Paestum contains three of the most well-preserved ancient Greek temples in the world.
|Location||Paestum, Province of Salerno, Campania, Italy|
|Builder||Colonists from Sybaris and/or Troezen|
|Founded||Around 600 BC|
|Periods||Archaic Greece to Middle Ages|
|Management||Soprintendenza per i Beni Archeologici di Salerno, Avellino, Benevento e Caserta|
|Official name||Cilento and Vallo di Diano National Park with the Archeological Sites of Paestum and Velia, and the Certosa di Padula|
|Designated||1998 (22nd session)|
|Region||Europe and North America|
Paestum was a major ancient Greek city on the coast of the Tyrrhenian Sea in Magna Graecia (southern Italy). The ruins of Paestum are famous for their three ancient Greek temples in the Doric order, dating from about 600 to 450 BC, which are in a very good state of preservation. The city walls and amphitheatre are largely intact, and the bottom of the walls of many other structures remain, as well as paved roads. The site is open to the public, and there is a modern national museum within it, which also contains the finds from the associated Greek site of Foce del Sele.
After its foundation by Greek colonists under the name of Poseidonia (Ancient Greek: Ποσειδωνία) it was eventually conquered by the local Lucanians and later the Romans. The Lucanians renamed it to Paistos and the Romans gave the city its current name. As Pesto or Paestum, the town became a bishopric, which is now a Latin Catholic titular see, but was abandoned in the Early Middle Ages, and left undisturbed and largely forgotten until the 18th century.
Today the remains of the city are found in the modern frazione of Paestum, which is part of the comune of Capaccio in the Province of Salerno, Campania, Italy. The modern settlement, directly to the south of the archaeological site, is a popular seaside resort, with long sandy beaches.
- 1 Ancient remains
- 2 History
- 3 Rediscovery
- 4 Coins
- 5 In fiction
- 6 See also
- 7 References
- 8 Sources
- 9 Further reading
- 10 External links
Much the most celebrated features of the site today are the three large temples in the Archaic version of the Greek Doric order, dating from about 600 to 450 BC. All are typical of the period, with massive colonnades with a very pronounced entasis (widening as they go down), and very wide capitals like upturned mushrooms. Above the columns, only the second Temple of Hera retains most of its entablature, the other two having only the architrave in place.
These were dedicated to Hera, Athena and Poseidon (Juno, Minerva and Neptune to the Romans), although they have often been previously identified otherwise, for example as a basilica and a temple of Ceres (Greek Demeter), after 18th-century arguments. The two temples of Hera are right next to each other, while the Temple of Athena is on the other side of the town center. There were other temples, both Greek and Roman, which are far less well-preserved. Paestum is far from any sources of good marble, and the three main temples had few stone reliefs, perhaps using painting instead, and used painted terracotta for some detailed parts of the structure. The large pieces of terracotta that have survived are in the museum.
The whole ancient city of Paestum covers an area of approximately 120 hectares. It is only the 25 hectares that contain the three main temples and the other main buildings that has been excavated. The other 95 hectares remain on private land and have not been excavated. The city is surrounded by defensive walls that still stand. The walls are approximately 4750 m long, 5 – 7 m thick and 15 m high. Positioned along the wall are 24 square and round towers. There may have been up to 28 but some of them were destroyed during the construction of a highway in the 18th century that effectively cuts the site in two.
The central area is completely clear of modern buildings, and has always been largely so since the Middle Ages. Though much stone has been stripped from the site, large numbers of buildings remain detectable by their footings or the lower parts of their walls, and the main roads remain paved. A low-built heroon or shrine memorial to an unknown local hero survived intact; the contents are in the museum. Numerous tombs have been excavated outside the walls.
The main temples
The first Temple of Hera, built around 600 BC by the Greek colonists, is the oldest surviving temple in Paestum. Eighteenth-century archaeologists named it "The Basilica" because some mistakenly believed it to be a Roman building. The original Roman basilica was essentially a civic form of building, before the basilica plan was adopted by the Early Christians for churches. Inscriptions and terracotta statuettes revealed that the goddess worshiped here was Hera. Later, an altar was unearthed in front of the temple, in the open-air site usual for a Greek altar; the faithful could attend rites and sacrifices without entering the cella.
The columns have a very strong entasis or curvature down their length, an indication of an early date. The temple is wider than most Greek temples, probably because there are two doors and a row of seven columns running centrally inside the cella or inner sanctuary, an unusual feature. This may reflect a dual dedication of the temple. Having an odd number of columns, here nine, across the shorter sides is also very unusual; there are eighteen along the longer sides. This was possible, or necessary, because of the two doors, so that neither has a view blocked by a column.
