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The Orkhon inscriptions Azerbaijani: Orxon-Yenisey abidəsi, Turkish: Orhun Yazıtları also known as Orhon Inscriptions, Orhun Inscriptions, and the Khöshöö Tsaidam monuments (Mongolian: Хөшөө цайдам, also spelled Khoshoo Tsaidam, Koshu-Tsaidam) are two memorial installations erected by the Göktürks written in Old Turkic alphabet in the early 8th century in the Orkhon Valley in Mongolia. They were erected in honor of two Turkic princes, Kul Tigin and his brother Bilge Khagan.
The inscriptions, in both Chinese and Old Turkic, relate the legendary origins of the Turks, the golden age of their history, their subjugation by the Chinese, and their liberation by Bilge Khagan. In fact, according to one source, the inscriptions contain "rhythmic and parallelistic passages" that resemble that of epics.
Discovery and translation
The inscriptions were discovered by Nikolay Yadrintsev's expedition in 1889, published by Vasily Radlov. The original text was written in Old Turkic alphabet and was deciphered by the Danish philologist Vilhelm Thomsen in 1893. Vilhelm Thomsen first published the translation in French in 1899. He then published another interpretation in Danish in 1922 with a more complete translation.
Orkhon Valley is a region on the western Orkhon River in Mongolia, near Ögii Lake. More specifically, they stand about fifty miles north of the Erdene Zuu Monastery, and approximately twenty-five miles northwest of the Ordu-Baliq.
Before the Orkhon Inscriptions were deciphered by Vilhelm Thomsen, very little was known about Turkic script. The scripts are the oldest form of a Turkic language to be preserved. When the Orkhon inscriptions were first discovered, it was obvious that they were a runic type of script that had been discovered at other sites, but these versions also had a clear form, similar to an alphabet. When Vilhelm Thomsen deciphered the translation it was a huge stepping stone in understanding old Turkic script. The inscriptions provided much of the foundation for translating other Turkic writings. The scripts follow an alphabetical form, but also appear to have strong influences of rune carvings. The inscriptions are a great example of early signs of nomadic society's transitions from use of runes to a uniform alphabet, and influenced that of the Uighur script and Sogdian language.
Both inscriptions are part of the Orkhon Valley Cultural Landscape UNESCO world heritage site in Mongolia. TIKA (Turkish International Cooperation and Development Agency) showed interest in the site in the late 20th century and finalized their project to restore and protect all three inscriptions. Since 2000, over 70 archeologists from around the world (specifically from Mongolia and Turkey) have studied the area and performed excavations. The site is now protected by fences with buildings for research work and storage of artifacts. The total cost of the project is around 20 million dollars and eventually will include the building of a museum to house the inscriptions and other recently discovered artifacts.
They were erected by the Göktürks in the early 8th century. They commemorate the brothers Bilge Khagan (683-734) and Kul-Tegin (684-731), one a politician and the other a military commander. Both were descendants of Inel Qaghan of the Second Turkic Khaganate, which was a prominent Turkic nomadic society during the Tang dynasty.
The Göktürks have left artifacts and installations all over their domain, from China to Iran. But only in Mongolia have any memorials to kings and other aristocrats been found. The ones in Khöshöö Tsaidam consist of tablets with inscriptions in Chinese and Old Turkic characters. Both monuments are stone slabs originally erected on carved stone turtles within walled enclosures. Bilge Khagan's stone shows a carved ibex (the emblem of Göktürk Kagans) and a twisted dragon. In both enclosings, evidence of altars and carved depictions of human couples were found, possibly depicting the respective honorary and his spouse.
The Old Turkic inscriptions on these monuments, together with the Tonyukuk inscription, are the oldest extant attestation of that language. The inscriptions clearly show the sacred importance of the region, as evidenced by the statement, "If you stay in the land of the Ötüken, and send caravans from there, you will have no trouble. If you stay at the Ötüken Mountains, you will live forever dominating the tribes!"
Content of the inscriptions
A full English translation of the inscriptions may be found here: The Orkhon Inscriptions: Being a Translation of Professor Vilhelm Thomsen's Final Danish Rendering
The two monuments themselves have engravings on all four sides. However, some of the script was not preserved, or is missing, and therefore only portions of the original message remain. What follows is a summary of the most complete section of the inscriptions.
One translation of the first and second monuments seem to indicate that the text continues from one side to other.
