Paparazzi (2004 film)

From Wikipedia, the free encyclopedia
Jump to: navigation, search
Paparazzi movie.jpg
Theatircal release poster
Directed by Paul Abascal
Produced by Mel Gibson
Bruce Davey
Written by Forry Smith
Starring Cole Hauser
Robin Tunney
Dennis Farina
Daniel Baldwin
Tom Sizemore
Music by Brian Tyler
Cinematography Daryn Okada
Edited by Robin Russell
Distributed by 20th Century Fox (United States)
Icon Entertainment and Warner Bros.(non-U.S.)
Release dates
September 3, 2004 (2004-09-03)
Running time
84 min
Country United States
Language English
Budget $20 million
Box office $16,796,512

Paparazzi is a 2004 American action film directed by Paul Abascal, produced by actor Mel Gibson, and starring Cole Hauser.

The film chronicles the life of a popular Hollywood film star in the aftermath of a car crash caused by four paparazzo tabloid photographers.


Bo Laramie (Cole Hauser) is a rising movie star who has finally achieved major success with his latest film.

Persistent unscrupulous photographers — Kevin Rosner (Kevin Gage), Leonard Clark (Tom Hollander), Wendell Stokes (Daniel Baldwin) and their leader Rex Harper (Tom Sizemore) - harass Bo and his family, which includes his wife Abby (Robin Tunney), and their 8-year-old son Zach (Blake Michael Bryan). The day after the big premiere of Bo's new movie, Bo takes Zach to soccer practice, where he’s immediately troubled by the sight of Rex, snapping pictures of Zach on the field.

Bo initially takes the high road, politely asking Rex to back off. Though Rex pretends to back off, he soon returns and gets punched by Bo, who is then sued for $500,000. Rex then vows to destroy Bo's life. Later, while Bo, Abby and Zach are out in their car, Rex and his crew drive up beside them, in four different vehicles, and start taking pictures.

Distracted, Bo is forced to stop at an intersection, and their car is rammed by a pickup truck. Rex and his crew rush out of their vehicles to snap photos of the wreck that they caused. While Bo is not seriously injured, Abby's spleen is removed and Zach is in a coma.

Bo talks to LAPD detective Burton (Dennis Farina). Burton says that Rex, Wendell, Leonard, and Kevin each gave him the same story, that they drove up on the wreck some time after it happened. Burton says that until he gets any witnesses, that's all he has to go on.

The next day, Bo accidentally causes Kevin to wipe out on his motorcycle, careening onto a precipice. Bo tries to save Kevin, but the photographer gloats that they'll soon own him and put his family through hell. Bo, flashing back to the wreck, lets Kevin fall to his death.

Det. Burton learns that Leonard Clark used to be an attorney — until he got himself disbarred for distribution of narcotics. Leonard is still on probation for possession of illegal firearms. When Leonard was an attorney, he had once gotten Rex out of an attempted rape charge against a female worker of the town's traffic management system. Besides, Bo was not the first actor who ever punched Rex before — one of the Baldwin brothers did. Baldwin punched Rex, who sued him and then moved into a boat on a local marina.

Bo next goes after Leonard. After calling 911, Bo describes Leonard's car, and says that the driver is waving a gun all over the place. Leonard is pulled over and instinctively pulls out a gun that he didn't know was in his coat pocket, causing the cops to shoot him dead.

Rex and Wendell are convinced that Bo will target them next. So, they plant tiny cameras in Bo's house. Abby runs into Wendell, who threatens to kill her son if she tells the cops. Soon after that, Deputy Walker (Forry Smith) and Deputy Wilson (Donal Gibson) come by. Burton sent them to provide extra security.

Rex is furious that Wendell attacked Abby, because that gives Bo even more reason to go after them. Bo sneaks out past the two deputies and makes his way into Wendell's house. Bo is infuriated upon discovering that there are cameras planted in his house. Wendell arrives home, and Bo confronts him with a baseball bat. In the morning, Bo puts the car back where it was at, and he notices that Burton is on his way to the house. Bo races to the house, and lets Burton in, who shows Bo a video that was taken by a camera in a button of Leonard's shirt on the set of the movie. Burton thinks someone planted the gun in Leonard's coat.

