Portal:Martial arts

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The Martial Arts Portal

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A fighter preparing to throw his opponent from the lei tai, an elevated fighting area

Martial arts are codified systems and traditions of combat practiced for a number of reasons such as self-defense; military and law enforcement applications; competition; physical, mental, and spiritual development; entertainment; and the preservation of a nation's intangible cultural heritage. (Full article...)

Although the earliest evidence of martial arts goes back millennia, the true roots are difficult to reconstruct. Inherent patterns of human aggression which inspire practice of mock combat (in particular wrestling) and optimization of serious close combat as cultural universals are doubtlessly inherited from the pre-human stage and were made into an "art" from the earliest emergence of that concept. Indeed, many universals of martial art are fixed by the specifics of human physiology and not dependent on a specific tradition or era.

Specific martial traditions become identifiable in Classical Antiquity, with disciplines such as shuai jiao, Greek wrestling or those described in the Indian epics or the Spring and Autumn Annals of China. (Full article...)

Selected articles

  • Image 1 Rhee Taekwon-Do (리태권도; 李跆拳道), also known as Rhee Tae Kwon-Do, Rhee Tae Kwon Do, or Rhee Taekwondo,[a] is a martial art school in Australia[b] teaching the Korean martial art of taekwondo. Its full name is "Rhee International Taekwon-Do (Australia)". Chong Chul Rhee, one of the original masters of taekwondo, founded the school in the mid-1960s. Two of Rhee's brothers, Chong Hyup Rhee and Chong Yoon Rhee, later came to assist him in the 1970s. C. C. Rhee claims the title 'Father of Australian Taekwondo' and Rhee Taekwon-Do is widely publicised as being Australia's first and biggest taekwondo school. It has at least 294 publicly listed dojang (training halls) in Australia, with perhaps around 1,400 dojang in total at its peak. Several Australian martial art school founders received their foundational taekwondo training in Rhee's school. (Full article...)
    Rhee Taekwon-Do (리태권도; 李跆拳道), also known as Rhee Tae Kwon-Do, Rhee Tae Kwon Do, or Rhee Taekwondo,[a] is a martial art school in Australia[b] teaching the Korean martial art of taekwondo. Its full name is "Rhee International Taekwon-Do (Australia)". Chong Chul Rhee, one of the original masters of taekwondo, founded the school in the mid-1960s. Two of Rhee's brothers, Chong Hyup Rhee and Chong Yoon Rhee, later came to assist him in the 1970s.

    C. C. Rhee claims the title 'Father of Australian Taekwondo' and Rhee Taekwon-Do is widely publicised as being Australia's first and biggest taekwondo school. It has at least 294 publicly listed dojang (training halls) in Australia, with perhaps around 1,400 dojang in total at its peak. Several Australian martial art school founders received their foundational taekwondo training in Rhee's school. (Full article...)
  • Image 2 Yoshukai (養秀会, Yōshūkai) karate is a branch discipline of the Japanese/Okinawan martial art, Karate–dō, or "Way of the Empty Hand." The three kanji (Japanese symbols) that make up the word Yoshukai literally translated mean "Training Hall of Continued Improvement." However, the standardized English translation is "Striving for Excellence." Yoshukai Karate has been featured in Black Belt Magazine. (Full article...)
    Yoshukai-Karate emblem, international style.svg

