Ozric Tentacles live in Zagreb, 2004
|Genres||Psychedelic rock, neo-psychedelia, space rock, progressive rock, jazz fusion, instrumental rock, electronica, psytrance, dub, world music, livetronica, ambient music, ethnic electronica|
|Labels||Dovetail, Snapper, Stretchy, Magna Carta, Madfish|
|Associated acts||Eat Static, Nodens Ictus, Here & Now, Invisible System|
Ozric Tentacles (also known as The Ozrics) are an English instrumental rock band, whose music incorporates elements from a diverse range of genres, including psychedelic rock, progressive rock, space rock, jazz fusion, electronic music, dub music, world music, and ambient music. Formed in Somerset in 1983, the band has released over 30 albums selling over a million copies worldwide despite never having signed to a major recording label. Throughout many line-up changes over the years, co-founder and guitarist Ed Wynne has remained the only original member of the band. The band is now credited as one of the major influences of the UK festival scene's re-emergence, becoming particularly associated with the Glastonbury Festival and their handmade series of cassette releases, mostly sold at gigs and through a fan club.
- 1 History
- 2 Musical style
- 3 Discography
- 4 Band members
- 5 Miscellaneous
- 6 References
- 7 External links
The Cassette Years: 1983–1989
Ozric Tentacles formed at the Stonehenge Free Festival in 1983, where the brothers Ed and Roly Wynne, along with drummer Nick "Tig" Van Gelder and keyboardist Joie Hinton, performed as a group originally known as Bolshem People. After playing a six-hour jam session, the group was asked the name of their band, to which Ed Wynne replied, "Ozric Tentacles". The name being one of the suggestions given in a humorous conversation about possible names for alien breakfast cereal, hence the references to breakfast cereal in several album titles and covers. According to Wynne, "'Ozric' is an old Viking name meaning 'divine energy', and 'tentacles' is a silly word to put on the end." The music scene in early-mid 1980's England allowed for the band to make use of the re-emergence of free festivals to spread their music. Underground attention for their style of psychedelic rock -- which makes prominent use of synthesizers, guitars, and samplers -- allowed the band to surge. Notoriety spread mostly through the circulation of bootleg cassettes in the early years, which were welcomed by the band.
Gigs were often spontaneous during this period, for the lineup of the Ozrics was incredibly fluid. Shows often consisted of whoever was available to perform that night due to the large number of people within the band. Granted there was power available, the band would often perform for a long duration of time, sometimes until sunrise. It was not uncommon for members of the Ozrics to contribute to other musical collaborations. This practice has stayed with the band since its origination, and has allowed many members to come and go. In 1984, the first major lineup change occurred when second guitarist, Gavin Griffiths, left the band to form The Ulluators with fellow member Joie on keyboards.
The following year saw the first official cassette release of Erpsongs, which originally did not have track titles. This was possibly due to the album being a collection of songs recorded over three years. The next release, Tantric Obstacles, was released the same year and was intended to be more of an album. These early recordings were sometimes consisting solely of Ed Wynne playing the guitars, bass, and synths. All were recorded on a TEAC 4-track reel-to-reel at their attic studio in Rushmere, a converted farmhouse on Wimbledon Common in London. Some tracks on the cassette albums are performed with a drum machine, due to the studio lacking the necessary soundproofing. As a result of two official releases, the band's popularity began to rise. This led to fans sending in blank cassettes with the intent of them being filled with live or unreleased music. The Ozrics obliged. Eventually, the demand became too much for an independent band to manage. This resulted in the third release, Live Ethereal Cereal, being a live compilation album of concerts between 1985 and 1986.
The band's sound began to adopt a wider repertoire of music towards the end of 1986. This is especially illustrated on the fourth cassette release, There is Nothing. Songs now began to highlight a space rock vibe, with flavors of reggae. This, Wynne says, was not intended, but was the result of seeing the band Here & Now perform live. The addition of more world music (through sampling and performing) was the result of Joie Hinton traveling to India and Ed traveling to Thailand. There is also a noticeable rise in quality on the 1986 release of There is Nothing, due to the purchase of a new 8-track tape machine. This allowed for more synth overdubbing and real drum tracks.
