London is the capital city of England and the United Kingdom, and the most populous city in the European Union.
London is one of the world's major business, political and cultural centres. It is a leader in international finance, politics, communications, entertainment, fashion and the arts and has considerable influence worldwide. It is widely regarded as one of the world's major global cities, and has been an important settlement for nearly 2000 years.
London has an estimated population of 8 million (as of 2011metropolitan area population of between 12 and 14 million. London has an extremely cosmopolitan population, drawing from a diverse range of peoples, cultures and religions, speaking over 300 different languages. Residents of London are referred to as Londoners.
) and a
The city is an international transport hub and a major tourist destination, counting iconic landmarks such as the Houses of Parliament, Tower Bridge and Buckingham Palace amongst its many attractions, along with famous institutions such as the British Museum and the National Gallery.
London has three main central business districts: the City of London, the West End in Westminster and Canary Wharf in Docklands. The City of London is the largest financial and business district in Europe.
Only Fools and Horses is a British television sitcom, created and written by John Sullivan, and made and broadcast by the BBC. Seven series were originally broadcast on BBC One in the United Kingdom between 1981 and 1991, with sporadic Christmas specials until 2003. Episodes are regularly repeated on Gold.
Set in Peckham in south London, it stars David Jason as ambitious market trader Derek "Del Boy" Trotter, Nicholas Lyndhurst as his younger brother Rodney, and Lennard Pearce as their aging grandfather (later replaced by Buster Merryfield as their Uncle Albert). Backed by a strong supporting cast, the series chronicles their highs and lows in life, in particular their attempts to get rich.
After a relatively slow start the show went on to achieve consistently high ratings, and the 1996 episode "Time On Our Hands" holds the record for the highest UK audience for a sitcom episode, attracting 24.3 million viewers (over a third of the population).
Samuel Johnson, 20 September 1777. Quoted in The Life of Samuel Johnson, LL.D. (1791) by James Boswell
||When a man is tired of London, he is tired of life; for there is in London all that life can afford.
Edmund Evans (1826–1905) was a prominent English wood engraver and colour printer during the Victorian era. Evans specialized in full-colour printing, which became popular in the mid-19th century. He employed and collaborated with illustrators such as Walter Crane, Randolph Caldecott, Kate Greenaway and Richard Doyle to produce what are now considered to be classic children's books. Although little is known about his life, he wrote a short autobiography before his death in 1905 in which he described his life as a printer in Victorian London.
After finishing an apprenticeship, Evans went into business for himself. By the early 1850s, he had established a reputation as a printer of covers for a type of cheap novels known as yellow-backs. In the early 1860s, he began to print children's toy books and picture books in association with the printing house Routledge and Warne. His intention was to produce books for children that were beautiful and inexpensive. For three decades he produced multiple volumes each year, first illustrated by Crane, and later by Caldecott and Greenaway.
Evans used a woodblock printing technique known as chromoxylography, which was used primarily for inexpensive serialised books and children's books requiring few colours, so as to maximize profits. However, chromoxylography allowed a variety of hues and tones to be produced by mixing colours. The process was complicated and required intricate engraving to achieve the best results. Evans possessed a meticulous eye for detail and used a hand-press and as many as a dozen colour blocks for a single image. He went on to become the preeminent wood engraver and colour printer in Britain during the second half of the 19th century.