    Yoshukai (養秀会, Yōshūkai) karate is a branch discipline of the Japanese/Okinawan martial art, Karate–dō, or "Way of the Empty Hand."
    The three kanji (Japanese symbols) that make up the word Yoshukai literally translated mean "Training Hall of Continued Improvement." However, the standardized English translation is "Striving for Excellence." Yoshukai Karate has been featured in Black Belt Magazine. (Full article...)
  • Image 3 Shintō Musō-ryū, or Shindō Musō-ryū (神道夢想流), most commonly known by its practice of jōdō, is a traditional school (koryū) of the Japanese martial art of jōjutsu, or the art of wielding the short staff (jō). The technical purpose of the art is to learn how to defeat a swordsman in combat using the jō, with an emphasis on proper combative distance, timing and concentration. The system includes teachings of other weapon systems which are contained in Shintō Musō-ryū as auxiliary arts (Fuzoku ryuha). The school is sometimes abbreviated as SMR. The art was founded by the samurai Musō Gonnosuke Katsuyoshi (夢想 權之助 勝吉, fl. c.1605, dates of birth and death unknown) in the early Edo period (1603–1868) and, according to legend, first put to use in a duel with Miyamoto Musashi (宮本 武蔵, 1584–1645). The original art created by Musō Gonnosuke has evolved and been added upon ever since its inception and up to modern times. The art was successfully brought outside of its original domain in Fukuoka and outside Japan itself in the 19th and 20th century. The spreading of Shintō Musō-ryū beyond Japan was largely the effort of Takaji Shimizu, (1896–1978), considered the 25th headmaster, who, unlike many other traditional martial arts teachers, wanted Jodo to be known and taught internationally. With the assistance of his own students and the cooperation of the kendō community, Shimizu spread Shintō Musō-ryū worldwide. (Full article...)
    Jodo kuri tsuke.jpg
    Shintō Musō-ryū, or Shindō Musō-ryū (神道夢想流), most commonly known by its practice of jōdō, is a traditional school (koryū) of the Japanese martial art of jōjutsu, or the art of wielding the short staff (jō). The technical purpose of the art is to learn how to defeat a swordsman in combat using the jō, with an emphasis on proper combative distance, timing and concentration. The system includes teachings of other weapon systems which are contained in Shintō Musō-ryū as auxiliary arts (Fuzoku ryuha). The school is sometimes abbreviated as SMR.

    The art was founded by the samurai Musō Gonnosuke Katsuyoshi (夢想 權之助 勝吉, fl. c.1605, dates of birth and death unknown) in the early Edo period (1603–1868) and, according to legend, first put to use in a duel with Miyamoto Musashi (宮本 武蔵, 1584–1645). The original art created by Musō Gonnosuke has evolved and been added upon ever since its inception and up to modern times. The art was successfully brought outside of its original domain in Fukuoka and outside Japan itself in the 19th and 20th century. The spreading of Shintō Musō-ryū beyond Japan was largely the effort of Takaji Shimizu, (1896–1978), considered the 25th headmaster, who, unlike many other traditional martial arts teachers, wanted Jodo to be known and taught internationally. With the assistance of his own students and the cooperation of the kendō community, Shimizu spread Shintō Musō-ryū worldwide. (Full article...)
  • Image 4 Japanese swords. Tachi (right), wakizashi (top left), and tsuba (bottom left). A Japanese sword (Japanese: 日本刀, Hepburn: nihontō) is one of several types of traditionally made swords from Japan. Bronze swords were made as early as the Yayoi period (1000 BC – 300 AD), though most people generally refer to the curved blades made after the Heian period (794 – 1185) when speaking of "Japanese swords". There are many types of Japanese swords that differ by size, shape, field of application and method of manufacture. Some of the more commonly known types of Japanese swords are the katana, tachi, odachi, wakizashi, and tantō. (Full article...)
    Japanese swords. Tachi (right), wakizashi (top left), and tsuba (bottom left).