The second Temple of Hera was built around 460–450 BC. It was once thought to be dedicated to Poseidon. The columns do not have a normal 20 flutes on each column but have 24 flutes. The Temple of Hera II also has a wider column size and smaller intervals between columns. The temple was also used to worship Zeus and another unknown god. There are visible on the east side the remains of two altars, one large and one smaller. The smaller one is a Roman addition, built when they cut through the larger one to build a road to the forum. It is also possible that the temple was originally dedicated to both Hera and Poseidon; some offertory statues found around the larger altar are thought to demonstrate this identification.
On the highest point of the town, some way from the other temples, is the Temple of Athena. It was built around 500 BC, and was for some time incorrectly thought to have been dedicated to Ceres. The architecture is transitional, being partly in the Ionic style and partly early Doric. Three medieval Christian tombs in the floor show that the temple was at one time used as a Christian church.
All three temples have undergone some renovation and repair in recent years.
|smARThistory - Ancient Greek Temples at Paestum, Italy|
In the central part of the complex is the Roman Forum, thought to have been built on the site of the preceding Greek agora. On the north side of the forum is a small Roman temple, dated to 200 BC. It was dedicated to the Capitoline Triad, Jupiter, Juno and Minerva.
To the north-east of the forum is the amphitheater. This is of normal Roman pattern, though much smaller than later examples. Only the western half is visible; in 1930 AD, a road was built across the site, burying the eastern half. It is said by local inhabitants that the civil engineer responsible was tried, convicted and received a prison sentence for what was described as wanton destruction of an historic site. There is also a small circular council hall (bouleuterion) or assembly space (ekklesiasterion), with seats in tiers. It was probably never roofed, but had a wall around it, perhaps with a small arcade round the inside. This ceased to have a role in Roman times and was filled over.
The heroon, close to the forum and the Temple of Athena, probably celebrated the founder of the city, though constructed around a century after the death of this unnamed figure. It was a low tumulus with a walled rectangular enclosure faced with large stones around it. When it was excavated in 1954 a low stone chamber with a pitched roof was discovered at the centre, half below the surrounding ground leval and half above. This contained several large, rare and splendid bronze vessels, perhaps not locally-made, and a large Athenian pottery black-figure amphora of about 520-500 BC. The bronze vessels had traces of honey inside. These are all now in the museum.
Just south of the city walls, at a site still called Santa Venera, a series of small terracotta offertory molded statuettes of a standing female nude wearing the polos headdress of Anatolian and Syrian goddesses, which were dated to the first half of the sixth century BC, were found in the sanctuary; other similar ones have been excavated at other Paestum sanctuaries during excavations in the 1980s, but the figure is highly unusual in the Western Mediterranean. The open-air temenos was established at the start of Greek occupation: a temple on the site was not built until the early fifth century. A nude goddess is a figure alien to Greek culture before Praxiteles' famous Cnidian Aphrodite in the fourth century: iconographic analogies must be sought in Phoenician Astarte and the Cypriote Aphrodite. "In places where the Greeks and Phoenicians came in contact with one another, there is often an overlapping in the persona of the two deities," Rebecca Miller Ammerman has explained (Ammerman 1991), in identifying the cult at the site as that of Phoenician Astarte or Cypriot Aphrodite. In Roman times, inscriptions make clear, the cult was reserved to Venus.
The roof of the heroon chamber, after the tumulus was removed
The ekklesiasterion or council chamber
Paestum is also renowned for its painted tombs, mainly belonging to the period of Lucanian rule, while only one of them dates to the Greek period. However, this is the Tomb of the Diver (Italian: Tomba del tuffatore), which is much the most famous. It is named after the enigmatic scene, depicted on the underside of the covering slab, of a young man diving into a stream of water. It dates to the first half of the fifth century BC (about 470 BC), the Golden Age of the Greek town. It was found, on 3 June 1968, in a small necropolis some 1.5 km south of the ancient walls. The paintings have now been transferred to the museum. The tomb is painted with the true fresco technique and its importance lies in being "the only example of Greek painting with figured scenes dating from the Orientalizing, Archaic, or Classical periods to survive in its entirety. Among the thousands of Greek tombs known from this time (roughly 700–400 BC), this is the only one to have been decorated with frescoes of human subjects."