More lineup changes than ever before occurred around this time, most notably the addition of the front-man, "Jumping" John Egan and the departure of keyboardist Tom Brooks in 1987. This created a sonic gap for Ed Wynne to fill. Coincidentally, earlier in the year, Ed was busy writing "chill-out music" with his side-project Nodens Ictus, so the idea of improving his own synth skills inspired him. Despite more changes and collaborations, they managed to release Sliding Gliding Worlds in 1988, shortly before drummer Tig Velder departed from the band and was replaced with 21 year old Merv Pepler. 1989 saw the last cassette release by the band with The Bits Between the Bits, which was a collection of unreleased recordings between 1985 and 1989. This was a filler album while the band was preparing for its first vinyl release the same year.
Dovetail Records: 1989–Present
In 1989, the band started their own label, Dovetail Records, with its first release, Pungent Effulgent. The album was originally released on vinyl, but saw a CD release the following year. The band also began to receive commercial recognition around this time. Most notably, the performance with the singer-songwriter Donovan at the Glastonbury Festival on 18 June 1989. This was followed by Erpland in 1990, a double album. According to Ed Wynne, Erpland was recording almost entirely under the influence of psilocybin mushrooms. Next year the band reached their first #1 recognition in the UK Indie Chart with their single "Sploosh!" from Strangeitude. In approximately 1992, the band decided to create their own recording studio to cut down on the costs of recording an album. The studio, coined "The Mill," was refurbished from an old water mill.
The band has gone through myriad line-up changes, with Ed Wynne being the only constant presence since the beginning. In early years, many members left to pursue similar musical projects. Nevertheless, throughout the 1990s and 2000s, the band has released albums with a prolific rate, continues to tour extensively and has maintained its identity and trademark sound. The band is famous for their live performances, in which they have long taken an audiovisual approach with elaborate lighting and projections. Currently, the band features Ed Wynne with his wife Brandi on bass guitar, their son Silas Neptune on keyboards and Hungarian drummer Balázs Szende on drums and percussion.
In June 2012, the Wynnes' house in Colorado was destroyed by wild fires that had ravaged the area for over a week. The band was on tour at the time. Archived material was destroyed as was their studio and some instruments. After the fire, the band sought help from fans to help rebuild the archive.
The music of Ozric Tentacles is a combination of driving basslines, keyboards and intricate guitar work, with a sound influenced by Steve Hillage and Gong. Many of the songs incorporate unusual time signatures and Eastern-influenced modes. Furthermore, the band often utilizes complex arrangements, which include changes in time signature, key and tempo over the course of the track. The arrangements also take influence from funk, jazz fusion, dub, reggae and ambient music. These features are frequently mixed with electronic elements, including densely layered arpeggiated synthesizers, pads, synth basslines, effects and programmed drumbeats. Ozric Tentacles also use a wide range of instruments in their performances. In addition to regular rock band instruments, woodwinds, ethnic percussion, koto, saz and sitar have appeared throughout their music.
According to a number of interviews over the years, the band doesn't listen to music as much as they write and record music. The band, namely Ed, don't find much appeal in pop music. When asked, he will say he listens to "mostly ethnic music," which has had a dramatic impact on the band's overall sound.
The vast majority of their songs are instrumentals. In Ed Wynne's words, this is because, "I've never really liked vocals. Words always get in the way, make everything too specific. Our music is more about creating moods and giving the listener the chance to get whatever they want out of it. Music is better than singing." Exceptions to this would be "Dissolution" off Pungent Effulgent and "Iscense" from the album Erpland. The band's spare use of vocals came primarily when Jumping John Egan was a member. Occasionally during live gigs, he would write poetry and shout it during the song.
Despite the copious amount of lineup changes, the band's musical style has continued to evolve. The nature of the Ozrics being just another creative outlet for its members has allowed over two dozen members to provide their musical input, offering numerous nuanced changes in each album.