    A Japanese sword (Japanese: 日本刀, Hepburn: nihontō) is one of several types of traditionally made swords from Japan. Bronze swords were made as early as the Yayoi period (1000 BC – 300 AD), though most people generally refer to the curved blades made after the Heian period (794 – 1185) when speaking of "Japanese swords". There are many types of Japanese swords that differ by size, shape, field of application and method of manufacture. Some of the more commonly known types of Japanese swords are the katana, tachi, odachi, wakizashi, and tantō. (Full article...)
  • Image 5 Boxing (also known as "Western boxing" or "pugilism") is a combat sport in which two people, usually wearing protective gloves and other protective equipment such as hand wraps and mouthguards, throw punches at each other for a predetermined amount of time in a boxing ring. Although the term "boxing" is commonly attributed to "western boxing", in which only the fists are involved, boxing has developed in various ways in different geographical areas and cultures. In global terms, boxing is a set of combat sports focused on striking, in which two opponents face each other in a fight using at least their fists, and possibly involving other actions such as kicks, elbow strikes, knee strikes, and headbutts, depending on the rules. Some of the forms of the modern sport are western boxing, bare knuckle boxing, kickboxing, muay-thai, lethwei, savate, and sanda. Boxing techniques have been incorporated into many martial arts, military systems, and other combat sports. (Full article...)
    Boxing (also known as "Western boxing" or "pugilism") is a combat sport in which two people, usually wearing protective gloves and other protective equipment such as hand wraps and mouthguards, throw punches at each other for a predetermined amount of time in a boxing ring.

    Although the term "boxing" is commonly attributed to "western boxing", in which only the fists are involved, boxing has developed in various ways in different geographical areas and cultures. In global terms, boxing is a set of combat sports focused on striking, in which two opponents face each other in a fight using at least their fists, and possibly involving other actions such as kicks, elbow strikes, knee strikes, and headbutts, depending on the rules. Some of the forms of the modern sport are western boxing, bare knuckle boxing, kickboxing, muay-thai, lethwei, savate, and sanda. Boxing techniques have been incorporated into many martial arts, military systems, and other combat sports. (Full article...)
  • Image 6 5th-century terracotta sculpture of wrestlers from Uttar Pradesh, India. Malla-yuddha (Sanskrit: मल्लयुद्ध, IAST: mallayuddha) is the traditional form of combat-wrestling originating in India. It is closely related to Southeast Asian wrestling styles such as naban and is one of the two ancestors of kushti. Indian wrestling is described in the 13th century Malla Purana. Malla-yuddha incorporates wrestling, joint-breaking, punching, biting, choking and pressure point striking. Matches were traditionally codified into four types which progressed from purely sportive contests of strength to actual full-contact fights known as yuddha. Due to the extreme violence, this final form is generally no longer practised. The second form, wherein the wrestlers attempt to lift each other off the ground for three seconds, still exists in south India. Additionally, malla-yuddha is divided into four categories (see below). Each yuddhan is named after Hindu gods and legendary fighters: Hanumanti - concentrates on technical superiority. Jambuvanti - uses locks and holds to force the opponent into submission. Jarasandhi - concentrates on breaking the limbs and joints while fighting. Bhimaseni - focuses on sheer strength. (Full article...)
    5th-century terracotta sculpture of wrestlers from Uttar Pradesh, India.

    Malla-yuddha (Sanskrit: मल्लयुद्ध, IAST: mallayuddha) is the traditional form of combat-wrestling originating in India. It is closely related to Southeast Asian wrestling styles such as naban and is one of the two ancestors of kushti. Indian wrestling is described in the 13th century Malla Purana.

    Malla-yuddha incorporates wrestling, joint-breaking, punching, biting, choking and pressure point striking. Matches were traditionally codified into four types which progressed from purely sportive contests of strength to actual full-contact fights known as yuddha. Due to the extreme violence, this final form is generally no longer practised. The second form, wherein the wrestlers attempt to lift each other off the ground for three seconds, still exists in south India. Additionally, malla-yuddha is divided into four categories (see below). Each yuddhan is named after Hindu gods and legendary fighters:
    • Hanumanti - concentrates on technical superiority.
    • Jambuvanti - uses locks and holds to force the opponent into submission.
    • Jarasandhi - concentrates on breaking the limbs and joints while fighting.
    • Bhimaseni - focuses on sheer strength.
    (Full article...)
  • Image 7 Two kendōka, opponents, in the 2015 European Championships Kendo (剣道, Kendō) is a modern Japanese martial art, descended from kenjutsu (one of old Japanese martial arts, swordsmanship), that uses bamboo swords (shinai) as well as protective armor (bōgu). Today, it is widely practiced within Japan and has spread to many other nations across the world. Kendo is an activity that combines martial arts practices and values with strenuous, sport-like physical activity. (Full article...)
    Two kendōka, opponents, in the 2015 European Championships
    Kendo (剣道, Kendō) is a modern Japanese martial art, descended from kenjutsu (one of old Japanese martial arts, swordsmanship), that uses bamboo swords (shinai) as well as protective armor (bōgu). Today, it is widely practiced within Japan and has spread to many other nations across the world.