The remaining four walls of the tomb are occupied by symposium related scenes, an iconography far more familiar from Greek pottery than the diving scene. All the five frescoes are displayed in the museum, together with other cycles from Lucanian painted tombs. In contrast to earlier Greek tomb paintings, these later scenes have many figures and a high proportion of scenes including horses and equestrian sports.
A few kilometres from Paestum there was a temple complex at the mouth of the Sele river (Foce del Sele in Italian) dedicated to Hera. The temple is now all but destroyed, and little remains of several other buildings. But about 70 of the 6th-century BC Archaic metope relief panels on the temple and another building at the site were recovered. These fall into two groups, the earlier of which shows the story of the life of Heracles in 38 surviving reliefs; the later group, of about 510 BC, shows pairs of running women. The earlier cycle forms the centrepiece of the Paestum museum, set in place around walls of the original height. At the site itself there is a museo narrante with video displays but no original artefacts.
Art from Paestum
The Paestum museum holds the largest collection, but there are many significant pieces that were removed from the site before modern controls, and are in a number of collections around the world. The National Archaeological Museum of Spain in Madrid has especially rich holdings, with two important Imperial Roman statues and many very fine vases (see below). Other pieces, mostly painted pottery, are in the Louvre, the Antikensammlung Berlin and other museums in Europe and America.
In the case of painted pottery, a number of individual artists, especially from the 4th century BC, have been identified and given notnames whose work has been found in tombs around the city and the region, and sometimes further afield. It has been assumed these were based in the city.
"Bell-krater with an Elderly Satyr Followed by Young Dionysos", by the "Python" painter, Los Angeles County Museum of Art
The highlights of the museum are mentioned above: the Sele metopes, the Tomb of the Diver, and the contents of the Heroon. The displays also show a number of large painted terracotta architectural fragments from the temples and other buildings, many Greek terracotta figurines and incomplete larger terracotta statues, and pottery including painted vases.
According to Strabo the city was founded as Poseidonia (named after the Greek god of the sea) by Greek Achaeans from Sybaris. The colonists had built fortifications close to the sea, but then decided to found the city further inland at a higher elevation. The fortifications might have been built to the south of Poseidonia on the promontory where Agropoli is now. According to the historical tradition the sanctuary to Poseidon was located there, after which the city would have been named. The date of Poseidonia's founding is not given by ancient sources, but the archaeological evidence gives a date of approximately 600 BC.
Alternatively, the Sybarites may in fact have been Troezenians. Aristotle wrote that a group of Troezenians was expelled from Sybaris by the Achaeans after their joint founding of that city. Gaius Julius Solinus calls Paestum a Dorian colony and Strabo mentions that Troezen was once called Poseidonia. As a consequence it has been argued that Paestum was founded by the Troezenians referred to by Aristotle. Another hypothesis is that the Sybarites were aided by Dorians in their founding of Poseidonia.
Archaeological evidence from Paestum's first centuries indicates the building of roads, temples and other features of a growing city. Coinage, architecture and molded votive figurines all attest to close relations maintained with Metaponto in the sixth and fifth centuries.
It is assumed that Poseidonia harbored refugees from its mother city Sybaris when that city was conquered by Croton in 510 BC. In the early fifth century, Poseidonia's coins adopted the Achaean weight standard and the bull seen on Sybarite coins. A. J. Graham thinks it was plausible that the number of refugees was large enough for some kind of synoecism to have occurred between the Poseidonians and the Sybarites, possibly in the form of a sympolity.
Poseidonia might have had a major share in a new foundation of Sybaris which lasted from 452/1 BC until 446/5 BC. This is suggested by the great resemblance of the coins of Sybaris to those of Poseidonia in this period. Possibly a treaty of friendship between Sybaris, its allies and the Serdaioi (an unknown people) dates to this new foundation, because Poseidonia was the guarantor of this treaty.
It is not until the end of the fifth century BC that the city is mentioned, when according to Strabo the city was conquered by the Lucanians. From the archaeological evidence it appears that the two cultures, Greek and Oscan, were able to thrive alongside one another.
Roman period and abandonment
What is known is it later became the Roman city of Paestum in 273 BC after the Graeco-Italian Poseidonians sided with the loser, king Pyrrhus of Epirus, in his war against republican Rome during the first quarter of the third century BC.
During the Carthaginian invasion of Italy by Hannibal, the city remained faithful to Rome and afterwards was granted special favours such as the minting of its coinage. The city continued to prosper during the Roman imperial period, and became a bishopric as the Roman Catholic Diocese of Pesto around 400 AD.
