Orville Lloyd Douglas

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Orville Lloyd Douglas
Born (1976-09-26) September 26, 1976 (age 40)
Toronto, Ontario
Occupation Essayist, writer
Alma mater York University
Genre non-fiction, journalism, poetry

Orville Lloyd Douglas (born September 26, 1976) is a Canadian, essayist, poet, and writer.


Orville Lloyd Douglas was born in Toronto, Ontario to Jamaican parents. He graduated from York University with two Bachelor of Arts degrees. He completed his first Bachelor's degree in History and the second Bachelor's degree with honours in Sexuality Studies. Douglas' work focuses on the tensions and intersections of race, gender, class, and sexuality.

He has contributed to several Canadian and international publications, including The Hill, Film International, TheRoot.com, Washington Blade, The Guardian, ColorLines, Word Magazine, The New Zealand Herald, Georgia Straight, The Toronto Star, Xtra!, NOW, Library Journal, and The Philadelphia Inquirer.

Douglas' first volume of poetry, You Don't Know Me, was published by TSAR Publications. It is no longer in print. The book explored many polemical issues such as death, drug abuse, male prostitution, suicidal idealization, suicide, depression, identity, love, homophobia in Caribbean culture, and gay racism.

Douglas' second poetry volume, Under My Skin, was published by Guernica Editions on May 15, 2014.

In 2006, Douglas' piece "TV Still Stereotyping black women" was published in the The Philadelphia Inquirer. His perspective is the character Dr. Bailey on the ABC drama Grey's Anatomy is the stereotypical loudmouth and overweight black mammy. He also criticized the ABC talk show The View for engendering the racist stereotype of making television host Star Jones a modern Aunt Jemima.[1]

In 2007, Douglas' fifteen-minute radio documentary The Good Son, was broadcast across Canada on the CBC Radio One program Outfront.[2] The first section of the documentary was an interwoven quilt of Douglas reading his poetry and interviewing his father. The second part of the documentary was a monologue as Douglas talks about his frustrations. He explores issues such as homophobia in the black community, the pernicious hypocrisy and gay racism in the homosexual culture, heterosexual marriage, family discord, and racism against black men.

Douglas' poetry has been featured in the The Maple Tree Supplement, Wilderness House Literary Review, SNR Review, The Vermilion Literary Project,Pedestal Magazine. His poetry has also appeared in the Seminal (2007), the first anthology of gay male Canadian poetry, published by Arsenal Pulp Press. His verse has also been featured in The Venomed Kissed, an Incarnate Muse Press anthology exploring issues of childhood emotional and psychological abuse.

In the essay "Shades of Blackface", published in The New Zealand Herald, Douglas criticizes Angelina Jolie for taking the female lead in the film A Mighty Heart. Douglas argues that since the real Mariane Pearl is what he terms a "bi-racial" woman an actress of similar heritage such as Thandie Newton should have had the role instead of a white actress. Pearl, a multi-racial woman, is the daughter of a Dutch-Jewish father and an Afro-Chinese-Cuban mother.[3][4][5]

He expands his thoughts about Hollywood racism and sexism against black women in The Georgia Straight opinion article "Is White the New Black?"[6]

The essay "Is Madea A Drag Queen?" appeared in the July/August 2009 issue of ColorLines. Douglas perspective is Tyler Perry's movies parrots a black gay aesthetic, reinforcing racist and sexist stereotypes about black heterosexual women and black gay men.[7]

The article "Same Sex Marriage's Colour Bar" published in The Guardian, challenges the stereotype that the gay community is a monolithic group. He argues it is hypocritical and racist for the white gay elite to complain about homophobia in the mainstream culture, yet discriminate against gay people of colour.[8]

In the piece "The Slighting of Serena Williams" featured in The Guardian, Douglas argues that the white American tennis establishment has a history of disrespecting African American tennis champion Serena Williams . His perspective is, the hostility the white media have towards Serena Williams is rooted in racism and sexism because she is a black woman dominating women's tennis, which is still a white sport.[9]

In September 2013, Douglas's essay "Why I won't be watching The Butler & 12 Years A Slave" was published in The Guardian. Douglas criticized Hollywood for having a lack of imagination and making derivative Oscar bait black dramatic films about slavery. He also accused Hollywood of being heterosexist and creating films that only focus on black heterosexuals and ignoring black gays and lesbians.[10] Douglas piece caused an uproar in the African American community. Black writer Michael Arceneaux wrote a rebuttal essay "We Don't Need To Get Over Slavery…Or Movies About Slavery". Arceneaux criticized Douglas for being ignorant and having an apathetic attitude towards black Americans and slavery.[11] November 9, 2013, Douglas' piece "Why I Hate Being A Black Man" was published in The Guardian. The piece examines Douglas' conflicting feelings about being a black man and the negative perception and stereotypes of black males in Canada.[12] November 16, 2013, CNN host Don Lemon interviewed Douglas about the article.[13]

November 22, 2013, Douglas article "White Privilege Keeps Crack Smoking Mayor in Office", was published on the African American website TheRoot.com. The piece examined the reticence of the Canadian media to discuss Toronto mayor Rob Ford's white privilege and the issue of race in the crack scandal.[14]

February 2014, Douglas wrote an article for The Hill, criticizing the focus of black history month only focusing on black heterosexuals while ignoring black LGBT people. According to Douglas, the erasure of queer black history is due to homophobia in the black community.[15]

Douglas' March 22, 2017 article in Film International criticizes Moonlight and similar films by noting that "the suffering is about homosexuality, race, drug addiction, crime, and poverty. Black family dysfunction is the key for black films that want white critical acclaim and success."[16]



  • You Don't Know Me (2005)
  • Under My Skin (2014)


  • Seminal (2007)
  • The Venomed Kissed (2009)

Radio documentaries[edit]

  • "The Good Son" – CBC Radio – 2007


  1. ^ Philly.com
  2. ^ "CBC Radio – Outfront". Archived from the original on October 21, 2007. Retrieved 2013-09-30. 
  3. ^ Mariane Pearl (August 2006). "The woman who gave me my strength". Glamour magazine.  Note: this article is also on the Institute for Jewish & Community Research website (link).
  4. ^ Heller McAlpin (October 2, 2003). "Collateral Damage". Christian Science Monitor. 
  5. ^ Andrew O'Hehir (May 21, 2007). "Beyond the Multiplex". Salon.com. Retrieved 2007-06-16. 
  6. ^ Straight.com
  7. ^ Colorlines.com
  8. ^ "Same-sex marriage's colour bar". The Guardian. London. July 3, 2009. Retrieved 2010-05-20. 
  9. ^ "The slighting of Serena Williams". The Guardian. London. November 14, 2010. 
  10. ^ The Guardian
  11. ^ "We Don't Need To Get Over Slavery…Or Movies About Slavery". Newsone.com. Retrieved 2013-09-30. 
  12. ^ The Guardian
  13. ^ Mediaite.com
  14. ^ TheRoot.com
  15. ^ The Hill
  16. ^ Film International

External links[edit]