    Kendo is an activity that combines martial arts practices and values with strenuous, sport-like physical activity. (Full article...)
  • Image 8 Iaidō (居合道), abbreviated iai (居合), is a Japanese martial art that emphasizes being aware and capable of quickly drawing the sword and responding to sudden attacks. Iaido consists of four main components: the smooth, controlled movements of drawing the sword from its scabbard (or saya), striking or cutting an opponent, shaking blood from the blade, and replacing the sword in the scabbard. While beginning practitioners of iaido may start learning with a wooden sword (bokken) depending on the teaching style of a particular instructor, most of the practitioners use a blunt-edged sword called an iaitō or mogitō. Few, more experienced, iaido practitioners use a sharp-edged sword (shinken). (Full article...)
    Iaidō (居合道), abbreviated iai (居合), is a Japanese martial art that emphasizes being aware and capable of quickly drawing the sword and responding to sudden attacks.

    Iaido consists of four main components: the smooth, controlled movements of drawing the sword from its scabbard (or saya), striking or cutting an opponent, shaking blood from the blade, and replacing the sword in the scabbard. While beginning practitioners of iaido may start learning with a wooden sword (bokken) depending on the teaching style of a particular instructor, most of the practitioners use a blunt-edged sword called an iaitō or mogitō. Few, more experienced, iaido practitioners use a sharp-edged sword (shinken). (Full article...)
  • Image 9 Karate (空手) (/kəˈrɑːti/; Japanese pronunciation: [kaɾate] (listen); Okinawan pronunciation: [kaɽati]) is a martial art developed in the Ryukyu Kingdom. It developed from the indigenous Ryukyuan martial arts (called te (手), "hand"; tii in Okinawan) under the influence of Chinese martial arts, particularly Fujian White Crane. Karate is now predominantly a striking art using punching, kicking, knee strikes, elbow strikes and open-hand techniques such as knife-hands, spear-hands and palm-heel strikes. Historically, and in some modern styles, grappling, throws, joint locks, restraints and vital-point strikes are also taught. A karate practitioner is called a karateka (空手家). The Empire of Japan annexed the Ryukyu Kingdom in 1879. Karate came to mainland Japan in the early 20th century during a time of migration as Ryukyuans, especially from Okinawa, looked for work in the main islands of Japan. It was systematically taught in Japan after the Taishō era of 1912–1926. In 1922, the Japanese Ministry of Education invited Gichin Funakoshi to Tokyo to give a karate demonstration. In 1924, Keio University established the first university karate club in mainland Japan, and by 1932 major Japanese universities had karate clubs. In this era of escalating Japanese militarism, the name was changed from 唐手 ("Chinese hand" or "Tang hand") to 空手 ("empty hand") – both of which are pronounced karate in Japanese – to indicate that the Japanese wished to develop the combat form in Japanese style. After World War II, Okinawa became (1945) an important United States military site and karate became popular among servicemen stationed there. (Full article...)
    Hanashiro Chomo.jpg
    Karate (空手) (/kəˈrɑːti/; Japanese pronunciation: [kaɾate] (listen); Okinawan pronunciation: [kaɽati]) is a martial art developed in the Ryukyu Kingdom. It developed from the indigenous Ryukyuan martial arts (called te (手), "hand"; tii in Okinawan) under the influence of Chinese martial arts, particularly Fujian White Crane. Karate is now predominantly a striking art using punching, kicking, knee strikes, elbow strikes and open-hand techniques such as knife-hands, spear-hands and palm-heel strikes. Historically, and in some modern styles, grappling, throws, joint locks, restraints and vital-point strikes are also taught. A karate practitioner is called a karateka (空手家).