Early cassette-only albums
- Erpsongs (1985)
- Tantric Obstacles (1985)
- Live Ethereal Cereal (1986)
- There Is Nothing (1986)
- Sliding Gliding Worlds (1988)
- The Bits Between the Bits (1989)
The first six cassette-only albums were self-released before the band began recording and releasing material on CD under the label. These first six albums were released in 1994 as a CD box-set called Vitamin Enhanced. The albums were later re-released as a series of three double-disc packages, followed by a remastered reissue of the original box in 2014. In 2015, the albums were released as remastered double-LPs.
Ozric Tentacles play psychedelic rock that is based on elements of progressive rock, electronica and world music
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- Pungent Effulgent (1989)
- Erpland (1990)
- Strangeitude (1991)
- Jurassic Shift (1993)
- Arborescence (1994)
- Become the Other (1995)
- Curious Corn (1997)
- Waterfall Cities (1999)
- The Hidden Step (2000)
- Swirly Termination (2000)
- Spirals in Hyperspace (2004)
- The Floor's Too Far Away (2006)
- The Yumyum Tree (2009)
- Paper Monkeys (2011)
- Technicians of the Sacred (2015)
- Live Underslunky (1992)
- Spice Doubt (1998)
- Live at the Pongmaster's Ball (2002)
- Sunrise Festival (2008)
- Live in Italy (2010)
- Live At The Academy Manchester 1992 (2011)
- Live At One World Frome Festival 1997 (2011)
- Live in Oslo (2011)
- Live in Milan (2012)
- Live in Pordenone, Italy (2013)
- Floating Seeds Remixed (1999)
Singles & EPs
- Sploosh! (1991)
- Wob Glass / Neurochasm (1999)
- Oakum (2001)
- Pyramidion (2001)
- Chewier (Eat Static Remix) (2004)
- Xingu (Cosmic Butterfly Remix) (2015)
In addition to the official releases, there are known to exist numerous other obscure or rare recordings from the band's many studio sessions. In the early days, the band even invited fans to send them blank cassettes, which they filled with tracks and returned.
- Ed Wynne – guitars, keyboards, samples, koto, sitar, fretless bass, programming (1983–present)
- Brandi Wynne – bass, keyboards (2004–present)
- Silas Neptune – keyboards, synthesizer, samples, saz (2009–present)
- Balázs Szende – drums, percussion (2012–present)
- Roly Wynne – bass (1983–1992)
- Joie "Ozrooniculator" Hinton – keyboards, samples, synthesizer (1983–1994)
- Nick "Tig" Van Gelder – drums (1983–1988)
- Eddie Myer - bass (1983-1984)
- Tom "Zorch" Brooks – keyboards (1983–1987)
- Gavin Griffiths – guitar (1983–1984)
- Merv Pepler – drums, percussion (1989–1994)
- Marcus "Carcus" Ethnic – percussion (1988–1990, 1993)
- Generator John – drums, percussion (1989–1993)
- "Jumping" John Egan – flute (1987–2005)
- Zia Geelani – bass (1992–2004)
- Steve Everitt – bass, keyboards (1993)
- Conrad "Rad" Prince – drums, percussion (1994–2001)
- Christopher "Seaweed" Lenox-Smith – keyboards, synthesizer (1994–2003)
- Johnny Morgan – drums (2000)
- Stuart "Stu" Fisher – drums, percussion (2000–2004)
- Paul Godfrey – bass (2003–2004)
- Steve Hillage – guitar (2004)
- Harry Waters – keyboards (2004)
- Matt "Metro" Shmigelsky – drums (2004–2005)
- Greyum May – bass (2004–2005)
- Vinny Shillito - Bass (1990 - 1992) (2006 - 2012)
- Alan "Haggis" Haggarty – bass (2005)
- Paul Chousmer – keyboards (2006)
- Oliver Seagle – drums (2006–2013)
- Roy Brosh – drums (2009)
- Paul Hankin – percussion (1985–1991, 2013–2015)
- Roly Wynne was a major force in shaping the Ozric Tentacles sound in the beginning. Roly's later life had been plagued with difficulties until he committed suicide in 1999.
