Pahari painting (literally meaning a painting from the mountainous regions: pahar means a mountain in Hindi) is an umbrella term used for a form of Indian painting, done mostly in miniature forms, originating from Himalayan hill kingdoms of North India, during 17th-19th century, notably Basohli, Mankot, Nurpur, Chamba, Kangra, Guler, Mandi, and Garhwal. Nainsukh was a famous master of the mid-18th century, followed by his family workshop for another two generations.
Origin and area
The Pahari school developed and flourished during 17th-19th centuries stretching from Jammu to Almora and Garhwal, in the sub-Himalayan India, through Himachal Pradesh. Each created stark variations within the genre, ranging from bold intense Basohli Painting, originating from Basohli in Jammu and Kashmir, to the delicate and lyrical Kangra paintings, which became synonymous to the style before other schools of paintings developed. The Kangra style reached its pinnacle with paintings of Radha and Krishna, inspired by Jayadev's Gita Govinda.
Schools of Pahari painting
- Pahari Masters: Court Painters of Northern India by B. N. Goswamy and Eberhard Fischer Artibus Asiae. Supplementum, Vol. 38, Pahari Masters: Court Painters of Northern India (1992), pp. 3–391 
- Wall Paintings of The Western Himalayas, by Mira Seth. Publications Division . 1976.
- Garhwal Paintings, by Mukandi Lal. Publications Division. 1982.
- Punjab Painting - Study in Art and Culture, by R P Srivastava. Abhinav Publications. 1983. ISBN 0-391-02560-0.
- Centres of Pahari Painting, by Chandramani Singh. Published by Abhinav Publications, 1982. ISBN 0-391-02412-4.
- Portfolio - The Bhagavata Paintings from Mankot, by Karl Khandalavala. Lalit Kala Akademi. 1981.
- On the origins of Pahari Painting, by Vishwa Chander Ohri, Joseph Jacobs. Indian Institute of Advanced Study. 1991. ISBN 81-85182-53-1.
- Kossak, Steven. (1997). Indian court painting, 16th-19th century. Metropolitan Museum of Art. ISBN 0870997831