    The Empire of Japan annexed the Ryukyu Kingdom in 1879. Karate came to mainland Japan in the early 20th century during a time of migration as Ryukyuans, especially from Okinawa, looked for work in the main islands of Japan. It was systematically taught in Japan after the Taishō era of 1912–1926. In 1922, the Japanese Ministry of Education invited Gichin Funakoshi to Tokyo to give a karate demonstration. In 1924, Keio University established the first university karate club in mainland Japan, and by 1932 major Japanese universities had karate clubs. In this era of escalating Japanese militarism, the name was changed from 唐手 ("Chinese hand" or "Tang hand") to 空手 ("empty hand") – both of which are pronounced karate in Japanese – to indicate that the Japanese wished to develop the combat form in Japanese style. After World War II, Okinawa became (1945) an important United States military site and karate became popular among servicemen stationed there. (Full article...)
  • Image 10 A fighter leans back to evade a round kick Muay Thai (Thai: มวยไทย, RTGS: muai thai, pronounced [mūa̯j tʰāj] (listen)), sometimes referred to as Thai boxing, is a combat sport that uses stand-up striking along with various clinching techniques. This discipline is known as the "art of eight limbs", as it is characterised by the combined use of fists, elbows, knees and shins. Muay Thai became widespread internationally in the late 20th to 21st century, when Westernised practitioners from Thailand began competing in kickboxing and mixed-rules matches as well as matches under muay Thai rules around the world. The professional league is governed by The Professional Boxing Association of Thailand (P.A.T), sanctioned by The Sports Authority of Thailand (S.A.T.). Muay Thai is related to other martial art styles such as musti-yuddha, Adimurai, muay Chaiya, muay boran, muay Lao, lethwei, pradal serey and tomoi. Muay Thai developed from the traditional muay boran. A practitioner of muay Thai is known as a nak muay. Western practitioners in Thailand are sometimes called nak muay farang, meaning "foreign boxer". (Full article...)
    A fighter leans back to evade a round kick

    Muay Thai (Thai: มวยไทย, RTGS: muai thai, pronounced [mūa̯j tʰāj] (listen)), sometimes referred to as Thai boxing, is a combat sport that uses stand-up striking along with various clinching techniques. This discipline is known as the "art of eight limbs", as it is characterised by the combined use of fists, elbows, knees and shins. Muay Thai became widespread internationally in the late 20th to 21st century, when Westernised practitioners from Thailand began competing in kickboxing and mixed-rules matches as well as matches under muay Thai rules around the world. The professional league is governed by The Professional Boxing Association of Thailand (P.A.T), sanctioned by The Sports Authority of Thailand (S.A.T.).

    Muay Thai is related to other martial art styles such as musti-yuddha, Adimurai, muay Chaiya, muay boran, muay Lao, lethwei, pradal serey and tomoi. Muay Thai developed from the traditional muay boran. A practitioner of muay Thai is known as a nak muay. Western practitioners in Thailand are sometimes called nak muay farang, meaning "foreign boxer". (Full article...)
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Selected biography

Morihei Ueshiba at his Ayabe dojo in 1921.
Morihei Ueshiba (植芝 盛平, Ueshiba Morihei, December 14, 1883 – April 26, 1969) was a Japanese martial artist and founder of the martial art of aikido. He is often referred to as "the founder" Kaiso (開祖) or Ōsensei (大先生/翁先生), "Great Teacher".

