The term Ostalgie (along with the phrase "soviet chic") is also occasionally used to refer to nostalgia for life under the socialist system in other former communist countries of Central and Eastern Europe: Slovakia, Czech Republic, Hungary, Poland and the Soviet Union.
After the fall of the Berlin Wall in 1989 and the German reunification that followed a year later, many of the symbols of the German Democratic Republic were swept away. Almost all GDR brands (DDR in German) of products disappeared from the stores and were replaced by Western products. However, after some time most of the Eastern Germans began to miss more or less aspects of their former lives (like culture or the known brand marks). Ostalgie particularly refers to the nostalgia for aspects of regular daily life and culture in the former GDR, which disappeared after reunification.
Indeed, ostalgie could be inspired by the longing of the Ossis (German for "Easterners", a term for former GDR citizens) for the social system and the sense of community of the GDR. When the renowned West-German magazine Der Spiegel asked former GDR-inhabitants whether the GDR "had more good sides than bad sides", 57% of them answered yes. To the statement of the interviewing journalist that "GDR inhabitants did not have the freedom to travel wherever they wanted", Germans replied that "present-day low-wage workers do not have that freedom either".
Many businesses in Germany cater to those who feel Ostalgie and have begun providing them with artifacts that remind them of life under the GDR; artifacts that imitate the old ones. Available again are brands of East German foodstuffs, old state television programmes on video tape and DVD, and the previously widespread Wartburg and Trabant cars. In addition, life in the GDR has been the subject of several films, including Leander Haußmann's Sonnenallee (1999), Wolfgang Becker's internationally successful Good Bye, Lenin! (2003), Carsten Fiebeler's Kleinruppin forever (2004).
Those seeking the preservation of East German culture banded together to save the "Eastern Crosswalk Man" (Ost-Ampelmännchen), an illuminated depiction of a man wearing a "perky", "cheerful" and potentially "petit bourgeois" hat (inspired by a summer photo of Erich Honecker in a straw hat) in crosswalk lights. Many German cities in and near the former East German border, including Berlin, Lübeck and Erfurt, still retain the use of the Ampelmännchen at all or some pedestrian crossings due to its cultural relevance, and many souvenirs sold in East Germany and in Berlin make use of the icon.
- Ampelmännchen: the waiting/walking man used in East German pedestrian traffic lights, which became a distinctive mascot for the Ostalgie movement
- Culture of the German Democratic Republic
- Die anderen Bands
- Good Bye, Lenin!: A satirical film involving a post-reunification deception. (2002)
- Sonnenallee: Film that has been accused of "glorifying" the GDR (1999)
- The Legend of Rita: Film precursor of Ostalgie (2000)
- The Lives of Others: Film that could be seen as a counterpoint to Ostalgie (2006)
- Trabant: East German automobile produced until 1991; for some, an icon of East Germany.
- Vita Cola: an example of a product revived by Ostalgie
- Yugo-nostalgia: a similar phenomenon in the former Yugoslavia
- Banchelli, Eva: Taste the East: Linguaggi e forme dell'Ostalgie, Sestante Edizioni, Bergamo 2006, ISBN 88-87445-92-3.
- Banchelli, Eva: Ostalgie: eine vorläufige Bilanz, in Fabrizio Cambi (Hg.): Gedächtnis und Identitat. Die deutsche Literatur der Wiedervereinigung, Würzburg, Koenigshausen & Neumann, 2008, pp. 57–68.
- Berdahl, Daphne: On the Social Life of Postsocialism: Memory, Consumption, Germany (2009)
- Rota, Andrea: Testi pubblicitari ostalgici: una breve analisi semiotica, In Linguistica e filologia 24/2007, pp. 137–152, ISSN|1594–6517.
- See, for instance Daphne Berdahl, "Ostalgie for the Present: Memory, Longing and East German Things" Ethnos, 1999
- Julia Bonstein, "Homesick for a Dictatorship", in: Der Spiegel, 27/2009
- "Ostalgiker Uwe Steimle bezeichnet sich als Kleinbürger". Hannoversche Allgemeine Zeitung (in German). 12 October 2012. Retrieved 16 January 2016.
- "East Germany's iconic traffic man turns 50". The Local. 13 October 2013. Retrieved 18 May 2014.
- Williams, Carol J. (April 28, 1999), "Quaint Crosswalk Symbol Starts a German Movement", Los Angeles Times,
He's dorky and thought a bit sexist, but 'Ossie' endures as a sign that not all things East should go kaput.
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- "Ostalgie", post from The New York Times
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