naturalism in many of the frescoes, suggesting influences of northern Gothic art.[7]

References[edit]

  1. ^ "Oratorio di San Pellegrino" (in Italian). Regione Abruzzo. Archived from the original on June 17, 2016. Retrieved May 14, 2016.
  2. ^ Mammarella, Luigi (1989). "Santa Maria di Bominaco". Abbazie e monasteri benedettini in Abruzzo (in Italian). Cerchio (AQ): Adelmo Polla Editore. pp. 138–139. ISBN 88-7407-026-8.
  3. ^ http://www.storiadellarte.com/articoli/guida/AFFRESCHI%20ORATORIO%20DI%20SAN%20PELLEGRINO.html
  4. ^ http://www.storiadellarte.com/articoli/guida/AFFRESCHI%20ORATORIO%20DI%20SAN%20PELLEGRINO.html
  5. ^ Baschet, Jérôme.Lieu sacré, lieu d'images. Les fresques de Bominaco (Abruzzes, 1263) : thèmes, parcours, fonctions. « Images à l'appui » n° 5, Paris, éd. La Découverte-Ecole française de Rome, 1992, p. 101-106.
  6. ^ Carli, Enzo. Arte in Abruzzo. Naples, 1998, p. 15-47; Della Valle, Mauro. "Osservazioni sui cicli pittorici di San Pellegrino a Bominaco e di Santa Maria ad Cryptas di Fossa in Abruzzo." ACME [Annali della Facoltà di Lettere e Filosofia dell’Università degli Studi di Milano] 59 (2006): 101-158.
  7. ^ http://www.regione.abruzzo.it/xcultura/index.asp?modello=pitturaAq&servizio=xList&stileDiv=monoLeft&template=intIndex&b=menuPiMe2102&tom=102


External links[edit]