Rex arrives at Wendell's house, looks through a window and sees Wendell's brutally beaten corpse. Rex goes back to his boat, finding the bloody bat. Rex realizes that Bo is trying to frame him.

With police approaching, Rex grabs a gun and ducks out of his boat. At Wendell's house, Burton notices the video feed from the cameras in Bo's house. On the feed, he sees Rex entering the house with the gun. Rex goes to Bo and Abby's bedroom and opens fire, only for Bo to hit Rex and throw him to the floor. He viciously beats Rex, gloating about how he got his revenge.

Rex is arrested. As he is led outside, he is relentlessly photographed by paparazzi and confronted by the female traffic system employee raped by him (as Leonard got him free of this frameup previously). Later, as Bo is preparing to finish up the movie he's been filming, he's called to the hospital, where Zach has awakened from his coma. Later, Bo, Abby, and Zach are at the premiere of 'Adrenaline Force 2', the sequel to the movie that made Bo a star. Abby is now pregnant with a girl. After the film is shown, Abby and Zack leave covertly, as Bo goes to meet the press out front, by himself.


Mel Gibson, who was one of the film's producers, appears as an anger management patient in the waiting room of their shared therapist. In addition, Chris Rock appears as a pizza delivery driver, Vince Vaughn appears as Bo Laramie's co-star, and Matthew McConaughey appears as himself at a movie premiere.

At about forty minutes into the movie, Detective Burton (Dennis Farina) tells Bo how one of the papparazzi, Wendell Stokes, has previously sued "Alec Baldwin" or one of the "Baldwins". Daniel Baldwin plays paparazzi Stokes in the movie (see Baldwin brothers).

Box office[edit]

The film was a Box office bomb, having cost about US$20 million to be made, and grossing only $16 million worldwide.[1]

  • United States Domestic Gross: US$ 15,714,234
  • International Gross: US$891,529
  • Total Worldwide Gross: US$16,605,763

Critical response[edit]

The film was terribly rated on Rotten Tomatoes. It received an 18% rating on Rotten Tomatoes and a consensus of being "a crude, ludicrous exploitation movie with a questionable moral".[2]

The film also received a large number of negative criticism from major American, Canadian and British publications:

  • "Amazingly arrogant, immoral film." -- Dave Kehr, The New York Times
  • "The audacity of the paparazzi is a good topic, but this imbecilic film has no idea how to focus its intentions." -- E! Online[3]
  • "More than a few movie stars probably have fantasized about getting their revenge on the paparazzi. But leave it to Mel Gibson to see possibilities in a script about a rising star driven to go on a murderous rampage with [the paparazzi] as his victims." -- Ruthe Stein, San Francisco Chronicle[4]
  • "First-time director Paul Abascal is an ex-hairdresser whose debut film wallows in melodramatic excesses - tense, shrieking music, spitting, sputtering villains and a hero who is right and righteous because, well, he's a celebrity! And even celebrities have vengeance fantasies!" -- Roger Moore, Chicago Tribune[5]
  • "Especially since the death of Princess Diana, guerilla photographers who snap celebrity candids have come to be considered the gum on the bottom of society's shoe. The film Paparazzi exploits this built-in audience disgust to characterize them as somewhere between slugs and dung beetles on the morality scale, deserving whatever they get." -- Derek Armstrong, Allmovie
  • "The martyr is action star Bo Laramie (Cole Hauser, playing the role as if he were slipped Rohypnol in a drink and forced to be in this movie!)." -- Jim Slotek, Jam![6]
  • "[Bo] takes the paparazzi out with extreme prejudice, for which he is investigated by a Columbo-esque cop who not-so-secretly approves of this old school justice. It's just so embarrassing you wish the cinema would fit swivel seats so you can look round at the back wall when he comes on. The movie damns all paparazzi as parasitical villains." -- Peter Bradshaw, The Guardian[7]
  • "Hot on the blood-stained heels of The Punisher, Man On Fire and Kill Bill comes Paparazzi, another lurid revenge fantasy. Its flimsy plot rests on the ludicrous notion that an actor should be entitled to slaughter anyone who invades his privacy. Sadistic in the extreme and lacking any form of moral compass, it's the kind of film only the likes of O. J. Simpson could love." -- Neil Smith, BBC[8]


External links[edit]