The first portion of the Turkic translations seems to be Bilge Khagan discussing the commemoration of the tablet, as well as mentioning the extent of the empire. One passage reads, "To the East I have made campaigns as far as the Shantung plain, and almost reached the sea; to the South I have made campaigns as far as Tokuz-Ersin and almost reached Tibet; to the West I have made campaigns beyond Yenchii-Iigiiz (The Pearl River) as far as Timir-Kapig (The Iron Gate); to the North I have made campaigns as far as the land of the Yer-Bayirku's. To all these lands have I led (the Turks). The forest of Mount Otiikin has no [foreign] overlord; the forest of Mount Otiikin is the place where the kingdom is held together." Continuing on, the inscriptions discuss the conquests of the Bilge Khagan and the struggles that he and his people face with the Chinese. The inscriptions even describe the Turks being enslaved by the Chinese.
However, the inscriptions also highlight Bilge Khagan's accomplishment of uniting his people. As one passage reads, "By the will of Heaven, and because I was greatly deserving and it so brought it about, I brought the dying people back to life; for the naked people I found clothing, the poor people I made rich, the scanty people I made numerous. I have made the other, which has a kingdom and a kagan, to stand higher. All the peoples in the four quarters of the world I have brought to keeping the peace and making an end of hostilities; they all have obeyed me, and serve me."
The rest of the inscriptions are broken up and sporadic, but seem to detail the conquests against the Kirghiz and the Tangut peoples and also the death of Kul-Tegin in battle, and eventually the succession of Bilge Khagan by his son.
Relations with the Chinese
The inscriptions seem to have mixed views on Tang Chinese influence. On the one hand, it seems to contain the view that the Turks despise the Chinese. It appears as though Bilge Khagan wanted to distinguish his people from the Chinese in order to remain a strong independent society. In the inscription Bilge Khagan reprimands those Turks who have been influenced by Chinese culture and have adopted a Chinese way of life. As one passage reads, "Because of want of harmony between the begs and the people, and because of the Chinese people's cunning and craft and its intrigues, and because the younger and the elder brothers chose to take counsel against one another and bring discord between begs and people, they brought the old realm of the Turkic people to dissolution, and brought destruction on its lawful kagans. The sons of the nobles became the bondsmen of the Chinese people, their unsullied daughters became its slaves. The Turkic begs gave up their Turkic names, and bearing the Chinese names of Chinese begs they obeyed the Chinese Emperor, and served him during fifty years. For him they waged war in the East towards the sun's rising, as far as Bokli kagan, in the West they made expeditions as far as Taimirkapig; for the Chinese Emperor they conquered kingdoms and power. The whole of the common Turkic people said thus: 'I have been a nation that had its own kingdom; where is now my kingdom? For whom do I win the kingdoms? said they. I have been a people that had its own kagan; where is my kagan? Which kagan is it I serve?'"
The claimed enslavement of the Turks also did not help the reputation of the Chinese. Bilge Khagan seems to blame the Chinese for the disunion of his Turkic state. This Turkic view of the Chinese seems to be negative.
However, the translation also reveals a degree of diplomacy with the neighboring Chinese, as evidenced by his statement, "While I have ruled here, I have become reconciled with the Chinese people. The Chinese people, who give in abundance gold, silver, millet, and silk, have always used ingratiating words and have at their disposal enervating riches. While ensnaring them with their ingratiating talk and enervating riches, they have drawn the far-dwelling peoples nearer to themselves. But after settling down near them these we have come to see their cunning."
Bilge Khagan also references the hiring of Chinese artists when he claims, "From the Chinese Emperor I have had artists to come, and have set them to work. My request has not been refused. They have sent the Chinese Emperor's court painters. I have bidden them set up a separate hall, and inside and out I have had them to make various paintings. I have had the stone hewn; that which lay in my heart to utter I have. Understand to see this all as far as the suns and subjects of the Ten Arrows. I have had the memorial stone hewn." To further complicate the already muddled view of the Chinese, the inscriptions contain both Turkic and Chinese translations. Thus, the inscription contains evidence that Bilge Khagan had cultural interaction with the Tang dynasty.
- Old Turkic alphabet
- Bilge Khagan
- Kul Tigin
- History of the Turkic peoples
- Bain Tsokto inscriptions
- Tariat inscriptions
- Sükhbaatar inscriptions
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- Orkhon inscriptions - descriptions, runic texts, transcriptions and translations (select "texts"), as well as drawings and photos
- Omniglot: Old Turkic Language
- Orkhon Inscriptions Text
- Bilge Kağan's Memorial Complex - description, drawings, photos