The son of a landowner from Tanabe, Ueshiba studied a number of martial arts in his youth, and served in the Japanese Army during the Russo-Japanese War. After being discharged in 1907, he moved to Hokkaidō as the head of a pioneer settlement; here he met and studied with Takeda Sōkaku, the founder of Daitō-ryū Aiki-jūjutsu. On leaving Hokkaido in 1919, Ueshiba joined the Ōmoto-kyō movement, a Shinto sect, in Ayabe, where he served as a martial arts instructor and opened his first dojo. He accompanied the head of the Ōmoto-kyō group, Onisaburo Deguchi, on an expedition to Mongolia in 1924, where they were captured by Chinese troops and returned to Japan. The following year, he had a profound spiritual experience, stating that, "a golden spirit sprang up from the ground, veiled my body, and changed my body into a golden one." After this experience, his martial arts skill appeared to be greatly increased.

Ueshiba moved to Tokyo in 1926, where he set up what would become the Aikikai Hombu Dojo. By now he was comparatively famous in martial arts circles, and taught at this dojo and others around Japan, including in several military academies. In the aftermath of World War II the Hombu dojo was temporarily closed, but Ueshiba had by this point left Tokyo and retired to Iwama, and he continued training at the dojo he had set up there. From the end of the war until the 1960s, he worked to promote aikido throughout Japan and abroad. He died from liver cancer in 1969.

After Ueshiba's death, aikido continued to be promulgated by his students (many of whom became noted martial artists in their own right). It is now practiced around the world. (Full article...)


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Selected entertainment

Mortal Kombat II is a fighting game originally produced by Midway for the arcades in 1993. It was later ported to multiple home systems, including MS-DOS, Amiga, Game Boy, Game Gear, Sega Genesis, 32X, Sega Saturn, Super Nintendo Entertainment System, and PlayStation only in Japan, mostly in licensed versions developed by Probe Entertainment and Sculptured Software and published by Acclaim Entertainment (currently distributed by Warner Bros. Interactive Entertainment).

It is the second entry in the Mortal Kombat series and is the sequel to Mortal Kombat, improving the gameplay and expanding the mythos of the original Mortal Kombat, notably introducing more varied finishing moves (including several Fatalities per character and new finishers, such as Babality and Friendship) and several iconic characters, such as Kitana, Mileena, Kung Lao, Noob Saibot, and the series' recurring villain, Shao Kahn. The game's plot continues from the first game, featuring the next Mortal Kombat tournament set in the otherdimensional realm of Outworld, with the Outworld and Earthrealm representatives fighting each other on their way to challenge the evil emperor Shao Kahn.

The game was an unprecedented commercial success and was acclaimed by most critics, receiving many annual awards and having been featured in various top lists in the years and decades to come, and also caused a major video game controversy due to the series' continuous depiction of graphic violence. Its legacy includes spawning a spin-off game Mortal Kombat: Shaolin Monks and having the greatest influence on the 2011 soft reboot game Mortal Kombat, as well as inspiring numerous video game clones. Non-canonical additions to the series, Mortal Kombat vs. DC Universe and Injustice: Gods Among Us also took place during Mortal Kombat II.


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Selected image


A painting of water jousting.
Credit: Stadtarchiv Halle

Water jousting is a form of jousting where the adversaries, carrying a lance and protected only by a shield, stand on a platform on the stern of a boat. The aim of the sport is to send the adversary into the water whilst maintaining one's own balance on the platform. The boat is propelled by oarsmen or, in some cases, a motor may be used. The sport is practised principally in France and also Switzerland and Germany. (Full article...)


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Selected quote


Efficiency and smooth progress, prudence in all matters, recognizing true courage, recognizing different levels of morale, instilling confidence, and realizing what can and cannot be reasonably expected—such are the matters on the mind of the master carpenter. The principle of martial arts is like this.


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