It started to go into decline between the 4th and 7th centuries, was abandoned during the Middle Ages.The bishopric was suppressed in 1100. Like Naples and most of the surrounding region, the inhabitants presumably spoke a version of Greek throughout its history. The decline and desertion were probably due to changes in local land drainage patterns, leading to swampy malarial conditions. Raids by "Saracen" pirates and slavers may also have been a deciding factor; the remaining population seems to have moved to the more easily defended cliff-top settlement at Agropoli (i.e. "acropolis" or "citadel" in Greek) a few kilometres away, though this itself became a base for Muslim raiders for a period. The Paestum site became overgrown and largely forgotten, though some stone spolia were collected and used in Salerno Cathedral by Robert Guiscard (d. 1085).
Despite stray mentions like that in the history of Pietro Summonte in 1524, who correctly identified the three Doric temples as such, its ruins only came to wide notice again in the 18th century, following the rediscovery of the Roman cities of Pompeii and Herculaneum, and the construction of a new coastal road south from Naples. The modern settlement had begun to revive by at least the 16th century, to the side of the ancient ruins. After a complicated start, the rediscovery of the three relatively easily accessible, and early, Greek temples created huge interest throughout Europe, and prints by Giovanni Battista Piranesi (1778) and others were widely circulated. The complete and relatively simple form of the temples was influential in early Greek Revival architecture.
In 1740 a proposal was made, but fortunately not executed, to remove columns for the new Palace of Capodimonte in Naples. Initially, 18th-century savants doubted that the temples were temples, and it was suggested that they variously included a gymnasium, a public basilica or hall, or a "portico". There was also controversy and misunderstanding of their cultural background. Alessio Simmaco Mazzocchi, a clergyman and antiquarian, "the founder of the modern study of Magna Graecia" (the ancient Greeks in Italy), thought they were Etruscan, in line with his theories that Greek colonists had merely joined existing cultures in Italy, founded by peoples from further east. He derived the etymology of "Poseidonia" from an invented Phoenician sea god.
The first published account was Les Ruines de Paestum in 1764, by G. P. M. Dumont, who had been taken to the site in 1750, along with the architect Jacques-Germain Soufflot, by Count Gazzola, an engineer for the government in Naples. Gazzola had himself made or commissioned measured drawings, to which Dumont added his own, as well as more artistic plates. There was an expanded edition in 1769, the same year when a still more extensive account was published by the Englishman Thomas Major. By 1774 there were nine different illustrated publications on the site.
Second World War
On September 9, 1943, Paestum was the location of the landing beaches of the U.S. 36th Infantry Division during the Allied invasion of Italy. German forces resisted the landings from the outset, causing heavy fighting within and around the town. Combat persisted around the town for nine days before the Germans withdrew to the north. The Allied forces set up their Red Cross first aid tents in and around the temples since the Temples were "off limits" to bombing by both sides.
The coins of Paestum begin about 550 BC. These early issues were perhaps all festival coins. They usually have Poseidon with upraised trident. Issues continue until the reign of Tiberius. For unknown reasons Paestum alone of all the smaller Italian mints was allowed to continue minting bronze coins by a Senatorial decree of about 89 BC, after this had been centralized. Later coins carry "P. S. S. C.", standing for "Paesti Signatum Senatus Consulto" to reflect this.
- Gate to the Sea, a historical novel by Bryher published in 1958, portrays the flight of Harmonia, a Greek high priestess, from Poseidonia (Paestum), where the Greek inhabitants have been enslaved and culturally dominated by the Lucani since the death of Alexander the Great in 323 BC
- In the novel My Antonia by Willa Cather, the professor Gaston Cleric contracts a fever after spending the night outdoors admiring "the sea temples at Paestum."
- In the film Mare Nostrum (film) by Rex Ingram (director), they visit Paestum.
- In the 2007 video game Medal of Honor: Airborne, the second mission takes place in Paestum.
- Jason and the Argonauts (1963 film)
- Architecture of Ancient Greece
- Roman Catholic Diocese of Pesto
- Greek temple
- List of ancient Greek temples
- List of Greco-Roman roofs
- List of archaeological sites sorted by country
- Cancik, Hubert; Schneider, Helmuth (eds.). "Poseidonia, Paistos, Paestum.". Brill’s New Pauly. Brill Online. Retrieved 5 November 2013.
- Indeed, they are very often used to illustrate the style in architectural books.
- "The early temple of Hera, known as the ‘Basilica’"
- "The temple of Athena"
- "Ancient Greek Temples at Paestum, Italy". smARThistory at Khan Academy. Retrieved December 18, 2012.
