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He went to Italy when he was young, and became one of the ablest pupils of Giacomo Borgognone. He painted battle-pieces and imitated the landscapes of Salvator Rosa. He also excelled in painting perspective and architectural views (quadratura).
- Bryan, Michael (1889). Walter Armstrong & Robert Edmund Graves, ed. Dictionary of Painters and Engravers, Biographical and Critical (Volume II L-Z). York St. #4, Covent Garden, London; Original from Fogg Library, Digitized May 18, 2007: George Bell and Sons. p. 361.
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