- Gavin Griffiths left the early line-up to form an alternative rock band The Ullulators.
- Harry Waters, the son of former Pink Floyd bassist Roger Waters, toured with the band in 2004.
- Merv Pepler and Joie Hinton formed Eat Static in 1989. They toured in parallel with Ozric Tentacles for several years until 1994, when the two left the band to pursue Eat Static full-time. Pepler and Hinton have also occasionally collaborated with Ed Wynne as Nodens Ictus.
- Christopher "Seaweed" Lenox-Smith was previously a member of the Thunderdogs and Moksha. He worked on numerous parallel projects, being a permanent member in Ozric Tentacles, Eat Static and ZubZub while collaborating with numerous musicians including Marco Lippe of Twenty Four Hours.
- Zia Geelani formed an electronic music project ZubZub after departing Ozric Tentacles in 2004.
- "Jumping" John Egan is now playing with space rock project Dream Machine. He has also played with ZubZub as well as his own band Champignon.
- Stuart "Stu" Fisher was the drummer of Hole and psychedelic rock band Keepers Brew. He is currently running a recording studio.
- Greyum May was the bass player for Firebird and Keepers Brew.
- Paul Godfrey now plays bass in The Cellar Door Sound.
- Paul Chousmer now plays with Another Green World, Webcore, Zuvuya, Astralasia and works as a sound engineer. He is also Musical Director and keyboard player for the Wessex Big Band, and a former lecturer of music at Yeovil College.
- Nick "Tig" Van Gelder played in Jamiroquai in 1992–1993.
- Johnny Morgan is the drummer for Senser, and also played for Moke and Lodestar
The AV-400 MHz NMR machine of the chemistry department of The University of Warwick (UK) is nicknamed "Ozric" in honour of the band allegedly by multinuclear NMR expert and Ozric Tentacles fan Jon Rourke.
- "Features and Interviews > Ozric Tentacles". Musoscribe.com. Archived from the original on 1 April 2012. Retrieved 18 April 2012.
- Cleveland, Barry (1 February 2010). "Ed Wynne Raves On". Guitar Player. Retrieved 6 June 2014.
- "Ozric Tentacles:Band Info:Biography".
- "Ozric Tentacles". 2001-02-09. Archived from the original on 9 February 2001. Retrieved 2017-01-20.
- "Ozric Tentacles -Freakbeat 1990". ozrics.elementfx.com. Retrieved 2018-01-08.
- "Ozric Tentacles Interview with BLACK BOOK". YouTube. Retrieved 2018-01-04.
- "Ozric Tentacles - Tour Dates, Music Downloads". www.ozrics.com. Retrieved 2018-01-04.
- "Sound on Sound Magazine -Aug 1996". ozrics.elementfx.com. Retrieved 2018-01-08.
- Roberts, David (2006). British Hit Singles & Albums (19th ed.). London: Guinness World Records Limited. p. 413. ISBN 1-904994-10-5.
- "High Park Fire". Ozrics.proboards.com. p. 2. Retrieved 29 June 2012.
- "PEPPERMINT IGUANA ozric tentacles interview". Peppermintiguana.co.uk. 21 June 1984. Archived from the original on 15 March 2012. Retrieved 18 April 2012.
- "Get Ready to ROCK! Interviews with Ed Wynne of progressive ambient rock band Ozric Tentacles". Getreadytorock.com. Retrieved 2012-04-18.
- "Article '93 -Jurassic Shift". ozrics.elementfx.com. Retrieved 2018-01-08.
- Review of the album Armi d'istruzione di massa Archived 7 April 2014 at the Wayback Machine.
- "NMR equipment named for instrumental rock group". warwick.ac.uk. Archived from the original on 5 November 2013. Retrieved 5 November 2013.
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