- Two possible reconstructions here
- "The Greek town at Paestum"
- Rebecca Miller Ammerman, "The Naked Standing Goddess: A Group of Archaic Terracotta Figurines from Paestum", American Journal of Archaeology 95.2 (April 1991), pp. 203–230.
- Holloway, R. Ross (2006). "The Tomb of the Diver". American Journal of Archaeology. 110 (3): 365–388. JSTOR 40024548.
- http://www.paestum.org.uk "The Sanctuary at the mouth of the River Sele"
- Strabo, Geographica 5.4.13
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- Ammerman, Rebecca Miller (2002-01-01). Il Santuario Di Santa Venera a Paestum. University of Michigan Press. p. 48. ISBN 0472108999.
- Graham, A. J. (1999). Colony and Mother City in Ancient Greece. Manchester, England: Manchester University Press. p. 114. ISBN 978-0-7190-5739-7.
- Diodorus Siculus (2006). Green, Peter, ed. Books 11-12.37.1: Greek History 480-431 B.C., the Alternative Version. Austin, Texas: University of Texas Press. p. 173. ISBN 978-0-292-71277-5.
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- Ceserani, 60
- Piranesi's full title was Differentes vues de quelques restes de trois grands édifices qui subsistent encore dans le milieu de l'ancienne ville de Pesto autrement Possidonia, et qui est située dans la Lucanie, 1778
- Ceserani, 49-66, 49 quoted
- Ceserani, 52-59, 62
- Ceserani, 62
- Wilton-Ely, 118; Ceserani, 60-65
- "Poseidonia" in Historia Numorum
- Cerchiai, Luca; Jannelli, Lorena; Longo, Fausto, eds. (2004). The Greek Cities of Magna Graecia and Sicily. Translated from Italian by the J. Paul Getty Trust. Los Angeles, CA: Getty Publications. ISBN 978-0-89236-751-1.
- Ceserani, Giovanna, Italy's Lost Greece: Magna Graecia and the Making of Modern Archaeology, 2012, Oxford University Press, ISBN 978-0-19-987679-2, Google books
- Wilton-Ely, John, The Mind and Art of Giovanni Battista Piranesi, 1978, Thames & Hudson, London, ISBN 0-500-09122-6
- Amato, Vincenzo (2009). "Geomorphology and geoarchaeology of the Paestum area: modifications of the physical environment in historical times". Méditerranée (112). doi:10.4000/mediterranee.3376.
- Bunbury, Edward Herbert (1854). "Paestum". In Smith, William. Dictionary of Greek and Roman Geography.
- Cipriani, Marina (1996). The Lucanians in Paestum. Sirene. 1. Paestum: Fondazione Paestum. ISBN 978-88-86884-02-0.
- Greco, Emanuele (2006). Archaeological and Historical Guide to the Excavations, the Museum and the Antiquities of Poseidonia and Paestum. Taranto: Scorpione editrice.
- Greco, Emanuele (1993). Paestum: A Guide with Reconstructions of Ancient Monuments. Past & Present (in Italian). 171. Vision SRL. ISBN 978-88-8162-016-6.
- Higginbotham, James (2012). "Paestum (Poseidonia)". The Encyclopedia of Ancient History. Blackwell Publishing Ltd. doi:10.1002/9781444338386.wbeah16104. ISBN 978-1-4443-3838-6. Retrieved 5 November 2013.
- Horsnaes, Helle W. (2002). The Cultural Development in North Western Lucania c. 600–273 BC. Analecta Romana Instituti Danici Supplementum. 28. Rome: L'Erma di Bretschneider. ISBN 978-88-8265-194-7.
- Pedley, John Griffiths (1990). Paestum: Greek and Romans in Southern Italy. New Aspects of Antiquity. London, England: Thames & Hudson. ISBN 978-0-500-39027-6.
- Strabo, Geographica 6.1
- Wonder, John W. (2002). "What Happened to the Greeks in Lucanian-Occupied Paestum? Multiculturalism in Southern Italy". Phoenix. 56 (1/2): 40–55. JSTOR 1192469.
|Wikimedia Commons has media related to Paestum.|
- Official website of the Museo Archeologico Nazionale di Paestum (Italian) (English)
- Information on Paestum given by the website of the archaeological superintendece (Italian)
- Information on the Museo Archeologico Nazionale di Paestum given by the website of the archaeological superintendece (Italian)
- Comprehensive account of site and museum